Guitar

SKU: HL.298174

By Bob Marley. Strum & Sing Guitar. Reggae. Softcover. 64 pages. Published by Hal Leonard (HL.298174).

ISBN 9781540057761. UPC: 888680951160. 9.0x12.0x0.198 inches.

This collection gives you just what you need to play 20 of your Marley favorites: lyrics, chord symbols, and guitar chord diagrams. Songs include: Africa Unite * Buffalo Soldier * Exodus * Get up Stand Up * I Shot the Sheriff * Jamming * Lively up Yourself * No Woman No Cry * One Love/People Get Ready * So Much Trouble in the World * Stir It Up * and more.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

For Guitar (Slide/Bottleneck). solos. Vestapol. All Styles. Level: Intermediate. DVD. Size 4.13x7.5. 80 pages. Published by Grossman's Guitar Workshop.

By Claude Engel. For guitar solo. Level: 2.5. 28 pages. Published by Les Productions d'OZ. (DZ 369)

Guitar (flatpicking) - Beginning-Intermediate

SKU: MB.21397M

Composed by Philip John Berthoud. Saddle-stitched, Style, World Music, Children and Young Beginner, Solos, Celtic / Irish. Made Easy. World Music. Book and online audio. 40 pages. Mel Bay Publications, Inc #21397M. Published by Mel Bay Publications, Inc (MB.21397M).

ISBN 9780786694150. 8.75 x 11.75 inches.

This book is an exciting and varied collection of 35 traditional tunes from Africa, North and South America, Europe, The Middle East, Asia and Australia, specially arranged with the beginning/intermediate guitarist in mind. All the tunes are written clearly in standard notation and guitar tablature. Audio tracks of each tune are available online, played at a manageable speed and accompanied by a backing band. Includes access to online audio.

Composed by Allan Alexander. Saddle stitch. World Music/Guitar Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Hal Leonard Guitar Method. Size 9x12 inches. 176 pages. Published by Hal Leonard.

Guitar Method. Instruction, Method. Softcover Audio Online. 176 pages. Published by Hal Leonard

(Guitar)

SKU: HL.14061167

Guitar. General Merchandise. Duration 240 seconds. Music Sales #AM933504. Published by Music Sales (HL.14061167).

UPC: 007399994945.

Guitar solo - Intermediate

SKU: YM.GTL01097478

Arranged by Osamuraisan 3. Guitar/Bass/Drum Ji Ta /Bei Si /Gu. Book & CD. Yamaha Music Media #GTL01097478. Published by Yamaha Music Media (YM.GTL01097478).

ISBN 9784636974782.

Cali mba, born in Africa, is made of bord and iron/bamboo pins. This book has 30 songs arranged this new and small instruments, especially with 17 pins.

Composed by Eduardo Santos. With Standard notation. 2 pages. Chanterelle #ZECH 770. Published by Chanterelle

By Dusan Bogdanovic (1955-). For Solo guitar. Grade 3-4. Score. 12 pages. Published by Les Editions Doberman-Yppan

Guitar

SKU: BT.VOLMB161

Composed by Greg Horne. Book with CD. Volonte e Co #VOLMB161. Published by Volonte e Co (BT.VOLMB161).

ISBN 9788863881585. French.

The last volume of this superb series dedicated to the acoustic Guitar begins with exercises enabling development in style and precision. Techniques such percussive riffing, right hand damping, slaps, tapping, slap harmoniesand tremolos are studied. You will broaden your knowledge of Celtic music, blues, improvisation, alternative scales and also learn to play worldwide music styles such as reggae, African music, Brazilian, norteno music and a mix ofeverything.

These methods are very important for intermediate and advanced guitarists and equally include a study of more that 10 alternative scales and teach how to analyse, contrast and voice movement. Everyguitarist,average to professional will find material to improve their acoustic Guitar playing.

Guitar

SKU: GI.G-6088G

Communion Processional. Arranged by Rob Glover. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #6088G. Published by GIA Publications (GI.G-6088G).

English. Text Source: Rob Glover, based on an African American spiritual. Text by Rob Glover.

Based on African American Spiritual.

Guitar

SKU: GI.G-8148G

Composed by Traditional African-American. Arranged by Jacques Rizzo. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #8148G. Published by GIA Publications (GI.G-8148G).

English. Text Source: African American spiritual. Text by Jacques Rizzo.

Guitar

SKU: HL.50607050

Guitar Solo. Composed by Leo Brouwer. Guitar. Classical, Cuban. Softcover. 12 pages. Editions Max Eschig #DF01682000. Published by Editions Max Eschig (HL.50607050).

UPC: 196288292401. 9.0x12.0x0.073 inches.

Deux Airs populaires cubains (Dos aires populares cubanos) and Deux Thèmes populaires cubains (Dos temas populares cubanos) were written in the 1960s and published by Éditions Max Eschig in 1972 and 1978. These two pieces belong to the genre of arrangements of popular songs for solo instruments that was a widespread presence in the plucked-string repertoire from the sixteenth century on. In these two cycles, Leo Brouwer reworks Cuban popular music with his usual instrumental originality. In the first cycle, Brouwer did not alter any of the melodic or structural elements of the original songs, only embellishing these with introductions, harmony, and some structure. In the second cycle however, the original dance was composed by Brouwer himself, imitating Cuban popular music characterised by both Spanish and African influences. Rather than being based on actual folk repertoire, it draws its inspiration from it and attempts to recreate its sonic ambiance. Zigante interventions, made on the scores published during the 1970s, consist of the correction of a few errors and restoring some of the original repeat signs as conceived by Brouwer. Any fingering indicationswere added by Leo Brouwer himself.

Guitar

SKU: AP.1-ADV10026

English/German Language Edition. Composed by Peter O'Mara. Guitar Method or Supplement; Improvisation; Method/Instruction; Play-Along. Advance Music. Funk. Book and CD. Advance Music #01-ADV10026. Published by Advance Music (AP.1-ADV10026).

UPC: 805095100266. English.

There are a lot of books on the market offering licks in the funk/fusion style but this book goes a lot further. The 16 challenging compositions by renowned Australian guitarist Peter O'Mara cover a variety of tempos and grooves and are presented using a real rhythm section (from Klaus Doldinger's Passport) to achieve maximum authenticity. Rhythm guitar riffs are integrated into the overall groove and there is plenty of room for improvisation as well. The audio play-along tracks are presented in an order of increasing complexity. CD 1 contains complete recordings of all instruments so that you can hear how each track can sound. CD 2 omits all guitar parts so that you can play along with the rhythm section and create your own soli and rhythm parts. MIDI files of all compositions are also included on CD 2.

Titles: Funky Unity * African Heritage * Bad-Son * Livin' in L.A. * Power Tower * Scolclone * Learn from Stern * Got the News? * Shufflin' Hit * Da Fonk * Miles a Minute * Prototype * Hang Five * Spring Song * Dragon Fly * Kangaroo.

Guitar - Intermediate

SKU: MB.31008M

Perfect binding. Blues. Book and online audio. 160 pages. Mel Bay Publications, Inc #31008M. Published by Mel Bay Publications, Inc (MB.31008M).

ISBN 9781513467016. 8.75x11.75 inches.

Blind Lemon Jefferson was a trail blazer, both as a singer and guitarist, but also as a commercial phenomenon, for he was the first blues musician to establish the tremendous appeal that blues, as played and sung by rural African American folk, had for the record-buying public. It is no exaggeration to say that the sales of Lemon’s records paved the way for a host of other solo rural blues musicians to record in his wake and made the record companies more willing to give other musicians a chance, in the hopes of achieving similar success. 

Lemon ’s record sales weren’t what made him a great musician, though - that could only be attributed to his startlingly virtuosic guitar - playing and soulful singing, developed over years of busking, building on his natural gifts with a great deal of practice and work. In the Guitar of Blind Lemon Jefferson author John Miller presents transcriptions, in standard notation and tablature, of 22 of Lemon’s greatest performances, with an additional essay examining Lemon’s senses of time and phrasing and his picking techniques. Also included is a download link to all the original recordings. 

To present a picture of Lemon the man, noted blues researchers Alan Governar and Kip Lornell have contributed an essay focusing on Lemon’s early life, the origins of his music, and his time spent in a musical partnership with Lead Belly. Links are provided to downloadable performances of the songs in the book from which the transcriptions were made, so that you can have Lemon’s sound in your head as you learn to play his songs.

Blind Lemon Jefferson was remarkable, even in a style that abounded in great musicians, and some measure of his influence can be seen in the fact that musicians recorded in the 1960s, more than thirty years after his death, were still covering his songs and stealing guitar licks from him. The Guitar of Blind Lemon Jefferson gives you the resources needed to learn what was so special about Lemon’s music, and to experience his musical excellence from inside the music itself.

Titles include: One Dime Blues, Got The Blues, Dry Southern Blues, Big Night Blues, Rabbit Foot Blues, Shuckin' Sugar Blues, Where Shall I Be, Wartime Blues, Black Horse Blues, Prison Cell Blues, Piney Woods Money Mama, See That My Grave Is Kept Clean, He Arose From The Dead, Beggin' Back, Broke And Hungry, Bad Luck Blues, Matchbox Blues, Lemon's Worried Blues, That Crawlin' Baby Blues, Easy Rider Blues, Stocking Feet Blues and Right of Way Blues

Level 2/3 • 160 pages • Direct download link to audio files. 

Guitar

SKU: GI.G-3808G

Arranged by Marty Haugen. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #3808G. Published by GIA Publications (GI.G-3808G).

English. Text Source: Trad. West African carol.

Guitar

SKU: GI.G-7877G

Composed by Fred Nelson, III. This edition: Guitar edition. Ordinary Time 6 A, Ordinary Time 17 C. African American Church Music Series. Sacred. Guitar part. With guitar chord names. GIA Publications #7877G. Published by GIA Publications (GI.G-7877G).

English. Text by Fred Nelson, III. Scripture: 1 Corinthians 2:9, Psalm 50:10, John 16:24, 1 John 3:22, Matthew 7:7, Matthew 21:22, Luke 11:9.

Guitar

SKU: AP.1-ADV10005

Composed by Bob Sneider. Guitar Method or Supplement; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music. Jazz. Book and CD. Advance Music #01-ADV10005. Published by Advance Music (AP.1-ADV10005).

ISBN 9783892210818. UPC: 805095100051. English.

Improvisat ion is at the heart of jazz, but knowing how to play stylistically correct in a large jazz ensemble is also a necessity. How to Play Guitar in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together. The repertoire covers many jazz styles from Basie to Latin and African-influenced music to ECM and contemporary jazz (the Vanguard Jazz Orchestra, Bob Brookmeyer, etc.). Soloist: Bob Sneider.

Guitar

SKU: M7.VOGG-343

Composed by Jeremy Sash. Sheet music with CD. 136 pages. Voggenreiter #VOGG 343. Published by Voggenreiter (M7.VOGG-343).

ISBN 9783802403439. English.

The goal of this book is to promote rhythmically and harmonically challenging phrases and licks in order to give you an authentic inside view on seven selected styles. Live or in a recording session: playing rhythm is the guitarists main duty. This makes it even harder to understand why most guitarists rhythm work (frankly) sounds rather unrehearsed and colorless.Especially since working with drum machines and samplers has become a vital part of musical performance, a good sense of rhythm and some cool licks may just be your 'key to success'.

Guitar - Advanced

SKU: MB.30762M

Saddle-stitched, Solos. American Music. Book and online audio. 24 pages. Mel Bay Publications, Inc #30762M. Published by Mel Bay Publications, Inc (MB.30762M).

ISBN 9781513465692. 8.75x11.75 inches.

Civil War Suite for Classical Guitar is a collection of ten Civil War-era songs arranged in standard notation for the advanced solo classical guitarist. The suite includes music from the Confederacy and the Union, along with soldier's songs, parlor songs, and an African American spiritual. The sequencing of the pieces is designed to create a musical narrative, with songs grouped in a manner that shows various perspectives of the war before ultimately celebrating Union victory. Throughout the suite, extensive passages feature delightful special effects that emulate period instruments such as the banjo, snare drum, and fiddle. Includes access to online audio.

Guitar

SKU: GI.G-7832G

Arranged by Lori True. This edition: Guitar edition. Lent, Christ the King A. Sacred. Guitar part. With guitar chord names. 6 pages. GIA Publications #7832G. Published by GIA Publications (GI.G-7832G).

English. Text Source: African American spiritual.

By Greg Horne. For Guitar. Guitar Method or Supplement. Acoustic. Book & CD. 288 pages. Published by Alfred Music Publishing