Chamber Music flute, piano SKU: PR.414412050 With Piano Accompaniment<...(+)
Chamber Music flute,
piano
SKU:
PR.414412050
With
Piano Accompaniment.
Edited by Daniel Dorff.
Arranged by Teddy
Niedermaier. Book. 100+80
pages. Theodore Presser
Company #414-41205.
Published by Theodore
Presser Company
(PR.414412050).
ISBN
9781491111550. UPC:
680160597109. Text: Adria
Foster Jeanne
Baxtresser.
Orchest
ral Excerpts For Flute
with Piano Accompaniment
has transformed the
literature and become the
standard excerpt book
since its release in
1995. The original
collection presents
excerpts as you’ll
see them on auditions and
orchestra stands,
enhanced with
Baxtresser’s
insightful commentaries
on preparing each
excerpt. Prefatory essays
and piano accompaniments
add further resources to
best prepare for
auditions and life as an
orchestra
player.Orchestral
Excerpts For Flute,
Volume 2 with Piano
Accompanimentprovides all
the same features for
thorough preparation of
another 56 excerpts drawn
from 27 works including
Tchaikowsky ballets,
Strauss tone poems, John
Williams film scores, and
a wealth of essential
repertoire from Bach
through Stravinsky.
Flute and Piano - intermediate SKU: BT.DOW-05532-400 RV 433 La tempest...(+)
Flute and Piano -
intermediate
SKU:
BT.DOW-05532-400
RV 433 La tempesta di
mare F major / Fa majeur
/ F-Dur. Composed by
Antonio Vivaldi. Dowani 3
Tempi Play Along.
Classical. Book with Part
and Audio-Online.
Composed 2019. 22 pages.
Dowani #DOW 05532-400.
Published by Dowani
(BT.DOW-05532-400).
ISBN 9789043157056.
English-German-French.
This edition presents
a piece that belongs in
the standard repertoire
of every flutist: the
Concerto for flute,
strings and basso
continuo Op. 10 No. 1, RV
439 “La tempesta di
mare†in F Major by
Antonio Vivaldi. The
edition allows you to
work through the piece
systematically and at
different tempi with the
accompaniment. The
enclosed CD begins with
the concert version of
each movement, following
which you will hear the
piano accompaniment at
slow and medium tempo to
help you practise. Having
mastered these slower
versions, you’ll
now be ready to play with
orchestral accompaniment
at the original tempo.
All of the versions were
recorded live. The CD
tracks are alsoavailable
in downloadable MP3
format.
Mit
dieser Ausgabe
präsentieren wir Ihnen
ein Stück, das zum
Standardrepertoire eines
jeden Flötisten
zählt: das Konzert
für Flöte,
Streicher und Basso
continuo op. 10 Nr. 1, RV
439 La tempesta di
mare“ in F-Dur von
Antonio Vivaldi. Diese
Ausgabe ermöglicht es
Ihnen, das Werk
systematisch und in
verschiedenen Tempi mit
Begleitung zu
erarbeiten. Auf der
beiliegenden CD hören
Sie zuerst die
Konzertversion eines
jeden Satzes. Zum Ãœben
folgt nun im langsamen
und mittleren Tempo die
Klavierbegleitung:
anschließend können
Sie sich im Originaltempo
vom Orchester begleiten
lassen. Alle
eingespielten Versionen
wurden live aufgenommen.
Sämtliche CD-Tracks
stehen auch online
imMP3-Format zur
Verfügung.
In this edition, we
present two shorter works
by Wolfgang Amadeus
Mozart, which were not
originally intended as a
continuous work, but
which are ideally suited
to such a performance,
especially as they
complement one another in
character so beautifully.
The edition allows you to
work through the piece
systematically and at
different tempi with the
accompaniment. The
enclosed CD begins with
the concert version of
each movement, following
which you will hear the
piano accompaniment at
slow and medium tempo to
help you practice. Having
mastered these slower
versions, you’ll
now be ready to play with
orchestral accompaniment
at the original tempo.
All of the versions
wererecorded live. The CD
tracks are also available
in downloadable MP3
format.
Mit
dieser Ausgabe
präsentieren wir Ihnen
zwei kürzere Werke von
Wolfgang Amadeus Mozart,
die ursprünglich nicht
als ein fortlaufendes
Werk vorgesehen waren,
sich jedoch bestens
für eine solche
Aufführung eignen,
zumal sie einander
charakterlich schön
ergänzen. Diese
Ausgabe ermöglicht es
Ihnen, das Werk
systematisch und in
verschiedenen Tempi mit
Begleitung zu
erarbeiten. Auf der
beiliegenden CD hören
Sie zuerst die
Konzertversion eines
jeden Satzes. Zum Ãœben
folgt nun im langsamen
und mittleren Tempo die
Klavierbegleitung:
anschließend können
Sie sich im Originaltempo
vom Orchester begleiten
lassen. Alle
eingespielten Versionen
wurden live aufgenommen.
SämtlicheCD-Tracks
stehen auch online im
MP3-Format zur
Verfügung.
(Flute/Piano) SKU: HL.48181380 Composed by Wolfgang Amadeus Mozart. Leduc...(+)
(Flute/Piano)
SKU:
HL.48181380
Composed
by Wolfgang Amadeus
Mozart. Leduc. Classical.
CD. 42 pages. Alphonse
Leduc #AL20857. Published
by Alphonse Leduc
(HL.48181380).
UPC:
888680984427.
9.0x12.0x0.13
inches.
“Wolf
gang Amadeus Mozart's
(1756-1791) Flute
Concerto in D is an
adaptation of the
original Oboe Concerto in
C, which the composer
reworked in 1778. The
Concerto remains widely
studied and performed on
both instruments, making
it one of the more
important Concerti in the
woodwind repertoire.
Concerto in D is in three
movements; 1. Allegro
aperto, 2. Adagio non
troppo, and 3. Rondo:
Allegretto. The first and
last movements are in the
tonic key, whilst the
second movement is in the
subdominant key of G
major. A Dutch flautist
of the time, Ferdinand de
Jean, commissioned Mozart
for four Flute quartets
and three Flute concerti.
However, the composer,
who famously disliked the
Flute, only completed
three quartets and one
concerto. Instead of
composing a second
concerto, Mozart
rearranged his Oboe
Concerto, with
substantial changes for
it to fit with the Flute.
De Jean did not approve,
yet the Concerto in D for
Flute remains as popular
to this day as the
Concerto in C for
Oboe.â€.
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Version Pour Flute Et Piano (Solistes) Et Piano (Reduction D'Orchestre) (Vers...(+)
Version Pour Flute Et
Piano (Solistes) Et Piano
(Reduction D'Orchestre)
(Version for Flute and
Piano (Soloists) and
Piano (Orchestra
Reduction)). Composed
by Germaine Tailleferre
(1892-1983). Edited by
Philippe Bernold. This
edition: Originally for
Flute and Piano Soloists,
String Orchestra, Timpani
and Harp. The French
Flutists Propose
(collection Philippe
Bernold). Score and
part(s). With Standard
notation. 41 + 8 + 18
pages. Duration 14
minutes. Gerard Billaudot
Editeur #GB7342.
Published by Gerard
Billaudot Editeur
(PR.524085280).
(Pour Flute Et Orchestre A Cordes - (for Flute and String Orchestra)). By Pierre...(+)
(Pour Flute Et Orchestre
A Cordes - (for Flute and
String Orchestra)). By
Pierre-Philippe Bauzin.
For Flute, Piano. This
edition: reduction for
flute and piano.
Collection Association
Jean-Pierre Rampal.
Reduction for flute and
piano. Duration 20
minutes. Published by
Gerard Billaudot Editeur
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by Henrik Wiese....(+)
Orchestra - Piano
Reduction. By Wolfgang
Amadeus Mozart. Edited by
Henrik Wiese. Piano
reduction by Jan Philip
Schulze. Cadenza by
Robert Levin. Flute.
Pages: Score: III and 6 *
Fl Part: 4. Piano
Reduction-paper bound.
Published by G. Henle.
For Flute and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by...(+)
For Flute and Orchestra -
Piano Reduction. By
Wolfgang Amadeus Mozart.
Edited by Andras Adorjan.
Piano reduction by
Siegfried Petrenz.
Cadenza by Robert Levin.
Flute. Pages: Score = IV
and 34 * Fl Part =16.
Piano Reduction-paper
bound. Published by G.
Henle.
For Flute and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by...(+)
For Flute and Orchestra -
Piano Reduction. By
Wolfgang Amadeus Mozart.
Edited by Andras Adorjan.
Piano reduction by
Siegfried Petrenz.
Cadenza by Robert Levin.
Flute. Pages: Score = IV
and 28 * Fl Part =17.
Piano Reduction-paper
bound. Published by G.
Henle.
Flute and Piano (FLUTE AND PI) SKU: HL.50488068 By Janos Szebenyi. By Fra...(+)
Flute and Piano (FLUTE
AND PI)
SKU:
HL.50488068
By Janos
Szebenyi. By Franz Anton
Rosler Rosetti. Baroque.
EMB. Book [Softcover].
Editio Musica Budapest
#Z3949. Published by
Editio Musica Budapest
(HL.50488068).
ISBN
9790080039496. 0.102
inches. Janos
Szebenyi.
Already
during his lifetime
Rossler-Rosetti enjoyed
great popularity. His
operas and symphonies
achieved great success,
most of them appeared in
printing. His Requiem was
first performed at Prague
at a memorial festival
dedicated to Mozart. He
composed several
concertos for piano,
violin, violoncello,
flute, clarinet, bassoon,
corno and various
ensembles. Out of his 14
flute concertos the here
published Concerto in D
major is to be found on
page 25 of the thematic
catalogue Breitkopf
supplement XII (1778).
The contemporary
handwritten orchestral
parts of the work are
preserved at the King
Stephen Museum at
Szekesfehervar. It got
into the possession of
the Museum in 1951 with
therich book- and
music-collection of the
family Verebi-Vegh.
Rossler-Rosetti
genoss noch bei Lebzeiten
grosse Popularitat. Seine
Opern und Sinfonien
erzielten grossen Erfolg,
ein beideutender Teil
davon ist auch im Druck
erschienen. Sein Requiem
wurde in Prag 1792
anlasslich der
Mozart-Gedenkfeierlichkei
t aufgefuhrt. Er
komponierte viele
Konzerte fur Klavier,
Violine, Violoncello,
Flote, Klarinette,
Fagott, Horn und
verschiedene Ensembles.
Von seinen vierzehn
Flotenkonzerten ist das
hier erscheinende D-Dur
Konzert in Breitkopfs
thematischem Katalog
Supplement XII (1778) auf
Seite 25 erwahnt. Das
Werk wird im
zeitgenossischen
Manuskript der
Orchesterstimmen im
Istvan Kiraly (Konig
Stephan) Museum zu
Szekesfehervar
aufbewahrt,wohin es 1951
mit der reichen Bucher-
und Notensammlung der
Familie Vegh von Vereb
gelangte.
L'Orchestre Songerie Brillante Flûte traversière et Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
(Songerie Billante). By Jean-Michel Maury. Flute, piano and string quintet. For ...(+)
(Songerie Billante). By
Jean-Michel Maury. Flute,
piano and string quintet.
For Flute and Piano, 2
Violins, Viola, Cello,
Double Bass. Classical,
Educational. Grade 4.
Score and set of parts. 4
(score); 8 (parts).
Published by FLEX
Editions
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
cello/double bass.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-26.
Published by Breitkopf
and Haertel
(BR.OB-5295-26).
ISBN
9790004338438. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
viola. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-19.
Published by Breitkopf
and Haertel
(BR.OB-5295-19).
ISBN
9790004338421. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 1. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-15.
Published by Breitkopf
and Haertel
(BR.OB-5295-15).
ISBN
9790004338407. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 2. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-16.
Published by Breitkopf
and Haertel
(BR.OB-5295-16).
ISBN
9790004338414. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition: wind
parts. Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical. Set
of parts. 20 pages.
Duration 25'. Breitkopf
and Haertel #OB 5295-30.
Published by Breitkopf
and Haertel
(BR.OB-5295-30).
ISBN
9790004338445. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Flute; Piano - intermediate to advanced SKU: HL.49010626 Flute and Pia...(+)
Flute; Piano -
intermediate to advanced
SKU: HL.49010626
Flute and Piano.
Composed by Francesco
Antonio Rosetti. Edited
by Janos Szebenyi.
Arranged by Já, nos
Szebé, and nyi.
This edition: Saddle
stitching. Sheet music.
Il Flauto Traverso (Flute
Library). Classical.
Piano reduction with solo
part. 42 pages. Duration
19'. Schott Music #FTR66.
Published by Schott Music
(HL.49010626).
ISBN
9790001118217. UPC:
073999263930.
9.0x12.0x0.13
inches.
F.A. Rosler
(Antonio Rosetti), a
Bohemian by birth, worked
as court music director
in
Ludwigslust/Mecklenburg.
He wrote 14 flute
concertos altogether the
most important of which
is the concerto G major,
Op. 14. The expanded head
movement combines the
sonata form with the
ritornello technique of
the concerto grosso.
Right at the beginning,
the basses of the
Mannheimer-Walzermotiv
make it clear that Rosler
knows how to use
effectively the
orchestral technique of
his time. Despite all
motivic and thematic as
well as harmonic
abundance, Rosler
achieves in this concerto
an almost natural musical
unity.
Flute and Piano SKU: IS.FP7297EM Composed by Peter Benoit. Woodwinds - Fl...(+)
Flute and Piano
SKU:
IS.FP7297EM
Composed
by Peter Benoit.
Woodwinds - Flute.
Metropolis Music
Publishers #FP7297EM.
Published by Metropolis
Music Publishers
(IS.FP7297EM).
ISBN
9790365072972.
Pete
r Benoit, one of the
great Flemish Romantic
composers and often
considered the origin of
the Flemish School, was
better known for his
piano and choral music
than for his wind music.
Nevertheless, his one
entry into the flute
repertoire - the Concerto
- is an exemplary piece
of high Romanticism that
combines symphonic
writing with idiomatic,
virtuosic flute
technique. Composed as
part of a
‘legendary
triptych’ - the
Stories and Ballads for
Piano, the Symphonic Tale
for Piano and orchestra,
and the Flute Concerto -
the three movements show
the Concerto for the tone
poem it is at heart. The
first Preludium
(Will-o’-the-Wisps
) begins with a fiery
orchestral fanfare, with
an equally grand entrance
by the soloist that
introduces the first
theme and launches the
movement into the
formidable back-and-forth
between soloist and
orchestral forces. The
second, Melancholia,
somewhat resembles the
Molique Andante in its
construction - a clear,
wistful theme is
embellished and carefully
expanded into a full
musical showpiece for
flute. The Finale (Dance
of the Wisps) then
immediately launches into
a display of the
flutist’s agility,
moving through various
permutations of the theme
before coming to an
exuberant, grateful
landing.
Flute and Piano. Composed by Igor Stravinsky (1882-1971). Arranged by Kyle M...(+)
Flute and Piano. Composed
by
Igor Stravinsky
(1882-1971).
Arranged by Kyle MacLeod.
Woodwind. Softcover. 42
pages. Schott Music
#FTR234.
Published by Schott Music
Flute, piano SKU: FG.55011-591-0 Composed by Kalevi Aho. Solo part, piano...(+)
Flute, piano
SKU:
FG.55011-591-0
Composed by Kalevi Aho.
Solo part, piano
reduction. Fennica
Gehrman #55011-591-0.
Published by Fennica
Gehrman (FG.55011-591-0).
ISBN
9790550115910.
Kale
vi Aho's (b. 1949) Flute
Concerto (2002) was
initially inspired by the
magnificent, enigmatic
poetry of the Swede Tomas
Transtromer, but the
vocal ideas nevertheless
adapted themselves to the
flute. There is lots of
singing, lyrical music at
the beginning and end of
this three-movement work;
the second movement, by
contrast, is quick and
brilliant. The finale
follows from the second
movement without a break,
constituting an epilogue
that draws all the
threads together and
brings the events to a
close. This is one of the
most beautiful works Aho
has ever written. The
virtuosic solo part is
written for flute and
alto flute, and Kari
Vehmanen has created the
piano reduction in 2019.
The orchestral study
score (ISMN
9790550096349) is
available for sale and
the orchestral material
for hire.
Flute, piano SKU: FG.55011-746-4 Huilukonsertto - Soolostemma & pianor...(+)
Flute, piano
SKU:
FG.55011-746-4
Huilukonsertto -
Soolostemma &
pianoreduktio.
Composed by Einar
Englund. Classical,
contemporary. Book.
Fennica Gehrman
#55011-746-4. Published
by Fennica Gehrman
(FG.55011-746-4).
ISBN
9790550117464.
Eina
r Englund’s
(1916-1999) Flute
Concerto (1985) is beyond
dispute one of his
greatest works. Its
finest attributes are its
rich melodic invention,
colourful instrumentation
and immediate message.
Add to these its
rewarding solo part, and
the result is truly one
of his best concertos
– and works. He
himself did not hesitate
to regard it as such. It
was premiered in Helsinki
on September 16, 1985,
having been completed at
Ljugarn on the Swedish
island of Gotland at the
end of June. The Finnish
Radio Symphony Orchestra
was conducted by Leif
Segerstam, and the
soloist was the
concerto’s
dedicatee, Mikael
Helasvuo.
The
Flute Concerto opens with
a Ritornello in which the
flute's playful,
dance-like passages make
sharp contrast with the
orchestra's heroic
stance. In the mellow
Canzona which follows,
the flute plays
rhapsodically over
repetitive orchestral
figures. The work's
action-packed finale
hints at parody in its
military march-like
opening, but also gives
rein to the lyricism
already familiar from the
second movement.
This product
includes the solo flute
part and the piano
reduction. The orchestral
study score
(composer’s
manuscript) is available
for sale (product number
9790550117471). The
performance material is
available for hire from
the publisher.
Duration: c.
23’
Instrumentation of
the orchestra:
3(III=picc)222–433
0–14–harpsi
chord(+celesta)–hp
–str.