By Various. Arranged by James Galway. For Up to 4 Flutes and Piano. Published by Theodore Presser Company.

8 Early Songs. By Claude Debussy. Arranged by Mimi Stillman. For Flute, Piano. Duration 24:. Published by Theodore Presser Company.

(for Flute and Piano). By Camille Saint SaÌÇns. Arranged by Denis Bouriakov. Solo instrument with piano. For Flute, Piano. Premiere: British Flute Society Convention, Denis Bouriakov and Clifford Benson. Romantic. Advanced/Professional. Solo part with piano reduction. Standard notation. Op. 28. Duration 8 minutes. Published by Theodore Presser Company

Composed by Adrienne Albert. Set of Score and Parts. 12 4 pages. Duration 6 minutes. Theodore Presser Company #114- 42266. Published by Theodore Presser Company

(For Flute and Piano). Composed by Chester Biscardi. For Solo Flute and Piano. Solo part with piano reduction. Standard notation. 17 pages. Duration 7 minutes. Theodore Presser Company #144-40149. Published by Theodore Presser Company

With Piano Accompaniment. By Various. Arranged by Jeanne Baxtresser. For Flute, Piano Accompaniment. Published by Theodore Presser Company.

Chamber Music flute, piano

SKU: PR.114416460

For Flute and Piano. Composed by Thaddeus Kozuch. Contemporary. Set of Score and Parts. With Standard notation. Composed 1937. 4+1 pages. Duration 3 minutes. Theodore Presser Company #114-41646. Published by Theodore Presser Company (PR.114416460).

ISBN 9781598067811. UPC: 680160620616. 9x12 inches.

POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Chamber Music flute, piano

SKU: PR.114418850

Op. 78. Composed by Robert Schumann. Arranged by Mark Sparks. Set of Score and Parts. With Standard notation. 16+4 pages. Duration 11 minutes. Theodore Presser Company #114-41885. Published by Theodore Presser Company (PR.114418850).

ISBN 9781491113981. UPC: 680160667895.

Origi nally for Clarinet and Piano, Robert Schumann’s deep yet delightful set of three FANTASIESTÜCKE, Op. 73 has long been a staple of the repertoire, with transcriptions occasionally seeping into other instruments’ libraries as well. The work has been elegantly adapted (into a new key) for Flute and Piano by Mark Sparks, principal flutist of the Saint Louis Symphony.
Notes on the Edition, by Mark SparksThe remarkable and imaginative Fantasiestücke, Op. 73, were originally composed for clarinet and piano during 2 days in February 1849. Schumann indicated that the pieces could also be played on cello or viola. This arrangement for flute and piano has been transposed from the original key of A major to C major in order to limit octave transfer and facilitate performance, while still preserving the original, rather darker-hued timbral character of the work.Flutists will delight in the extremely lyrical and evocative nature of the writing, especially the capricious middle section of the second piece, “Lebhaft, leicht (Lively, light),” and the brilliant, effusive third piece, “Rasch und mit Feuer” (Quick and with fire). The virtuosic practice of repeating the eighth-note in the opening melody of the final piece, adopted from editions for cello, is also well-suited to the flute.Phrases of appropriate length, relatively few potential balance problems, and the accessibility of the pieces for all levels of performers and audiences make the Fantasiestücke a natural, pleasant, and versatile addition to the flutist’s recital repertoire.

Chamber Music flute, piano

SKU: PR.114419480

For Flute and Piano. Composed by Gary Schocker. Sws. Set of Score and Parts. 20+8 pages. Duration 8:30. Theodore Presser Company #114-41948. Published by Theodore Presser Company (PR.114419480).

ISBN 9781491131428. UPC: 680160677313. 9 x 12 inches.

Gary Schocker’s THREE DANCES FOR TWO FLUTES has long been a staple of the flute repertoire – in its original voicing with piano, as well as in transcriptions with string orchestra or band accompaniment, for alto saxophone duo with piano, and even in the composer’s flute quartet version of the famous Coffee Nerves movement. Schocker has arranged THREE DANCES for one solo flute with piano, incorporating all of the original work’s counterpoint, beauty, and spice, into this practical and concise instrumentation.

Chamber Music flute, piano

SKU: PR.114423370

Composed by Chen Yi. Set of Score and Parts. 8+2 pages. Duration 4 minutes. Theodore Presser Company #114-42337. Published by Theodore Presser Company (PR.114423370).

ISBN 9781491135167. UPC: 680160687190. Key: A major.

Beautifully atmospheric and within reach of advanced students, Fisherman's Song is a poignant addition to every flutist’s repertoire. Chen Yi describes the main theme as evocative of the ornamented pentatonic style often found in Cantonese folk songs, with a gentle piano texture supporting the flute’s melody.
The original version of Fisherman’s Song was written for Violin and Piano in 1980. The pentatonic melody represented in the beginning (on Violin) and the ending part (on Piano, with supporting lines on Violin) is in a singable Cantonese folk song style. The middle contrasting section is more active and energetic, with momentum brought to a climax before the recap.The work was adapted for Flute and Piano in 2022.

For Flute And Piano. Composed by Spiritual. Arranged by Evelyn Simpson- Curenton, Marietta Simpson. Contemporary. Solo Part with Piano. With Standard Notation. 20 pages. Theodore Presser Company #114-41753. Published by Theodore Presser Company

For Flute and Piano. Composed by Lowell Liebermann. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2012. Opus 119. 16 pages. Duration 8 minutes. Theodore Presser Company #114-41683. Published by Theodore Presser Company

(For Flute And Piano). Composed by Amanda Harberg. For flute, piano. Contemporary. Solo Part with Piano. Standard Notation. Composed 2007. Duration 7 minutes. Theodore Presser Company #114-41677. Published by Theodore Presser Company

(Arranged For Flute And Piano). Composed by Gabriel Faure (1845-1924). Arranged by Mark Sparks. For flute, piano. Romantic. Solo part with piano reduction. Standard Notation. 12 pages. Duration 7 minutes. Theodore Presser Company #114-41645. Published by Theodore Presser Company

For Flute and Piano. Composed by Gary Schocker. Contemporary. Solo part with piano reduction. With Standard notation. Composed July 7 2014. 6 pages. Duration 3 minutes, 30 seconds. Theodore Presser Company #114-41793. Published by Theodore Presser Company (PR.114417930).

Chamber Music Clarinet, Flute, Piano

SKU: PR.114417590

Composed by Franz Schubert. Arranged by Michael Webster. Sws. Extensive program notes in the score. Set of Score and Parts. 20+8+8 pages. Duration 13:05. Theodore Presser Company #114-41759. Published by Theodore Presser Company (PR.114417590).

ISBN 9781491129586. UPC: 680160636037.

The rich trio literature for Flute, Clarinet, and Piano created by Michael Webster comprises many faithful transcriptions as well as Webster’s original reworkings of opera highlights. Fitting between these opposite approaches, HUNGARIAN MARCH AND RONDO is a newly-formed concert work using two movements from Schubert’s Divertissement à la Hongroise, D. 818, originally for Piano, Four Hands. The opening Hungarian March has all the stately bounce and elegance of a Schubert March Militaire, and the Rondo is a charmed inspiration from the Schubert who created many hundreds of the world’s most beautiful lieder and ornamental instrumental chamber works.

(For Flute And Piano). Composed by Samuel Adler. For flute, piano. Contemporary. Solo part with piano reduction. Standard Notation. 16 pages. Duration 8 minutes. Theodore Presser Company #114-41628. Published by Theodore Presser Company

For Flute and Piano. Composed by Gary Schocker. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2015. 12 pages. Duration 3 minutes, 30 seconds. Theodore Presser Company #114-41791. Published by Theodore Presser Company (PR.114417910).

Chamber Music flute, piano

SKU: PR.114418760

For Flute and Piano. Composed by Amanda Harberg. Sws. Set of Score and Parts. With Standard notation. 8+1 pages. Duration 4 minutes. Theodore Presser Company #114-41876. Published by Theodore Presser Company (PR.114418760).

ISBN 9781491110751. UPC: 680160655632. 9x12 inches.

PRAYER for Flute and PianoAmanda Harberg's PRAYER is a rarity in the modern concert repertoire, beautiful romanticism built of a haunting aria for solo flute. Within the reach of younger players, the work was inspired as a prayer for the healing of a close family member. The acclaim for this work among musicians has led to the compose'’s versions for orchestra, for a variety of other solo instruments with piano, and as the slow movement of Harberg's Concerto for Viola and Orchestra.

For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).

Chamber Music flute, piano

SKU: PR.114419180

For Flute and Piano. Composed by Daniel Dorff. Set of Score and Parts. With Standard notation. 24+12 pages. Duration 10 minutes, 45 seconds. Theodore Presser Company #114-41918. Published by Theodore Presser Company (PR.114419180).

ISBN 9781491114346. UPC: 680160673285. 9 x 12 inches.

Composed for Jasmine Choi’s premiere on the 2018 NFA concerto gala, Dorff’s CONCERTINOis a 10-minute showpiece full of flash and theatricality, elegantly balanced with beauty and lyricism.The work is fully suitable for flute and piano recitals, while the orchestral version is easy to program,even when rehearsal time is limited.

(For Alto Flute And Piano). Composed by Gary Schocker. For alto flute, piano. Contemporary. Solo part with piano reduction. Standard Notation. Composed October 08 2013. 8 pages. Duration 4 minutes. Theodore Presser Company #114-41624. Published by Theodore Presser Company

(For Flute And Piano). Composed by Lauren Bernofsky (1967-). For flute, piano. Contemporary. Solo Part with Piano Reduction. Standard Notation. Composed 2012. 8 pages. Duration 2 minutes, 40 seconds. Theodore Presser Company #144-40610. Published by Theodore Presser Company

(For Flute And Piano (Or Orchestra)). Composed by Max Bruch (1838-1920). Arranged by Mark Sparks. For flute, piano. Romantic. Solo part with piano reduction. Standard Notation. 12 pages. Duration 8 minutes. Theodore Presser Company #114-41637. Published by Theodore Presser Company