Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Flute and Piano - very easy, easy

SKU: BT.DHP-1185920-404

Flute. Arranged by Markus Schenk. Look, Listen and Learn. Classical. Book with Part and Audio-Online. Composed 2018. 36 pages. De Haske Publications #DHP 1185920-404. Published by De Haske Publications (BT.DHP-1185920-404).

ISBN 9789043155007. English.

Nowadays Look, Listen & Learn sets the bar for brass and woodwind teaching. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.

In Meet the Masters, the melodies are arranged in increasing order of difficulty and can be used in conjunction with all three volumes of the Look, Listen & Learn method series. Pupils takea journey through music history and meet the most important composers of classical music, from Tielman Susato to Anton n Dvo ák, together with pertinent historical commentary. The present edition includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty, which are also available in recorded versions online to stream or download.

Jesu, Joy Of Man's Desiring for Flute and Piano composed by Johann Sebastian Bach (1685-1750). Arranged by Jonathon Robbins. For flute solo and piano accompaniment. Solo with Accompaniment. Classical. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

Flute and Piano - very easy, easy

SKU: BT.DHP-1185891-404

Flute. Arranged by Markus Schenk. Look, Listen and Learn. Opera or Operetta. Book with Part and Audio-Online. Composed 2018. 28 pages. De Haske Publications #DHP 1185891-404. Published by De Haske Publications (BT.DHP-1185891-404).

ISBN 9789043154512. English.

Nowadays Look, Listen and Learn sets the bar for brass and woodwind teaching. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.

In My First Opera, famous arias, choruses, and overtures have been arranged in increasing order of difficulty so that they can be used in conjunction with all three volumes of the Look, Listenand Learn method series. Some of the loveliest melodies ever written for opera have been collected together with accompanying historical commentary. Pupils can accompany themselves using the piano recordings, which are available online to stream or download. The edition also includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty.

Flute and piano

SKU: M7.DUX-1185

Arranged by Arturo Himmer. Sheet music. Score and part. 68 pages. Edition Dux Verlag #DUX 1185. Published by Edition Dux Verlag (M7.DUX-1185).

ISBN 9783868491135.

16 weltbekannte populäre Melodien aus allen Bereichen der Musik. Der Bläser findet unvergessene Standards und Classics, Pop-Songs, Filmmusik und Evergreens. Die passende Playalong Doppel-CD ist mit der Bestellnummer D1180 separat erhältlich. Der Ausgabe liegt ein 32-seitiger Einleger mit der Solo-Stimme bei.

By Giuseppe Verdi. Arranged by Jonathon Robbins. For Flute. Published by Santorella Publications.

By Ludwig van Beethoven (1770-1827). Arranged by Jonathon Robbins. For Flute or violin and piano (all C instruments). Published by Santorella Publications

(Flute and Piano). Composed by Paul Taffanel (1844-1908). Edited by Stefan Albrecht. For Flute, Piano Accompaniment. Schott. Softcover. 20 pages. Schott Music #FTR218. Published by Schott Music

Flute, piano

SKU: BR.MR-2266

Spitta Nos. 21, 40, 76, 83. Composed by Frederick II the Great - King of Prussia. Edited by Mary Oleskiewicz. Arranged by David (Bc.) Schulenberg. Solo instruments; Softbound. Musica Rara.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Sonata; Baroque. Score. 116 pages. Breitkopf and Haertel #MR 2266. Published by Breitkopf and Haertel (BR.MR-2266).

ISBN 9790004488560. 9 x 12 inches.

In the four sonatas presented here for the first time, the royal composer can lay uncontested claim to an above-average talent. The works stand out for their imaginative power, their skill and their stylistic variety. The grand rooms of Sanssouci Palace must have been filled with heartfelt Adagios and brilliant Allegros that confirmed the virtuoso flute technique of the Quantz pupil. The sonatas were recently recorded on CD (Hungaroton) by the editor who, as a performer, is a recognized expert on the music of J. J. Quantz and Frederick the Great.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Flute, piano

SKU: BR.MR-2299

Spitta Nos. 21, 40, 76, 83. Composed by Friedrich II. Edited by Mary Oleskiewicz. Solo instruments; Softcover. Musica Rara.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Sonata; Baroque. Score. 40 pages. Breitkopf and Haertel #MR 2299. Published by Breitkopf and Haertel (BR.MR-2299).

ISBN 9790004488669. 9 x 12 inches.

In the four sonatas presented here for the first time, the royal composer can lay uncontested claim to an above-average talent. The works stand out for their imaginative power, their skill and their stylistic variety. The grand rooms of Sanssouci Palace must have been filled with heartfelt Adagios and brilliant Allegros that confirmed the virtuoso flute technique of the Quantz pupil. The sonatas were recently recorded on CD (Hungaroton) by the editor who, as a performer, is a recognized expert on the music of J. J. Quantz and Frederick the Great.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Flute, piano

SKU: BR.MR-2301

Spitta Nos. 21, 40, 76, 83. Composed by Friedrich II. Edited by Mary Oleskiewicz. Solo instruments; Softcover. Musica Rara.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Sonata; Baroque. Score. 44 pages. Breitkopf and Haertel #MR 2301. Published by Breitkopf and Haertel (BR.MR-2301).

ISBN 9790004488683. 9 x 12 inches.

In the four sonatas presented here for the first time, the royal composer can lay uncontested claim to an above-average talent. The works stand out for their imaginative power, their skill and their stylistic variety. The grand rooms of Sanssouci Palace must have been filled with heartfelt Adagios and brilliant Allegros that confirmed the virtuoso flute technique of the Quantz pupil. The sonatas were recently recorded on CD (Hungaroton) by the editor who, as a performer, is a recognized expert on the music of J. J. Quantz and Frederick the Great.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Flute, piano

SKU: BR.MR-2298

Spitta Nos. 21, 40, 76, 83. Composed by Friedrich II. Edited by Mary Oleskiewicz. Arranged by David Schulenberg. Solo instruments; stapled. Musica Rara.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Sonata; Baroque. Score. 40 pages. Breitkopf and Haertel #MR 2298. Published by Breitkopf and Haertel (BR.MR-2298).

ISBN 9790004488652. 9 x 12 inches.

In the four sonatas presented here for the first time, the royal composer can lay uncontested claim to an above-average talent. The works stand out for their imaginative power, their skill and their stylistic variety. The grand rooms of Sanssouci Palace must have been filled with heartfelt Adagios and brilliant Allegros that confirmed the virtuoso flute technique of the Quantz pupil. The sonatas were recently recorded on CD (Hungaroton) by the editor who, as a performer, is a recognized expert on the music of J. J. Quantz and Frederick the Great.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Flute, piano

SKU: BR.MR-2300

Spitta Nos. 21, 40, 76, 83. Composed by Friedrich II. Edited by Mary Oleskiewicz. Arranged by David Schulenberg. Solo instruments; stapled. Musica Rara.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Sonata; Baroque. Score. 40 pages. Breitkopf and Haertel #MR 2300. Published by Breitkopf and Haertel (BR.MR-2300).

ISBN 9790004488676. 9 x 12 inches.

In the four sonatas presented here for the first time, the royal composer can lay uncontested claim to an above-average talent. The works stand out for their imaginative power, their skill and their stylistic variety. The grand rooms of Sanssouci Palace must have been filled with heartfelt Adagios and brilliant Allegros that confirmed the virtuoso flute technique of the Quantz pupil. The sonatas were recently recorded on CD (Hungaroton) by the editor who, as a performer, is a recognized expert on the music of J. J. Quantz and Frederick the Great.

This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.

Flute and Piano

SKU: BT.ALHE33731

Composed by Reynaldo Hahn. Classical. Book Only. 10 pages. Heugel & Cie #ALHE33731. Published by Heugel & Cie (BT.ALHE33731).

French.

Having been considered as a 'fashionable' and 'cliché' composer of his day, Hahn was best known for his contributions to the French Mélodie. Nocturne for Flute and Piano, however, represents the engaging diversity of thecomposer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolificand versatile composer himself, writing works for all genres. For Hahn, music was a magical art and his instrumental compositions often contain expressions of his otherwise hidden emotions and moods. Suitable for intermediatestandard flautists, Hahn's Nocturne provides a pleasant and evocative piece, incorporating a range of expressions, rhythms and other musical features.

Danny Boy and Irish Eyes for Flute and Piano arranged by Jonathon Robbins. For flute solo and piano accompaniment. Solo with Accompaniment. Ethnic. Score and solo part. Text Language: English. 12 pages. Published by Santorella Publications

Flute, Piano Accompaniment (Score and Solo Part) - intermediate

SKU: HL.49046132

Flute and Piano Reduction. Composed by Wolfgang Amadeus Mozart. Edited by Annabel Knight and Wolfgang Birtel. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Woodwind Solo. Dieser hubsche Einzelsatz wird hier in einer sorgfaltig edierten Neuausgabe, mit einer Kadenz des Herausgebers, vorgelegt - ein serenadenhafter Satz, der dem Solisten alle Moglichkeiten fur kantables Spiel bietet. Classical. Softcover. Composed 1778. 16 pages. Duration 5'. Schott Music #SE1051. Published by Schott Music (HL.49046132).

ISBN 9783795716639. UPC: 888680955762. 9x12 inches. German - English - French.

Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client -with regard to the playing technique and/or music - the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor - a serenade-like setting that offers the soloist many possibilities for cantabile playing.

Composed by Brant Adams. Lorenz Publishing Company #30/3628L. Published by Lorenz Publishing Company