(Seven Classics Books All in One!). For Guitar. Guitar Educational. Softcover. 128 pages. Published by Hal Leonard

By Russ Shipton. Book and CD. Published by Music Sales. (AM973863) All 3 books of The Complete Guitar Player series are published in this single volume at a substantial savings over the price of the individual books.

(How to Create and Play Great Guitar Riffs Revised and Updated Edition). Book. Softcover with CD. 192 pages. Published by Backbeat Books

(Scales and Arpeggios Book Two). By Frank Potenza and Nick Stoubis. For Guitar. Saddle-stitched. USC. Study Books and Method Supplements. Multiple Levels. Book. 48 pages. Published by Mel Bay Publications, Inc

Know the Man, Play the Music. Performed by Django Reinhardt. Book (not sheet music). Book and CD Package. Size 8.5x11 inches. 144 pages. Published by Backbeat Books.

Understanding Tube Amplifiers and Getting Great Sounds. Book (not sheet music). Book only. Size 8.5x11 inches. 240 pages. Published by Backbeat Books.

Book. Guitar Reference. Softcover with DVD. 336 pages. Published by Backbeat Books

(Boxed Set with Four Books & One DVD). For Guitar. Guitar Educational. General Merchandise. Published by Hal Leonard

By Craig Anderton. Book (not sheet music). Softcover. 171 pages. Published by Miller Freeman Books.

(5 Best-Selling Guitar Publications in One Great Package! 4 Books and 1 DVD). For Guitar. Guitar Educational. Softcover with DVD. Published by Hal Leonard

Portable Guitar Chords is a convenient reference book of guitar chords for guitar players at any level. We have designed this book to meet a specific size that allows storage in a guitar case without the need to bend or fold. This great little "case companion" includes a brief explanation of the diagrams, symbols and terms used throughout with a detailed discussion on finger picking and finger positioning. This is one of the many "case-style" chord books exclusively available from Santorella Publications.

2nd Edition, Expanded and Updated. By Rikky Rooksby. Book (not sheet music). Softcover. 224 pages. Published by Backbeat Books.

(A Complete Course in Techniques and Styles). For Guitar. Book. Hardcover with CD. 256 pages. Published by Backbeat Books

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

Music transcribed and adapted for modern guitar. By Frank Koonce. By Frank Koonce. For Guitar (Classical). Solos. Frank Koonce Series. Early Music/Renaissance. Level: Intermediate. Book. 188 pages. Published by Mel Bay Publications, Inc.

Book 2. The Most Popular Method for Learning How to Play. Composed by Morty Manus and Ron Manus. This edition: 3rd. Guitar Method or Supplement; Method/Instruction. Alfred's Basic Guitar Library. Book; Digital Download. 48 pages. Alfred Music #00-45306. Published by Alfred Music (AP.45306).

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèleme nt, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivemen t, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

By Pete Kershaw. For electric guitar. Instructional book and CD. 64 pages. Published by Boston Music.

Guitar - Easyhymn along, hymnalongs, hymnalong, hymn alongs

SKU: JK.01988

Composed by Various. Arranged by Brent Jorgensen. Christian, Christmas, Christmas Carols, Contemporary Christian, Gospel, Holiday, Inspirational. Christian, Inspirational. Score. Jackman Music Corporation #01988. Published by Jackman Music Corporation (JK.01988).

Presenting the newest addition to the popular Hymn-Alongs series: Christmas Hymn-Alongs!
The Hymn-Alongs series includes over 20 different instrumental books. They are simple enough for developing musicians to master, yet beautiful and fun for those advancing in music.
The accompaniment book features beautiful, yet simple arrangments for piano, guitar (chord symbols), and voice. The many instrumental books can be played together in any combination. All instrument books include a melody part; treble instruments have a duet part, and bass instruments also include a bass part.
View all Christmas Hymn-Alongs products HERE.


Songs included in Christmas Hymn-Alongs:
Angels We Have Heard on High
Away in a Manger
Hark! The Herald Angels Sing
I Heard the Bells on Christmas Day
It Came upon the Midnight Clear
Joy to the World
O Come, O Come, Emmanuel
O Little Town of Bethlehem
Oh, Come, All Ye Faithful
O Holy Night
Silent Night
The First Noel
We Three Kings
What Child Is This?

Composer: Various
Arranger: Brent Jorgensen
Difficulty: Easy
hymn along, hymnalongs, hymnalong, hymn alongs.

Guitar - Beginning-Intermediate

SKU: MB.30115M

Composed by Dix Bruce. Saddle-stitched, Tunebook, Bluegrass, Tunebooks. Parking Lot Pickers. Style. Book and online audio. 52 pages. Mel Bay Publications, Inc #30115M. Published by Mel Bay Publications, Inc (MB.30115M).

ISBN 9780786698929. 8.75 x 11.75 inches.

The best way to learn a musical instrument is to play it as much as possible, and the most enjoyable way is with other musicians in a band setting. Trading songs, interacting with other instrumentalists, and building an ensemble sound help you learn much faster than approaching a new instrument on your own. This play- along series of books and companion audio promotes a fun way of learning by providing you with a band to play along with. You can practice chords and rhythm, singing and lyrics, melodies, solos, licks, and back-up playing along with a real band. The companion audio includes Dix Bruce on the guitar, mandolin and vocals, Bill Evans on the banjo and vocals, Julie Cline on vocals, and Cindy Browne on the string bass. The songs are recorded just as they would be played at a jam session or performance, with introductions kickoffs , vocals and solos. By playing back-up/melody and singing along, you will have a lot of fun while you learn. Open solo spaces in the recordings allow you to play the chords and solos from the book, create your own improvised solos, or sing the lyrics while the band provides accompaniment. The book includes fifteen of the most popular bluegrass, old-time and gospel songs, recorded at slow and regular tempos in the audio. No matter what your ability level is on the guitar, you can enjoy playing along with the band. Includes access to online audio.

Guitar

SKU: BT.MUSBM11462

Composed by Michael McCartney. A New Tune A Day. Method. Book with CD. 64 pages. Boston Music #MUSBM11462. Published by Boston Music (BT.MUSBM11462).

ISBN 9781846090356. English.

C. Paul Herfurth's classic series of tutor books have now been completely revised and updated with a host of innovations to suit a new generation of musicians. A New Tune A Day features the same logical, gentle pace and keen attention to detail that made earlier editions so hugely popular and successful. Clear explanatory diagrams and photographs help guide you through the lessons and achieve the very best in tone, technique and posture. The selection of music is fresh and exciting, including duets and rounds to inspire the student and ensure that those vital practice hours are never boring! The book includes: Advice on your instrument and the equipment you will needInstructions for effective technique and comfortable playing Explanatory pages on reading and understanding music Tests to check your own progress and comprehension The accompanying audio CD features a virtuoso performance and backing track for each pieces, as well as recorded examples to support the lessons.

About A New Tune A Day

Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionized music-making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD-with actual performances and backing tracks-will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: easy-to-follow lessons on clear, uncluttered pages; tips for technique; improvising hints; audio CD with a virtuoso performance, backing tracks, and audio examples; great music, including duets and ensemble pieces; useful pull-out fingering chart

The Most Popular Method for Learning How to Play. Composed by Morty Manus and Ron Manus. Guitar Method or Supplement; Method/Instruction. Alfred's Basic Guitar Library. Book; Digital Download. 48 pages. Alfred Music #00-45308. Published by Alfred Music