By Groeber, Hoge, Welch, Sanchez. For Guitar. Contents include: America, the Bea...(+)
By Groeber, Hoge, Welch,
Sanchez. For Guitar.
Contents include:
America, the Beautiful;
Wimoweh (Mbube); He's Got
the Whole World in His
Hands; Kum Ba Yah;
Michael, Row the Boat
Ashore; Cotton Fields;
Home on the Range; Rock
Island Line; Kisses
Sweeter Than Wine;
Lonesome Traveler; The
Big Rock Candy Mountain;
Well, Well, Well. Guitar.
Level: Early
Intermediate. Book.
Published by The FJH
Music Company, Inc.
By Groeber, Hoge, Welch, Sanchez. For Guitar. Contents include: Kum Ba Yah; Aura...(+)
By Groeber, Hoge, Welch,
Sanchez. For Guitar.
Contents include: Kum Ba
Yah; Aura Lee; Worried
Man Blues; This Land is
Your Land; Hey Liley,
Liley Lo; Amazing Grace;
The Streets of Laredo;
Lonesome Traveler; We
Shall Overcome;
Goodnight, Irene; The
Sailor Song. Guitar.
Level: Elementary. Book.
Published by The FJH
Music Company, Inc.
Piano/Vocal/Guitar SKU: HL.275865 By Various. Piano/Vocal/Guitar Songbook...(+)
Piano/Vocal/Guitar
SKU: HL.275865
By
Various.
Piano/Vocal/Guitar
Songbook. Americana,
Country, Folk. Softcover.
304 pages. Published by
Hal Leonard (HL.275865).
ISBN 9781540026569.
UPC: 888680744960.
9.0x12.0x0.729
inches.
45 roots
favorites in arrangements
for piano, voice and
guitar. Includes: Broken
Halos (Chris Stapleton)
• Copperhead Road
(Steve Earle) •
Hurricane (The Band of
Heathens) • If I
Had a Boat (Lyle Lovett)
• If We Were
Vampires (Jason Isbell
and the 400 Unit) •
Live and Die (The Avett
Brothers) • Mykonos
(Fleet Foxes) •
Pancho & Lefty (Merle
Haggard & Willie
Nelson) • The Story
(Brandi Carlile) •
Wagon Wheel (Old Crow
Medicine Show) •
and many more.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: GI.G-4005G Composed by Bob Moore. This edition: Guitar editio...(+)
Guitar
SKU:
GI.G-4005G
Composed
by Bob Moore. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 24
pages. GIA Publications
#4005G. Published by GIA
Publications
(GI.G-4005G).
This is the
guitar version. There's a
style here for everyone:
robust metrical hymns
like When the Lord in
Glory Comes, the lyrical
Joyful Is the Dark, Come
to Me O Weary Traveller
with a beautiful early
American flavor, and the
classically influenced
Jesus on the Mountain
Peak. In addition to
Bob's original texts,
works by Timothy
Dudley-Smith, Brian Wren,
and Sylvia Dunstan are
also included. CONTENTS:
LIVING WATERS (G-3630)
• ENTER IN (G-3837)
• THE WORD IS IN
YOUR HEART (G-3838)
• WHEN THE LORD
IN GLORY COMES (G-3841)
• JOYFUL IS THE
DARK (G-3845) • GOD
BE IN MY HEAD (G-3854)
• PSALM 103: OUR
GOD IS RICH IN LOVE
(G-3858) • ALL WHO
HUNGER (G-3859)
• COME TO ME, O
WEARY TRAVELER (G-3860)
• WE GATHER IN
WORSHIP (G-3861) •
WE ARE A CHOSEN PEOPLE
(G-3875)Â .
Guitar Solo. Composed by Maurice Ravel. Edited by John William Duarte. Arran...(+)
Guitar Solo. Composed by
Maurice Ravel. Edited by
John
William Duarte. Arranged
by
John Duarte. Sheet music.
Gitarren-Archiv (Guitar
Archive). Classical,
Romantic.
6 pages. Schott Music
#GA494.
Published by Schott Music
Chamber Music Guitar SKU: PR.ECH2725 Composed by Various. Edited by Pedro Góme...(+)
Chamber Music Guitar
SKU: PR.ECH2725
Composed by Various.
Edited by Pedro
Gómez-Lorente. Arranged
by José Tomás.
Collection. Chanterelle
#ECH2725. Published by
Chanterelle
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M).
ISBN
9781736363058. 8.75x11.75
inches.
A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio.
Guitar - Level 1-2 SKU: HF.FH-3379 Famous melodies. Composed by Va...(+)
Guitar - Level 1-2
SKU: HF.FH-3379
Famous melodies.
Composed by Various.
Edited by Hegel. Arranged
by Hegel. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 3379.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-3379).
ISBN
9790203433798. 9 x 12
inches.
1. Bedrich
Smetana: Die Moldau (aus
Mein Vaterland); 2.
Marc-Antoine Charpentier:
Prelude (aus Te Deum); 3.
Anonymus: Spanische
Romanze; 4. Ludwig van
Beethoven: Freude schoner
Gotterfunken (aus:
Sinfonie Nr. 9); 5. Isaac
Albeniz: Asturias; 6.
Antonio Vivaldi: Fruhling
(aus: Die vier
Jahreszeiten); 7. Antonin
Dvorak: Largo (aus
Sinfonie Nr. 9); 8.
Joseph Haydn:
Kaiserhymne; 9. Giuseppe
Verdi: Donne e mobile
(aus Rigoletto); 10.
Ludwig van Beethoven: Fur
Elise; 11. Georg
Friedrich Handel:
Hallelujah (aus Messias);
12. Johann Pachebel:
Kanon; 13. Wolfgang
Amadeus Mozart: Alla
turca (aus Klaviersonate
KV 588); 14. Modest
Mussorgski: Promenade
(aus Bilder einer
Ausstellung); 15. Johann
Sebastian Bach: Menuett
(aus Notenbuchlein); 16.
Edvard Grieg:
Morgenstimmung (aus Peer
Gynt Suite); 17. Pjotr I.
Tschaikowski: thema (aus
Klavierkonzert Nr. 1);
18. Edward Elgar: Land of
hope and glory (aus Pomp
and circumstances); 19.
Edvard Grieg: In der
Halle des Bergkonigs (aus
Peer Gynt Suite); 20.
Luigi Bocchcerini:
Minuetto (aus
Streichquartett op. 11):
21. Maurice Ravel:
Bolero; 22. Pjotr I.
Tschaikowski: Thema (aus
Schwanensee); 23. Felix
Mendelssohn Bartholdy:
Hochzeitsmarsch (aus
Sommernachtstraum); 24.
Johann Strauss: An der
schonen blauen Donau; 25.
Johann Sebastian Bach:
Jesus bleibt meine Freude
(aus BWV 147); 26.
Francisco Tarrega: Gran
Vals.
Guitar/Bass/Drum. J-POP.
Sheet music. Yamaha Music
Media #GTL01097129.
Published by Yamaha Music
Media (YM.GTL01097129).
ISBN
9784636971293.
25
Famous melodies for
guitar solo. Players are
able to listen the model
performance on the
smartphone through the QR
cords attached to each
page. 25Shou Ji Ta Du
Zou Ming Qu . Yan Zou Zhe
Ke Yi Tong Guo Sao Miao
Er Wei Ma Shi Yong Zhi
Neng Shou Ji Shi Ting Shi
Fan Yan Zou .
1.
Liszt: Liebestraum; 2.
Debussy: La fille aux
cheveux de lin; 3.
Dvorak: Largo from A New
Wrold Symphony; 4.
Satie/Ju te veux; 5.
Chopin: Prelude Op.28/7;
6. Haydn: Theme from 2nd
movement of Kaiser
Quartet; 7. Verdi:
Triumphal March from
Opera Aida; 8. Ravel:
Bolero; 9. Massenet:
Meditation from Opera
Thais; 10. Borodin:
Polovtsian Dances from
Opera Prince Igor; 11.
Moussorgsky: Promnade
from Pictures at an
Exhibition; 12. Smetana:
Melody from Moldau; 13.
Schubert: Melody from
Trout Quintet; 14. Bach,
J. S.: Prelude from Suite
for Cello No.1; 15.
Liszt: La campanella; 16.
Paganini: Caprice No.24;
17. Tarrega: Adelita; 18.
Tarrega: Etude No.1; 19.
El Noi de la Mare; 20.
Sanz: Canarios; 21.
Tarrega: La'cryma
Christi; 22. Sol: Waltz
from 6 pieces; 23.
Siciliano; 24.
Londonderry Air; 25.
Gershwin: Rapsody in
Blue.
Pavane Guitare - Intermédiaire/avancé Southern Music Ltd
(Full Orchestra Music/Guitar Music). By Ravel, Maurice. Arranged by Hernandez, J...(+)
(Full Orchestra
Music/Guitar Music). By
Ravel, Maurice. Arranged
by Hernandez, Jesse.
Guitar Music. Southern
Music. Grade 4. Southern
Music Company #ST445.
Published by Southern
Music Company
Composed by Justin
Sandercoe. JustinGuitar.
Book Only. Composed 2017.
104 pages. Wise
Publications
#MUSAM1012099. Published
by Wise Publications
(BT.MUSAM1012099).
ISBN 9781785583704.
English.
21 classic
and contemporary
Christmas songs to
accompany the
world-famous
justinguitar.com courses
for Guitar!
Chamber Music Guitar SKU: PR.114423450 Composed by Máximo Pujol. Full ...(+)
Chamber Music Guitar
SKU: PR.114423450
Composed by Máximo
Pujol. Full score. 8
pages. Duration 9
minutes. Theodore Presser
Company #114-42345.
Published by Theodore
Presser Company
(PR.114423450).
Guitar SKU: FG.55011-320-6 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-320-6
Composed by Kai Nieminen.
Fennica Gehrman
#55011-320-6. Published
by Fennica Gehrman
(FG.55011-320-6).
ISBN
9790550113206.
Guit
ar sonata A Walk to the
Mysterious Woods
(2012-13) is so far the
most extensive of the
works Kai Nieminen has
written for his own
instrument, the guitar.
The sonata features
virtuosic and delicate
timbre which is typical
of Nieminen's musical
idiom and which requires
both technical and poetic
skill of the performer.
The music invokes a
fairytale-like scene of
nature with its
references to Finnish
mythology.
Kai
Nieminen's guitar sonata
is in four movements
which follow each other
attacca. The form of the
work resembles the
traditional sonata form:
exposition (A Walk with
Birdsong) - development
(Along the Brook and
Song(s) from the Arctic)
- recapitulation
(Return). The dark chords
of the beginning, the
pressing silence and the
icy-sounding harmony
created by the E flat
bass line evoke an image
of a winter forest. As if
following birdsong, the
music carries the
listener through various
landscapes and moods.
Birdsong takes the
listener to a brook,
which then carries the
traveller to the ancient
Sami joik, a traditional
form of chant, and allows
him or her to bask in the
serenity of natural
beauty in a moment where
the past and present
meet.
Guitar SKU: UT.CH-101 Composed by Davide Notartomaso. Saddle stitching. C...(+)
Guitar
SKU:
UT.CH-101
Composed by
Davide Notartomaso.
Saddle stitching.
Classical. Ut Orpheus #CH
101. Published by Ut
Orpheus (UT.CH-101).
ISBN 9790215315815. 9
x 12
inches.
Composit
ion winner of the 2nd
Edition (2008) of the
Classical Guitar Musical
Composition Competition
â??Suoni Nuovi
Autoriâ?? in Latina,
Italy (Section
1) The composition
Roma born after a
short travel in the
eternal city. The
multiple cultural,
historical and landscaped
stimuli that derive from
its ruins must touch the
mind of every visitor
dipping it and
transporting it behind in
the history: these are
the feelings that have
inspired the composition
of a
conceptualistic-descripti
ve music work, dedicated
to the places that more
meant during the
authorâ??s travel.
First part,
â??Anfiteatro
Flavioâ??, is clearly
dedicated to Colosseo. It
is so imposing and
majestic that recalls
still today the outcry of
the battles and the noise
of the iron: all that is
translate in music with
frequent changes of time
and a virtuosistic and
pressing writing. The
apex of the fight marks
in the composition a
growing culminated in a
moment of suspension and
the immediate resumption
with change of theme for
the victory moment and
its majestic
celebration. The
second part, â??Villa
Borgheseâ??, marks the
passage to a situation of
ecstasy and serenity
inspired from the beauty
and tranquillity of the
places of the famous
roman park. The
composition develops with
sweetness but are also
present dissonant notes
that recall the park
contextualizzation in the
heart of the city, with
its chaotic present and
with the urgent violence
of its past.