A collection of 23 Celtic songs arranged for Guitar with standard notation and Tab. Includes a comprehensive guide to Flatpicking Celtic style Guitar, and also a CD of examples. For me, playing the Guitar is all about finding pieces of music that you want to play over and over again. I don't know a formula for what makes up a great piece, but I know it when I hear it. A good piece of music is not a page with notes hanging in a museum, it is music you come back to ten years later and love it just as much as you did when you first heard it. Whether it’s a classic piece by O'Carolan, or a traditional piece in the Celtic tradition, that is what I believe you will find inthis book. Quite simply, these are beautiful arrangements of Celtic Music that you will keep you coming back. So if you love playing the guitar, and you are looking for music you will be playing for a lifetime, this is the book for you. Allan Alexander/ Recueil / Guitare

Par ONGARELLO ANTONIO. by Antonio Ongarello. Learn and play 12 Jazz Standards. When I decided to introduce some of the best jazz Standards, my desire was to propose them in a 'live” version, i.e. how I'm used to play them. While keeping quite adherent to the originals, me-lody / Jazz / Recueil / Guitare

Easy Guitar with Notes and Tab. Par . La collection Easy Guitar d'Hal Leonard comprend des arrangements de musique pop pour guitariste débutant et inclut à la fois des notes et des tablatures comme support d'apprentissage. La dernière publication de cette collection s'intitule 40 Most-Streamed Disney Songs. Le recueil offre 40 chansons tirées des derniers films à succès Disney tels que Beauty and the Beast, Frozen, The Lion King ou encore Moana. Titres inclus : Be Our Guest ? Beauty and the Beast ? Can You Feel the Love Tonight ? Colors of the Wind ? Do You Want to Build a Snowman' ? A Girl Worth Fighting For ? Go the Distance ? Hakuna Matata ? How Far I'll Go ? Just Around the Riverbend ? Kiss the Girl ? Let It Go ? Reflection ? Under the Sea ? When Will My Life Begin' ? A Whole New World ? You'll Be in My Heart (Pop Version) ? You're Welcome ? et bien d'autres ! / Niveau : Facile / Date parution : 2022-12-12/ Tablatures / Guitare

The Brazilian Guitar Book
Samba, Bossa Nova and other Brazilian Styles
by Nelson Faria
A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles ? Samba, Bossa Nova, Frevo
Comes with a CD download of Nelson demonstrating each exercise, plus a tune in each style.
Many variations of basic comping patterns written out, each with complete chord voicings.
Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto
Endorsements
When I think about Brasil, I think about ?Violao? (that's what we call the nylon string guitar in our country). The art of playing ?Violao? looks simple, but it isn't and this book shows how to assimilate and how to understand this art. This makes me feel happy. With talent and clear information, Nelson will help guitar players all around the world to enjoy all the pleasures of this wonderful instrument. Make good use of this excellent musical book!?
? Leny Andrade
Nelson Faria was the right person to write this book, which contains examples and transcriptions of Brazil's greatest guitarists. This talented musician and dedicated music professor has a deep knowledge of Brazilian music and its rhythmic, melodic and harmonic subtleties.?
? Toninho Horta
Nelson Faria's book is a welcome addition to the guitar literature. I'm sure those who work with this volume will benefit greatly.?
? Joe Diorio / Partitions jazzandblues / Guitare / Guitare / SHER MUSIC

Par MILLER JOHN. When John Hurt was rediscovered in 1963, he was presented with a very rare opportunity to expand and re-write his musical legacy, late in life. And he did just that, recording over seventy songs previously unrecorded by him, adding to the repertoire of thirteen titles he had recorded in 1928. In The Guitar of Mississippi John Hurt - The Rediscovery Years, John Miller focuses on performances that John Hurt recorded in between 1963 and his death in 1966, presenting transcriptions of 24 of those performances. The richness and variety of John Hurt's music is showcased in these songs, with everything from low-down blues in E to raggy numbers in C to waltzes in D featured. Transcriptions are provided in TAB and standard notation, lyrics for all of the songs are provided, and where verse accompaniments are provided in the transcriptions, indications are given to show where the vocal sits relative to the accompaniment. Audio clips of Mississippi John Hurt playing each transcribed song are available via a download link. If you're a fan of Mississippi John Hurt's music, The Guitar of Mississippi John Hurt - The Rediscovery Years will give you the most complete collection of his later performances available anywhere. / Niveau : Intermédiaire / Date parution : 2019-05-27/ Tablatures / Guitare

Provides classical players with an opportunity to extend their repertoire play some popular hit songs. Includes '(Everything I Do) I Do It For You', 'Tears In Heaven' and 'Wonderwall'. / Guitare

Le Petit Guitarama est un répertoire de morceaux tous styles, connus, pour guitaristes débutants, permettant de jouer aussi bien du classique (Vivaldi, Bach...), des légendes de la pop (Beat It, Love Me Tender...), des musiques de films (Le parrain, La panthère rose...), du répertoire francophone (Goldman, Brassens...), ou des airs traditionnels de différents horizons (Orient, Irlande, Italie...). Chaque morceau est le fruit d'un travail d'arrangement, précis, adapté à l'instrument et au niveau de l'élève. Ce volume, progressif, couvre l'apprentissage de la guitare du tout début, à deux ans de pratique. En plus des nombreuses pièces en solo, l'ouvrage propose des duos, trios, et quatuors. La mise en page assure une grande lisibilité, en couleur. Richement illustré, ce recueil s'adresse à tous. Et, toujours dans l'esprit de la collection ...RAMA : originalité, qualité des arrangements, progressivité, variété des styles. 66 morceaux pour guitare, dont : ' La campanella (Paganini) ' Mon frère (M. Le Forestier) ' What i'd say (Ray Chales) ' Jules et Jim (thème du film) ' Le magicien d'Oz (thème du film) ' Je l'aime à mourir (F. Cabrel) ' La panthère rose (thème du film) et bien d'autres...

John Lee Hooker est un des bluesmen légendaire peu à casser la barrière MTV. Il a enregistré et joué avec un hôte de stars de la pop. La musique de John Lee n'a pas changé, mais les musiciens qui l'accompagne ont. Cet vidéo de 58 minutes présente John Lee jouant avec plusieurs de ses amis de 1984 à 1992. Duos de Ry Cooder sur trois pistes. Robert Cray burns jusqu'à l'idéogramme sur Mr. Lucky, John Hammond joue diapositive derrière le père était un Jockey et Bonnie Raitt déployée et teases sur I'm In The Mood. / Guitare / Dvd

Par WALKER N.. Guitar Basics Christmas offers a dazzling assortment of classic Christmas carols and festive hits, all in easy-to-learn arrangements for young beginners. Technically tried and tested, the authors have applied their magic to every tune in the collection, guaranteeing an enjoyable and unique musical Christmas for players, teachers and parents alike! All-time favourites such as We Three Kings, I Saw Three Ships, In the Bleak Mid-Winter and O Christmas Tree. Grooved-up arrangements of traditional carols, including a reggae version of Silent Night and a jazzy rendition of Jingle Bells. Quick-to-learn festive hits such as Santa Claus Is Coming to Town, Rudolph the Red-nosed Reindeer and Rockin' Around the Christmas tree. All tunes can be performed by a solo player (with CD). Optional ensemble parts provided for selected songs to encourage group performance. Fun backing tracks to play along with. Practical and great fun, this is an ideal resource for group and individual playing and is the perfect festive companion to Guitar Basics./ Recueil / Guitare

Par LEAVITT WILLIAM. Méthode Berklee Press A poursuite de Phase I, ce volume est idéal pour début aux étudiants de guitare intermédiaire ou de classes prêts à aller au-delà de l'ABC. Il comprend solo, deux parties, et les arrangements de l'ensemble des trois volets de musique traditionnelle et contemporaine pour heyers créer un son unique et personnels. / Méthode en anglais / Méthode / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Original arrangements for Dixieland Band! Titles include: When My Sugar Walks Down the Street (All the Little Birdies Go Tweet, Tweet, Tweet) * The New Dixieland Parade * Little Rock Getaway * It Don't Mean a Thing (If It Ain't Got that Swing) * Sunday Washington and Lee Swing * Skeleton Jangle * Tiger Rag * When You're Smiling (The Whole World Smiles Back at You) * I Can't Give You Anything but Love * Lazy Daddy * Maryland, My Maryland.