Composed by John Golland. For Treble recorder with piano. Intermediate to Advanced. Published by Forsyth Publications

Pieces from Music for Children. By Carl Orff, Gunild Keetman. Schott. Published by Schott.

By Georg Philipp Telemann. Edited by Salter. For flute (recorder), piano. Published by Edition Peters.

By George Frideric Handel (1685-1759). For bass recorder, Guitar. Published by Friedrich Hofmeister Musikverlag

Alto Recorder. By Various. Arranged by John Camden and Peter Devereux. Recorder. Size 9x12 inches. 68 pages. Published by G. Schirmer, Inc.

By Malcolm Arnold. For Recorder And Piano. 20th Century. Sheet Music. Published by Paterson Ltd.

By Michael Ball. For Tenor recorder (or flute) and piano (or guitar). Advanced. Published by Forsyth Publications

For Recorder. Recorder Method (Suzuki). Book. 36 pages. Published by Alfred Publishing.

(Bass Recorder and Piano). Arranged by Walter Bergmann. Schott. 20 pages. Schott Music #ED10655. Published by Schott Music

4 Little Pieces for Soprano Recorder and Piano. By Hermann Regner. This edition: OFB210. Woodwind. Book only. 16 pages. Published by Schott Music.

By Peggy Glanville-hicks. Schott. Size 8.75x11.5 inches. 20 pages. Published by Schott.

Recorder and Piano. By Various. Arranged by Lothar Lechner, Heinz Kaestner. (Recorder). Schott. Book only. 32 pages. Published by Schott.

Treble Recorder and Piano. By Colin Hand. Schott. 16 pages. Published by Schott.

Recorder and Piano. By Antonio Vivaldi. Arranged by Hans-Martin Linde. (Recorder). Schott. Book only. 24 pages. Published by Schott.

By Coombes. For Recorder and Piano. Solo Woodwind. Easy. Collection. Published by Brass Wind Publications

By Johann Sebastian Bach (1685-1750). For Recorder, Piano. Published by Friedrich Hofmeister Musikverlag

Music Through the Ages in Two Volumes. By Alan Ridout. Edited by Kathryn Bennetts And Peter Bowman. For Descant/Soprano recorder and piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

For Alto Recorder and Piano. By Eliodoro Sollima. Schott. 28 pages. Published by Schott.

By Stephen Goodyear. piano acc. by Malcolm Binney. For Recorder. Recorder Method. Book. 52 pages. Published by Alfred Publishing.

Piano Accompaniment Recorder. Arranged by Andrew Watkin. Fentone Play Along Books. 32 pages. Published by Fentone Music.

Recorder and Piano - late intermediate

SKU: BT.FORFCG08

Composed by Gordon Crosse. Book Only. Forsyths Publications #FORFCG08. Published by Forsyths Publications (BT.FORFCG08).

Recorder and Piano - late intermediate

SKU: BT.FORFZZ26

By John Turner. Book Only. Forsyths Publications #FORFZZ26. Published by Forsyths Publications (BT.FORFZZ26).

Recorder and Piano - advanced

SKU: BT.FORFHP05

Composed by Peter Hope. Book Only. Forsyths Publications #FORFHP05. Published by Forsyths Publications (BT.FORFHP05).

Recorder and Piano - late intermediate

SKU: BT.FORFSR01

Composed by Robin Stevens. Book Only. Forsyths Publications #FORFSR01. Published by Forsyths Publications (BT.FORFSR01).

Recorder and Piano - intermediate

SKU: BT.FORFBM04

Composed by Martin Bussey. Book Only. Forsyths Publications #FORFBM04. Published by Forsyths Publications (BT.FORFBM04).

Recorder and Piano - Advanced

SKU: FP.FDD02

Composed by David Dubery. Sheet Music and Books. An evocative piece for treble recorder or oboe and piano inspired by two historic Stockport landmarks. Classical. Collection. Forsyths Publications #FDD02. Published by Forsyths Publications (FP.FDD02).

ISBN 9790570503834.

Vern on Park, Stockport’s oldest park, was created on land donated by Lord Vernon (George John Warren). It was built by poor mill workers who called it pinch-belly park and opened on 20th September 1858. Comprising twenty-one acres, it houses a museum, a bandstand, ornamental fountains, a fernery, rockery, borders and sunken rose garden as well terraced walkways that overlook the river and weir. The piece depicts a solitary walker engrossed in his own thoughts on a winter’s day, the landscape, and the park’s Victorian past.

At the very end of the piece a reminder of the park’s Victorian origins can be detected in a quote from Elgar’s Salut d’amour of 1899, which may well have been played by a band in the bandstand. Stockport market celebrated its 750th anniversary in 2010. It dated back to September 1260 when a Royal Charter allowed Robert de Stokeport, the Mayor, to hold a weekly market within the defensive walls of the Norman Castle on the present site of Castle Yard.

The Glass Umbrella was a popular name given to the 1861 covered market built of timber, glass and iron - nine bays with open sides and a glass canopy. In 1912, one bay was removed to enable electric trams and trolley buses to turn a sharp corner.

The piece depicts a lively market day, the multiculturalism of the present day and the old cries of pick and pay without delay. The bells of St Mary’s Church are depicted by a cascading peel tuned to the ten bells of the church tower, and a fleeting reference to John Wainwright’s famous Christmas hymn Christians Awake, and the Westminster chimes striking the hour from St Mary’s, bring to piece to a conclusion. Separate parts are provided for recorder and oboe.