Big Band Play-Along Volume 2. Ce nouveau recueil rassemble 10 thèmes célèbres, que vous pourrez jouer accompagné par un vrai Big Band grâce au CD joint ! Au sommaire : Ain't No Mountain High Enough - Copacabana (At the Copa) - I Heard it Through the Grapevine - On Broadway - Street Life - et bien plus encore./ Recueil / Guitare

Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)

A Short Sad Song (Leavitt) Chopsticks Chorale #38 (Bach) Chorale No.26 [Bach, Johann Sebastian] Fifty Rocks (Leavitt) Hava Nagila (Let's Be Happy) In My Merry Oldsmobile Jeanie With The Light Brown Hair Joy To The World! La Paloma Blanca (The White Dove) (Hague) Lirpa-lee Melody (Leavitt) Maidens Wish (Chopin) My Wild Irish Rose Polly Wolly Doodle Short'nin' Bread Softshoe Shuffle (Leavitt) Spanish March The Big Rock Candy Mountain The Glow Worm The Happy Farmer Op.68 No.10 (Album For The Young) [Schumann, Robert] When The Saints Go Marching In Zerfleisse, Mein Herze (St John Passion) [Bach, Johann Sebastian]

Par CARCASSI MATTEO. The first and foremost edition of these ever popular studies, which are to be found in almost every syllabus where the guitar is taught. Selected by the Examination Board of the Royal Schools of Music London 2009. This new expanded and revised edition is the only publication to reconcile the early sources of these Etudes with present day playing techniques. Several earlier editions from the 19th and 20th centuries were consulted for its preparation. The main music text is beautifully engraved with a clear and uncluttered presentation of the Etudes. This edition contains a useful section on 'Playing the Etudes' with over 50 music examples, showing alternative fingerings etc. Adetailed Critical Commentary as well as historical archive material completes this new version of our highly popular 1985 edition. Highly recommended as it will meet the needs of all at whatever level./ Répertoire / Guitare Classique

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Simple Mélodies Op. 33 per chitarra. Par LE DHUY J.B. ADOLPHE. / Date parution : 2024-01-06/ Répertoire / Guitare

Par KLEYNJANS FRANCIS. La Ravissante Op.210 (1'10) - La Capricieuse Op.213 (2'35) - L'Ingénue Op.216 (1'05) - La plus que triste Op.224 (2'45) - L'Arrogante Op.218 (2'10) - La Désenchantée Op.228 (3'00) - L'Ultime Op.215 (2'45) Notice 7 valses en mi mineur pour guitare Bien qu'unies par la tonalité de mi mineur, ces 7 valses traduisent une atmosphère différente à chaque fois, par un caractère bien spécifique à chacune d'elles, qui passe de l'arrogance au désenchantement, de la joie naïve à la profonde tristesse. Toute la palette des sentiments qui animent notre vie y est représentée. Je souhaite à tous ceux qui dévoileront, en les jouant, leur univers intime, le même bonheur que j'ai eu à les composer. Francis Kleynjans, Février 2007 Ces valses ont été enregistrées par le compositeur sur le CD, L'ultime, 34 valses en mi mineur (réf. PFKCD204) / classique / Répertoire / Guitare

Creative Transcriptions for Today's Guitarist. Par . This second volume of The Classical Guitarist?s Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From ?The Water Is Wide? and Christmas and patriotic favorites to opera arias ?Julia Florida? by Agustín Barrios and Cello Suite No. 1 by J. S. Bach all of the music in this book is written in standard notation only. Award-winning composer university professor 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner Mark Cruz has added a few of his own engaging compositions to this exceptional collection?ideal for the performing classic guitarist. / Date parution : 2023-01-24/ Recueil / Guitare

Cet ouvrage a pour objectif de vous faire découvrir, travailler et surtout jouer les arpèges à la guitare. Les arpèges constituent indéniablement l'un des outils principaux dont doit rapidement se doter l'apprenti guitariste.'Pour improviser, pour jouer des mélodies et des solos, évidemment... mais pas seulement !'Les arpèges peuvent en effet être utilisés aussi pour jouer des accompagnements et notamment des riffs de guitare. Les arpèges pouvant se définir comme l'exécution successive des notes d'un accord, nous nous pencherons évidemment sur la théorie des accords, qu'ils soient à 3 sons ('majeur', 'mineur'), 4 sons ('maj7', 'm7', 'septième' ou encore 'demi-diminué'), voire même 5 sons ('9ème'), mais toujours dans un cadre purement musical, avec des tas d'exemples à l'appui. Des exemples de solos bien sûr... mais aussi quelques exemples de riffs bien sentis. Sur le disque joint à la méthode, vous trouverez de très nombreux fichiers audios et vidéos.'Les vidéos (mp4) présentent en images les multiples exemples (riffs et improvisations) tels qu'ils doivent être joués, à vitesse normale puis au ralenti. Les enregistrements audios (mp3), pour leur part, proposent tous les playbacks correspondants, là encore à deux tempi différents.'Vous pourrez donc y jouer à votre tour les riffs et solos proposés, mais aussi et surtout développer librement vos propres créations, à l'aide des arpèges suggérés. / Guitare

Ce programme s'appuie sur les techniques apprises dans un seul niveau. Ravi et Bobby de Job for a Cowboy - connu pour leur écriture de chanson intense et les performances live explosifs - révèlent comment jouer la heavy metal les plus sombres. Ensemble, ils enseignent complexe syncopé diminuée des triades, le galop inverse, lourds sautillante et formes d'octave. Vous seront mis au défi par la technique de renforcement, main-d'élongation exercices, hammer pull-offs et riffs de shred avancé. Apprendre les armes secrètes de Ravi comme des échelles de mineur harmoniques, riffs syncopés, astuces whammy et rythmes pivotants. Vous will rock complet conduit avec le soutien pistes à droite des enregistrements en studio JFAC que vous tirez dans la bande ! / Guitare / niveau : Débutant/Intermédiaire / Dvd

El Libro Completo de Guitarra Shred. The Complete Book of Shred Guitar focuses on the technical aspects of playing the electric guitar in the shred style. As the guitar plays such an important role in metal, neoclassical and hard rock, much is demanded of lead guitarists. Having precise and effective technique is paramount, and usually the result of disciplined practice and critical listening over a period of years. With this method, however, you will achieve noticeable results within a relatively short period. Includes: alternate and sweep picking, tapping and pedal point technique, scales and chord progressions, bending, vibrato and legato techniques, all types of harmonics, the volume swell technique, use of the whammy bar and effects pedals, 120 downloadable examples plus a bonus track, and much more. This volume is a technical tour de force and clearly one of Mel Bay\'s most advanced rock guitar books. The author, Pablo Pescatore of Buenos Aires, Argentina, is a virtuoso, conservatory-educated guitarist, well-versed in music theory and sight singing - he has written several books on learning styles, recorded numerous projects and taught electric and classical guitar technique for more than 20 years. The book\'s 120 online audio examples are recorded at two speeds: blazing, jaw-dropping fast and then slowly, at half speed for student play-along. Throughout, the author assures the reader that all things are possible with diligent practice. / Niveau : Intermédiaire à Avancé / Pop and rock / Date parution : 2019-05-27/ Tablatures / Guitare Electrique

Kenny Sultan vous emmene à la découverte de 5 legendaires guitaristes blues : Lightnin'Hopkins, Blind Blake, Blind Boy Fuller, Mississippi John Hurt et Big Bill Broonzy. Kenny Sultan ne prétend pas vous apprendre à jouer comme eux, mais à vous aider à adapter leur musique dans votre propre jeu. 110 minutes d'enregistrement, en anglais. Niveau intermédiaire. / Guitare