Guitar - Intermediate SKU: MB.30667M With Guitar Transcriptions of Bac...(+)
Guitar - Intermediate
SKU: MB.30667M
With Guitar
Transcriptions of Bach's
Figured Bass
Accompaniment.
Composed by Matthias
Stegmann. Gospel/Sacred,
Squareback saddle stitch,
Christian. Gospel. Book
and online PDF. 238
pages. Mel Bay
Publications, Inc
#30667M. Published by Mel
Bay Publications, Inc
(MB.30667M).
ISBN
9781513463971. 8.75 x
11.75
inches.
Johann
Sebastian Bachâ??s
arrangements of the
â??69 Sacred Songsâ?
from the Musical
Hymnal by Georg
Christian Schemelli
(Leipzig, 1736) have long
been part of the German
language vocal concert
repertoire and a mainstay
in vocal pedagogy.
Originally, only these 69
of the 954 hymns in the
collection were published
with a single bass line
as the accompaniment.
Bachâ??s contribution
was to specify harmonies
to be played over those
same bass lines by adding
figured bass
numbers and symbols
beneath each
note.
A figured
bass line can easily be
turned into a relatively
simple guitar
accompaniment or a more
elaborate setting,
offering a range of
possibilities that make
working with this music
both interesting and
rewarding for the
guitarist. While other
period and modern
editions of the â??69
Sacred Songsâ? offer
accompaniments for
keyboard instruments,
this Mel Bay publication
features intermediate to
advanced transcriptions
exclusively for the
guitar.
Best
suited to college-level
players or advanced
aficionados, this special
Mel Bay Publications
edition includes the
vocal line with German
lyrics and the guitar
accompaniment transcribed
from Bachâ??s figured
bass lines. Written in
guitar-friendly keys, 29
of the transcriptions
employ a capo to achieve
the original key designed
for high voices. Without
the capo, these same
arrangements would be
suitable to be sung by
lower voices. The
remaining 40 hymns are in
their original
guitar-friendly keys and
so do not require a
capo.
This volume
contains accompaniment
settings of all 69 of the
sacred songs and arias
for which Bach wrote
figured bass annotation.
For performance variety
and convenience, this
book includes â??Scores
in their Original
Keys,â? and
stand-alone â??Guitar
Accompaniment,â? and
â??Bass Parts.
By Mel Bay and William Bay. For Guitar (All). method. Non-Series. All Styles. L...(+)
By Mel Bay and William
Bay. For Guitar (All).
method. Non-Series. All
Styles. Level: Beginning.
Book CD DVD. Size
8.75x11.75. 88 pages.
Published by Mel Bay
Publications, Inc.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All sty...(+)
by William Bay and Mike
Christiansen. For all
guitars. Mastering
Guitar. All styles,
assorted music styles.
Level:
Beginning-Intermediate.
Book/CD Set. Method. Size
8.75x11.75. 184 pages.
Published by Mel Bay
Pub., Inc.
Guitar - intermediate SKU: BT.SY-2953 Revidierte Neuausgabe von Michae...(+)
Guitar - intermediate
SKU: BT.SY-2953
Revidierte Neuausgabe
von Michael Koch.
Method. Book, CD and
Audio Online. Composed
2018. 132 pages. Ricordi
#SY 2953. Published by
Ricordi (BT.SY-2953).
German.
DIE NEUE
GITARRENSCHULE by Heinz
Teuchert is one of the
most successful methods
for classical guitar in
German. Since it was
first published in 1983,
the guitar technique has
evolved in many respects
so that the need of a
revised edition has
become more and more
evident. Prof. Michael
Koch has taken up this
mission and now presents
the revised method in two
volumes: the texts, parts
of the playing material,
and the appearance of the
books have been
modernized while
preserving
Teuchertââ¬â¢s
methodical approach and
the underlying structure
of the method. One of its
strengths is the
diversity in terms of
playing techniques and
musical styles not only
solo playing but also
fingerpicking styles,
flamenco techniques, and
song accompaniment are
taught. The BOOK CD AUDIO
ONLINE packs also feature
demonstration and
play-along recordings of
many pieces included in
the books.
DIE
NEUE GITARRENSCHULE von
Heinz Teuchert gilt als
Standardwerk unter den
deutschsprachigen
Lehrbüchern
für klassische
Gitarre. Seit ihrer
Erstveröffentlichu
ng im Jahr 1983 hat sich
die Gitarren-Spieltechnik
beträchtlich
weiterentwickelt, sodass
die Notwendigkeit einer
ÃÅberarbeitung des
Schulwerks immer
deutlicher zutage trat.
Prof. Michael Koch hat
sich dieser Aufgabe
angenommen und die
revidierte Neuausgabe in
zwei Bänden
vorgelegt: Die Texte,
Teile des Spielmaterials
sowie das
Erscheinungsbild wurden
modernisiert,
während Teucherts
methodischer Ansatz und
die grundlegende Struktur
des Schulwerks
beibehalten wurden.
DIE NEUE GITARRENSCHULE
zeichnet sich
insbesondere durch ihre
Vielseitigkeit aus, was
die behandelten
Spieltechniken und
musikalischen
Stilrichtungen angeht:
Neben dem Solospiel
werden auch das
Fingerpicking, der
Flamenco und die
Liedbegleitung mit
Akkorden vermittelt.
Demo- und
Mitspielaufnahmen vieler
der enthaltenen
Stücke stehen
sowohl auf der
beigefügten CD als
auch online im MP3-Format
zur Verfügung.
Guitar - intermediate SKU: MB.31108M A Tribute to the Legacy of W. C. ...(+)
Guitar - intermediate
SKU: MB.31108M
A Tribute to the
Legacy of W. C.
Handy. Jazz,
Saddle-stitched. Artist
Specific. Book and online
audio. 52 pages. Mel Bay
Publications, Inc
#31108M. Published by Mel
Bay Publications, Inc
(MB.31108M).
ISBN
9781513469232. 8.75x11.75
inches.
Award-winni
ng blues songwriter and
performer Jon Shain
brings us his fingerstyle
guitar arrangements of
some of the earliest
blues and rags ever
published. W. C. Handy,
known as the Father of
the Blues, wrote and
arranged for piano and
voice and sometimes for
full ragtime orchestra.
Shain has arranged these
compositions to be played
on guitar, weaving the
timeless vocal melodies
and bass lines throughout
the pieces. Guitar
tablature, standard
musical notation, and
lyrics are all included,
along with historical
background on each song.
Includes access to online
audio.
Guitar SKU: M7.VOGG-347 Composed by Sash J. Sheet music with CD. 120 page...(+)
Guitar
SKU:
M7.VOGG-347
Composed
by Sash J. Sheet music
with CD. 120 pages.
Voggenreiter #VOGG 347.
Published by Voggenreiter
(M7.VOGG-347).
ISBN
9783802403477.
German.
Für alle
Gitarristen, die
ausgetretene Solo-Pfade
verlassen und neue
kreative Möglichkeiten
entdecken wollen: neue
Methoden zur Entwicklung
eines eigenständigen
Solostils für
Anfänger und Profis.
Dieses Buch ermöglicht
jedem Gitarristen die
konsequente Entwicklung
einer eigenen 'Stimme'.
Dabei spielen
theoretische Grundlagen
wie die Kenntnis der
wichtigsten Skalen und
Modi eine ebenso große
Rolle wie kreative Ideen
für die musikalische
Praxis. Mit Tipps zu
Motivbildung,
Stimmführung,
Phrasierung,
Spezial-Effekten,
Akkordstrukturen und
Arpeggien, traditionellen
und exotischen Skalen
kann sich jeder Gitarrist
individuell
weiterentwickeln. Mit
einem eigenen Abschnitt
über das oft
vernachlässigte Thema
'Musikbusiness' und
zahlreichen
Praxis-Tipps.
Guitar - early intermediate SKU: BT.DHP-1053811-401 Popsongs voor klas...(+)
Guitar - early
intermediate
SKU:
BT.DHP-1053811-401
Popsongs voor klassiek
gitaar. Arranged by
Herman Smies. Pop and
Rock. Book Only. Composed
2005. 28 pages. De Haske
Publications #DHP
1053811-401. Published by
De Haske Publications
(BT.DHP-1053811-401).
ISBN 9789043122382.
9x12 inches.
English-German-French-Dut
ch.
The pop songs
in this collection of
well-known 50â??s,
60â??s and 70â??s
hitshave been carefully
adapted and arranged to
make them suitable
forplaying on a classical
or acoustic guitar. The
pieces have beenordered
by difficulty, beginning
with pieces in which the
melody andbass notes are
struck separately and
gradually progressing to
moredifficult pieces
where a slightly more
advanced technique is
required.
De
songs in deze verzameling
van bekende hits uit de
jaren vijftig, zestig en
zeventig zijn zorgvuldig
aangepast en gearrangeerd
om ze geschikt te maken
voor klassiek of
akoestisch gitaar. Ze
zijn oplopend in
moeilijkheidsgraad,
beginnendmet nummers
waarin de melodie- en
basnoten ongelijk worden
aangeslagen, gevolgd door
gaandeweg moeilijker
nummers. Een tijdloze
verzameling.
Diese
s Buch ist ein absolutes
Muss für alle
Musikfans. Es ist perfekt
geeignet für Spieler
von klassischen oder
akustischen Gitarren, die
auf der Suche nach
leichten, aber pfiffigen
Bearbeitungen der Hits
der vergangenen
Jahrzehnte sind. Die
Stücke steigen im
Schwierigkeitsgrad
allmählich an; die
ersten Lieder sind noch
vielleichter zu spielen,
da die Bass- und
Melodienoten separat
angeschlagen werden. Eine
zeitlose Sammlung, die
sicher immer wieder aufs
Neue durchgespielt
wird!
All Time
Guitar Hits è una
raccolta indispensabile
per tutti gli amanti dei
grandi successi del
decennio passato. Gli
arrangiamenti sono
tecnicamente accessibili
alla maggior parte dei
chitarristi. I brani sono
raccolti in modo
progressivo in funzione
delle difficolt tecniche
che contengono.
Ãœber 50 Klassiker &
aktuelle Hits für
Akustikgitarre.
Composed by Wieland
Harms. This edition:
Klebebindung. Sheet
music. 168 pages. Edition
Melodia #GRG 106102100.
Published by Edition
Melodia
(M7.GRG-106102100).
ISBN 9783872523532.
German.
Ãœber 50
Rock- & Popsongs fu?r
Akustikgitarre - vom
kultigen Klassiker bis
zum aktuellen Hit Das
breite Spektrum des
Repertoires vom
3-Akkorde-Stu?ck bis zum
anspruchsvollen
Chord-Melody-Arrangement
ist Motivation fu?r den
Anfänger und stellt
dem Fortgeschrittenen
Songmaterial zur
Verfu?gung, mit dem er
sich stilistisch und
spieltechnisch
weiterentwickeln kann.
Viele Fotos und
Informationen zu den
Bands, Teilweise mit
Noten & Texten, teilweise
nur mit Chord Charts.
By Russ Shipton. Book and CD. Published by Music Sales. (AM973863) All 3 boo...(+)
By Russ Shipton. Book
and CD. Published by
Music Sales. (AM973863)
All 3 books of The
Complete Guitar Player
series are published in
this single volume at a
substantial savings over
the price of the
individual books.
Hawaiian,
Saddle-stitched. Slack
Key. Book and online
audio. 96 pages. Mel Bay
Publications, Inc
#30666M. Published by Mel
Bay Publications, Inc
(MB.30666M).
ISBN
9781513462851. 8.75x11.75
inches.
The Hawaiian word
for slack key guitar,
kī
hÅâ??alu, means
to â??loosen the
keyâ? or retune some
of the strings to create
a harmonious sound with
an open or alternate
tuning. Slack key is a
fingerpicking style
characterized by strong
alternating bass lines
played with the thumb.
While slack key can be
played on any guitar,
most players prefer a
nylon- or steel-stringed
acoustic
instrument.
This
book presents 25
intermediate to advanced
traditional and original
tunes in the Hawaiian
slack key style. Melodies
are often harmonized in
sixths or thirds played
with or without double
stops. Techniques like
syncopated bass lines,
hammer-ons, pull-offs,
slides, and harmonics are
tastefully employed to
evoke the images of ocean
breezes, swaying palms,
hula dancers and white
sandy beaches.
The author writes,
â??Unless you grew up
playing slack key,
itâ??s hard to get from
the material presented in
most books and DVDs to a
fluid,
play-it-your-own-way
style.â? This book
seeks to reveal the
insights the author has
gleaned from studying and
jamming with some of the
giants of the slack key
style, and help you
develop a style all your
own.
Includes
access to online audio
tracks of all 25 relaxing
but challenging Hawaiian
slack key
tunes.
(The Most Popular Series for Learning How to Play). By Ron Manus, L. C. Harnsber...(+)
(The Most Popular Series
for Learning How to
Play). By Ron Manus, L.
C. Harnsberger, and
Nathaniel Gunod. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction.
Alfred's Basic Guitar
Library. Rock. 64 pages.
Published by Alfred Music
(AP.4
by Bret Willmott. For all guitars. Complete. All styles. Level: Intermediate-Adv...(+)
by Bret Willmott. For all
guitars. Complete. All
styles. Level:
Intermediate-Advanced.
Book. Theory and harmony.
Size 8.75x11.75. 248
pages. Published by Mel
Bay Pub., Inc.
Electric guitar - Intermediate SKU: MB.30522M Celtic Rock Solos. C...(+)
Electric guitar -
Intermediate
SKU:
MB.30522M
Celtic
Rock Solos. Composed
by Philip John Berthoud.
British, Saddle-stitched,
World. Rock and Blues.
Book and online audio. 52
pages. Mel Bay
Publications, Inc
#30522M. Published by Mel
Bay Publications, Inc
(MB.30522M).
ISBN
9781513464237. 8.75 x
11.75
inches.
Ideal for the
intermediate-level
guitarist, these 17
traditional tunes from
the UK plus one from
France are arranged to be
played with your electric
guitar plugged-in. The
transformation that
occurs in switching from
acoustic to electric
instruments adds an
unmistakable Celtic rock
element to the
authorâ??s companion
recording.
<
span style=font-family:
Arial;> The tunes are all
played twice through on
the recording and
transcribed note-for-note
in the book. The
recording features backup
from both electric bass
and a second electric
guitar, often played with
a slide and a little
â??dirtâ? thrown into
the mix. Skillful
bodhrán and djembe
playing on many of the
tracks adds to the
dynamic nature of the
recording.
<
span style=font-family:
Arial;> Many of these
tunes can be played in
lower positions but a few
venture as high as the
14th fret. Playing one
note at a time within a
narrow range, if you
donâ??t read
particularly well now,
working through these
tunes will help you
improve and gain
confidence as a sight
reader.
Written in
standard notation and
guitar tablature.
Includes access to online
audio.
By William Bay. For Guitar (Fingerpicking). method. Young Beginner. All Styles. ...(+)
By William Bay. For
Guitar (Fingerpicking).
method. Young Beginner.
All Styles. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 40
pages. Published by Mel
Bay Publications, Inc.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar - Intermediate SKU: MB.30969M Folk. Book and online audio. Mel Bay...(+)
Guitar - Intermediate
SKU: MB.30969M
Folk. Book and online
audio. Mel Bay
Publications, Inc
#30969M. Published by Mel
Bay Publications, Inc
(MB.30969M).
ISBN
9781513472911. 8.75X11.75
inches.
As a
guitarist, have you ever
dreamed of playing
contrapuntal bass lines
and melodies. Or maybe
you would like to sound
more like a pianist, able
to perform fluently with
independent right and
left hands.Playing
multiple lines
simultaneously can be one
of the most physically
and mentally demanding
challenges posed by the
guitar. Using the concept
of planted notesùa
fretting-hand finger that
remains in place while
the other fingers play
scale-like passages or
arpeggiosù this book
will methodically guide
you towards right and
left-hand finger
independence.Written in
standard notation and
tablature, this
no-nonsense revolutionary
method is the first of
its kind. Together with
95 online audio
recordings, it will help
you build finger
independence in both
hands, approaching that
of a pianist. Includes
access to online
audio.
(A Comprehensive Guide to Guitars, Amps, and Effects for the Dedicated Guitarist...(+)
(A Comprehensive Guide to
Guitars, Amps, and
Effects for the Dedicated
Guitarist). By Tobias
Hurwitz. For Guitar.
Book; CD; Guitar
Reference; Reference
Textbooks. The Serious
Guitarist. 128 pages.
Published by Alfred Music
By Marty Haugen. Text: Marty Haugen. For Chorus, Keyboard accompaniment, Synthes...(+)
By Marty Haugen. Text:
Marty Haugen. For Chorus,
Keyboard accompaniment,
Synthesizer, 2 C
Instruments, Bass, and
Percussion. Music
Collection. Includes
guitar chord names.
Sacred. 128 pages.
Published by GIA
Publications.