by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All styles, assorted music styles. Level: Beginning-Intermediate. Book/CD Set. Method. Size 8.75x11.75. 184 pages. Published by Mel Bay Pub., Inc.

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

Composed by Nestor Ausqui. Guitar: Classical and Lute,Style,Classical,Solo s. Book. 28 pages. Published by Mel Bay Publications, Inc

Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 254. Published by Ut Orpheus

Composed by Johann Sebastian Bach (1685-1750). Arranged by Javier Calderon. For classical guitar. Solos/Studies, Baroque. Intermediate. Book and Online Audio. 72 pages. Published by Mel Bay Publications, Inc

Edited by Harvey Vinson. Guitar solo book for guitar. With standard notation (no tablature) and fingerings. Series: World's Favorite Series. 127 pages. Published by Ashley Publications, Inc.

For guitar. Format: guitar solo book. With standard notation (no tablature) and fingerings. Renaissance, baroque, classical period and 20th century. 126 pages. 9x12 inches. Published by Music Sales.

Guitar (Guitar)

SKU: HL.48182396

Composed by George Frideric Handel. Leduc. Classical. Softcover. Alphonse Leduc #AL23587. Published by Alphonse Leduc (HL.48182396).

Francois Campion: Prelude et Fugue in D (coll. Guitare No.23) (Guitar solo).

Edited by Jerry Willard. For guitar. Format: guitar solo book (spiral bound). With standard notation (no tablature) and fingerings. Renaissance, baroque, classical period and romantic period. 240 pages. 9x12 inches. Published by Music Sales.

From Suite in E-Flat for Lute. By Johann Sebastian Bach. Arranged by Andres Segovia. Schott. Size 9x12 inches. 7 pages. Published by Schott.

Composed by Arnaud Dumond (1950-). Classical. Score. 21 pages. Editions Henry Lemoine #27357. Published by Editions Henry Lemoine (LM.27357).

By Various. Guitar. Hardcover. 256 pages. Hal Leonard #AM999922. Published by Hal Leonard

(Guitar Part). For Guitar. Guitar (Suzuki); Method/Instruction. Book. 24 pages. Published by Alfred Music Publishing

Guitar Solo

SKU: IS.G6766EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6766EM. Published by Metropolis Music Publishers (IS.G6766EM).

ISBN 9790365067664.

This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

By Annette Kruisbrink (1958-). For guitar solo. 4. 12 pages. Published by Les Productions d'OZ

Composed by Various. Guitar Solo. Softcover. 136 pages. Published by Hal Leonard