Guitar SKU: FG.55011-324-4 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-324-4
Composed by Kai Nieminen.
Fennica Gehrman
#55011-324-4. Published
by Fennica Gehrman
(FG.55011-324-4).
ISBN
9790550113244.
Quad
ri Morandi (2014) ties
together two essential
themes of Kai Niminen's
(b. 1953) compositional
style: guitar and a
subject inspired by
Italy. The strong
presence of the guitar in
his works is natural
since he is in an
actively performing
guitarist himself, and
guitar works indeed play
a significant role in his
oeuvre. Moreover, he has
written plenty of
orchestral music; for
instance two symphonies,
numerous concertos, and
chamber music. In the
field of Finnish music he
is a composer who can be
characterized as free
from any specific school
or style. In his musical
language, free tonal in
essence, one can detect
traces of Impressionism,
Neoromanticism and even
Expressionism at times,
but he is also willing to
employ more recent
20th-century stylistic
devices. Nieminen has
mentioned that he finds
himself very similar to
Japanese Toru Takemitsu
both musically and in
thought.
Mediterannean culture and
Italy especially have
been close to Nieminen's
heart ever since he first
visited the country and
appeared in the jury of
the international
Fernando Sor guitar
competition in 1981. He
has composed a great
number of works which
refer to Italian
landscapes or artists.
The work Quadri Morandi
(Morandi's pictures) is
written in four
movements. It has at its
centre the painter
Giorgio Morandi
(1890-1964), who is known
as a master of still
lifes and landscapes
painted in a plain manner
and is subdued colours.
Their atmosphere
typically reflects a calm
spirit. This is the third
guitar work that nieminen
has written for Kleemola.
It is easy to
find a counterpart for
the encaptivating realm
of Morandi's art in
Nieminen's clear and pure
expression. The titles
and expression markings
also include several
references to Morandi.
For example, in the
opening movement Prelude
the words la Natura morta
(still life) appear as an
additional note on the
chord sequence following
the freely flowing
opening section. At the
end of the movement one
can hear rhythmic motif
coloured with flageolets
that repeats the
syllables of the
painter's name: Gior-gio
Moran-di. A similar motif
can be heard at the end
of the second movement
Quasi cadenza. The
tranquilly breathing
third movement Paesaggio
(landscape) creates an
illusion of landscape by
imitating the echo of
monastery bells (come
campane del monastero)
and at the same time
refers to il monaco (the
monk), the name by which
Morandi was often called.
The final movement
Ritratto (Portrait) is
the most extensive of all
the movements and can be
seen, with its recurring
motifs, as a reflection
of the stable yet subtly
varying elements of
Morandi's art. The work
ends with the rhythmic
motif that once more
echoes Morandi's name,
like signature.
Guitar solo SKU: BR.DV-32095 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32095
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 64 pages.
Deutscher Verlag fur
Musik #DV 32095.
Published by Deutscher
Verlag fur Musik
(BR.DV-32095).
ISBN
9790200426403. 9 x 12
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
By Don Latarski. For Guitar. Guitar Method or Supplement. 21st Century Pro Metho...(+)
By Don Latarski. For
Guitar. Guitar Method or
Supplement. 21st Century
Pro Method. Blues;
Jazz/Fusion. Spiral-Bound
Book & CD. Published by
Alfred Publishing.
Guitar SKU: FG.55011-326-8 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-326-8
Composed by Kai Nieminen.
Fennica Gehrman
#55011-326-8. Published
by Fennica Gehrman
(FG.55011-326-8).
ISBN
9790550113268.
I
met for the first time
the refined Finnish
composer Kai Nieminen in
Milan (Italy), although
we had been in touch for
a while before. It was
that very trip which
provided the inspiration
for this composition
dedicated to Bruno
Munari, one of the most
renowned XXI century
Italian artists, who
lived and worked in
Milan. In particular, the
work that inspired this
composition, displayed at
Museo del Novecento in
Milan and characterised
by swirling lines
enveloping torn-out music
scores, suggested the
mysterious atmosphere of
this piece and the
subheading Un telegramma
dal paese dei sogni (A
telegram from
dreamland). The
composition can be
divided into four
sections and displays a
wide variety of
harmonics, cleverly
enhancing the polyphonic
resources of the
guitar. The very
first bars introduce the
main themes of the
composition:
particularly, at bar 7 it
is possible to recognize
a Bach quote from Das
wohltemperierte Clavier
(II book, ndeg24)
recurring frequently in
the piece and appearing
also in the painting.
Meno mosso (bar 51) opens
with a ghostly song
accompanied by drum-like
effects that recall the
primitive sound of the
shamanic Finnish
drum. Fast sixteenth
cascades dotted by
harmonic sounds open the
fourth and last section
at bar 66 (Capriccioso,
movendo), alluding to a
mysterious telegram sent
from another
dimension.
Guitar SKU: BT.MUSMI0348 Composed by Barratto. Play Music Italia. Tuition...(+)
Guitar
SKU:
BT.MUSMI0348
Composed
by Barratto. Play Music
Italia. Tuition. Book, CD
and DVD. Composed 2016.
Play Music Italy
#MUSMI0348. Published by
Play Music Italy
(BT.MUSMI0348).
Italian.
Ques
to metodo racchiude 50
ritmiche Funk alla
maniera dei più
grandi artisti di ieri e
di oggi: James Brown,
Parliament, The
Headhunters, Commodores,
The Meters, The Brothers
Johnson, Ohio Players,
Graham CentralStation,
B.T. Express, Sly &
The Family Stone,
Jamiroquai, ecc. Queste
ritmiche - oltre al
piacere di suonarle - vi
permettono di scoprire e
di lavorare su tutte le
tecniche che
contribuiscono a creare
ottimi
accompagnamentiFunk:
ghost notes, triadi,
rivolti, il suonare
staccato, palm mute,
motivi ritmici a note
singole, ecc. Un capitolo
preliminare vi presenta
le nozioni essenziali
della ritmica Funk per
quanto riguarda il ritmo,
gli accordi eletecniche
caratteristiche. Il DVD
Video permette di
ascoltare e visualizzare
i 50 accompagnamenti a
velocità normale
poi ridotta, dandovi in
questo modo la
possibilità di
effettuare i gesti
giusti, scegliere
lediteggiature adatte
nonché suonare a
tempo! Il CD mp3 invece
è composto da
tante basi musicali
quante ritmiche, ossia 50
playalongs suonati con
due tempi (metronomici)
diversi: il primo
è la
velocitànormale
cioè il tempo da
raggiungere, mentre il
secondo è una
velocità ridotta
per aiutarvi nello
studio. Questi playalongs
hanno una durata
volontariamente lunga (da
4 a 5 minuti ognuno,
ossia più di 7ore
di musica in tutto!) per
darvi il tempo di
esercitarvi nelle
migliori condizioni
possibili.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: BT.MUSAM1008029 By Toby Knowles. The Complete Guitar Player. ...(+)
Guitar
SKU:
BT.MUSAM1008029
By
Toby Knowles. The
Complete Guitar Player.
Pop & Rock. Book Only.
Composed 2015. 146 pages.
Wise Publications
#MUSAM1008029. Published
by Wise Publications
(BT.MUSAM1008029).
ISBN 9781783055364.
English.
The
Complete Guitar Player
Acoustic Songbook
features a huge
collection of 50 acoustic
hits from all genres for
Guitar. Each song
includes full lyrics and
Guitar chords as well as
strumming and picking
patterns, making this
perfect for the aspiring
acoustic Guitarist. Every
song included in this
Guitar songbook is a bona
fide acoustic classic,
perfect for singalongs at
parties or just a strum
on a summer's day in the
park. Songs like Hey,
Soul Sister by
Train, Wonderwall
by Oasis and Ho Hey
by The Lumineers
represent the best in
unplugged and fun
chill-out music. 'The
book is designed to be
accessible and enjoyable,
showcasing the best songs
by the best songwriters
like Bob Dylan, Mumford
& Sons, The Beatles
and Adele. Songs from the
past and the present are
included, so there will
be something for everyone
in this acoustic
songbook. Each song has
been carefully arranged
for Guitar and Voice,
including the melody,
lyrics and Guitar chord
shapes. Not only this,
but there are also
suggested strumming or
picking patterns to help
you nail the exact sound
of the song straight
away. This acoustic
Guitar songbook is ideal
for beginners and
intermediate Guitarists
looking to expand their
repertoire with acoustic
songs new and old,
whereas absolute
beginnersnew to the
Guitar might find that
the four books of the
famous Complete Guitar
Player series by Russ
Shipton will help them
out with the
basics. With these
50 acoustic Guitar songs,
you'll be singing,
strumming
andfingerpicking your way
through the folk, pop and
rock canon in no time at
all. The Complete Guitar
Player Acoustic Songbook
would make a stellar
addition to any
guitarist's bookshelf,
and every one of these
great songs will make
sure that everyone is
singing along.
By Benjamin Britten (1913-1976). Edited by Julian Bream. For Guitar. Book; Class...(+)
By Benjamin Britten
(1913-1976). Edited by
Julian Bream. For Guitar.
Book; Classical Guitar
Solo; Masterworks. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
Guitar SKU: GI.G-10300G This edition: Guitar edition. Sacred. Guitar part...(+)
Guitar
SKU:
GI.G-10300G
This
edition: Guitar edition.
Sacred. Guitar part. 858
pages. GIA Publications
#10300G. Published by GIA
Publications
(GI.G-10300G).
ISBN
9781622775033.
This
is the Guitar edition for
the VOICES hymnal. A
contemporary Catholic
hymnal, VOICES includes
the very best from Voices
as One, Volume 1, Voices
as One, Volume 2, and all
three volumes of More
Voices as One, as well as
recent contemporary music
published after More
Voices as One, Volume 3.
Three Mass settings are
included: Mass of Saint
Ann (Bolduc), Mass of
Rejoicing (Angotti), and
Mass for the Healing of
the World (Thomson). All
new titles from Christian
artists have been
carefully reviewed to be
appropriate for Catholic
worship.
Guitar - Beginner SKU: AP.44446 Book 1. The Most Complete Guita...(+)
Guitar - Beginner
SKU:
AP.44446
Book
1. The Most
Complete Guitar Course
Available. Composed
by Aaron Stang. This
edition: 2nd. Guitar
Method or Supplement;
Method/Instruction.
Belwin's 21st Century
Guitar Course. Book and
Digital Download; DVD,
Software. 48 pages.
Belwin Music #00-44446.
Published by Belwin Music
(AP.44446).
ISBN
9781470623814. UPC:
038081501901.
English.
Belwin's
21st Century Guitar
Method is a complete
course that puts lessons
in the context of popular
styles and classic tunes.
It introduces new topics
at a progressive speed
and uses both music
notation and tablature
(TAB). Correlating
supplemental books
integrate more advanced
concepts and techniques,
while keeping the
learning process fun.
Audio recordings include
full instruction---a
great resource for
students and teachers
alike---with
demonstration and
play-along tracks that
will help students
optimize their practice
time. Detailed video
lessons and fun
play-along software are
also available.
Book 1 Features
* Online access to
play-along and lesson
audio included *
Covers rock, pop, folk,
blues, and classical
styles * Features
unique Rock Workshop
units that teach
improvisation and rock
rhythm and lead guitar
* Uses standard music
notation and tablature to
aid with learning new
material * Optional
teacher accompaniment
parts * Duets to play
with a teacher or with
the included audio
recording * Complete
lesson videos and fun
play-along software
available.
About 21st
Century Guitar
Course
Thi
s hugely popular basic
guitar method series
includes numerous
supplements (theory
workbook, ensembles, song
books and a supplemental
rock method). The
available CD includes
full instruction plus
full demonstration and
play-along tracks. Level
1 lays a foundation with
note reading and chords
and includes teacher duet
parts to encourage the
student and teacher to
perform together. TAB is
used to make learning
chords, accompaniments,
riffs and other stylistic
guitar parts easy and
fun, standard music
notation is used for
melodic playing. Level
two goes deeper into
common guitar genres such
and rock and blues and
also introduces applied
music theory, chord and
scale construction and
fretboard understanding.
Recommended for 8 years
old and up.
Composed by Franz Schubert. Edited by Paolo Cherici. Saddle stitching. Paolo...(+)
Composed by Franz
Schubert.
Edited by Paolo Cherici.
Saddle stitching. Paolo
Cherici Collection.
Classical.
Ut Orpheus #CH 252.
Published
by Ut Orpheus
Guitar - Level 2 SKU: LM.27917 Composed by Bruno Giner. Guitare avenir de...(+)
Guitar - Level 2
SKU:
LM.27917
Composed by
Bruno Giner. Guitare
avenir de Patrick
Guillem. Classical: 20th
Century (Contemporary).
Score. Editions Henry
Lemoine #27917. Published
by Editions Henry Lemoine
(LM.27917).
ISBN
9790230979177.
Reso
nances - Tamboriles y
Campanillas - Mi-mi-mi -
Petit duo mecanique.
(Guitar). Composed by Joaquin Turina (1882-1949). Edited by Marian Alvarez Benit...(+)
(Guitar). Composed by
Joaquin Turina
(1882-1949). Edited by
Marian Alvarez Benito.
For Guitar (Guitar).
Schott. Softcover. 12
pages. Schott Music
#GA549. Published by
Schott Music
Guitar solo SKU: BR.DV-32004 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32004
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 68 pages.
Deutscher Verlag fur
Musik #DV 32004.
Published by Deutscher
Verlag fur Musik
(BR.DV-32004).
ISBN
9790200425024. 9 x 12
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
Guitar (Guitar) SKU: HL.48024601 Construction with Guitar Player Inclu...(+)
Guitar (Guitar)
SKU:
HL.48024601
Construction with
Guitar Player Including
Guitar and White
Hand. Composed by
Harrison Birtwistle.
Edited by Julian Bream.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 24 pages.
Boosey & Hawkes
#M060131042. Published by
Boosey & Hawkes
(HL.48024601).
ISBN
9781540050663. UPC:
888680933807. 9.0x12.0
inches.
Beyond the
White Hand: Construction
with Guitar Player, was
commissioned by the
Julian Bream Trust and
first performed at St
John's Smith Square by
Andrey Lebedev in 2014.
This substantial addition
to the advanced solo
guitar repertoire
reflects and expands upon
an earlier miniature from
2007: Guitar and White
Hand, BirtwistleÂ’s
first piece for the
instrument. Both pieces
draw artistic inspiration
from the artist Pablo
Picasso: the smaller
piece written for Forbes
Henderson and sharing a
title with the 1927
painting of the same
name. The larger piece
was composed in the
centenary year of
Picasso's Construction
with Guitar Player after
which the piece is named
and the sculpture
Guitar.Picasso made about
a dozen 'sculptural'
constructionsÂ’ during
1912-1914, many of which
employ recycled or carved
elements. A good number
of these were destroyed
and only one, Still Life
was shown publically
during his lifetime.
Picasso's own
Construction with Guitar
Player was an
installation of a
partially drawn and
painted figure to which
he added arms made of
newspaper that fold away
from the wall to embrace
a real guitar. In the
foreground stands a table
with a bottle of wine and
this was photographed by
Picassoin his studio in
1913. Musically,
BirtwistleÂ’s
Construction is a large
scale, dense work of
sixteen minutesÂ’
duration. It does not
develop linearly, but
presents fragments of
detail, interruptions,
digressions and loops as
a “deconstructed
guitar†in
sound.
The Andres Segovia Archive. Composed by Vicente Arregui. Arranged by Ange...(+)
The Andres Segovia
Archive. Composed by
Vicente Arregui. Arranged
by Angelo Gilardino. The
Andres Segovia Archive.
Full score (study). With
Standard notation. Berben
#EB4981. Published by
Berben (PR.564014640).