(Everything You Need to Create and Use Chords in Every Key). By Dan Fox and Dick...(+)
(Everything You Need to
Create and Use Chords in
Every Key). By Dan Fox
and Dick Weissman. Book;
Reference Textbooks;
Textbook - General;
Theory. 96 pages.
Published by Alfred Music
Essentials of Music Theory Software, Version 2.0, Volume 1. (Educator Version). ...(+)
Essentials of Music
Theory Software, Version
2.0, Volume 1. (Educator
Version). By Andrew
Surmani and Morton Manus.
Reference Textbooks;
Textbook - General;
Theory. Essentials of
Music Theory. Software.
Published by Alfred Music
Publishing
(Practice Tests for the London AS and A2 Music Listening Papers based on The Ess...(+)
(Practice Tests for the
London AS and A2 Music
Listening Papers based on
The Essential Hyperion
2). Composed by David
Bowman and Paul Terry.
Schott. 96 pages. Schott
Music #ED12730. Published
by Schott Music
(Combining Orff Schulwerk and Music Learning Theory). By Diane Lange. A practica...(+)
(Combining Orff Schulwerk
and Music Learning
Theory). By Diane Lange.
A practical guide for
elementary and middle
school teachers. Music
education. Book. 120
pages. Published by GIA
Publications
(Reproducible Exercises for Sight-Singing Practice). Composed by Andy Beck and B...(+)
(Reproducible Exercises
for Sight-Singing
Practice). Composed by
Andy Beck and Brian
Lewis. Choir Secular.
Book; CD;
Classroom/Pre-School;
Method/Instruction;
Reproducible;
Sight-Singing Collection.
104 pages. Published by
Alfred Music
SKU: M7.AHW-4019 Compilation of techniques for composition and jazz im...(+)
SKU: M7.AHW-4019
Compilation of
techniques for
composition and jazz
improvisation.
Composed by Denis
Diblasio. Sheet music.
289 pages. Charles Colin
Corp. #AHW 4019.
Published by Charles
Colin Corp.
(M7.AHW-4019).
English.
If
beginning players learn
the twelve major scales,
twelve jazz melodic minor
scales, two whole tone
scales and three
diminished scales, they
will be able to negotiate
more than 95% of the
chords that will be
coming their way. Many
corresponding scales that
fit chords are simply
modes of one the above
scales. A major scale
gives seven modes that
fit seven different
chords. Times that by
twelve and 84 chords can
be covered by simply
knowing the twelve major
scales. It can sound
overwhelming, not to
worry, after all music is
about what you have to
say not how many musical
nick-knacks you collect.
Jazz players of all eras
have looked for new
devices to experiment
with. Students are no
different. Once I have
given the foundation of
the above scales I let
students choose a sound
or device that they like.
This book is a result of
that teaching
perspective. It is also a
result of me being tired
of writing out the same
information year after
year and serves as a
compilation of many jazz
improvisation and
compositional techniques.
Learning them all is not
the goal. The book is
simply a collection and
includes brief
explanations and drills
to help utilize a new
sound into a player's
vocabulary. This text can
be used individually or
in a group of any
instrument combination. A
good number of the
chapters are organized
specifically for
this.
Music Puzzler Formation musicale - Solfège [Partition + CD] Alfred Publishing
(80 Reproducible Music Puzzles). By Sue Albrecht Johnson. Book; CD; Classroom/Pr...(+)
(80 Reproducible Music
Puzzles). By Sue Albrecht
Johnson. Book; CD;
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible. 92 pages.
Published by Alfred Music
Formation musicale - Solfège [DVD] - Intermédiaire/avancé Jamey Aebersold Jazz
By Jamey Aebersold. Published by Jamey Aebersold Jazz. (JAD) This nearly two-h...(+)
By Jamey Aebersold.
Published by Jamey
Aebersold Jazz. (JAD)
This nearly two-hour
presentation features
Jamey at the piano
demonstrating the
fundamental techniques
used by all great jazz
improvisers. Includes
chord/scale
relationships, keeping
your place, patterns, the
blues and pentatonic
scales and their
application, what and how
to practice,
articulation, memorizing
songs and more! This
presentation not only
provides the technical
information essential to
getting started on
improvisation, but it
also serves as an
overview of the entire
creative process that
even non-musicians can
understand. Jamey also
provides much needed
motivational material and
discusses the philosophy
of man's need to be
creative. A complete
presentation!
25 Creative Competitions for the Music Classroom. Composed by Greg Foreman and...(+)
25 Creative Competitions
for
the Music Classroom.
Composed
by Greg Foreman and
Valeaira
Luppens. Classroom
Resources;
Classroom/Pre-School;
Games;
General Music and
Classroom
Publications; Homeschool
Resources; Other
Classroom;
Reproducible; Resources.
Book. 68 pages. Alfred
Music
#00-46834. Published by
Alfred Music
Solfege SKU: BT.EMBZ5666 By Miklos Forrai. By Erzsebet Leganyne Hegyi. EM...(+)
Solfege
SKU:
BT.EMBZ5666
By Miklos
Forrai. By Erzsebet
Leganyne Hegyi. EMB Music
Lesson - Solfeggio.
Theory. Book Only.
Composed 1974. 140 pages.
Editio Musica Budapest
#EMBZ5666. Published by
Editio Musica Budapest
(BT.EMBZ5666).
English-German-Hungari
an.
This collection
is a selection of
excerpts from Bach
cantatas, chosen not only
for the beauty of their
musical content but
because from the
pedagogical point of view
too they deserve a place
in a publication intended
for educational purposes.
The excerpts embrace two
distinct areas of Baroque
vocal music, the melodic
realms of the aria and
the recitative. The aria
and arioso quotations in
the collection, generally
presented without
accompaniment, are
intended for
sight-singing. The aria
and recitative excerpts
with continuo
accompaniment also
provide students with
serious harmonization
tasks and are therefore
principally related to
their music theory
studies. Volume Icontains
the easier cantata
excerpts, Volume II the
more difficult ones.
Solfege SKU: BT.EMBZ5665 Composed by Erzsebet Leganyne Hegyi. EMB Music L...(+)
Solfege
SKU:
BT.EMBZ5665
Composed
by Erzsebet Leganyne
Hegyi. EMB Music Lesson -
Solfeggio. Theory. Book
Only. Composed 1971. 120
pages. Editio Musica
Budapest #EMBZ5665.
Published by Editio
Musica Budapest
(BT.EMBZ5665).
English-German-Hungari
an.
These excerpts
from Bach cantatas were
chosen not only for the
beauty of their musical
content, but also because
of the pedagogical value
they possess. The
excerpts embrace two
distinct areas of Baroque
vocal music: the melodic
realms of the aria and
recitative. The aria and
arioso quotations in the
collection, generally
presented without
accompaniment, are
intended for
sight-singing. The aria
and recitative excerpts
with continuo
accompaniment also
provide students with
serious harmonization
tasks and are, therefore,
principally related to
their music theory
studies. Volume I
contains the easier
cantata excerpts, Volume
II the more difficult
ones.
