Guitar and Orchestra SKU: IS.GOR14018AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14018AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14018AEM.
Published by Metropolis
Music Publishers
(IS.GOR14018AEM).
ISBN
9790365000593.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
He composed a total of
seven lute concertos
during his lifetime. This
Concerto in B-flat Major
is in three movements:
Allegretto, Largo, and
Tempo di Minuetto. This
edition includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14019AEM Composed by Johann Pfeiffer. Arr...(+)
Guitar and Orchestra
SKU:
IS.GOR14019AEM
Composed by Johann
Pfeiffer. Arranged by
Victor Van Puijenbroeck.
Plucked - Guitar.
Metropolis Music
Publishers #GOR14019AEM.
Published by Metropolis
Music Publishers
(IS.GOR14019AEM).
ISBN
9790365000289.
Germ
an composer and violinist
Johann Pfeiffer (1697 -
1761) was born in
Nuremberg and made a
career as concertmaster
in various orchestras
throughout southern
Germany. Much of his life
was spent in Bayreuth,
working for the court of
Wilhelmine of Prussia,
Margravine of Bayreuth,
teaching her composition
and violin. During his
lifetime, he composed a
variety of orchestra and
chamber music, including
this Concerto in B-flat
Major in three movements:
Allegro ma non troppo,
Andante, and Allegretto.
This edition includes the
full orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Viola,
Cembalo/Cello/Contrabass.
(For Guitar and Orchestra). By Mario Castelnuovo Tedesco (1895-1968) and Mario C...(+)
(For Guitar and
Orchestra). By Mario
Castelnuovo Tedesco
(1895-1968) and Mario
Castelnuovo-tedesco
(1895-1968). For Flute 1,
Flute 2, Oboe, Clarinet
1, Clarinet 2, Bassoon,
Horn 1, Horn 2, Trumpet,
Timpani, Drum, Percussion
1, Percussion 2, Violin
1, Viol Set of Parts
Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra
SKU: BO.B.3610
Composed by Jaume
Torrent. Published by
Editorial de Musica
Boileau (BO.B.3610).
The concerto
establishes a dialogue
which alternates
constantly between the
guitar and the symphony
orchestra, with the two
sound worlds being
maintained in perfect
balance while also
exploring the unique
possibilities presented
by each: the guitar
develops a surprising
array of resources which
enhance its expressive
capacity to the utmost,
while the orchestra
envelops it in an
extensive range of
textures which at times
give rise to subtle
tones, and at others, all
the tonal vigour of the
tutti.
The
language I employ is
intended as a means of
achieving an efficient
symbiosis between
modernity and tradition,
continuing in the line of
my previous works as a
composer. It contains no
references to popular
music and at all times
veers away from the
expectations created by
the language of folklore
exploited in concertos of
this kind by the majority
of recognised composers.
In Concerto de Rialp,
modernity is reflected
through a search for
unique expressive forms,
experimentation with new
means of thematic
development and a unique
presentation of formal
solutions, all the while,
however, respecting
expressiveness and
lyricism as the
foundations of
communicating with the
audience.
The
concerto also explores
the guitar's new
technical resources.
Thanks to specific work
on left hand extensions,
mechanical formulas have
been developed which
allow certain scales to
be played at
unprecedented speeds. In
the cadenza of the first
movement, the guitar
develops the main theme
in the form of an
instrumental motif that
has never been used
before in guitar scores,
producing a polyphonic
effect of new
dimensions.
I have
worked to exploit the
distinctive sound
differences existing
between the guitar and
the orchestra -both from
the dynamic and the tonal
points of view- in order
to really develop the
dramatic effect that
their being brought
together affords. In the
second movement -calmo
assai- this dramatic
quality is expressed in a
way that is particularly
powerful by means of a
tension never before
achieved in a concerto
for guitar and
orchestra.
By Antonio/ Herrero O. Gomez Schneekloth. For flamenco guitar, orchestra. Guitar...(+)
By Antonio/ Herrero O.
Gomez Schneekloth. For
flamenco guitar,
orchestra. Guitar
Flamenca and instrument
ensemble. Score (A4). 194
pages. Duration 25:00.
Published by Piles
Editorial de Musica