Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Teach Yourself Fingerpicking Guitar with CD arranged by Jared Walker. For guitar...(+)
Teach Yourself
Fingerpicking Guitar with
CD arranged by Jared
Walker. For guitar. This
edition: Paperback.
Instructional. Method.
Book and CD. Text
Language: English. 96
pages. Published by
Santorella Publications
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Notes On The Neck composed by Phil Black. For guitar. This edition: Paperback. R...(+)
Notes On The Neck
composed by Phil Black.
For guitar. This edition:
Paperback. Reference.
Educational. Color
poster. Text Language:
English. 1 pages.
Published by Santorella
Publications
(Scales and Arpeggios (USC)). By Frank Potenza and Nick Stoubis. For Guitar (All...(+)
(Scales and Arpeggios
(USC)). By Frank Potenza
and Nick Stoubis. For
Guitar (All). Methods.
USC. All Styles.
Beginning. Book. 32
pages. Published by Mel
Bay Publications, Inc
by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All sty...(+)
by William Bay and Mike
Christiansen. For all
guitars. Mastering
Guitar. All styles, solos
and exercises. Level:
Beginning-Intermediate.
Book/CD Set. Method. Size
8.75x11.75. 144 pages.
Published by Mel Bay
Pub., Inc.
by Anthony Glise. For classic guitar. Anthony Glise Urtext. Classic. Level: Mult...(+)
by Anthony Glise. For
classic guitar. Anthony
Glise Urtext. Classic.
Level: Multiple Levels.
Book. Reference. Size
8.75x11.75. 282 pages.
Published by Mel Bay
Pub., Inc.
(Rhythm Patterns, Soloing Techniques and Improvisational Insight for Nashville-S...(+)
(Rhythm Patterns, Soloing
Techniques and
Improvisational Insight
for Nashville-Style
Guitar). By Ladd Smith.
For guitar.
Instructional.
Instructional DVD.
Published by Music Sales
Guitar SKU: SP.TS71612 Composed by Tony Santorella. Instructional; Method...(+)
Guitar
SKU:
SP.TS71612
Composed
by Tony Santorella.
Instructional; Method.
Book and CD. Santorella
Publications #TS71612.
Published by Santorella
Publications
(SP.TS71612).
ISBN
9781585606924. UPC:
728941716124.
Teach
Yourself Guitar published
by Santorella
Publications is the first
in a series including CD
that was initially
created as an impulse
product for a typical
independent Guitar & Amp
shop. In a market flooded
with similar products, we
swiftly learned that our
edition was more than
just a quick fix for the
beginner. Although
titled, Teach Yourself
Guitar, it contains much
more than basic
instruction. Accordingly,
Teach Yourself Guitar has
become the standard for
countless educators as a
private lesson study
guide.
There are
numerous products on the
market that falsely
proclaim incomprehensible
results in just minutes.
Unfortunately, none of
these products cultivate
permanent advancement.
Becoming a better
musician is only possible
through hard work,
discipline and
dedication.
Our
challenge was to create
an approach to guitar
that was easy to
understand and followed a
logical step by step
progression. To truly
master the guitar, one
must have their eyes set
on short-term goals in
order to achieve
long-term results. We are
proud to say that we have
met this challenge by
providing a proven
curriculum to learning
the many facets of
playing the guitar in
this one of a kind
guide.
(Scales and Arpeggios Book Two). By Frank Potenza and Nick Stoubis. For Guitar. ...(+)
(Scales and Arpeggios
Book Two). By Frank
Potenza and Nick Stoubis.
For Guitar.
Saddle-stitched. USC.
Study Books and Method
Supplements. Multiple
Levels. Book. 48 pages.
Published by Mel Bay
Publications, Inc
By Ronnie Earl / Buddy Guy. For Guitar. Hot Licks. Blues. Level: Intermediate. D...(+)
By Ronnie Earl / Buddy
Guy. For Guitar. Hot
Licks. Blues. Level:
Intermediate. DVD (Region
0), Instrumental Tutor.
Text language: English /
French / German / Italian
/ Spanish. 12 pages.
Published by Hotlicks
Videos.
Composed by Wissam Abboud. Saddle-stitched, Method. Mastering the Classical ...(+)
Composed by Wissam
Abboud.
Saddle-stitched, Method.
Mastering the Classical
Guitar. Style. Book and
online audio. 72 pages.
Mel
Bay Publications, Inc
#30683M. Published by Mel
Bay
Publications, Inc
Guitar SKU: HL.146362 Book Only. Guitar Tab Method. Instruction. S...(+)
Guitar
SKU:
HL.146362
Book
Only. Guitar Tab
Method. Instruction.
Softcover. Published by
Hal Leonard (HL.146362).
ISBN 9781495023354.
UPC: 888680070212.
9.0x12.0x0.11
inches.
“The
ultimate learning tool to
go from zero to guitar
hero in no time!â€
–Guitar World
magazine Designed for
electric or acoustic
guitar. Get started
quickly and easily
– with songs you
want to play! This method
introduces notes with
riffs like “Crazy
Train†and
“Smoke on the
Water,†power
chords with classics by
AC/DC and the Who,
chord-strumming with
songs from Neil Young and
Nirvana, and much more.
The method's unique,
well-paced, and logical
teaching sequence will
get students playing more
easily than ever before,
and music from popular
artists like the Beatles,
Jimi Hendrix, and Led
Zeppelin will keep them
playing and having fun.
Book 1 includes: parts of
the guitar,
easy-to-follow guitar
tablature, notes &
riffs starting on the low
E string, tempo &
time signatures,
understanding notes and
rests, palm muting,
vibrato, power chords,
open chords, strumming,
slides and slurs,
hammer-ons and pull-offs,
many music styles, nearly
100 riffs and songs, and
more!
Guitar - very easy SKU: HL.49005329 Guitar. Edited by Ludwig Ander...(+)
Guitar - very easy
SKU: HL.49005329
Guitar. Edited by
Ludwig Andersen. Arranged
by Walter Lutz and Willi
Draths. This edition:
Plastic cover. Paperback.
Edition Schott.
Classical. Melody Line
(with Chords). 168 pages.
Schott Music #ED5000.
Published by Schott Music
(HL.49005329).
ISBN
9783795740009. UPC:
073999172874.
4.75x7.25x0.46 inches.
German.
Diese
Standard-Sammlung von 203
der schonsten und
bekanntesten Volks-,
Wander-, Trink- und
Scherzlieder gehort in
jeden Wander-Rucksack und
die Hand eines jeden, der
Freude am Singen hat. Zu
dieser Sammlung ist auch
ein Textbuchlein
erhaltlich (ISBN
3-7957-3000-7).
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M).
ISBN
9781736363058. 8.75x11.75
inches.
A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio.
Guitar - Beginning SKU: CZ.9798883803436 Composed by Larry Newman. Book. ...(+)
Guitar - Beginning
SKU:
CZ.9798883803436
Composed by Larry Newman.
Book. Children's Music
Workshop #9798883803436.
Published by Children's
Music Workshop
(CZ.9798883803436).
ISBN
9798883803436.
Best
Beginning Guitar Book for
Teens and Adults is an
easy, learn-how-to-play
guitar method book for
beginning students.
Designed specifically for
beginners, this
comprehensive method book
is packed with all the
essential tools and
resources you'll need to
learn how to play the
guitar with ease and
excitement.
With
the power of online video
tutorials, this book
brings a music teacher
right into your home,
ready to guide you
whenever you are ready to
strum and pluck your
first chords. The
companion YouTube videos
offer a dynamic and
engaging learning
experience, featuring
beautiful, professionally
produced 4K videos. These
videos include live
playing demonstrations of
every song featured in
the book, ensuring that
you can see and hear
exactly how each tune is
meant to
sound.
The
extra-large notation,
simplified arrangements,
and letter names inside
the note heads help you
easily navigate through
the music. With limited
material per page, you
won't feel overwhelmed,
allowing for a gradual
and steady
progression.
The
book not only teaches you
how to play the guitar
but also instills
important music
fundamentals. From
learning how to read
notes and mastering
proper guitar technique
to understanding basic
music theory and
fostering creativity and
expression, this book
covers it all.
The
book
includes: Extra-large
notation Simplified
arrangements Letter
names inside the note
heads Limited material
per page Chords,
lyrics and notes Easy
to read sheet
music Large selection
of classic and
time-tested
songs
The book
teaches important music
fundamentals
including: How to read
notes Proper guitar
technique Chord and
single note
playing Basic music
theory Creativity and
expression Music
appreciation The
YouTube videos support
learning
with: Beautiful,
professionally produced
4K videos Live playing
demonstrations of every
song in the book.
(Mastering Jazz Guitar). By Jody Fisher. For Guitar. This edition: Standard Nota...(+)
(Mastering Jazz Guitar).
By Jody Fisher. For
Guitar. This edition:
Standard Notation Only.
Book; CD; Guitar Method
or Supplement;
Method/Instruction;
Technique Musicianship.
Complete Method. Jazz.
Advanced. 96 pages.
Published by Alfred Music
Lead Guitar Scales in C composed by Phil Black. For guitar. This edition: Paperb...(+)
Lead Guitar Scales in C
composed by Phil Black.
For guitar. This edition:
Paperback. Reference.
Educational. Color
poster. Text Language:
English. 1 pages.
Published by Santorella
Publications
(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwit...(+)
(Everything You Need to
Know About Guitars, Amps,
and Effects). By Tobias
Hurwitz, Ethan Fiks, and
Vivian Clement. For
Guitar. Book; CD; Guitar
Reference; Reference
Textbooks. 96 pages.
Published by Alfred Music
Publishing
1-2-3 Jazz, Frank Vignola presents an intuitive approach for learning how to pla...(+)
1-2-3 Jazz, Frank Vignola
presents an intuitive
approach for learning how
to play jazz guitar
without a trace of
theory, no tedious
exercises and no long
drawn out hyperbole about
modes, altered chords and
similar rocket science.
DVD. Published by eMedia
Music (EI.TF06141).
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.