Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)

Par GIULIANI. Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century, was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel, Mayseder and others. K. M. von Weber, reffering to his concert in Prague in the autumn of 1816, expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument. Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century, was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel, Mayseder and others. K. M. von Weber, reffering to his concert in Prague in the autumn of 1816, expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument./ Répertoire / Guitare

Par GIULIANI MAURO. Rossiniana no 1 de Mauro Giuliani tirée de l?édition critique complète de Frédéric Zigante / Date parution : 2022-07-20/ Répertoire / Guitare Classique

Media Type : Book Level : Multiple Levels Musical Genre : Classic Series : Editiones Classicae Number of pages : 168 The studies of Mauro Giuliani (1781-1829) stand alongside those of Fernando Sor, Matteo Carcassi, Dionisio Aguado and Ferinando Carulli as the staples of the didactic pieces by the first generation of classical guitarists. Giuliani was one of the most celebrated guitarists of his age, a brilliant performer and prolific composer. He left a legacy of compositions, and many of his works are heard regularly in recitals and concerts today. His student pieces are considered indispensable by generations of guitarists. The studies and exercises contained in the six opus numbers here provide some of the most effective material in the entire guitar literature for building and refining a superior technical command of the guitar. In this edition, David Grimes has modernized some of the notation and corrected a number of misprints from Giuliani's original publications.

Rossiniana no 1 de Mauro Giuliani tirée de l'édition critique complète de Frédéric Zigante (DF 01669600) / Partitions classique / Guitare - luth / Guitare / DURAND

Rossiniana no 4 de Mauro Giuliani tirée de l'édition critique complète de Frédéric Zigante (DF 01669600) / Partitions classique / Guitare - luth / Guitare / DURAND

All the essential and required studies for Classical Guitar are collected here in one handsome volume for Classical Guitar students and instructors. The studies appear on nearly every syllabus from any respected university Classical Guitar program. Newly engraved from early editions, with centuries-old errors now corrected and with minimal editorial annotations, this clear, uncluttered, easy-to-read reference book will be used every day for a lifetime of study. A 'one-stop shopping' repertoire book for every classical guitarist. Includes selected studies by Sor (Opp. 6, 29, 31, 35, 44, 60), Giuliani (Opp. 48, 51, 139),Aguado (from his Nuevo Método para Guitarra) and Carulli (Op. 333), as well as complete editions of Carulli's 24 Preludes, op. 114 - Giuliani's 120 Studies for Right-Hand Development, op. 1a - Carcassi's 25 Melodic and Progressive Etudes, op. 60 - and Coste's 25 Etudes de Genre, op. 38 . Of special interest to the student is the inclusion of carefully chosen audition and recital pieces from Bach, Milán, Tárrega, and Albéniz. / Rép Classique / Recueil / Guitare

Cette collection contient une sélection de morceaux de guitare facile par Carulli, Aguado, Carcassi, DORS, Giuliani, Mertz, von Call, Marschner, Diabelli, Neusidler, le Roy, Coste, Molino et Tárrega, toutes les oeuvres standard et parfaitement adapté pour l'enseignement de la purp / Guitare

Première Pieces Pour Guitare Classique propose 45 solos faciles, en notation standard, par Carcassi, Giuliani, Sor et 12 autres grands compositeurs pour guitare classique. Cette collection est idéale pour améliorer la lecture à vue et le renforcement dextérité.Ce songbook comprend Allegretto en C (Sor), Andante Grazio en C (Carcassi), Andantino in A Minor (Mertz), autrichien Waltz dans C (Ernst), Eccosaise in A Minor (Giuliani), Etude in A Minor (Aguado), valse en E (Pelzer) et beaucoup plus. / Guitare

Par GIULIANI MAURO. / Date parution : 2022-07-20/ Répertoire / Guitare Classique

Par GIULIANI MAURO. / Date parution : 2022-07-20/ Répertoire / Guitare Classique

Edizione critica e revisione di R. Chiesa. Par GIULIANI MAURO. SUVMU8Z09450 / Études et exercices / Etude / Guitare

Le légendaire violoniste génois Niccolò Paganini (Gênes, 27 octobre 1782 - Nice, 27 mai 1840) est probablement l'unique grand compositeur du passé à avoir voué une attention constante à la guitare et, quoiqu'il n'en ait jamais joué dans des concerts publics, divers témoignages nous sont parvenus sur son habileté de guitariste. La guitare a représenté pour le maître génois l'instrument harmonique et accompagnateur par excellence, au point qu'elle occupe dans sa production le rôle que les compositeurs de son temps confiaient normalement au piano. Paganini a écrit 140 pièces pour guitare seule et presque toutes ses oeuvres pour cordes (pour violon, principalement : sonates, duos, trios, quatuors et même certains concertos pour violon et orchestre) furent conçues avec un accompagnement de guitare. Le choix anthologique est basé sur l'intention d'extraire de cette surabondance dispersive les pièces qui représentent au mieux l'esprit et l'originalité de Paganini. De nos jours il faut, pour rendre cette musique accessible à n'importe quel interprète, la compléter par une réalisation polyphonique des parties : cette édition se conforme au style des éditeurs viennois de l'époque de Mauro Giuliani, c'est-à-dire qu'elle écrit séparément la voix supérieure et la basse, reliant tous les remplissages harmoniques à ces deux voix principales. C'est du reste à ce type d'écriture, que s'appliquent toutes les pratiques d'exécution en vigueur à cheval entre la fin du XVIIIe et les premières années du XIXe siècle. / Guitare