Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417610
Based
on themes from Puccini's
Madama Butterfly.
Composed by Michael
Webster. Sws each. See
the notes on Madama
Butterfly on page two and
the notes on Sonata
Cho-Cho-San on page three
of the full score.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1997. 44+8+12
pages. Duration 24
minutes, 28 seconds.
Theodore Presser Company
#114-41761. Published by
Theodore Presser Company
(PR.114417610).
ISBN
9781491107904. UPC:
680160636051. 9x12
inches.
SONATA
CHO-CHO-SAN(Based on
themes from
Puccini’s Madama
Butterfly)In the spirit
of the great 19th-century
opera fantasies for
woodwinds, Michael
Webster has created a
concert trio on the many
great arias from
Puccini's Madama
Butterfly. However, as
its name implies, Sonata
Cho-Cho-San is not the
typical virtuosic
operatic potpourri.
Rather, it follows the
plot, resembling a sonata
mirroring Puccini's use
of recurring and
developing themes.
Webster makes the most of
the winds as versatile
performers - equally
suited to deliver
Puccini's beautiful vocal
writing, and to ornament
and embroider the
poignant themes in
symphonic style. For
advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
Michael Webster made his
New York recital debutat
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice
University’s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
“TeachingClarinetâ
€ in The Clarinet
Magazine since 1998.
Michael Webster is a
Buffet artist-clinician,
performing on Buffet
clarinets
exclusively.
Poem Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114416460 For Flute and Piano. ...(+)
Chamber Music flute,
piano
SKU:
PR.114416460
For
Flute and Piano.
Composed by Thaddeus
Kozuch. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 1937. 4+1 pages.
Duration 3 minutes.
Theodore Presser Company
#114-41646. Published by
Theodore Presser Company
(PR.114416460).
ISBN
9781598067811. UPC:
680160620616. 9x12
inches.
POEM for
Flute and
PianoKozuch’s POEM
is a plaintive elegy,
perfect for memorial
concerts, in religious
services, or as a lyric
interlude in recital.
Although composed with
piano accompaniment, the
music is also very
effective in performance
with organ. Thaddeus
Kozuch (1913-1991) was a
Chicago-based pianist,
composer, and professor
at DePaul University and
Northwestern University.
His beautiful POEM was
composed originally for
violin and piano in 1937
for his wife-to-be,
Jacqueline Frye. He
revised POEM for flute
and piano in 1988 but the
work was discovered only
recently in a piano bench
by the composer’s
daughter, flutist Ann
Fairbanks.Although the
final pencil manuscript
is musically complete, it
lacks dynamics, and this
publication presents the
music as the composer
left it.The following
performance suggestions
are provided by Ann
Fairbanks:Many nuances of
the work may be left to
the discretion of the
performer. There are
quite a few notes that
may be slurred, such as
sets of eighth notes or
triplet-eighths; if notes
are articulated as
written, the tonguing
should be legato.Dynamics
for both flute and piano
could be as follows:
begin the work p, then
crescendo to f in bars
6-7. Decrescendo in 10-11
to a p in bar 12. The
most intense section
(bars 16-32) should be
played with energy and
full sonority, including
a crescendo in 26 to fin
27. The conclusion,
beginning at bar 42,
should be played p, with
the last measures
performed quietly.
Russian Dreams Flûte traversière et Piano [Partition + CD] - Avancé Mitropa Music
Flute and Piano - advanced SKU: BT.1772-11-400-M Romantic Masterpieces...(+)
Flute and Piano -
advanced
SKU:
BT.1772-11-400-M
Romantic
Masterpieces.
Composed by Various.
Arranged by Franco
Cesarini. Book with CD.
Composed 2011. 40 pages.
Mitropa Music
#1772-11-400 M. Published
by Mitropa Music
(BT.1772-11-400-M).
ISBN 9789043134590.
9x12 inches.
International.
This
collection contains
works, selected and
arranged by Franco
Cesarini, that explore
the wide spectrum of
Russian romantic music.
On one side are the
followers of Russian
nationalism, including
composers from Glinka and
Mussorgsky, to Cui and
Glasunov. They provide a
contrast to the more
western influenced music
of Tchaikovsky and
Rubinstein. The book
comes with a CD which
includes demos of each
piece and piano
accompaniments to play
along with when a pianist
isn't
available.
De
stukken in dit album
verkennen het brede
spectrum van de Russische
romantische muziek. Aan
de ene kant zijn er de
aanhangers van het
Russische nationalisme
-van Glinka en
Moessorgski tot Cui en
Glazunov. Deze
componisten hebbeneen
heel andere invalshoek
dan de meer door de
westerse muziek be
nvloede Tsjaikovski en
Rubinstein. Op de
meegeleverde cd staat van
elk stuk een demoversie,
gevolgd door een
play-alongversie met
alleen de
pianobegeleiding.
Die sinfonische Literatur
des 19. Jahrhunderts ist
voll von großen,
ausdrucksvollen
Flötensoli, während
Solo- oder
Kammermusikwerke
für Flöte
seltener zu finden sind.
Mit den hier
ausgewählten Werken
von Glinka, Mussorgski,
Cui, Glasunov,
Tschaikowsky und
Rubinstein wird ein
weites Spektrum
russischer romantischer
Musik abgedeckt. Auf der
beiliegenden CD ist
sowohl eine
vollständige Aufnahme
jedes Stückes als
auch die Begleitung, zu
der die Solostimme
gespielt werden kann, zu
hören.
I brani
di questo volume
affrontano l'ampio
spettro di musica
romantica russa. Da una
parte i fautori del
nazionalismo russo tra i
quali Glinka e
Mussorgski, dall'altra
compositori influenzati
dalla musica occidentale
quali Tschaikovsky. Il CD
propone l'incisione
completa di ogni brano,
seguita da una traccia
con il solo
accompagnamento del piano
per consentirvi di
eseguire la parte
solista.
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Sweet Sunset Flûte traversière et Piano - Intermédiaire De Haske Publications
Flute and Piano - intermediate SKU: BT.DHP-1145588-401 For Flute and P...(+)
Flute and Piano -
intermediate
SKU:
BT.DHP-1145588-401
For Flute and
Piano. Composed by
Jan de Haan. De Haske
Flute Series. Book Only.
Composed 2014. 6 pages.
De Haske Publications
#DHP 1145588-401.
Published by De Haske
Publications
(BT.DHP-1145588-401).
ISBN 9789043136785.
International.
The
heat of the day ebbs away
as the sun slowly dips
from view over the
western horizon. A
dazzling display of warm
hues, vibrant yellows,
glowing oranges and
burning reds, lights up
the evening before
cooling to calm blues,
dark, cool purples
andfinally the black of
night. Such are the
unforgettable sunsets
that inspired Jan de Haan
to write this
piece.
De hitte
van overdag ebt weg
terwijl de zon in het
westen langzaam achter de
horizon verdwijnt. Een
schitterend schouwspel
van warme schakeringen -
levendig geel, gloedvol
oranje en vurig rood -
verlicht nog even de
avond, waarna koele
kleuren volgenmet serene
tinten blauw, donkere
nuances van paars en ten
slotte het zwart van de
nacht. Fraaie
zonsondergangen als deze
vormden voor Jan de Haan
de inspiratie tot het
schrijven van dit
sfeervolle werk voor
blaasinstrument en
piano.
Die Hitze
des Tages verebbt,
während die Sonne
langsam am westlichen
Horizont versinkt. Ein
schillernder Reigen
warmer Farben aus
pulsierendem Gelb,
glühendem Orange und
brennendem Rot erhellt
den Abendhimmel, bevor
ruhige Blautöne,
kühle
Lilaschattierungen und
schließlich die
Schwärze der Nacht
Abkühlung bringen.
Solcheunvergesslichen
Sonnenuntergänge
inspirieren Jan de Haan
zur Komposition dieses
Stückes für diverse
Blasinstrumente und
Klavierbegleitungen.
Il calore
del giorno si stempera
mentre il sole scompare
lentamente all`orizzonte.
Una brillante
combinazione di calde
tonalit di giallo
vibrante, arancio
luccicante e rosso
incandescente riscalda la
sera. Colori che lasciano
il passo a un blu
cherilassa, a
rinfrescanti tonalit del
viola, e infine al nero
della notte. Questi sono
i tramonti
indimenticabili che hanno
ispirato Jan de Haan nel
scirvere questo brano per
diversi strumenti a fiati
e pianoforte.
Chamber Music Piano, Contrabass SKU: PR.114416120 For Contrabass and P...(+)
Chamber Music Piano,
Contrabass
SKU:
PR.114416120
For
Contrabass and Piano.
Composed by Chen Yi.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2006. 16+8
pages. Duration 10
minutes. Theodore Presser
Company #114-41612.
Published by Theodore
Presser Company
(PR.114416120).
UPC:
680160618019. 9 x 12
inches.
With its
first appearance in our
collection Eight Visions:
A New Anthology for Flute
and Piano (edited by
Marya Martin, 414-41193),
Chen Yi's Three
Bagatelles captured the
imaginations of
instrumentalists.
Responding to several
requests, she has now
created several new
instrumental settings for
various duos. For
advanced performers.
Chamber Music Clarinet, Flute SKU: PR.114416110 For Flute and Bb Clari...(+)
Chamber Music Clarinet,
Flute
SKU:
PR.114416110
For
Flute and Bb
Clarinet. Composed by
Chen Yi. Contemporary.
Set of performance
scores. With Standard
notation. Composed 2006.
12+12 pages. Duration 10
minutes. Theodore Presser
Company #114-41611.
Published by Theodore
Presser Company
(PR.114416110).
UPC:
680160618002. 9 x 12
inches.
With its
first appearance in our
collection Eight Visions:
A New Anthology for Flute
and Piano (edited by
Marya Martin, 414-41193),
Chen Yi's Three
Bagatelles captured the
imaginations of
instrumentalists.
Responding to several
requests, she has now
created several new
instrumental settings for
various duos. For
advanced performers.
Escale a Molene Flûte traversière et Piano - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 2 SKU: FL.FX07374...(+)
Chamber Music & Piano
Accompaniment 1 Flute 1
Piano - Grade 2
SKU:
FL.FX073748
Composed
by Jerome Naulais.
Original Composition.
Classical, Educational.
Score and Set of Parts. 4
(score); 1 (parts) pages.
Duration 2 minutes, 15
seconds. FLEX Editions
#FX073748. Published by
FLEX Editions
(FL.FX073748).
This piece is a
tribute to a small island
off the west coast of
Finistere, in front
Ouessant Island. The
beginning of the piece
depicts a landscape of
Breton moor. It then
presents typical dances
from this region. -
Jerome NAULAIS ;
A piece that can
be played from 3 years of
instrument practice ;
Instruments: 1 Flute 1
Piano; Difficuly Level:
Grade 2.
Fluano Pianute Flûte traversière et Piano [Reduction] Theodore Presser Co.
For Flute and Piano. By Robert Maggio. Mixed chamber ensemble. For Flute, Piano....(+)
For Flute and Piano. By
Robert Maggio. Mixed
chamber ensemble. For
Flute, Piano. First
performed November 16,
1992 at Swope Auditorium,
West Chester, PA, by
Emily Swartley-Newbold,
flute, and Benjamin
Whitten, piano.
Classical. Solo part with
piano reduction. 31
pages. Duration 15:00.
Published by Theodore
Presser Company.