Performance Score Flute; Guitar (Score and Solo Part) - intermediate SKU: HL....(+)
Performance Score Flute;
Guitar (Score and Solo
Part) - intermediate
SKU: HL.49044531
Suite for Flute and
Guitar - Performance
Score. Composed by
Laurent Mé and
neret. This edition:
Saddle stitching. Sheet
music. Ensemble.
Classical. Softcover. 24
pages. Schott Music
#SF1013. Published by
Schott Music
(HL.49044531).
Guitar solo SKU: PE.EP68489A For solo guitar. Composed by Roger Re...(+)
Guitar solo
SKU:
PE.EP68489A
For
solo guitar. Composed
by Roger Reynolds. Guitar
Book. Edition Peters.
Living Composer.
Performing score. 12
pages. Edition Peters
#98-EP68489A. Published
by Edition Peters
(PE.EP68489A).
ISBN
9790300758879.
T
he image series involves
brief complimentary works
for a variety of
instruments. imagE/
... is 'evocative',
lyrical, symmetrical,
continuous, and even
tender than image/A
... , which is
'articulate', sectional,
tending towards assertion
and variety.
Guitar SKU: GI.G-8716CD A Four-Song Preview. Composed by Marty Hau...(+)
Guitar
SKU:
GI.G-8716CD
A
Four-Song Preview.
Composed by Marty Haugen.
This edition: Preview
edition with CD. Sacred.
CD. With guitar chord
names. GIA Publications
#8716CD. Published by GIA
Publications
(GI.G-8716CD).
UPC:
785147871620. English.
Text Source: 1.–3.
Marty Haugen, 4. Shirley
Erena Murray, Sing for
Peace (Everything that
has voice). Text by
Shirley Erena
Murray.
This
collection of four new
songs by Marty Haugen was
written to challenge your
congregation to live
lives that work for peace
and justice in our world.
It is a preview of a
larger resource of
similarly themed music to
come. The simple melodies
and evocative texts are
perfect for every
celebration of peace,
whether personal, small
group, or broader
community prayer.
Contents include Bread
for the World, Bring
Peace, Live Jesus, and
the title song Sing for
Peace. This edition
includes a CD with a full
recording of each
song.
Guitar SKU: UT.CH-395 Composed by Giorgio Signorile. Classical. Score. Ut...(+)
Guitar
SKU:
UT.CH-395
Composed by
Giorgio Signorile.
Classical. Score. Ut
Orpheus #CH 395.
Published by Ut Orpheus
(UT.CH-395).
ISBN
9790215328587. 9 x 12
inches.
Il
grande larice rosso;
Piccole vite; Requiem per
un bosco
Never
before have I felt the
urgency within myself to
communicate with my
instrument something
which goes beyond just
the notes, a desire to
embrace with music parts
of the world which I see
as being so neglected and
abandoned, as if man were
no longer able to see
beyond the narrow
confines of his home and
work spaces. The
environment which
surrounds us, free and
pure, seems to bow more
and more to the base
instincts of abuse which
man brings into play...
the destruction of
centuries-old forests and
glaciers, the
construction of harmful
and disturbing, useless
and polluting elements...
and I wonder what we can
do, what I, as a
musician, can do, at
least to show my
disapproval of these
situations. I have no
straight answer but I
know that writing the
music I love to play,
often born in natural and
wild environments can
help to dream of, or
imagine a present time
which is more on a human
scale, thanks to the
strong evocative power
which music possesses and
emanates. This is the
meaning of these
compositions, dedicated
to a tree, a 700-year-old
specimen of the Stura
Valley, Lu Merze Gros
(The Big Larch), to the
small beings which
inhabit it, in the bark,
among its foliage, in the
surrounding soil and to
my sense of frustration
at seeing a forest of fir
trees razed to the ground
to allow the construction
of a bobsleigh
run. This action of
mine has been useless and
nostalgic perhaps, but it
has given me intense
moments of emotion in the
writing and moves me
enormously during its
performance.
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
