By Johann Sebastian Pachelbel. Arranged by Daniel Dorff. For 2 Flute, Piano. Duration 3:30. Published by Theodore Presser Company.

Flute and Piano

SKU: BT.MUSM570363650

Composed by Sadie Harrison. Classical. Score Only. 8 pages. University of York Music Press #MUSM570363650. Published by University of York Music Press (BT.MUSM570363650).

English.

... Around And A Round... for Flute and Piano (2015) was originally a solo Piano piece entitled Nocturne 1 ..around and a round.. (from Lunae: Four Nocturnes, composed in 2012). It is a slow, midnight merry-go-round with a bass line that repeats with variations throughout the work. Marked gently expressive it is inspired by Song, a beautiful piece by contemporary pianist and composer John Law. The Flute and Piano version was premiered by Elizabeth Walker and Richard Shaw on 2 June 2015 as part of the Holbourne Museum Lunchtime Concert Series in Bath. Duration: c. 3 mins.

(Flute/Piano)

SKU: HL.48181379

Composed by Wolfgang Amadeus Mozart. Leduc. Classical. CD. 32 pages. Alphonse Leduc #AL20856. Published by Alphonse Leduc (HL.48181379).

UPC: 888680857073. 9.0x12.0x0.114 inches.

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute, making it one of the most important Concerti in the instrument's repertoire. Concerto in G is in three movements; 1. Allegro maestoso, 2. Adagio ma non troppo, and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key, whilst the second movement is in the subdominant key of D major. A Dutch flautist of the time, Ferdinand de Jean, commissioned Mozart for four Flute quartets and three Flute concerti. However, the composer, who famously disliked the Flute, only completed three quartets and two concertos. Instead of composing a second concerto, Mozart rearranged his Oboe Concerto, with substantial changes for it to fit with the Flute. This edition of Mozart's Concerto in G includes cadences by virtuosos Taffanel, Gaubert and Bozza, making for an unmissable version of the famed work. .

For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).

(Flute and Piano). By Marie Félicie Clémence de Grandval and Marie F. For Flute, Piano Accompaniment (Score and Parts). Instrumental Solo. Softcover. 56 pages. Schott Music #FTR209. Published by Schott Music

Pachelbel's Canon for Flute and Piano composed by Johann Pachelbel (1653-1706). Arranged by Tony Santorella. For flute solo and piano accompaniment. Solo with Accompaniment. Classical. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

Flute and piano

SKU: M7.SAE-34-03

Serse. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 34-03. Published by SonArt Edition (M7.SAE-34-03).

ISBN 9790707665268.

This is a unique arrangement for flute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Woodwinds - Flute Flute and Piano

SKU: AY.FRD05

Composed by John La Montaine. Woodwinds - Flute. Fredonia Press #FRD05. Published by Fredonia Press (AY.FRD05).

ISBN 9790302114406.

The product available here for purchase is the solo flute part and piano reduction for John La Montaine's Concerto for Flute. Premiered on April 12, 1981 by Keith Bryan and the National Gallery Orchestra, John La Montaine's Concerto for Flute and Orchestra is best summed up in this review from Paul Hume at The Washington Post: The world premiere of a flute concerto by John La Montaine was the centerpiece. La Montaine clearly had a great time writing the concerto, since he filled it with wit and open, songful beauty. The formal design is neatly broken up into imaginative divisions. There are some exotic touches for woodblocks, and bass clarinet, but the heart of the work lies in the brilliance of the writing for the soloist. The cadenza in the final movement is impressively introduced and beautifully concluded..

Flute

SKU: HL.48183325

Composed by Rene Berthelot. Leduc. Classical. Softcover. 14 pages. Alphonse Leduc #AL25392. Published by Alphonse Leduc (HL.48183325).

UPC: 888680873752. 9x12 inches.

“Cell ist, conductor, composer and musicologist, René Berthelot (1903-1999) was influential in leading the Orleans Conservatory to obtain a high profile reputation. His Pastorale and Rustic Dance for Flute and Piano contributes to a significant catalogue of compositions by the composer. Published in 1976, a typical performance of Pastoral and Rustic Dance lasts around 5 minutes and 45 seconds. Characteristics include, complex rhythms, variation in time signatures and much contrast between the two movements. suitable for advanced flautists, Berthelot's Pastoral and Rustic Dances also provides alternative scorings for more difficult passages. For all advanced flautists, this Berthelot provides an exciting, alternative performance work.&rdquo.

Chamber Music Bass Flute, Piano

SKU: PR.114418900

Composed by Daniel Dorff. Set of Score and Parts. 24+8 pages. Duration 14 minutes. Theodore Presser Company #114-41890. Published by Theodore Presser Company (PR.114418900).

ISBN 9781491129517. UPC: 680160668632.

A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.
When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling” leads directly to the rapid Mvt. 2 “Sparkling, glistening,” followed by another slow-fast pair: Mvt. 3 “Under Winter” which leads directly into Mvt. 4 “Spring Spirits.” In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.

Flute and piano

SKU: P2.10029

Composed by Seth Johnson. Solo music, 20th century. Published by Potenza Music (P2.10029).

Inspired by a tour to Brazil with the Campbellsville Univeristy Chorale, Rio de Janeiro for Flute and Piano was written for Cristina Soares, a native of Rio de Janiero. The opening section in 7-beat phrases is meant to evoke the laid back attitude of the city with some bossa-nova style. An abrupt change in character leads to the more energetic side of the city, incorporating Latin rhythms, syncopation, and some blues inspired chromaticsim. There is a return to the original section, but this time in a minor mode and at a faster tempo, concluding with the lively energy that Rio de Janiero is known for.

Seth Johnson (b.1989) is a composer, pianist, and cellist from Kentucky. He holds a Bachelor's of Arts in Music Theory/Composition and a Master's Degree in Music from Campbellsville University, where he served as composer-in-residence, principal cellist for the University Orchestra, and accompanist for the University Chorale. His works include numerous pieces for orchestra including Superhero Symphony, various solo/chamber pieces, as well as scores for the award winning Kentucky Education Television series My Kentucky Home.

Solo Part Included: Flute.

Flute and Piano. By Carol Barratt. Arranged by Margaret Ogonovsky. (Flute). Boosey and Hawkes Chamber Music. Size 9x12 inches. 52 pages. Published by Boosey & Hawkes.

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9351. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9348. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9352. Published by Breitkopf and Haertel

Composed by Gary Schocker. With Standard notation. Falls House Press #FP-GS61. Published by Falls House Press (PR.FH0464).

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9348. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9353. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9349. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9350. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9354. Published by Breitkopf and Haertel

Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9347. Published by Breitkopf and Haertel