Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Voice and guitar SKU: HL.49015258 Das Liederbuch der jungen Szene....(+)
Voice and guitar
SKU:
HL.49015258
Das
Liederbuch der jungen
Szene. Edited by
Bertold Marohl. This
edition: Plastic cover.
Paperback. Edition
Schott. Classical. Melody
Line (with Chords). 274
pages. Schott Music #ED
7120. Published by Schott
Music (HL.49015258).
ISBN 9783795720629.
4.75x7.25x0.59 inches.
German.
Der neue
Zupfgeigenhansl erscheint
als Folgeband des seit
der Jugendbewegung
allgemein bekannten
Zupfgeigenhansl und
enthalt 121 Lieder, die
auf die Anliegen der
jungen Generation des
ausgehenden 20.
Jahrhunderts eingehen:
Fahrt uber Lander und
Meere - internationale
Folklore und Spirituals -
kritische alte und neue
Lieder zu unseren
Zeitproblemen - das Thema
Liebe - Balladeskes und
Heiteres. Das Buch bietet
Melodien, vollstandige
Texte, Akkorde fur
Gitarrebegleitung, Bilder
und Infos zu den Textern,
Komponisten und
Interpreten.
Guitar SKU: FZ.5878 Serie I - France 1600-1800. Edited by Caroline...(+)
Guitar
SKU:
FZ.5878
Serie I -
France 1600-1800.
Edited by Caroline
Delume. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5878).
ISBN
9790230658782. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Francesco ALBERTI -
Anonyme - Encyclopedie
methodique -
Guillaume-Pierre-Antoine
GATAYES - L. GUICHARD -
Jean-Benjamin de LABORDE
- Antoine Marcel LEMOINE
- Philippe MACQUER -
Joseph-Bernard MERCHI (2)
-
Charles-Francois-Alexandr
e POLLET. Table of
contents: Macquer
Philippe: Dictionnaire
raisonne - 1773. Pollet
Charles-Francois-Alexandr
e: Methode pour apprendre
- 1775. Merchi
Joseph-Bernard: Traite
des agrements de la
guitare - 1777. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Alberti Francesco:
Nouvelle methode - 1786.
Encyclopedie:
Encyclopedie methodique -
1788. Guichard L. : La
guitare rendue facile -
c. 1795. Lemoine
Antoine-Marcel: Nouvelle
methode de guitare - c.
1800. Gatayes
Guillaume-Pierre-Antoine:
Methode pour la guitare -
1800. Anonyme: Methode
pour jouer de la guitare
- s. d. n. l. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - Municipal
Library of Grenoble
(France). - Nederlands
Muziek Instituut of The
Hague (Netherlands). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the guitar.
Guitar SKU: BT.MUSCH80344 Composed by Gabriel Yared. TV-Film-Musical-Show...(+)
Guitar
SKU:
BT.MUSCH80344
Composed by Gabriel
Yared.
TV-Film-Musical-Show.
Book with CD. Wise
Publications #MUSCH80344.
Published by Wise
Publications
(BT.MUSCH80344).
ISBN
9781849385954.
This
folio contains 20 of
Gabriel
Yared’s
best-loved pieces
specially arranged for
classical guitar,
including themes from
The English Patient,
Betty Blue and
The Talented Mr
Ripley.
Eachp
iece is demonstrated by
the arranger on the
included CDs. Four of the
pieces are presented in
arrangements for guitar
duet, and the second CD
includes alternative
play-along versions each
giving prominence to one
partor theother.
The Easiest Guitar Method Ever!. Composed by Ron Manus; L. C. Harnsberger...(+)
The Easiest Guitar
Method Ever!.
Composed by Ron Manus; L.
C. Harnsberger. Guitar
Method or Supplement;
Homeschool Resources;
Method/Instruction;
Resources. Kid's Guitar
Course. Children. Book;
Digital Download. 140
pages. Alfred Music
#00-45030. Published by
Alfred Music (AP.45030).
Guitar SKU: BT.MI0398 Composed by Francesco Agnelli. Play Music Italia. M...(+)
Guitar
SKU:
BT.MI0398
Composed by
Francesco Agnelli. Play
Music Italia. Method.
Book and DVD. Composed
2018. 48 pages. Play
Music Italy #MI0398.
Published by Play Music
Italy (BT.MI0398).
Italian.
Questo
metodo si rivolge a tutti
coloro che desiderano
imparare a suonare la
chitarraââ¬Â¦
senza farsi venire
pesanti mal di testa! In
altri termini, senza
solfeggio, senza teoria
musicale, senza note,
senza
pentagrammaââ¬Â¦
Il che significa che
dovrete giusto saper
leggere semplici
diagrammi di accordi
(molto visivi) per capire
cosa fa la mano sinistra,
mentre le pennate
effettuate dalla mano
destra sono rappresentate
da piccole frecce (molto
giudiziose). Semplice,
vero? Volendosi molto
progressivo, il metodo vi
propone
allââ¬â¢inizio
di scoprire i principali
accordi della chitarra.
Vi far poi lavorare sulle
concatenazioni di accordi
e vi insegner poi a
suonarli su dei ritmi
pop,rock e
folkââ¬Â¦ fino
ad essere capaci di
suonare degli
accompagnamenti alla
maniera dei più
grandi successi della
chitarra di ieri e di
oggi (The Rolling Stones,
Jimi Hendrix, AC/DC,
Oasisââ¬Â¦).
Lââ¬â¢altro
vantaggio di questo
metodo risiede nel disco
dati allegato. Vi
troverete in effetti
numerosi file audio e
video che vi permettono
di ottimizzare
lââ¬â¢apprendi
mento e tutte le nozioni
didattiche fornite nel
libro. I video (mp4)
presentano tramite
lââ¬â¢immagine
tutti gli esempi
così come devono
essere suonati, mentre le
registrazioni audio (mp3)
propongono le basi
musicali per permettervi
di suonare tali esempi in
vere condizioni
musicaliââ¬Â¦
come se foste gi un
chitarrista in seno ad un
gruppo.
Guitar SKU: BT.MI0399 Da mancino. Composed by Francesco Agnelli. P...(+)
Guitar
SKU:
BT.MI0399
Da
mancino. Composed by
Francesco Agnelli. Play
Music Italia. Method.
Book with CD. Composed
2018. 48 pages. Play
Music Italy #MI0399.
Published by Play Music
Italy (BT.MI0399).
Italian.
Questo
metodo si rivolge a tutti
i mancini che desiderano
imparare a suonare la
chitarra… senza
farsi venire pesanti mal
di testa! In altri
termini, senza solfeggio,
senza teoria musicale,
senza note, senza
pentagramma… Il che
significa che dovrete
giusto saper leggere
semplici diagrammi di
accordi (molto visivi)
per capire cosa fa la
mano destra, mentre le
pennate effettuate dalla
mano sinistra sono
rappresentate da piccole
frecce (molto
giudiziose). Semplice,
vero? Volendosi molto
progressivo, il metodo vi
propone all’inizio
di scoprire i principali
accordi della chitarra.
Vi far poi lavorare sulle
concatenazioni di accordi
e vi insegner poi a
suonarli su dei ritmi
pop,rock e folk…
fino ad essere capaci di
suonare degli
accompagnamenti alla
maniera dei più grandi
successi della chitarra
di ieri e di oggi (The
Rolling Stones, Jimi
Hendrix, AC/DC,
Oasis…).
L’altro vantaggio
di questo metodo risiede
nel disco dati allegato.
Vi troverete in effetti
numerosi file audio e
video che vi permettono
di ottimizzare
l’apprendimento e
tutte le nozioni
didattiche fornite nel
libro. I video (mp4)
presentano tramite
l’immagine tutti
gli esempi così come
devono essere suonati,
mentre le registrazioni
audio (mp3) propongono le
basi musicali per
permettervi di suonare
tali esempi in vere
condizioni
musicali… come se
foste gi un chitarrista
in seno ad un gruppo.
Composed by
Frederic Vitiello.
Classical. Score. 39
pages. Editions Henry
Lemoine #25360. Published
by Editions Henry Lemoine
(LM.25360).
ISBN
9790230953603.
ARRO
S (d') : Le Voilier - Le
Phare - BAUDOUIN :
Divertissement - Compere
qu'as-tu vu (adaptation)
- Valse lente - BAUMANN :
Rouge vif - BERNAUD :
Hexacorda - BILLET
Jean-Pierre : Lima-Hong -
Trois petits lapins dans
la lune - BOISGARD :
L'Ami harmonique - BRUN :
Dans les couleurs de
l'Arc-en-ciel - Dans le
bleu du ciel - Dans la
nuit etoilee - CASTAIN :
Paresse valse - CASTEREDE
: Simple valse - En
ecoutant tomber la pluie
- COUASNON : Chanson
retro - Pour faire sonner
la guitare - COURTIN :
Histoire ancienne -
CROUSIER : Le Pinson et
le loup - La Marche des
pingouins - DAMASE :
Chanson - DEMILLAC Y :
Promenade - Jeux -
DEMILLAC F.P. : La
Plaintive - DUMOND : 13
syllabes, 3 mots, 4
phrases et 1 impro -
FABIANI : Le Cheval de
bois - Histoire a ecouter
- FOURCHOTTE : Cancion
primera para ninos -
FRANCE : Au-dela de l'ile
- Glissades - Dabo-Abac -
FRANCERIES : Tristesse -
GRIVEL : Deux histoires
courtes - HUBERT : Deux
petites pieces pour une
guitare presque neuve -
KLEYNJANS : Le Petit
Soldat de plomb -
LAJARRIGE : Impression -
LANCEN : Aux debutants
(piece n. 1) - Aux
debutants (piece n. 2) -
LARC'HANTEC : La Valse du
kangourou - Barcarolle -
LARGE : Blues mineur -
MALDONADO : Laetitia -
Indiana - MARCHAL :
Ballade d'octobre -
MORANCON : Deux petites
arabesques - NARVAEZ :
Petit poisson - Berceuse
de la mere qui a perdu
son enfant - PIRIS : La
Chanson paresseuse -
RENAULT : M'en allant
promener - Le Vieux
Manoir - Petite valse -
VITIELLO : Danse
primitive.
Guitar (Guitar) SKU: HL.14021531 Music Sales America. Swing. Book with CD...(+)
Guitar (Guitar)
SKU:
HL.14021531
Music
Sales America. Swing.
Book with CD. Editions
Musicales Francaises
#EMF100064. Published by
Editions Musicales
Francaises (HL.14021531).
9.0x12.0x0.154 inches.
French.
Les
caracteristiques de la
guitare sont telles qu'il
existe un nombre
quasi-illimite de
possibilites (positions,
doigtes, techniques de
liaison) pour jouer une
meme phrase melodique.
Cet ouvrage a donc pour
but de donner quelques
exemples de phrases et
d'arrangements des
Standards du Jazz issus
de repertoire Swing et
Be-Bop a l'aide d'un CD
d'accompagnement. Vous
trouverez dans cette
methode deux types de
themes et d'arrangements:
* Les themes Be-Bop: Ils
sont arranges pour deux
guitares, une basse et
une batterie. * Les
themes Swing: Ils sont
arranges pour guitare,
basse et batterie. La
guitare joue les accords
et la melodie
simultanement. The guitar
idioms give an endless
comnbination of
fingerings, neck
positions and legato
techniques to play one
single musical line. The
purpose of this book is
to provide examples of
phrasing and arranging of
swing and be-bop
standards. You will find
two types of tunes *
Be-Bop tunes: These tunes
are arranged for two
guitars, a bass and
drums. * Swing tunes:
These are arranged for
guitar, bass and drums.
The theme and chords are
played by one guitar
only.
(The Easiest Guitar Method Ever!). By Ron Manus and L. C. Harnsberger. For Guita...(+)
(The Easiest Guitar
Method Ever!). By Ron
Manus and L. C.
Harnsberger. For Guitar.
This edition: Books, CDs
and DVD. Book; DVD;
Enhanced CD; Guitar
Method or Supplement;
Method/Instruction. Kid's
Guitar Course. Children.
Beginner. Published by
Alfred Music
(The Easiest Guitar Method Ever!). By Ron Manus and L.C. Harnsberger. For Guitar...(+)
(The Easiest Guitar
Method Ever!). By Ron
Manus and L.C.
Harnsberger. For Guitar.
Guitar Method or
Supplement;
Method/Instruction. Kid's
Guitar Course. Children.
Beginner. DVD. Published
by Alfred Music
Publishing
Chamber Music Guitar SKU: PR.114423450 Composed by Máximo Pujol. Full ...(+)
Chamber Music Guitar
SKU: PR.114423450
Composed by Máximo
Pujol. Full score. 8
pages. Duration 9
minutes. Theodore Presser
Company #114-42345.
Published by Theodore
Presser Company
(PR.114423450).
(The Easiest Guitar Method Ever!). Composed by Ron Manus and L. C. Harnsberg...(+)
(The Easiest Guitar
Method
Ever!). Composed by Ron
Manus and L. C.
Harnsberger.
For Guitar. Book;
Enhanced
CD; Guitar Method or
Supplement;
Method/Instruction.
Kid's
Guitar Course. Children.
Beginner. 48 pages.
Published by Alfred Music
Composed by
Raphael Fays. Delia
Estrada. Classical.
Score. Editions Henry
Lemoine #26556. Published
by Editions Henry Lemoine
(LM.26556).
ISBN
9790230965569.
Prel
ude No. 1 en mi mineur -
Prelude No. 2 en do
mineur - Prelude No. 3 en
la mineur - Zapateado -
Etude en re majeur -
Valse No. 1 en re majeur
- Valse No. 2 en mi
mineur - Valse No. 4 en
re mineur - A l'aube
d'une nuit d'ete -
L'Ultime adieu.
Ada Guitare Guitare classique [Conducteur] - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4316 Composed by Mehmet Refik Kaya....(+)
Guitar solo -
Intermediate
SKU:
DZ.DZ-4316
Composed
by Mehmet Refik Kaya.
Arranged by Celil Refik
Kaya. Score. Les
Productions d'OZ #DZ
4316. Published by Les
Productions d'OZ
(DZ.DZ-4316).
ISBN
9782898522338.
Ada
(Island) is a captivating
composition that was
originally written in
2011 for the Turkish
lute. This piece draws
its inspiration from the
tranquil and picturesque
atmosphere of
Büyükada,
one of the charming
islands in the Sea of
Marmara.
Büyükada,
with its serene
landscapes, historical
architecture, and
tranquil shores, serves
as a perfect muse for the
evocative melodies and
intricate harmonies that
characterize Ada
(Island).
Ada
(Island) was later
arranged for classical
guitar. This adaptation
allows the composition to
reach a broader audience
while retaining its
original charm and depth.
The classical guitar
arrangement highlights
the versatility of the
piece, maintaining its
delicate nuances and
evocative melodies, while
offering a new
perspective through the
guitar's distinctive
tonal
qualities.
Whether
performed on the Turkish
lute or the classical
guitar, Ada (Island)
remains a poignant
tribute to the enchanting
beauty of
Büyükada,
capturing the island's
essence and transporting
listeners to its serene
shores.
13 Fun Arrangements That Make Learning Even Easier!. Composed by Ron Manus and L...(+)
13 Fun Arrangements That
Make Learning Even
Easier!. Composed by Ron
Manus and L.C.
Harnsberger. Guitar
Method or Supplement;
Homeschool Resources;
Method/Instruction;
Resources; iParenting
Media Award. Kid's Guitar
Course. Children; Movie;
TV. Book and CD. 24
pages. Alfred Music
#00-33888. Published by
Alfred Music