Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra
SKU: BO.B.3610
Composed by Jaume
Torrent. Published by
Editorial de Musica
Boileau (BO.B.3610).
The concerto
establishes a dialogue
which alternates
constantly between the
guitar and the symphony
orchestra, with the two
sound worlds being
maintained in perfect
balance while also
exploring the unique
possibilities presented
by each: the guitar
develops a surprising
array of resources which
enhance its expressive
capacity to the utmost,
while the orchestra
envelops it in an
extensive range of
textures which at times
give rise to subtle
tones, and at others, all
the tonal vigour of the
tutti.
The
language I employ is
intended as a means of
achieving an efficient
symbiosis between
modernity and tradition,
continuing in the line of
my previous works as a
composer. It contains no
references to popular
music and at all times
veers away from the
expectations created by
the language of folklore
exploited in concertos of
this kind by the majority
of recognised composers.
In Concerto de Rialp,
modernity is reflected
through a search for
unique expressive forms,
experimentation with new
means of thematic
development and a unique
presentation of formal
solutions, all the while,
however, respecting
expressiveness and
lyricism as the
foundations of
communicating with the
audience.
The
concerto also explores
the guitar's new
technical resources.
Thanks to specific work
on left hand extensions,
mechanical formulas have
been developed which
allow certain scales to
be played at
unprecedented speeds. In
the cadenza of the first
movement, the guitar
develops the main theme
in the form of an
instrumental motif that
has never been used
before in guitar scores,
producing a polyphonic
effect of new
dimensions.
I have
worked to exploit the
distinctive sound
differences existing
between the guitar and
the orchestra -both from
the dynamic and the tonal
points of view- in order
to really develop the
dramatic effect that
their being brought
together affords. In the
second movement -calmo
assai- this dramatic
quality is expressed in a
way that is particularly
powerful by means of a
tension never before
achieved in a concerto
for guitar and
orchestra.
Guitar and Orchestra SKU: IS.GOR14022AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14022AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14022AEM.
Published by Metropolis
Music Publishers
(IS.GOR14022AEM).
ISBN
9790365003464.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
He composed a total of
seven lute concertos
during his lifetime. This
Concerto in D Major is in
three movements: Allegro,
Andante molto, and Tempo
di Minuetto. This edition
includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14018AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14018AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14018AEM.
Published by Metropolis
Music Publishers
(IS.GOR14018AEM).
ISBN
9790365000593.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
He composed a total of
seven lute concertos
during his lifetime. This
Concerto in B-flat Major
is in three movements:
Allegretto, Largo, and
Tempo di Minuetto. This
edition includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14017AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14017AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14017AEM.
Published by Metropolis
Music Publishers
(IS.GOR14017AEM).
ISBN
9790365000630.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
He composed a total of
seven lute concertos
during his lifetime,
including this Concerto
in F Major, No. 2 (not to
be confused with his
Concerto in F Major, No.
1, which is considered
the most popular) in
three movements: Allegro
moderato, Andante molto,
and Tempo di Minuetto.
This edition includes the
full orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14009AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14009AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14009AEM.
Published by Metropolis
Music Publishers
(IS.GOR14009AEM).
ISBN
9790365000616.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
Composing a total of
seven lute concertos
during his lifetime, this
Concerto in F Major, No.
1 is the most popular. It
is in three movements:
Allegro, Adagio, and
Tempo di Minuetto. This
edition includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: HL.14028042 Composed by Poul Ruders. Music Sale...(+)
Guitar and Orchestra
SKU: HL.14028042
Composed by Poul Ruders.
Music Sales America.
Classical. Score.
Composed 2002. 87 pages.
Edition Wilhelm Hansen
#WH30481. Published by
Edition Wilhelm Hansen
(HL.14028042).
ISBN
9788759810668.
Rude
rs writes: There's a
solid tradition in the
history of Western music
of turning the theme of
Nicolo Paganini's 24th
Caprice for soloviolin
into a set of variations
endemic to the time and
style of each individual
composer; Liszt, Brahms,
Rachmaninov and
Lutoslawsky being the
most prominent names.
When asked by David
Starobin to write a
concerto for him, I
though well, why not have
a go at it? - bearing in
mind, that not only is
Paganini the most
celebrated violin-wizard
of all times, but he was
also a more than
accomplished guitarist.
There are 22 variations
in all, numbers 1 to 16
all adhering strictly to
the 16-bar pattern, laid
down by Paganini himself.
From variation 17 though,
the writing becomes more
symphonic and the rigid
16-bar regime is being
lossendes up a bit.
However, the last
variation 'Finale
Prestisimo' is a 6 x 16
bars white-knuckle ride,
in which the hitherto
soloistic role of the
guitar gives way to that
of 'primus interpares',
i.e. 'first among
equals'. As with another
set of variations of mine
'Concerto on Pieces'
(based on a tune by
Purcell), the nature and
shape of the
'Pagannini-Variations'
may be compared to a
stroll through a hall of
mirrors: the portrait -
the theme is gradually
being distorted out of
all recognition - but
it's still the same
original walking by.
