By Elder Joseph Brackett. Arranged by Jonathon Robbins. For Flute. Published by Santorella Publications.

Flute; Piano - intermediate

SKU: HL.49008044

10 Easy Pieces. Composed by Heinz Both. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 36 pages. Schott Music #ED8485. Published by Schott Music (HL.49008044).

ISBN 9790001112888. UPC: 073999696097. 9.0x12.0x0.125 inches.

Dancing Flute contains ten pieces based on characteristic dances of various countries, such as Germany, USA, Great Britain, Australia and Mexico. These tuneful and lively piece are easy and equally suitable for amateurs and students. Mucki, Tanzintermezzo (Deutschland) * White Lady, Milk Cocktail (Grossbritannien) * Country Lily, Western Melody (Australien) * Santa Monica Blues (Kalifornien) * High School Dixie (USA) * Latin Ballad (Mexico) * Farmer Boy (Kansas City) * Michail (Russland) * Sunday Party (New Orleans) * Tiberias (Israel).

Flute and piano - Intermediate-Advanced

SKU: YM.GTW01097944

Composed by Various. Combination. Score and Part. Yamaha Music Media #GTW01097944. Published by Yamaha Music Media (YM.GTW01097944).

ISBN 9784636979442.

Flut e scores for famous songs from J-Pop to classical music. This selection is perfect for concert programs, recitals, encores, and more. The impressive and beautiful sound of these arrangements will captivate the audience.

(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Composed by Adrienne Albert. Set of Score and Parts. 12 4 pages. Duration 6 minutes. Theodore Presser Company #114- 42266. Published by Theodore Presser Company

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 2

SKU: FL.FX073688

Composed by Cecilia Royer-Cardona. Original Composition. Classical, Educational. Score and Set of Parts. 3 (score); 1 (parts) pages. Duration 1 minute, 15 seconds. FLEX Editions #FX073688. Published by FLEX Editions (FL.FX073688).

Here is a little dance for Paola who finds the pianist a little too adventurous, so there is a conflict ! Paola, a little sad because of this this quarrel, sings the melody of reconciliation to her pianist and dance can resume! But who will have the last word? - Cecilia ROYER-CARDONA ;

A piece to be played for exams from 2 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2.

By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Flute and Keyboard. Masterworks; Solo; Woodwind - Flute Solo. Baroque, Christmas. Part(s). Duration 00:03:50

By Pam Wedgwood. For Flute. Book; CD; Woodwind - Flute Method or Collection. Faber Edition: After Hours. 24 pages. Published by Faber Music

Chamber Music flute, piano

SKU: PR.114418770

Composed by Carter Pann. Set of Score and Parts. With Standard notation. 16+4 pages. Duration 9 minutes. Theodore Presser Company #114-41877. Published by Theodore Presser Company (PR.114418770).

ISBN 9781491112700. UPC: 680160667642.

GIANT ESS was commissioned by the Flute New Music Consortium for simultaneous copremieresby many consortium members in early March 2018. The composer has written,The flute presents a far-reaching melody that seemingly never ends and explores the entirerange of the instrument at all times. It is this quality of the melodic line that inspired the titleof the work... the image of a larger-than-life gigantic performer who has the ability to makethe flute expand in range, timbre, and volume, breaking the bounds well beyond its humblesize. The phantasmagoric 9-minute work is cast in one rhapsodic movement.
Giantess was written on commission from the Flute New Music Consortium, an organization comprised of professional flutists throughout the United States. The flute presents a far-reaching melody that seemingly never ends, and that explores the entire range of the instrument at all times. It is this quality of the melodic line that inspired the title of the work — the image of a larger-than-life gigantic performer who has the ability to make the flute expand in range, timbre, and volume, breaking the bounds well beyond its humble size.

Flute, Piano - Grade 2

SKU: FL.FX071173

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071173. Published by FLEX Editions (FL.FX071173).

The title of this Piece is a pun on Cubans rhythms. The opposition between the tone and used homonymous tone, as well as the rhythmic formula chosen on theme B are a typical feature of South America music. Concerning the melody, it is a stylistics composition on quarter note triplets!

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Flute solo or Violin solo and piano accompaniment. Set of parts

Joplin's Entertainer for Flute and Piano composed by Scott Joplin (1868-1917). Arranged by Tony Santorella. For flute solo and piano accompaniment. Solo with Accompaniment. Ragtime. Score and solo part. Text Language: English. 12 pages. Published by Santorella Publications

By Johann Sebastian Bach, Charles Francois Gounod. Arranged by Jonathon Robbins. For Flute. Published by Santorella Publications.

Jesu, Joy Of Man's Desiring for Flute and Piano composed by Johann Sebastian Bach (1685-1750). Arranged by Jonathon Robbins. For flute solo and piano accompaniment. Solo with Accompaniment. Classical. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

Flute and Piano or Flute and Clarinet. By Gabriel Faure. Arranged by Robin De Smet. Fentone Play Along Books. Play Along. Size 8x11.5 inches. 10 pages. Published by Fentone Music.

Flute (Flute)

SKU: HL.48181519

Composed by Eugene Bozza. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL21153. Published by Alphonse Leduc (HL.48181519).

UPC: 888680842086. 9.0x12.25x0.082 inches.

Exploiting the Flute to its full potential, Italian Fantasy is an exciting and challenging addition to the advanced flautist's repertoire. From cadenza passages to a delightful 6/8 melody, this piece by French composer Eugene Bozza (1905-1991) covers a huge variety of the Flute's possibilities. The piece begins with an emotional, characterised cadenza, covering a wide range. This leads dramatically into a 6/8 section accompanied by broken chords in the piano before ending with a quirky and lively 2/4 secton. Bozza's Italian Fantasy for Flute and Piano is not only symbolic, but also includes exciting challenges, making for an imperative performance piece in the Flute repertoire. .

(Flute/Piano)

SKU: HL.48186476

Composed by Eric Ledeuil. Leduc. 16 pages. Alphonse Leduc #AL30740. Published by Alphonse Leduc (HL.48186476).

Teacher, soloist, chamber musician, conductor and composer ? flautist Eric Ledeuil, a student of Patrick Gallois and Benoit Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flute imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fete a Camelot, a piece for flute and piano (or harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in his Les Meandres de Viviane (AL 30 495, Beginner) and Les Mysteres de Broceliande (AL 29 589, Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel, a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy..

By Traditional. Arranged by Greg Yasinitsky. For flute solo with piano accompaniment. Flute Solo with Piano Accompaniment. Grade 3. Published by Kendor Music Inc

By Adolphe Charles Adam (1803 - 1856). Arranged by David Marlatt. For Flute and Keyboard. Woodwind - Flute Solo. Romantic, Christmas. Level: Medium. Duration 00:03:30. Published by Eighth Note Publications.

Flute and Piano

SKU: AY.FP2145AN

Composed by Armand Lonque. Woodwinds - Flute. Edition Andel #FP2145AN. Published by Edition Andel (AY.FP2145AN).

ISBN 9790365121458.

Arma nd Lonque came from a musical family, with both a father and a older brother being composers and professional musicians. His studies at the Royal Conservatory of Ghent led to a varied teaching career throughout much of central Flanders. His compositions range from solo pieces for piano, a variety of choral works, and repertoire pieces for most instruments. This sonata for flute and piano is dedicated to Francis Stoefs (flute professor at the Royal Conservatory of Brussels) and was awarded the Emile Mathieu prize for composition in 1939. The Sonata for Flute and Piano itself is an attractive work, pairing a sense of lush Faure with a stranger impressionism. A thick, gorgeously expressive first movement (with a melody that touches on Gieseking) gives way to a delicate middle movement with a quietly evolving piano ostinato underneath the unsettlingly beautiful flute. The playful, meaty finale full of sly lines brings the Sonata to a virtuosic close.

Chamber Music flute, piano

SKU: PR.114418850

Op. 78. Composed by Robert Schumann. Arranged by Mark Sparks. Set of Score and Parts. With Standard notation. 16+4 pages. Duration 11 minutes. Theodore Presser Company #114-41885. Published by Theodore Presser Company (PR.114418850).

ISBN 9781491113981. UPC: 680160667895.

Origi nally for Clarinet and Piano, Robert Schumann’s deep yet delightful set of three FANTASIESTÜCKE, Op. 73 has long been a staple of the repertoire, with transcriptions occasionally seeping into other instruments’ libraries as well. The work has been elegantly adapted (into a new key) for Flute and Piano by Mark Sparks, principal flutist of the Saint Louis Symphony.
Notes on the Edition, by Mark SparksThe remarkable and imaginative Fantasiestücke, Op. 73, were originally composed for clarinet and piano during 2 days in February 1849. Schumann indicated that the pieces could also be played on cello or viola. This arrangement for flute and piano has been transposed from the original key of A major to C major in order to limit octave transfer and facilitate performance, while still preserving the original, rather darker-hued timbral character of the work.Flutists will delight in the extremely lyrical and evocative nature of the writing, especially the capricious middle section of the second piece, “Lebhaft, leicht (Lively, light),” and the brilliant, effusive third piece, “Rasch und mit Feuer” (Quick and with fire). The virtuosic practice of repeating the eighth-note in the opening melody of the final piece, adopted from editions for cello, is also well-suited to the flute.Phrases of appropriate length, relatively few potential balance problems, and the accessibility of the pieces for all levels of performers and audiences make the Fantasiestücke a natural, pleasant, and versatile addition to the flutist’s recital repertoire.

For Flute and Piano. By Zdenek Fibich. Arranged by Wolfgang Birtel. (Flute). Misc. 6 pages. Published by Schott.