Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by Henrik Wiese....(+)
Orchestra - Piano
Reduction. By Wolfgang
Amadeus Mozart. Edited by
Henrik Wiese. Piano
reduction by Jan Philip
Schulze. Cadenza by
Robert Levin. Flute.
Pages: Score: III and 6 *
Fl Part: 4. Piano
Reduction-paper bound.
Published by G. Henle.
For Flute and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by...(+)
For Flute and Orchestra -
Piano Reduction. By
Wolfgang Amadeus Mozart.
Edited by Andras Adorjan.
Piano reduction by
Siegfried Petrenz.
Cadenza by Robert Levin.
Flute. Pages: Score = IV
and 34 * Fl Part =16.
Piano Reduction-paper
bound. Published by G.
Henle.
For Flute and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by...(+)
For Flute and Orchestra -
Piano Reduction. By
Wolfgang Amadeus Mozart.
Edited by Andras Adorjan.
Piano reduction by
Siegfried Petrenz.
Cadenza by Robert Levin.
Flute. Pages: Score = IV
and 28 * Fl Part =17.
Piano Reduction-paper
bound. Published by G.
Henle.
Op. 44, No. 11 RV 443 - for Flautino (Recorder, Flute) and Orchestr - Piano Redu...(+)
Op. 44, No. 11 RV 443 -
for Flautino (Recorder,
Flute) and Orchestr -
Piano Reducton. By
Antonio Vivaldi. Edited
by H, Wiese. Flute.
Pages: Score = IV and 14
* Flautino Part = 6.
Piano Reduction-paper
bound. Published by G.
Henle.
In this edition, we
present two shorter works
by Wolfgang Amadeus
Mozart, which were not
originally intended as a
continuous work, but
which are ideally suited
to such a performance,
especially as they
complement one another in
character so beautifully.
The edition allows you to
work through the piece
systematically and at
different tempi with the
accompaniment. The
enclosed CD begins with
the concert version of
each movement, following
which you will hear the
piano accompaniment at
slow and medium tempo to
help you practice. Having
mastered these slower
versions, you’ll
now be ready to play with
orchestral accompaniment
at the original tempo.
All of the versions
wererecorded live. The CD
tracks are also available
in downloadable MP3
format.
Mit
dieser Ausgabe
präsentieren wir Ihnen
zwei kürzere Werke von
Wolfgang Amadeus Mozart,
die ursprünglich nicht
als ein fortlaufendes
Werk vorgesehen waren,
sich jedoch bestens
für eine solche
Aufführung eignen,
zumal sie einander
charakterlich schön
ergänzen. Diese
Ausgabe ermöglicht es
Ihnen, das Werk
systematisch und in
verschiedenen Tempi mit
Begleitung zu
erarbeiten. Auf der
beiliegenden CD hören
Sie zuerst die
Konzertversion eines
jeden Satzes. Zum Ãœben
folgt nun im langsamen
und mittleren Tempo die
Klavierbegleitung:
anschließend können
Sie sich im Originaltempo
vom Orchester begleiten
lassen. Alle
eingespielten Versionen
wurden live aufgenommen.
SämtlicheCD-Tracks
stehen auch online im
MP3-Format zur
Verfügung.
Concerto Elegia Flûte traversière et Piano [Reduction] Theodore Presser Co.
(For Flute And String Orchestra). Composed by Ellen Taaffe Zwilich (1939-). For ...(+)
(For Flute And String
Orchestra). Composed by
Ellen Taaffe Zwilich
(1939-). For flute with
piano reduction.
Contemporary. Solo Part
with Piano. Standard
Notation. Composed 2014.
Duration 16 minutes.
Theodore Presser Company
#144-40626. Published by
Theodore Presser Company
Flute, piano SKU: FG.55011-746-4 Huilukonsertto - Soolostemma & pianor...(+)
Flute, piano
SKU:
FG.55011-746-4
Huilukonsertto -
Soolostemma &
pianoreduktio.
Composed by Einar
Englund. Classical,
contemporary. Book.
Fennica Gehrman
#55011-746-4. Published
by Fennica Gehrman
(FG.55011-746-4).
ISBN
9790550117464.
Eina
r Englund’s
(1916-1999) Flute
Concerto (1985) is beyond
dispute one of his
greatest works. Its
finest attributes are its
rich melodic invention,
colourful instrumentation
and immediate message.
Add to these its
rewarding solo part, and
the result is truly one
of his best concertos
– and works. He
himself did not hesitate
to regard it as such. It
was premiered in Helsinki
on September 16, 1985,
having been completed at
Ljugarn on the Swedish
island of Gotland at the
end of June. The Finnish
Radio Symphony Orchestra
was conducted by Leif
Segerstam, and the
soloist was the
concerto’s
dedicatee, Mikael
Helasvuo.
The
Flute Concerto opens with
a Ritornello in which the
flute's playful,
dance-like passages make
sharp contrast with the
orchestra's heroic
stance. In the mellow
Canzona which follows,
the flute plays
rhapsodically over
repetitive orchestral
figures. The work's
action-packed finale
hints at parody in its
military march-like
opening, but also gives
rein to the lyricism
already familiar from the
second movement.
This product
includes the solo flute
part and the piano
reduction. The orchestral
study score
(composer’s
manuscript) is available
for sale (product number
9790550117471). The
performance material is
available for hire from
the publisher.
Duration: c.
23’
Instrumentation of
the orchestra:
3(III=picc)222–433
0–14–harpsi
chord(+celesta)–hp
–str.
(For 2 Flutes and Orchestra). By Steven Stucky (1949-). For Piano, Flute I, Flut...(+)
(For 2 Flutes and
Orchestra). By Steven
Stucky (1949-). For
Piano, Flute I, Flute II.
Premiered by Anne Diener
Giles and Janet Ferguson,
solo Flutes; Los ANgeles
Philharmonic Orchestra,
Easa Pekka Salonen,
conductor; February
23,1995. Classical. Set
of performance scores.
Standard notation. 38
pages. Duration 17:00
Flute & Piano (reduction) SKU: SU.33000431 For Flute & Piano (reductio...(+)
Flute & Piano (reduction)
SKU: SU.33000431
For Flute & Piano
(reduction). Composed
by Leonardo Balada.
Woodwinds, Flute/Piccolo,
Orchestra, Piano
Reduction. Score & Parts.
Subito Music Corporation
#33000431. Published by
Subito Music Corporation
(SU.33000431).
Flute & Piano
(reduction) Duration: 21
' Composed: 2000
Published by: Beteca
Music Performance
materials available on
rental only:.
Flute, Piano SKU: HU.HN674 Composed by Wolfgang Amadeus Mozart. Edited by Andra...(+)
Flute, Piano
SKU: HU.HN674
Composed by Wolfgang
Amadeus Mozart. Edited by
Andras Adorjan. Woodwind,
Repertoire, Solos.
Concerto for Flute and
Orchestra D major K. 314.
Classical. Softcover
Book. 49 pages. G. Henle
#HN674. Published by G.
Henle (HU.HN674).
12.2 x 9.3 x 0.2 inches.
Flute, Piano SKU: FG.042-07846-4 Composed by Einar Englund. Piano Reducti...(+)
Flute, Piano
SKU:
FG.042-07846-4
Composed by Einar
Englund. Piano Reduction.
Published by Fennica
Gehrman (FG.042-07846-4).
ISBN
979-0-042-07846-4.
Englund's Flute Concerto
opens with a Ritornello
in which the flute's
playful, dance-like
passages make sharp
contrast with the
orchestra's heroic
stance. In the mellow
Canzona which follows,
the flute plays
rhapsodically over
repetitive orchestral
figures. The work's
action!packed finale
hints at parody in its
military march-like
opening, but also gives
rein to the lyricism
already familiar from the
second movement.
Ollie and Me Flûte traversière et Piano [Reduction] Theodore Presser Co.
For Flute and Piano. Composed by Gary Schocker. Solo part with piano redu...(+)
For Flute and
Piano. Composed by
Gary Schocker. Solo part
with piano reduction.
With Standard notation.
10 pages. Duration 4
minutes. Theodore Presser
Company #114-41363.
Published by Theodore
Presser Company
(PR.114413630).
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417610
Based
on themes from Puccini's
Madama Butterfly.
Composed by Michael
Webster. Sws each. See
the notes on Madama
Butterfly on page two and
the notes on Sonata
Cho-Cho-San on page three
of the full score.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1997. 44+8+12
pages. Duration 24
minutes, 28 seconds.
Theodore Presser Company
#114-41761. Published by
Theodore Presser Company
(PR.114417610).
ISBN
9781491107904. UPC:
680160636051. 9x12
inches.
SONATA
CHO-CHO-SAN(Based on
themes from
Puccini’s Madama
Butterfly)In the spirit
of the great 19th-century
opera fantasies for
woodwinds, Michael
Webster has created a
concert trio on the many
great arias from
Puccini's Madama
Butterfly. However, as
its name implies, Sonata
Cho-Cho-San is not the
typical virtuosic
operatic potpourri.
Rather, it follows the
plot, resembling a sonata
mirroring Puccini's use
of recurring and
developing themes.
Webster makes the most of
the winds as versatile
performers - equally
suited to deliver
Puccini's beautiful vocal
writing, and to ornament
and embroider the
poignant themes in
symphonic style. For
advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
Michael Webster made his
New York recital debutat
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice
University’s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
“TeachingClarinetâ
€ in The Clarinet
Magazine since 1998.
Michael Webster is a
Buffet artist-clinician,
performing on Buffet
clarinets
exclusively.
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Version Pour Flute Et Piano (Solistes) Et Piano (Reduction D'Orchestre) (Vers...(+)
Version Pour Flute Et
Piano (Solistes) Et Piano
(Reduction D'Orchestre)
(Version for Flute and
Piano (Soloists) and
Piano (Orchestra
Reduction)). Composed
by Germaine Tailleferre
(1892-1983). Edited by
Philippe Bernold. This
edition: Originally for
Flute and Piano Soloists,
String Orchestra, Timpani
and Harp. The French
Flutists Propose
(collection Philippe
Bernold). Score and
part(s). With Standard
notation. 41 + 8 + 18
pages. Duration 14
minutes. Gerard Billaudot
Editeur #GB7342.
Published by Gerard
Billaudot Editeur
(PR.524085280).
Flute, piano (solo: fl - 0.0.0.2.dble bsn - 3.3.0.0. - timp.perc(3) - hp - str) ...(+)
Flute, piano (solo: fl -
0.0.0.2.dble bsn -
3.3.0.0. - timp.perc(3) -
hp - str)
SKU:
BR.EB-8912
Dances
with the Winds.
Composed by Einojuhani
Rautavaara. Solo
instruments; stapled.
Edition Breitkopf.
World premiere:
Stockholm, May 4,
1974
Solo concerto;
Music post-1945. Piano
reduction. 40 pages.
Duration 21'. Breitkopf
and Haertel #EB 8912.
Published by Breitkopf
and Haertel (BR.EB-8912).
ISBN 9790004185780. 9
x 12 inches.
The
flute concerto 'Dances
with the Winds' was
composed in 1974 for the
Swedish flautist Gunilla
von Bohr, a specialist in
all members of the flute
family. The ordinary
flute thus alternates
with a bass flute at the
beginning and end of the
four-movement concerto,
the second movement is
assigned to the shrill
piccolo and the third to
the sensuous alto flute.
The last movement is a
summary of all the
musical events in the
concerto. At the end the
bass flute soars to the
top of its register, the
note D acting as the
pivot to many of the
symmetries in the work,
against a resigned B flat
minor chord on the
orchestra. (Einojuhani
Rautavaara) CD: Patrick
Gallois (flute), Helsinki
Philharmonic Orchestra,
cond. Leif Segerstam ODE
921-2
World
premiere: Stockholm, May
4, 1974 Additional to the
original scoring for
flute, piccolo, alto
flute, and bass flute,
the flute part in the
piano reduction contains
ossias for alto flute
instead of the bass
flute.
Concerto Flûte traversière et Piano Theodore Presser Co.
Orchestra Flute, Harp, Orchestra Bells SKU: PR.41641187L For Flute, Ha...(+)
Orchestra Flute, Harp,
Orchestra Bells
SKU:
PR.41641187L
For
Flute, Harp, and
Orchestra. Composed
by Lowell Liebermann.
Spiral. Large Score. With
Standard notation. Opus
48. Duration 20 minutes.
Theodore Presser Company
#416-41187L. Published by
Theodore Presser Company
(PR.41641187L).
UPC:
680160490813. 11 x 14
inches.
Fresh from
the success of his Sonata
for Flute and Piano
(114-40463), and with
some prodding by Sir
James Galway, Liebermann
went on to produce a
trifecta of flute
concerti - the Concerto
for Flute and Orchestra
(416-41186), the Concerto
for Piccolo and Orchestra
(416-41174), and, here,
the Concerto for Flute,
Harp, and Orchestra.
Commissioned by harpist
Hyun Sun Na, the Florida
Philharmonic Orchestra,
the Minnesota Orchestra,
the Cincinnati Symphony,
and the Dallas Symphony,
the Concerto was given
its world premiere in
1995 by Galway (flute),
Kathy Kienzel (harp), and
the Minnesota Orchestra
conducted by Edo de
Waart. The Concerto's
premiere recording was by
Galway (flute), Hyun Sun
Na (harp), and the London
Mozart Players conducted
by Lowell Liebermann.
Flute (flute/piano) SKU: HL.48180521 Composed by Jacques-Francois Ibert. ...(+)
Flute (flute/piano)
SKU: HL.48180521
Composed by
Jacques-Francois Ibert.
Leduc. Classical.
Softcover. 2 pages.
Alphonse Leduc #AL18024.
Published by Alphonse
Leduc (HL.48180521).
UPC: 888680795405.
9x12
inches.
Aria
, written in 1930 by
Jacques Ibert
(1890-1962), is a small
study initially for voice
and piano but arranged in
this edition for flute
and piano. This version
and the one for alto
saxophone and piano are
the ones the most
commonly used. The flute
score is one-page long
and contains technical
difficulties that would
make it ideal for an
upper intermediate
player. Its author,
Jacques Ibert (1890-1962)
is a neoclassical
composer who won the Prix
de Rome in 1919. He
composed many symphonic
suites, operas and seven
orchestras, including
Angelique (1926)
and Entertainment
(1930). He also was in
charge of the
Accadémie de
France in the Villa
Médicis (Roma) and
was later administrator
for the Paris Opera.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
cello/double bass.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-26.
Published by Breitkopf
and Haertel
(BR.OB-5295-26).
ISBN
9790004338438. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
viola. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-19.
Published by Breitkopf
and Haertel
(BR.OB-5295-19).
ISBN
9790004338421. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 1. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-15.
Published by Breitkopf
and Haertel
(BR.OB-5295-15).
ISBN
9790004338407. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 2. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-16.
Published by Breitkopf
and Haertel
(BR.OB-5295-16).
ISBN
9790004338414. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition: wind
parts. Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical. Set
of parts. 20 pages.
Duration 25'. Breitkopf
and Haertel #OB 5295-30.
Published by Breitkopf
and Haertel
(BR.OB-5295-30).
ISBN
9790004338445. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Flute (flute/piano) SKU: HL.48180025 For Flute and Piano. Composed...(+)
Flute (flute/piano)
SKU: HL.48180025
For Flute and
Piano. Composed by
Philippe Gaubert. Leduc.
Classical. CD. 12 pages.
Alphonse Leduc #AL11197.
Published by Alphonse
Leduc (HL.48180025).
UPC: 888680796297.
9.0x12.0x0.056
inches.
Philippe
Gaubert (1879-1941) was a
distinguished performer
on the flute. It comes as
no surprise, therefore,
that his compositions for
the instrument are at the
forefront of the flute's
repertoire, Romance being
no exception. After a
prominent career as a
flautist with the Paris
Opera, he was appointed
as professor of flute at
the Paris Conservatoire,
as well as principal
conductor of leading
orchestras. It was during
this time that Gaubert
composed, including his
Romance which premiered
in 1905. Addressing many
technical features,
including flourishing
semiquaver passages, a
wide range, emotion,
intervals, chromaticism
and complex rhythms,
Romance for Flute and
Piano is a challenging
yet riveting and stirring
piece for aspiring
flautists.