For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).

(11 Pieces for Flutists of All Ages) for Flute and Piano. By Gary Schocker. For Flute, Piano. Classical. Solo part with piano reduction. 24 pages. Duration 18:00. Published by Theodore Presser Company.

For flute and piano. 20th Century. EMB. Pedagogical performance pieces. Softcover. 28 pages. Editio Musica Budapest #EMBZ15069. Published by Editio Musica Budapest

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

Flute

SKU: UT.HS-226

Vol. 1. Edited by Renata Cataldi and Vito Mandina. Arranged by Renata Cataldi and Vito Mandina. Saddle stitching. Classical. Score and Parts. Ut Orpheus #HS 226. Published by Ut Orpheus (UT.HS-226).

ISBN 9790215323704. 9 x 12 inches.

Genna ro Rava: Concerto in Do maggiore; Concerto in Sol maggiore; Concerto in Re maggiore

By Gary Schocker. For Flute, Piano. Standard notation. Published by Theodore Presser Company

Flute

SKU: UT.XXS-84

Composed by Salvatore Di Stefano. Saddle stitching. Contemporary Music. Classical. Score and Parts. 92 pages. Ut Orpheus #XXS 84. Published by Ut Orpheus (UT.XXS-84).

ISBN 9790215320413. 9 x 12 inches.

Racconto (Tale)/ Capri/ Cielo sereno (Clear sky)/ Tano/ Napolitango/ Luci della spiaggia (Beach lights)/ Fantasia mediterranea (Mediterranean fantasy)/ Una lacrima ridente (A smiling tear)/ Quartieri spagnoli/ Marcia dei pomodori (March of the tomatos)

Being interested in certain aspects of popular music, I became aware of several similarities between popular Neapolitan melodies and the Argentinean tango. Napolitango is based on an imaginary journey to Naples and Buenos Aires. In retaining certain characteristics of the original music, Napolitango embodies an inspiration and an almost theatrically passionate character which is common to these two genres.
The piece has been composed for the Parisian Festival Paris Banlieues Tango 2001.
(S. Di Stefano).

Composed by Howard J. Buss (1951-). 21st Century. Score and part. Duration 6 minutes, 20 seconds. Brixton Publications #B417. Published by Brixton Publications (B7.B417).

(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

Chamber Music flute, piano

SKU: PR.114419120

Composed by Gary Schocker. Set of Score and Parts. With Standard notation. 20+8 pages. Duration 15 minutes. Theodore Presser Company #114-41912. Published by Theodore Presser Company (PR.114419120).

ISBN 9781491113288. 9 x 12 inches.

Composed in memory of his brother, Gary Schocker’s SONATA NO. 9 for Flute and Piano is a serious yet tender work. The four movements are marked Affettuoso, Arioso, Marziale, and Ondeggiando – the Italian tempo markings perhaps indicating a certain degree of formal tradition at the foundation of the sonata.

Chamber Music flute, piano

SKU: PR.114419480

For Flute and Piano. Composed by Gary Schocker. Sws. Set of Score and Parts. 20+8 pages. Duration 8:30. Theodore Presser Company #114-41948. Published by Theodore Presser Company (PR.114419480).

ISBN 9781491131428. UPC: 680160677313. 9 x 12 inches.

Gary Schocker’s THREE DANCES FOR TWO FLUTES has long been a staple of the flute repertoire – in its original voicing with piano, as well as in transcriptions with string orchestra or band accompaniment, for alto saxophone duo with piano, and even in the composer’s flute quartet version of the famous Coffee Nerves movement. Schocker has arranged THREE DANCES for one solo flute with piano, incorporating all of the original work’s counterpoint, beauty, and spice, into this practical and concise instrumentation.

Flute and Piano - intermediate

SKU: XC.LS1809

Composed by François -Joseph Gossec. Arranged by Larry Clark. Legacy Solo Series. Solo with Piano. Classical, Acoustic. Score and part. Excelcia Music Publishing #LS1809. Published by Excelcia Music Publishing (XC.LS1809).

UPC: 812598030143. 12 x 9 inches.

The Legacy Solo Series contains masterworks meticulously edited and set beautifully by one of the most popular composers of music for students today, Larry Clark. These solos are routinely found on many state festival lists throughout the United States and are perfect for use at an adjudicated solo festival or recital. Commonly featured on college audition lists, these works are a cornerstone of the solo repertoire. Piano players will enjoy piano reductions that are clean and feature the solo line in concert pitch for easy rehearsal. Each Legacy Solo, compatible with Smartmusic, comes with beautifully set parts and piano accompaniment. Piano recordings for rehearsal or performance of each piece are available for download from the Excelcia Music Publishing website.

Chamber Music flute, piano

SKU: PR.144407310

Composed by Johann Sebastian Bach. Arranged by Ali Ryerson. Sws. Set of Score and Parts. 4+2 pages. Duration 1:30. Theodore Presser Company #144-40731. Published by Theodore Presser Company (PR.144407310).

ISBN 9781491132319. UPC: 680160681662. 9 x 12 inches.

Inspired by one of the flute repertoire’s loveliest melodies, SICILIANO (REIMAGINED) is a gently adapted “jazz-flavored† setting of the slow movement from Bach’s Sonata in Eb Major. Solo parts are provided both for C Flute and for Alto Flute. With a fairly close rendering of the authentic flute line and more contemporary chords in the piano part, SICILIANO (REIMAGINED) is an inviting way to play music with a modernized jazz sound, while reading traditional classical notation.
Inspired by one of the flute repertoire’s loveliest melodies, Siciliano (Reimagined) never strays far from the source, except for its reharmonization. Occasional jazz-infused touches give the melody a fresh perspective, without diluting its purity. I am always moved by how beautifully the music of the 18th century and contemporary music coexist.Performers may play this arrangement in the Baroque style.

Flute, piano

SKU: BR.EB-6723

Composed by Johann Joachim Quantz. Edited by F. Nagel and W Radeke. Solo instruments; Softcover. Edition Breitkopf. Variations; Baroque. Score. 52 pages. Breitkopf and Haertel #EB 6723. Published by Breitkopf and Haertel (BR.EB-6723).

ISBN 9790004169254. 9 x 12 inches.

This edition of the 28 variations on the aria Ich schlief, da traumte mir for flute and bassa continuo by Johann Joachim Quantz, published here for the first time, is based on a manuscript in the Preussischen Staatsbibliothek in Berlin, whose title reads: Solo Traverso cole Basso Achtundzwantzig Variation es uber die Arie Ich schlief da traumte mir del Sigr: Qvanz The high degree which the art of flute playing had reached at that time is very clearly displayed in this set of variations, a form unusual in Quantz's output. For this reason, this work is very suitable as a study as weil as for performance. The realization of the figured bass and the indications of phrasing merely represent one of many possibilities, and are only intended as suggestions. The source is in places full of errors, and these have been tacitly corrected. Frank Nagel, Basel, June 1974.

Flute, piano (solo: fl - 0.0.0.2.dble bsn - 3.3.0.0. - timp.perc(3) - hp - str)

SKU: BR.EB-8912

Dances with the Winds. Composed by Einojuhani Rautavaara. Solo instruments; stapled. Edition Breitkopf.

World premiere: Stockholm, May 4, 1974

Solo concerto; Music post-1945. Piano reduction. 40 pages. Duration 21'. Breitkopf and Haertel #EB 8912. Published by Breitkopf and Haertel (BR.EB-8912).

ISBN 9790004185780. 9 x 12 inches.

The flute concerto 'Dances with the Winds' was composed in 1974 for the Swedish flautist Gunilla von Bohr, a specialist in all members of the flute family. The ordinary flute thus alternates with a bass flute at the beginning and end of the four-movement concerto, the second movement is assigned to the shrill piccolo and the third to the sensuous alto flute. The last movement is a summary of all the musical events in the concerto. At the end the bass flute soars to the top of its register, the note D acting as the pivot to many of the symmetries in the work, against a resigned B flat minor chord on the orchestra. (Einojuhani Rautavaara) CD: Patrick Gallois (flute), Helsinki Philharmonic Orchestra, cond. Leif Segerstam ODE 921-2

World premiere: Stockholm, May 4, 1974 Additional to the original scoring for flute, piccolo, alto flute, and bass flute, the flute part in the piano reduction contains ossias for alto flute instead of the bass flute.

Chamber Music flute, piano

SKU: PR.114413090

For Flute and Piano. Composed by Gary Schocker. Classical. Set of Score and Parts. With Standard notation. Composed March 29 2006. Duration 5 minutes. Theodore Presser Company #114-41309. Published by Theodore Presser Company (PR.114413090).

ISBN 9781598061147. UPC: 680160564071. 9 x 12 inches.

Commissione d by the Strathmore Hall Foundation, Schocker has constructed a concert work resembling an extended etude. From a deceptively simple opening melody, he introduces runs, trills, broken chords, and chromatic passages all seamlessly integrated into this 5-minute, somewhat challenging showpiece.

Chamber Music flute, piano

SKU: PR.114419440

Composed by Antonin Dvorak, Edward Elzear Zez Confrey, George Gershwin, Harry T. Burleigh, and W.C. Handy. Arranged by Paula Robison. Sws. (see extensive Preface in the publication). Set of Score and Parts. 36+12 pages. Theodore Presser Company #114-41944. Published by Theodore Presser Company (PR.114419440).

ISBN 9781491130810. UPC: 680160676767. 9 x 12 inches.

Paula Robison has selected and arranged highlights of Blues, Ragtime, Spirituals, and all three Gershwin preludes in this remarkable collection for flute and piano. George Gershwin described his own music as: “a sort of musical kaleidoscope of America, of our vast melting pot, of our unduplicated national pep, of our blues, our metropolitan madness.” A TOUCH OF BLUE celebrates this lively image.

Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Franz Linden. This edition: urtext edition. Stapled. Performance score, Part. Baerenreiter Verlag #BA08738. Published by Baerenreiter Verlag

Basso (cello/double bass) (solo: fl - 2.2.0.0 - 2.0.0.0 - str)

SKU: BR.OB-5295-26

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. This edition: cello/double bass. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?

Solo concerto; Classical. Part. 8 pages. Duration 25'. Breitkopf and Haertel #OB 5295-26. Published by Breitkopf and Haertel (BR.OB-5295-26).

ISBN 9790004338438. 10 x 12.5 inches.

When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden? Henrik Wiese sheds new light into the confusion wrought by Mozart himself. Wiese, solo flutist of the Bavarian State Orchestra, has made an outstanding name for himself as soloist and editor, and is viewed in professional circles as one of the best specialists of Mozart's wind works. He has focused on the work's genesis, but especially on the music text, having consulted all known scribal copies of the work and all available copies of the first edition. The version for flute and piano also contains a facsimile of the solo part from the first edition as well as cadenzas which stem from the earliest hand-written sources or which were composed by the editor in Mozart's style.

When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?

Chamber Music flute, piano

SKU: CF.W2667

Composed by Peter J. Wilhousky Mykola Leontovich. Arranged by Larry Clark. Fold. Set of Score and Parts. With Standard notation. 4+4 pages. Carl Fischer Music #W2667. Published by Carl Fischer Music (CF.W2667).

ISBN 9780825889318. UPC: 798408089313. 9 x 12 inches. Key: G minor.

Holiday favorite Carol of the Bells has been arranged for easy flute to facilitate performance by any level or age of player. Complete with piano accompaniment, this new solo arrangement is perfect for recital your next holiday gathering.

Composed by Dona Gilliam and Mizzy McCaskill. For flute and piano. Saddle-stitched. Made Easy. Beginning. Book and online audio. Published by Mel Bay Publications, Inc

Flute, piano

SKU: BR.EB-8408

Urtext. Composed by Johann Adolf Hasse. Edited by G. Braun. Arranged by S. (Bc) Petrenz. Solo instruments; Softcover. Edition Breitkopf. Gerhard Braun has made an important contribution to the rediscovery of this truly worth-while chamber music of the Dresden Court composer Johann Adolf Hasse by editing these delightful flute sonatas Op. 5. Sonata; Baroque. Score. 60 pages. Breitkopf and Haertel #EB 8408. Published by Breitkopf and Haertel (BR.EB-8408).

ISBN 9790004177143. 9 x 12 inches.

Gerhard Braun has made an important contribution to the rediscovery of this truly worth-while chamber music of the Dresden Court composer Johann Adolf Hasse by editing these delightful flute sonatas Op. 5.

Flute, piano

SKU: BR.EB-8409

Urtext. Composed by Johann Adolf Hasse. Edited by G. Braun. Arranged by S. (Bc) Petrenz. Solo instruments; Softbound. Edition Breitkopf. Gerhard Braun has made an important contribution to the rediscovery of this truly worth-while chamber music of the Dresden Court composer Johann Adolf Hasse by editing these delightful flute sonatas Op. 5. Sonata; Baroque. Score. 68 pages. Breitkopf and Haertel #EB 8409. Published by Breitkopf and Haertel (BR.EB-8409).

ISBN 9790004177150. 9 x 12 inches.

Gerhard Braun has made an important contribution to the rediscovery of this truly worth-while chamber music of the Dresden Court composer Johann Adolf Hasse by editing these delightful flute sonatas Op. 5.