Acadian Dreams Flûte traversière et Piano Theodore Presser Co.
Composed by Adrienne Albert. Set of Score and Parts. 12 4 pages. Duration 6 mi...(+)
Composed by Adrienne
Albert.
Set of Score and Parts.
12 4
pages. Duration 6
minutes.
Theodore Presser Company
#114-
42266. Published by
Theodore
Presser Company
Pour Flute Et Piano. Composed by Paul Taffanel (1844-1908). Edited by Phi...(+)
Pour Flute Et
Piano. Composed by
Paul Taffanel
(1844-1908). Edited by
Philippe Bernold. The
French Flutists Propose
(collection Philippe
Bernold). Score and
part(s). With Standard
notation. Opus 24. 4 2
pages. Duration 3
minutes. Gerard Billaudot
Editeur #524-07545.
Published by Gerard
Billaudot Editeur
(PR.524075450).
Danny Boy and Irish Eyes for Flute and Piano arranged by Jonathon Robbins. For f...(+)
Danny Boy and Irish Eyes
for Flute and Piano
arranged by Jonathon
Robbins. For flute solo
and piano accompaniment.
Solo with Accompaniment.
Ethnic. Score and solo
part. Text Language:
English. 12 pages.
Published by Santorella
Publications
Flute and piano - Level 2 SKU: LM.26610 Composed by Jean Marc Allerme. Po...(+)
Flute and piano - Level 2
SKU: LM.26610
Composed by Jean Marc
Allerme. Pop, jazz. Score
and CD. Editions Henry
Lemoine #26610. Published
by Editions Henry Lemoine
(LM.26610).
ISBN
9790230966108.
For
a Blue Note - In the
Emilie's Eyes - To Sing
for Heaven - Michel Lives
in USA - He Would like
that - The End for Eddy -
I'll be in the Show -
Ballad for Jodie - I
Prefer the Blue - You
Miss Her - Ernie is
Coming Back - Just for
Babe - Modernesk -
Romantic Tune -
Ongobongo's Star.
Santorella Singles for Flute and Piano composed by Various. Arranged by Jonathon...(+)
Santorella Singles for
Flute and Piano composed
by Various. Arranged by
Jonathon Robbins. For
flute solo and piano
accompaniment. This
edition: Paperback. Solo
with Accompaniment.
Classical. Score and solo
part. Text Language:
English. 48 pages.
Published by Santorella
Publications
Flute; Piano Accompaniment (Score and Solo Part) SKU: HL.49044897 From...(+)
Flute; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.49044897
From
Children's Corner for
Flute and Piano.
Composed by Claude
Debussy. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Classical.
Softcover. 14 pages.
Schott Music #ED09976.
Published by Schott Music
(HL.49044897).
ISBN
9790001192200. UPC:
841886019935.
9.25x12.0x0.096
inches.
The famous
Golliwogg's Cakewalk is
the final piece from
Debussy's cycle
Children's Corner which
consists of 6 miniatures
for piano, written for
his daughter in the years
1906-1908.The style
corresponds to that of
ragtime, a dance which
was in vogue around the
turn of the century. In
the middle section, he
parodies several times
the beginning of the
opera Tristan and Isolde
by Richard Wagner with
whom Debussy had a rather
ambiguous
relationship.The present
arrangement now allows
musicians to play the
popular movement in a
version for melodic
instrument with
accompaniment.
Flute, piano SKU: FG.55011-591-0 Composed by Kalevi Aho. Solo part, piano...(+)
Flute, piano
SKU:
FG.55011-591-0
Composed by Kalevi Aho.
Solo part, piano
reduction. Fennica
Gehrman #55011-591-0.
Published by Fennica
Gehrman (FG.55011-591-0).
ISBN
9790550115910.
Kale
vi Aho's (b. 1949) Flute
Concerto (2002) was
initially inspired by the
magnificent, enigmatic
poetry of the Swede Tomas
Transtromer, but the
vocal ideas nevertheless
adapted themselves to the
flute. There is lots of
singing, lyrical music at
the beginning and end of
this three-movement work;
the second movement, by
contrast, is quick and
brilliant. The finale
follows from the second
movement without a break,
constituting an epilogue
that draws all the
threads together and
brings the events to a
close. This is one of the
most beautiful works Aho
has ever written. The
virtuosic solo part is
written for flute and
alto flute, and Kari
Vehmanen has created the
piano reduction in 2019.
The orchestral study
score (ISMN
9790550096349) is
available for sale and
the orchestral material
for hire.
Pan Penseroso Flûte traversière et Piano Carl Fischer
Chamber Music flute, piano SKU: CF.W2650 Version 3 - Flute With Multip...(+)
Chamber Music flute,
piano
SKU:
CF.W2650
Version 3
- Flute With Multiphonics
and Piano. Composed
by Martin Bresnick. Sws.
Set of Score and Parts.
With Standard notation.
Composed 2010. 36+16
pages. Duration 24
minutes. Carl Fischer
Music #W2650. Published
by Carl Fischer Music
(CF.W2650).
ISBN
9780825882920. UPC:
798408082925. Sc.9x112 -
pt.8.5 x 12 inches. Key:
C major.
Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltons great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poets earlier LAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunnst the
noise of folly Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltonas great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poetas earlier LaAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all avain
deluding joyes,a so as to
better hear the aSweet
Bird that shunnast the
noise of follya|a Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Milton's great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet's earlier L'Allegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunn'st the
noise of folly... Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements:1. The Noise of
Folly2. Prophetic
Strain3. More is Meant
(than meets the ear)Pan
Penseroso and the titles
of its three movements
are taken from John
Milton’s great
poemIl Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet’searlier
L’Allegro (the
Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts areflective musical
eye on the world,
renouncing all
“vain deluding
joyes,†so as to
better hear
the“Sweet Bird that
shunn’st the noise
of
folly…â€Writte
n for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
exploredin his pioneering
book The Other Flute: A
Performance Manual of
Contemporary
Techniques.
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Concerto No. 7 Flûte traversière et Piano Transatlantiques
Flute, Piano SKU: HL.14040503 Flute and Piano. Composed by Francoi...(+)
Flute, Piano
SKU:
HL.14040503
Flute
and Piano. Composed
by Francois Devienne.
Music Sales America.
Classical. Piano
Reduction. 60 pages.
Editions Musicales
Transatlantiques
#ETR001186. Published by
Editions Musicales
Transatlantiques
(HL.14040503).
UPC:
884088885472. 9x12
inches.
Fran
çois Devienne
(1759 - 1803) was a
French flutist and
composer, as well as a
founding professor at the
Paris Conservatory, which
was established in 1795.
During his lifetime,
Devienne
composed over 300 works,
most of which were scored
for Wind Instruments.
Devienne
belonged to a line of
French flutists and
composers who, over a
period of a century, had
adopted a German
transverse Flute and made
it a quintessentially
French musical
instrument. He followed
the path of predecessors
such as Michel de la
Barre and Michel Blavet
in establishing a French
school of Flute playing
and composition.
Devienne
wrotehundreds of works
for the Flute, as well as
a renowned tuition
manual. His 7th
Concerto is
thought by many to be the
best of the dozen or more
concertos that he
composed during his
lifetime. This concerto
was composed in or around
1787, shortly before the
French revolution. As in
Mozart's later works, the
passions of the time can
be clearly heard -
particularly in the
vigorous opening theme in
E minor. In contrast to
the stately Allegro, the
theme is gentle and
lyrical, yet intriguing,
with the Flute almost
mimicking bird
call.
Chamber Music flute, piano SKU: PR.114424240 Free at Last!. Compos...(+)
Chamber Music flute,
piano
SKU:
PR.114424240
Free
at Last!. Composed by
Adolphus Hailstork. Set
of Score and Parts.
Duration 11 minutes.
Theodore Presser Company
#114-42424. Published by
Theodore Presser Company
(PR.114424240).
ISBN
9781491137581. UPC:
680160691036.
THE
BONES OF MR. FORTUNE
(FREE AT LAST!) is an
11-minute concerto-like
work for solo flute
accompanied by symphonic
winds and percussion
– perfect to play
with band or with
orchestra, as well as
with the
composer’s own
piano reduction. The work
features lengthy
cadenzas, and
exhilarating dance-like
sections with the
ensemble. Hailstork
describes the historical
inspiration: Abused in
life and death, an
enslaved man (Mr.
Fortune) was owned by a
surgeon who preserved his
skeleton to study
anatomy. The bones
remained with the
doctor’s family
for generations, and were
given a proper burial
making national news in
2013, 215 years after Mr.
Fortune’s
death. Abused in life
and death, an enslaved
man known as Mr. Fortune
was honored with an
elaborate funeral more
than 200 years after he
died in Connecticut.Mr.
Fortune was owned by Dr.
Preserved Porter on a
farm in Waterbury,
Connecticut. When Fortune
died in 1798, Porter, a
bone surgeon, preserved
his skeleton by having
the bones boiled to study
anatomy at a time when
cadavers for medical
study were
disproportionately taken
from slaves, servants and
prisoners.One of
Porter’s
descendants gave the
skeleton in 1933 to
Mattatuck Museum in
Waterbury, where it was
displayed from the 1940s
until 1970. The
descendant referred to
the slave as
“Larry†and
his name was forgotten at
the time.A study by
forensic anthropologists
at the Quinnipiac
University School of
Medicine concluded that
Fortune was about 5 feet
5 inches tall and died at
around 55 years old. He
suffered a number of
painful ailments,
including a fracture in
his left hand, a severe
ankle sprain and lower
back pain. “He was
an individual who was in
considerable
distress,†a
forensic professor,
Richard Gonzalez said.I
was taken by the bizarre
story of Mr. Fortune and
decided to use it as the
stimulus for this
work.
Spitta
Nos. 21, 40, 76, 83.
Composed by Friedrich II.
Edited by Mary
Oleskiewicz. Solo
instruments; Softcover.
Musica Rara.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Sonata;
Baroque. Score. 40 pages.
Breitkopf and Haertel #MR
2299. Published by
Breitkopf and Haertel
(BR.MR-2299).
ISBN
9790004488669. 9 x 12
inches.
In the four
sonatas presented here
for the first time, the
royal composer can lay
uncontested claim to an
above-average talent. The
works stand out for their
imaginative power, their
skill and their stylistic
variety. The grand rooms
of Sanssouci Palace must
have been filled with
heartfelt Adagios and
brilliant Allegros that
confirmed the virtuoso
flute technique of the
Quantz pupil. The sonatas
were recently recorded on
CD (Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Spitta
Nos. 21, 40, 76, 83.
Composed by Frederick II
the Great - King of
Prussia. Edited by Mary
Oleskiewicz. Arranged by
David (Bc.) Schulenberg.
Solo instruments;
Softbound. Musica Rara.
This volume, which
marks the 300th
anniversary of the king's
birth, contains the first
edition of four sonatas
for solo flute and basso
continuo composed by
Frederick II, known as
the Great (1712-1786),
King of Prussia from 1740
to 1786.
Sonata;
Baroque. Score. 116
pages. Breitkopf and
Haertel #MR 2266.
Published by Breitkopf
and Haertel (BR.MR-2266).
ISBN 9790004488560. 9
x 12 inches.
In the
four sonatas presented
here for the first time,
the royal composer can
lay uncontested claim to
an above-average talent.
The works stand out for
their imaginative power,
their skill and their
stylistic variety. The
grand rooms of Sanssouci
Palace must have been
filled with heartfelt
Adagios and brilliant
Allegros that confirmed
the virtuoso flute
technique of the Quantz
pupil. The sonatas were
recently recorded on CD
(Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Spitta
Nos. 21, 40, 76, 83.
Composed by Friedrich II.
Edited by Mary
Oleskiewicz. Solo
instruments; Softcover.
Musica Rara.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Sonata;
Baroque. Score. 44 pages.
Breitkopf and Haertel #MR
2301. Published by
Breitkopf and Haertel
(BR.MR-2301).
ISBN
9790004488683. 9 x 12
inches.
In the four
sonatas presented here
for the first time, the
royal composer can lay
uncontested claim to an
above-average talent. The
works stand out for their
imaginative power, their
skill and their stylistic
variety. The grand rooms
of Sanssouci Palace must
have been filled with
heartfelt Adagios and
brilliant Allegros that
confirmed the virtuoso
flute technique of the
Quantz pupil. The sonatas
were recently recorded on
CD (Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Spitta
Nos. 21, 40, 76, 83.
Composed by Friedrich II.
Edited by Mary
Oleskiewicz. Arranged by
David Schulenberg. Solo
instruments; stapled.
Musica Rara.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Sonata;
Baroque. Score. 40 pages.
Breitkopf and Haertel #MR
2298. Published by
Breitkopf and Haertel
(BR.MR-2298).
ISBN
9790004488652. 9 x 12
inches.
In the four
sonatas presented here
for the first time, the
royal composer can lay
uncontested claim to an
above-average talent. The
works stand out for their
imaginative power, their
skill and their stylistic
variety. The grand rooms
of Sanssouci Palace must
have been filled with
heartfelt Adagios and
brilliant Allegros that
confirmed the virtuoso
flute technique of the
Quantz pupil. The sonatas
were recently recorded on
CD (Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Spitta
Nos. 21, 40, 76, 83.
Composed by Friedrich II.
Edited by Mary
Oleskiewicz. Arranged by
David Schulenberg. Solo
instruments; stapled.
Musica Rara.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
Sonata;
Baroque. Score. 40 pages.
Breitkopf and Haertel #MR
2300. Published by
Breitkopf and Haertel
(BR.MR-2300).
ISBN
9790004488676. 9 x 12
inches.
In the four
sonatas presented here
for the first time, the
royal composer can lay
uncontested claim to an
above-average talent. The
works stand out for their
imaginative power, their
skill and their stylistic
variety. The grand rooms
of Sanssouci Palace must
have been filled with
heartfelt Adagios and
brilliant Allegros that
confirmed the virtuoso
flute technique of the
Quantz pupil. The sonatas
were recently recorded on
CD (Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the
Great.
This
volume, which marks the
300th anniversary of the
king's birth, contains
the first edition of four
sonatas for solo flute
and basso continuo
composed by Frederick II,
known as the Great
(1712-1786), King of
Prussia from 1740 to
1786.
La Campanella Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114418550 Mvt. 3 from Concerto No. ...(+)
Chamber Music flute,
piano
SKU:
PR.114418550
Mvt.
3 from Concerto No. 2 for
Violin and Orchestra.
Composed by Nicolo
Paganini. Arranged by
Denis Bouriakov. Sws. Set
of Score and Parts. 16+8
pages. Duration 7
minutes. Theodore Presser
Company #114-41855.
Published by Theodore
Presser Company
(PR.114418550).
ISBN
9781491130421. UPC:
680160642373. 9 x 12
inches.
Composed as
the rondo finale of
Paganini’s Violin
Concerto No. 2, La
Campanella quickly took
on a life of its own,
being quoted by other
composers in their own
works even during the
composer’s
lifetime. The title
refers to a small bell
motif that recurs in the
accompaniment, in dialog
with the soloist.
Bouriakov’s
transcription for flute
and piano exquisitely
captures the original
sparkle, levity, and
intensity, in a manner
that is gratifying to
perform and to hear. The
present transcription was
included on the
repertoire list for the
2019 Tchaikovsky
Competition.
Little Angel Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422880 Composed by Phyllis Avidan L...(+)
Chamber Music flute,
piano
SKU:
PR.114422880
Composed
by Phyllis Avidan Louke.
Set of Score and Parts.
12+4 pages. Duration 11
minutes, 30 seconds.
Theodore Presser Company
#114-42288. Published by
Theodore Presser Company
(PR.114422880).
ISBN
9781491135143. UPC:
680160686995.
LITTL
E ANGEL was composed in
loving memory of a
friend’s daughter
who was stillborn, to
commemorate a life
unlived. The first
movement, Hopes and
Dreams, opens the work
with sweet optimism and
charm. The second
movement, Anticipation
and Loss is a musical
setting of joy followed
by profound sadness.
LITTLE ANGEL concludes
with Finding Peace as the
third movement opens with
grief and longing,
followed by a plaintive
cadenza, and finally
ending with peace and
hope. Little Angel was
commissioned by Janelle
Barrera in loving memory
of her daughter Daisy
Rose who was stillborn,
to commemorate a life
unlived.Little Angel is
written for flute and
piano in three
movements:1. Hopes and
Dreams: The first
movement begins with
three brief statements
that are introspective
and hopeful, looking
toward the future,
followed by a lyrical
melody in 3/4 meter.2.
Anticipation and Loss:
The second movement opens
with a playful melody in
mixed meter combining
simple time and compound
time. At letter C, the
tempo slows, and the tone
becomes decidedly more
serious and eventually
more somber.3. Finding
Peace: The third movement
opens with a melody
expressing grief and
longing, followed by a
plaintive cadenza, and
finally ending with peace
and hope.
Fantasiestücke Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114418850 Op. 78. Composed by R...(+)
Chamber Music flute,
piano
SKU:
PR.114418850
Op.
78. Composed by
Robert Schumann. Arranged
by Mark Sparks. Set of
Score and Parts. With
Standard notation. 16+4
pages. Duration 11
minutes. Theodore Presser
Company #114-41885.
Published by Theodore
Presser Company
(PR.114418850).
ISBN
9781491113981. UPC:
680160667895.
Origi
nally for Clarinet and
Piano, Robert
Schumann’s deep
yet delightful set of
three FANTASIESTÃœCKE,
Op. 73 has long been a
staple of the repertoire,
with transcriptions
occasionally seeping into
other instruments’
libraries as well. The
work has been elegantly
adapted (into a new key)
for Flute and Piano by
Mark Sparks, principal
flutist of the Saint
Louis Symphony. Notes
on the Edition, by Mark
SparksThe remarkable and
imaginative
Fantasiestücke, Op.
73, were originally
composed for clarinet and
piano during 2 days in
February 1849. Schumann
indicated that the pieces
could also be played on
cello or viola. This
arrangement for flute and
piano has been transposed
from the original key of
A major to C major in
order to limit octave
transfer and facilitate
performance, while still
preserving the original,
rather darker-hued
timbral character of the
work.Flutists will
delight in the extremely
lyrical and evocative
nature of the writing,
especially the capricious
middle section of the
second piece,
“Lebhaft, leicht
(Lively, light),â€
and the brilliant,
effusive third piece,
“Rasch und mit
Feuer†(Quick and
with fire). The virtuosic
practice of repeating the
eighth-note in the
opening melody of the
final piece, adopted from
editions for cello, is
also well-suited to the
flute.Phrases of
appropriate length,
relatively few potential
balance problems, and the
accessibility of the
pieces for all levels of
performers and audiences
make the
Fantasiestücke a
natural, pleasant, and
versatile addition to the
flutist’s recital
repertoire.
Flute, piano SKU: FG.55011-613-9 Composed by Kai Nieminen. Fennica Gehrma...(+)
Flute, piano
SKU:
FG.55011-613-9
Composed by Kai Nieminen.
Fennica Gehrman
#55011-613-9. Published
by Fennica Gehrman
(FG.55011-613-9).
ISBN
9790550116139.
The
music of Finnish composer
Kai Nieminen (b. 1953)
does not conform to any
isms. He remarks: I feel
like I am a painter in
music, who having seen or
experienced something
attempts to give that
something a shape in
music. The flute concerto
Palomar was written for
Patrick Gallois and
premiered 2001 in Milan,
Italy. The idea for his
Flute Concerto came to
Nieminen at the Villa
Lante in Rome when he was
kept awake by persistent
birdsong in the heat of
the night. The title
alludes to the last
novel, Palomar, by Italo
Calvino. Though Nieminen
finds inspiration in
literature, the visual
arts and nature, he has
no desire to confine the
listener to any
programme. The aim of the
extra-musical stimuli is
at most to fire his
listeners' imagination
and to make them savour
musical visions with a
mind as open as that of
Calvino's Mr Palomar
examining the little
wonders of the world
around him. The
orchestral score is
available for sale (ISMN
9790550096370) and the
performance material for
hire from Fennica
Gehrman.
Lyrical Flute Encores Flûte traversière et Piano - Intermédiaire Music Distribution Services
Flute and piano - intermediate SKU: M7.APUE-516285 Edited by Karen North....(+)
Flute and piano -
intermediate
SKU:
M7.APUE-516285
Edited
by Karen North. Sheet
music. Score and part.
MDS (Music Distribution
Services) #APUE 516285.
Published by MDS (Music
Distribution Services)
(M7.APUE-516285).
ISBN
9781875516285.
Welc
ome to Lyrical Flute
Encores, the eagerly
anticipated companion
volume to Lyrical Flute
Legends. In this book, we
continue to explore the
rich and diverse world of
contemporary flute music,
with a variety of styles
that will delight
intermediate level flute
players. This collection
of newly commissioned
works showcases the
creativity and innovation
of some of today's most
exciting composers, each
bringing their unique
perspective to the
lyrical and expressive
qualities of the flute.
From haunting melodies to
playful rhythms, the
music in this collection
is sure to inspire and
captivate flutists and
audiences alike. There
are biographies of all
the composers at the end
of the flute part, as
well as notes and helpful
performance suggestions
for the works. Free Flute
and Piano recordings, and
Piano backing tracks for
every piece can be found
on YouTube at
'theyoungfluteplayer' (no
spaces) channel, see the
playlist for Lyrical
Flute Encores.
Allegretto Flûte traversière et Piano PWM (Polskie Wydawnictwo Muzyczne)
Flute; Piano Accompaniment (Score and Solo Part) SKU: HL.253939 Flute ...(+)
Flute; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.253939
Flute
and Piano. Composed
by Jó and zef
Swider. PWM. Classical.
Softcover. 22 pages.
Polskie Wydawnictwo
Muzyczne #12021010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.253939).
9.0x12.0
inches.
Allegretto
for flute and piano by
Jozef Swider is a work of
a great artistic value
that comprises a perfect
didactic material,
filling a gap in the
Polish flute literature.
Allegretto for flute and
piano is a one-part
composition of an ABA1
structure with a cadenza.
A four-bar piano
introduction developsinto
the flute part intoning a
dance and folk-style
melody, which becomes
fragmented in terms of
rhythm and densified in
its facture. The dialogue
between the flute and the
piano involves mutual
motif complementation.
The melody gathers
momentum (numerous
ascending and descending
progressions,
undulations, typical
ties, trills), a dynamic
gradation develops into
the middle, more peaceful
and cantilena-style,
part. The culmination,
initially outlined by the
flute and continued by
the piano, leads to the
cadenza characterised by
considerable performative
freedom across motifs in
parts A and B, exhibiting
the colour and sound
values ofthe instrument.
The link A1 comprises a
quasi-variation
development of the first
passage of the work; it
is the most
dynamic,energetic and
diversified in terms of
the applied sound
registers (characteristic
alloctava marking),
articulation and agogics.
Themarking piu vivo in
bar 136, combined with
irregular metric
divisions and shifts in
accents, intensified
dynamics and expression
adds spontaneity,
ultimately leading to the
work's finale. The
application of the minor
mode, the economy of
expressive means and a
changeable course of
narration reflect
introvert characteristics
of the composer a man of
outstanding humbleness
and modesty, at the same
time full of unrest,
self-criticism and little
faith towards himself,
which is confirmed by
recently found notes of
his.