By Graham Powning. For Flute and Piano. Classical. Sheet Music. Published by Chester Music.

Flute and piano

SKU: M7.APUE-516278

Composed by Karen North. This edition: Saddle-wire stitching. Sheet music. Method. 68 pages. MDS (Music Distribution Services) #APUE 516278. Published by MDS (Music Distribution Services) (M7.APUE-516278).

ISBN 9781875516278. German.

Junge Flötisten - Methodik für AnfängerInnen Hier gibt's ein Heft für AnfängerInnen, mit Allem, was du brauchst, wenn du gerade erst mit dem Flöte spielen beginnst! Junge Flötisten folgt einem klaren Layout, mit einfach zu lesender Notation und Illustrationen - genau richtig für den Anfang. Das Heft enthält eine große Auswahl an Stücken, inklusive traditioneller deutscher Lieder und Melodien aus aller Welt. Um den jungen Flötisten beim Üben zu helfen, gibt es auf YouTube zu allen Stücken KOSTENLOSE AUFNAHMEN sowie die Klavier-Begleitstimmen. Die fortlaufenden Lerneinheiten führen nach und nach neues Material ein, und Übungen und Tonleitern stehen in direktem Zusammenhang mit den Stücken. Außerdem enthält Junge Flötisten: Einfach zu lesende Grifftabellen für jeden Ton der Flöte Eine Anleitung mit Fotos, wie die Flöte zusammengebaut und gereinigt wird Notizpapier Übe-Tabellen Tonleiter-Tabellen Musiktheorie-Glossar Noten-Erkennungs-Spiele und Gelegenheiten, selbst zu komponieren Urkunde!

Flute and Piano - intermediate

SKU: BT.DHP-1084526-401

Composed by Jaap Kastelein and Klaas de Jong. Arranged by Colin Cowles. Easy Steps 2. Book Only. Composed 2008. 40 pages. De Haske Publications #DHP 1084526-401. Published by De Haske Publications (BT.DHP-1084526-401).

ISBN 9789043129688. 9x12 inches. French.

Offrir une approche progressive de l’apprentissage de la clarinette en procédant étape par étape, voil ce que propose Pas Pas, une méthode complète et efficace en 14 leçons qui contient des explications claires, des exercices, des jeux, des mélodies célèbres et plusieurs medleys. Sur les 2 compact discs inclus, vous trouverez les accompagnements de chaque exercice ou morceau, ainsi qu’une version de démonstration de la plupart des mélodies. Le DVD est un véritable guide d’instruction. Il contient des informations essentielles dans les premières étapes de l’apprentissage. Débuter la clarinette est un vrai plaisir ! Chacune des 14 leçons se conclut par un medley dechansons plus ou moins connues. Les accompagnements de piano de tous les medleys de la méthode sont disponibles dans un recueil vendu séparément. Faciles jouer, votre ami(e) pianiste et vous ferez sensation en concert ou en audition.Pas Pas : une méthode diversifiée pour atteindre des objectifs précis !

Flute, Piano

SKU: HL.14040503

Flute and Piano. Composed by Francois Devienne. Music Sales America. Classical. Piano Reduction. 60 pages. Editions Musicales Transatlantiques #ETR001186. Published by Editions Musicales Transatlantiques (HL.14040503).

UPC: 884088885472. 9x12 inches.

Fran çois Devienne (1759 - 1803) was a French flutist and composer, as well as a founding professor at the Paris Conservatory, which was established in 1795. During his lifetime, Devienne composed over 300 works, most of which were scored for Wind Instruments.

Devienne belonged to a line of French flutists and composers who, over a period of a century, had adopted a German transverse Flute and made it a quintessentially French musical instrument. He followed the path of predecessors such as Michel de la Barre and Michel Blavet in establishing a French school of Flute playing and composition.

Devienne wrotehundreds of works for the Flute, as well as a renowned tuition manual. His 7th Concerto is thought by many to be the best of the dozen or more concertos that he composed during his lifetime. This concerto was composed in or around 1787, shortly before the French revolution. As in Mozart's later works, the passions of the time can be clearly heard - particularly in the vigorous opening theme in E minor. In contrast to the stately Allegro, the theme is gentle and lyrical, yet intriguing, with the Flute almost mimicking bird call.

(Sonata for Flute and Piano). By Carl Reinecke (1824-1910). Edited by Irmlind Capelle. For Flute, Piano. Opus167

Flute, Piano - Grade 2

SKU: FL.FX071922

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071922. Published by FLEX Editions (FL.FX071922).

The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...

Flute and Piano. Composed by Albert Franz Doppler (1821- 1883). Edited by Andras Adorjan. This edition: Saddle stitching. Sheet music. Il Flauto traverso. Classical. Score and part. Op. 26. 32 pages. Schott Music #FTR 231. Published by Schott Music

Flute Solo with Piano. Composed by Charles Marie Widor (1844-1937). Arranged by James Galway. Southern Music. Softcover. 28 pages. Lauren Keiser Music Publishing #SU803. Published by Lauren Keiser Music Publishing

Flute

SKU: HL.48186311

Leduc. CD only. 16 pages. Alphonse Leduc #AL30501. Published by Alphonse Leduc (HL.48186311).

UPC: 888680838713. 9x12 inches.

“Comp osed between 1920 and 1921, this set of Stories is a suite of four short movements by Jacques Ibert selected out of the ten initial ones, for Flute and Piano. This publication was commissioned by the Alphonse Leduc editors and increased Jacques Ibert's popularity. This four pieces are as followed : 3. Le vieux mendiant (The old beggar) 4. 'A Giddy girl' 6. Le palais abandonné (The abandoned palace) 7. Bajo la mesa (Under the table) The difficulty of these works will fit intermediate to upper intermediate players. Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the French Academy in the Villa Médicis (Roma) and became later administrator for the Paris Opera.&rdquo.

(Flute/Piano)

SKU: HL.48185645

Composed by Guy-Claude Luypaerts. Leduc. Classical. CD. Alphonse Leduc #AL29328. Published by Alphonse Leduc (HL.48185645).

Guy-Claude Luypaerts's first volume in the series Of the Flute, which provides exciting pieces for Flute and Piano or accompanying CD. Ensuring that teachers and students are able to find adequate melodic and technical pieces, the Of the Flute series covers all styles necessary for auditions or competitions. Parisian composer and flautist Luypaerts (b. 1994) has written notable concertos and works for the instrument, some of which have been commissioned by the French Culture Ministry and by Radio France. Luypaerts is also a sought after teacher and all his experiences and expertise combined have lead to the popular Of the Flute series. The first volume contains a variety of inspiring pieces, suitable for beginner to intermediate level..

Flute and Piano with Online Accompaniments. Composed by Alain Boublil and Claude- Michel Schonberg. For Classical Players. Broadway, Movies, Musicals. Softcover Audio Online. 56 pages. Published by Hal Leonard

Flute and Piano. Composed by Karl Jenkins. Boosey & Hawkes Chamber Music. Softcover. 22 pages. Boosey & Hawkes #M060133008. Published by Boosey & Hawkes

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

(Flute and Piano). By Marie Félicie Clémence de Grandval and Marie F. For Flute, Piano Accompaniment (Score and Parts). Instrumental Solo. Softcover. 56 pages. Schott Music #FTR209. Published by Schott Music

V: Periferia di un paese

SKU: HL.50603660

For Flute and Piano. Composed by Nino Rota. Arranged by C. Tabarelli. Woodwind Solo. Softcover. Ricordi #NR142176. Published by Ricordi (HL.50603660).

ISBN 9781705127810. UPC: 840126952278.

This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).

VI: Numero del matto sul filo

SKU: HL.50603661

For Flute and Piano. Composed by Nino Rota. Arranged by C. Tabarelli. Woodwind Solo. Softcover. Ricordi #NR142177. Published by Ricordi (HL.50603661).

ISBN 9781705127827. UPC: 840126952285.

This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).

Flute

SKU: HL.48181612

Composed by Andre Jolivet. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL21332. Published by Alphonse Leduc (HL.48181612).

UPC: 888680846206. 9x12 inches.

“Andr é Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at the Paris Conservatoire. Caprice Fantasy for Flute and Piano was published in 1954, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in his Caprice Fantasy. The piece requires advanced skills due to its use of complex rhythms and exploited tonality. For all advanced flautists, Jolivet provides an exciting, alternative piece for the instrument's repertoire.&rdquo.

(Flute/Piano)

SKU: HL.48186476

Composed by Eric Ledeuil. Leduc. 16 pages. Alphonse Leduc #AL30740. Published by Alphonse Leduc (HL.48186476).

Teacher, soloist, chamber musician, conductor and composer ? flautist Eric Ledeuil, a student of Patrick Gallois and Benoit Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flute imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fete a Camelot, a piece for flute and piano (or harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in his Les Meandres de Viviane (AL 30 495, Beginner) and Les Mysteres de Broceliande (AL 29 589, Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel, a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy..

Flute Solo with Piano. Composed by Paul Taffanel (1844-1908). Arranged by James Galway. Southern Music. Softcover. 24 pages. Lauren Keiser Music Publishing #SU795. Published by Lauren Keiser Music Publishing

Seven Meditations for Flute and Piano. Composed by Robert Hutmacher, OFM. Sacred. 16 pages. GIA Publications #8402. Published by GIA Publications (GI.G-8402).

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.