(Flute and Piano). Composed by Jeremy Norris. For Flute, Piano Accompaniment (Score and Parts). Schott. Schott Music #ED20922. Published by Schott Music

For Flute and Piano arranged for Wind Quintet Score and Parts. Composed by Paul Hindemith (1895-1963). Woodwind Solo. Classical. Softcover. 32 pages. Schott Music #ED22967. Published by Schott Music

Flute and Piano. By John Kember. (Flute). Schott. Book only. Size 9x12 inches. 68 pages. Published by Schott.

Flute, Piano - Grade 1

SKU: FL.FX071557

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071557. Published by FLEX Editions (FL.FX071557).

Latin music divided into three parts of 32 mes. each: the first is for students with 1-2 years of experience (only long values and small chromatisms are used), the second is for those who have 2 or 3 (add dotted quarter / eighth notes and intervals of fourths), the third is for those at the end of the first cycle (flow from eighth in addition). This piece can follow the students for three years and / or allow 3 students with different levels to play together.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 1

SKU: FL.FX072609

Composed by Alain Lopez. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072609. Published by FLEX Editions (FL.FX072609).

Latin American popular music created for beginners, with many small patterns interspersed with silences to learn to count! This piece proposes three variations and a coda. From the technical point of view, only arpeggios or conjunct intervals are used. The musical text can be worked alone thanks to piano playback. - Alain LOPEZ ;

A Piece for students from 1 year of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 1; Duration: 2 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Alain LOPEZ;.

Flute, Piano - Grade 1

SKU: FL.FX071141

Composed by Cecilia Royer-Cardona. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071141. Published by FLEX Editions (FL.FX071141).

This very simple Piece was composed for very young children, for an exam or an audition 3 to 4 months only after their beginning.

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9351. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9348. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9352. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9348. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9349. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9350. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9354. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9347. Published by Breitkopf and Haertel

Chamber Music flute, piano

SKU: PR.114416460

For Flute and Piano. Composed by Thaddeus Kozuch. Contemporary. Set of Score and Parts. With Standard notation. Composed 1937. 4+1 pages. Duration 3 minutes. Theodore Presser Company #114-41646. Published by Theodore Presser Company (PR.114416460).

ISBN 9781598067811. UPC: 680160620616. 9x12 inches.

POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.

(flute/piano)

SKU: HL.48185301

Composed by Serge Lancen. Leduc. Classical. CD only. 12 pages. Alphonse Leduc #AL28786. Published by Alphonse Leduc (HL.48185301).

UPC: 888680858612. 9x12 inches.

“If I were... by Serge Lancen is a set of easy works for Flute and Piano. Each piece was written as if the author were impersonating a famous composer and this book includes those inspired by Schubert, Chopin and Grieg. Written for upper beginners / intermediate level players, these works can all be interpreted separately. - N. 10 ”“If I were Schubert”“ has a slow tempo, starts Allegro Moderato and lasts 1''10 - N.11 ”“If I were Chopin”“ is slower than the first piece, in Moderato and uses Chopin''s musical style,. Ithas an introduction and twodistinctive parts - N.12 ”“If I were Grieg”“ is starts with the piano at a tempo 84. The introduction is followed by a main theme which is repeated before an harmonious close If I were... can also be found with pieces inspired by Offenbach, Beethoven or Albeniz among others. Serge Lancen is a French musician and composer. He wrote numerous pieces including chamber music, orchestral works, for solo instruments and for voice. He won many radio prizes and received a Prix de Rome.&rdquo.

(Flute and Piano). By Philip Glass (1937-). For Flute, Piano Accompaniment (Score & Parts). Music Sales America. Book only. 40 pages. Dunvagen Music Publishers #DU10857. Published by Dunvagen Music Publishers

Chamber Music Bass Flute, Piano

SKU: PR.114418900

Composed by Daniel Dorff. Set of Score and Parts. 24+8 pages. Duration 14 minutes. Theodore Presser Company #114-41890. Published by Theodore Presser Company (PR.114418900).

ISBN 9781491129517. UPC: 680160668632.

A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.
When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling” leads directly to the rapid Mvt. 2 “Sparkling, glistening,” followed by another slow-fast pair: Mvt. 3 “Under Winter” which leads directly into Mvt. 4 “Spring Spirits.” In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.

(Flute and Piano). By Johann Sebastian Bach (1685-1750). Arranged by Wolfgang Birtel. For Flute, Piano Accompaniment (Score & Parts). Woodwind. Book only. 8 pages. Schott Music #ED09867. Published by Schott Music

(12 Rock Pieces Based on the Signs of the Zodiac Flute and Piano). By Krzysztof Zgraja. Score & Parts. Woodwind. Book only. 68 pages. Schott Music #ED20802. Published by Schott Music

(Flute and Piano). By JosÌ© FernÌÁndez Diaz. Arranged by Uwe Korn. Score and Parts. Woodwind. Book only. 6 pages. Schott Music #ED09881. Published by Schott Music

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9353. Published by Breitkopf and Haertel