Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Guitar

SKU: UT.CH-227

Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 227. Published by Ut Orpheus (UT.CH-227).

ISBN 9790215324145. 9 x 12 inches.

Emilio Calandin: Piccola sfumatura
Claudia Montero: Lagrimas de Buenos Aires
Marco Reghezza: Como Preludio
Marco Smaili: Preludio
Alessand ro Spazzoli: Preludio in Do maggiore
Roberto Tagliamacco: Prelude sur le nom de Tarrega
Paolo Ugoletti: Prelude sur le nom de Tarrega

Having been invited several times onto the jury of the prestigious Certamen Tarrega in Benicasim, I thought I would involve a few composers in a gift to the father of the modern guitar. So I asked the composers to write a Prelude of the kind that Tarrega wrote and which count among his most significant compositions.
These Preludes for Tarrega, all written between August and November 2015, are very different from each other. The common feature, however, between these and the Preludes by Tarrega is their brevity, an average level of performance difficulty and guaranteed easy listening, even when written in a non-tonal language (like the meditative and melancholy piece by Emilio Calandin and the one by Marco Smaili, with its Impressionistic feel reminding one of Tarrega's most famous pupil, Miguel Llobet).
In some Preludes (the ones by Paolo Ugoletti, Roberto Tagliamacco, Claudia Montero) the reference to Lagrima, one of Tarrega's most famous Preludes, is evident in form, title and some citations. Ugoletti and Tagliamacco work well and expressively on harmony and counterpoint, while the Argentinian Claudia Montero links Tarrega to a heartbreaking Buenos Aires...
In Alessandro Spazzoli there is rather more a connection with Tarrega's sense of melody and deep simplicity, while Marco Reghezza remembers ironically what was brewing in European music when Tarrega was alive: in fact, his Como Preludio goes across the 24 keys - and even a reference to Wagner's Tristan raises its head...
I am delighted for this volume to come out at the time of the fiftieth edition of the Certamen Tarrega.
(Piero Bonaguri).

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

(The Easiest Guitar Method Ever!). By Ron Manus and L. C. Harnsberger. For Guitar. This edition: Books, CDs and DVD. Book; DVD; Enhanced CD; Guitar Method or Supplement; Method/Instruction. Kid's Guitar Course. Children. Beginner. Published by Alfred Music

(How to Create and Play Great Guitar Riffs Revised and Updated Edition). Book. Softcover with CD. 192 pages. Published by Backbeat Books

(For Solo Guitar). By Lior Yekutieli. For guitar. Full score - study. 7 pages. Published by Editions Orphee

Composed by Frederic Hand. Performance score. With Standard notation. Handwerks Music #494-03105. Published by Handwerks Music

By Marty Haugen. Text: Marty Haugen. For Chorus, Keyboard accompaniment, Synthesizer, 2 C Instruments, Bass, and Percussion. Music Collection. Includes guitar chord names. Sacred. 128 pages. Published by GIA Publications.

Guitar - Level 3

SKU: LM.25105

Composed by Frederic Vitiello. Classical. Score. 25 pages. Editions Henry Lemoine #25105. Published by Editions Henry Lemoine (LM.25105).

ISBN 9790230951050.

ALBE RTI : Allemande - Le Cordelier - BEDARD : Valse n. 1 - Valse n. 2 - Valse n. 3 - CASTELLACCI : Anglaise - Deux valses - CASTRI : Contredanse - Monferine et variation - GUICHARD : Danse - Fanfare - LEMERCIER : Valse - PASTOU : Recreation n. 1 - Recreation n. 2 - Recreation n. 3 - PHILLIS : Valse - Largo - PORRO : Va t'en voir - Menuet italien - VILLERS Fils : Air gracieux - Allemande - Gigue - Romance n. 1 - Romance n. 2.

For Guitar (Classical). Method. Classic. Level: Intermediate-Advanced. Book/CD Set. Size 8.75x11.75. 48 pages. Published by Mel Bay Publications, Inc.

Composed by Vincent Airault. Classical. Score. 9 pages pages. Published by Editions Henry Lemoine (LM.27722).

Guitar - Level 2

SKU: LM.27798

Composed by Vincent Airault. Delia Estrada. Classical. Score. Editions Henry Lemoine #27798. Published by Editions Henry Lemoine (LM.27798).

ISBN 9790230977982.

Rag - Valse lente I - Valse lente II - Valse lente III - Ballade - Reverie - Malaguena - Rock - Twist - Tango - Samba - Pavane.

By Alex Bach. For Guitar. Rock. Book and DVD (Region 0). 36 pages. Published by Wise Publications.

(Rock Beyond the Boundaries). By Rob Balducci. Rock House. DVD. Published by Hal Leonard

Guitar

SKU: BT.VOLMB163

TAB. Composed by Jody Fisher. Jazz. Book with CD. Volonte e Co #VOLMB163. Published by Volonte e Co (BT.VOLMB163).

ISBN 9788863881608. French.

This book is completely dedicated to guitarists who have learnt the basis of jazz harmony and improvisation.

Subjects approached go from ii-V-I to the creation of solo lines, passing through power chords along withaccompaniment in diverse styles of jazz, such as Latin, swing, ballade and funk.

From the model of Guitare Jazz/Débutants, every new concept is authentic for music study, practice and each chapter is clearly dividedinto class lessons as much as improvisation. Literally including hundreds of combined chords just as much as improvisation. This book is indispensable for every student seriously interested in Jazz guitar.

Guitar

SKU: GI.G-9252G

Revised Order of Mass 2010. Composed by Marty Haugen. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 12 pages. GIA Publications #9252G. Published by GIA Publications (GI.G-9252G).

UPC: 785147925279. English. Text Source: Eucharistic Prayer for Masses with Children II, Revised Order of Mass 2010.

by Mel Bay. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 48 pages. Published by Mel Bay Pub., Inc.

Guitar

SKU: GI.G-017075

Director / Guitar Edition. Composed by Rosemary Hakim Fedorchuk. Advent, Christmastide, Children. Sacred. With guitar chord names. GIA Publications #017075. Published by GIA Publications (GI.G-017075).

Noel Nouvelet. By Marty Haugen. Text: Various. For SATB, (SA) Chorus, Keyboard accompaniment, and 2 C Instruments, 10-13 Handbells. Celebration Series. Includes guitar chord names. Sacred. Level: easy/medium. 8 pages. Published by GIA Publications.

Guitar

SKU: GI.G-8259G

Composed by Paul Melley. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #8259G. Published by GIA Publications (GI.G-8259G).

English. Text by Paul Melley.

Guitar

SKU: GI.G-6954G

Lenten Gathering Rite. Composed by Ian Callanan. This edition: Guitar edition. Lent. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #6954G. Published by GIA Publications (GI.G-6954G).

English. Text by Ian Callanan.

(Transcribed, in the Style of Fernando Sor, by Mark Delpriora). By Franz Joseph Haydn (1732-1809). For Guitar. 4 pages. Published by Editions Orphee

Guitar

SKU: HL.14041124

Guitar. Composed by Marcel Nobla. Music Sales America. Classical. Softcover. Editions Musicales Transatlantiques #ETR002279. Published by Editions Musicales Transatlantiques (HL.14041124).

French.

Guitar

SKU: GI.G-3536G

Composed by Marty Haugen. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 48 pages. GIA Publications #3536G. Published by GIA Publications (GI.G-3536G).

CONTENTS: LET JUSTICE ROLL LIKE A RIVER (G-3491) • RETURN TO GOD (G-3537) • THE LONE WILD BIRD (G-3538) • I NEED YOU TO LISTEN (G-3539) • MAKE ME AN INSTRUMENT OF YOUR PEACE (G-3540) • RIDE ON, JESUS, RIDE (G-3541) • HOW LONG, O GOD? (G-3542) • COME TO THE FEAST (G-3543) • WONDROUS LOVE (G-3544) • WORD THAT FORMED CREATION (G-3545) • SONG AT THE EMPTY TOMB (G-3546) • WE ARE GOD’S WORK OF ART (G-3597).

Guitar

SKU: FZ.55156

Jewelry. Instrumental Miniatures & Accessories. Material: Gold-plated. Published by Anne Fuzeau Productions - France (FZ.55156).

1.5 x 4 cm inches.

The online jewellery shop Anne Fuzeau Creation proposes a large selection of costume jewellery on the theme of music. Treat yourself or give an original gift to a friend ! (Christmas, birthday, wedding, celebration). This gold-plated pendant is made in Germany. This electric guitar accessorie will add a touch of fantasy to your look. Photos and sizes no-contractual.

Performed by Adrian Ingram. Guitar. Softcover. Size 8.5x11 inches. 112 pages. Published by Centerstream Publications.