Cette pièce fut écrite entre Noël et les premiers jours de janvier à la demande de mon ami américain Stephen Robinson, dont le projet consistait à enregistrer un disque consacré au thème de Christmas . After Christmas Feeling, comme l'indique son titre, a un goût de lendemain de fête un peu nostalgique, un côté gaieté évanouie et triste sourire de clown bluesy. On y passe d'un feeling à l'autre comme on dirait bonjour, bonsoir, joyeux Noël ou bonne année, comme ça, sans trop y penser. Ici, la 6e corde est accordée en ré (quoi de plus banal!) mais la 5e montera à la station si bémol, ce qui effraie un peu en général mais offre indéniablement à la guitare une textute harmonique différente (cf. Songe Capricorne). (A ce propos, dans le cas précis de la scordatura - sur un instrument à cordes pincées, accord non conventionnel d'une ou plusieurs cordes à vide - procédé relativement courant dans mon écriture pour guitare -, sachez définitivement que toutes les indications sont écrites et réécrites afin que cette terra incognita ne vous soit jamais hostile, le moins possible en tout cas.) Ayez donc plaisir à étudier cet After Christmas Feeling et pensez à l'ineffable bonheur que vous aurez (et que vous donnerez) à le jouer fièrement à toute votre famille, CHAQUE jour de CHAQUE dernière semaine de décembre de CHAQUE année à côté d'un joli sapin de Noël... What a Christmas Feeling ! Contenu : Compositeur/Auteur : DYENS Roland
Discipline/Instrument : guitare Support : Partition
Style/Genre : classique
Date de parution : janv.-01
Niveau de difficulté : 4
Nombre de pages : 4

Par BRITTEN BENJAMIN. Britten's Nocturnal After John Dowland Op.70 is a fantastically varied and intricate piece for Solo Guitar, which has been edited here by Julian Bream. This piece will present an enjoyable challenge to the advancing classical guitarist. The first performance of Nocturnal was given by Julian Bream at the Aldburgh Festival June 12th 1964. The song upon which the work is based is #20 in The First Book Of Songs or Ayres of Four Parts by John Dowland, published in 1597. / Niveau : Intermédiaire à Avancé / Répertoire / Guitare Classique

Par NEELY BLAKE / SCHROEDL JEFF. Always wanted to play guitar? Then get on the FastTrack and make it happen now! FastTrack method books give you a fast way to learn how to play that new instrument (or the one that's been sitting in the closet for a few years). Skeptical because other method books haven't worked for you? That's exactly why we wrote these! They're designed for the player who wants to learn on their own terms with the help of some user-friendly instruction, professional audio and video examples, and cool music to play along the way. Don't worry: we're not going to just show you a few tricks to play one or two songs. You're going to get everything you need to start playing (this is a Hal Leonardbook, after all!) but then in a couple of weeks you'll become the player you've always wanted to be, ready to move into the songbooks filled with songs by the Beatles, Clapton, Hendrix, and more. And just in case that's not enough to convince you, the last section of all FastTrack Starter Packs (Guitar, Bass, Keyboard and Drums) include the same songs so that you and your buddies can form a band and jam together. So, yes, it IS time to reignite those rock star dreams! The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Always wanted to play Guitar? Then get on the Fast Track and make it happen now! Fast Track method books give you a fast way to learn how to play that new instrument (or the one that's been sitting in the closet for a few years). Skeptical because other method books haven't worked for you? That's exactly why we wrote these! They're designed for the player who wants to learn on their own terms with the help of some user-friendly instruction, professional audio and video examples, and cool music to play along the way. Don't worry: we're not going to just show you a few tricks to play one or two songs. You're going to get everything you need to startplaying (this is a Hal Leonard book, after all!) but then in a couple of weeks you'll become the player you've always wanted to be, ready to move into the songbooks filled with songs by the Beatles, Clapton, Hendrix, and more. And just in case that's not enough to convince you, the last section of all Fast Track Starter Packs (Guitar, Bass, Keyboard and Drums) include the same songs so that you and your buddies can form a band and jam together. So, yes, it IS time to reignite those rock star dreams! The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Méthode / Date parution : 2018-05-04/ Méthode / Guitare

Par POLICE THE. Learn five Police tracks note for note with Michael Casswell. This superb DVD will teach you to play five classic tracks from this post punk pop three piece. . . learn every riff and solo note for note! Michael Casswell is a highly sought after freelance Guitarist and producer. He has played and toured with many well known bands and artists as diverse as Brian May, Cozy Powell and Ronan Keating to name just a few. His playing can be heard on numerous film and TV soundtracks. Learn five Police tracks note for note with Michael Casswell. This superb DVD will teach you to play five classic tracks from this post punk pop three piece. . . learn every riff and solo note for note! Michael Casswell is a highly sought after freelance Guitarist and producer. He has played and toured with many well known bands and artists as diverse as Brian May, Cozy Powell and Ronan Keating to name just a few. His playing can be heard on numerous film and TV soundtracks. / Méthode en anglais / Accessoire / Guitare

Par REINHARDT DJANGO. In the world of Gypsy Jazz, the original Quintette of the Hot Club of France achieved an energy output seldom equaled or surpassed for 7 decades or so. Django wanted to have two rhythm guitars behind him when he soloed to give him a full sound. Then when Grappelli soloed, Django would interject himself between Grappelli and the rhythm guitar section. From this vantage point, he would \'push? Grappelli with a series of well placed shots, shuffles, and turnarounds that would have the effect of driving the group to a greater energy output as the song approached its conclusion. In this DVD, the classic 4-to-the-bar rhythm is broken down into four separate unsable styles. After that, Django\'s syncopated rhythm shots are analyzed and presented by example from a simple backbeat to 2-bar long syncopated strums. My own philosophy is that the rhythm guitar section is the most important component of the Gypsy Jazz group. The rhythm guitar should be in a position to drive and not follow the group. The information contained in this DVD will give you the rhythmic tools to infuse the sound with the energy that this genre of music deserves. Remember that rhythm guitar is NOT \'second fiddle.\' This product now available as a video download through Mel Bay On Demand. / Niveau : Tous Niveaux / Jazz - Concert/Documentary / Accessoire / Guitare

Absolute Beginners: Acoustic Guitar is the complete guide to playing the Acoustic Guitar from the first time you pick it up all the way to playing your first songs along with backing tracks. With clear images, easy-to-understand text and demonstrations of every exercise on an Audio Download, this book is the easiest way to learn the techniques that are essential to learning to play the Acoustic Guitar.Absolute Beginners: Acoustic Guitar opens with a clear introduction to the parts of the Guitar, how to choose one and the different types. After this, you'll learn the differences between playing with a plectrum or your fingers, you'll tune up then you'll be ready to play! A guide to your first chords and strumming will get you making music, before you learn more chords, different strumming patterns and some scales. Throughout this, the included Audio Download allows you to hear each exercise as it should sound, ensuring you play everything correctly and train your ear at the same time.As you learn fingerpicking, the twelve-bar blues, some tunes and other techniques, you'll find you've gone from knowing nothing about the Guitar to being able to play songs, chords and even with others. The Audio Download also features professionally-recorded backing tracks for the songs so that you can play along and sound great. The book also features a handy guide to the notes of the neck and a chord reference sheet. If you're an Absolute Beginner with no knowledge of how to play the Acoustic Guitar, this book will guide you on this journey with pictures, an audio download, and practical advice from expert author David Harrison. The Absolute Beginners series has taught millions to play from novice to confident player over the years. Now it's your turn! / Guitare

Par TAKEMITSU TORU. Three Pieces After A Painting By Cornelia Foss/ Répertoire / Guitare

Transcription after Domenico Cimarosa. Par CIMAROSA DOMENICO. / Date parution : 2022-02-17/ Répertoire / Guitare Classique

Par JIMMY BRUNO. One would be hard pressed to find another jazz guitarist so polished, sought-after and committed to the music that he loves. From his earliest days, Jimmy Bruno has loved and been loved by jazz. With his unmistakable presence and inspiring virtuosity, great pride, Mel Bay Records releases Jimmy Bruno's new album, SOLO, on Guitar Sessions, a label dedicated to cutting-edge jazz guitar. SOLO is nothing but Jimmy Bruno, literally. Jimmy arranged this compilation of originals and jazz standards for solo jazz guitar, presenting the listener with the opportunity to hear and enjoy every note. Whether it's the dynamic swing of Benny's Tune or the romantic familiarity of Satin Doll, Jimmy Bruno digs in deep and demonstrates true mastery of his instrument. Jimmy Bruno Guitar Sessions Record Interview / Niveau : Débutant à Intermédiaire / Jazz - Solos / Accessoire / Guitare

Par LAURO ANTONIO. Antonio Lauro is one of the most famous composers to come from Venezuela. He has written many works for orchestra, piano, choir, harpsichord, and guitar. He is most well-known for his guitar works, this being his main instrument. In the early 1980s he gave concerts in London and Paris at the request of John Williams and Paco Pena. The pieces represented in these guitar works are for players at a beginner-intermediate level, and in standard notation only. Continuing the 19th Century tradition of other composers of Venezuelan waltzes, Lauro named many of his pieces after people or places. 'El Marabino' is the name given to someone who comes from the city of Maracaibo. 'Angostura' is the original Spanish name of the city where Lauro was born. 'Carora' is the colonial city near Lauro's birthplace. The Venezuelan waltz differs from the European waltz in its rhythm which may alternate between 3/4 and 6/8 time and in its more syncopated style. The melodies are highly sentimental and romantic. / Niveau : Facile à Intermédiaire / Répertoire / Guitare

Par BOCCHERINI LUIGI. Luigi Boccherini was born in Lucca in Italy, where he became famous at an early age as a virtuoso Cellist. After an invitation to Madrid in 1768, he spent the rest of his life in Spain. It is not surprising then, that his compositions were much influenced by the rhythmic variety and rich colours of Spanish music and this influence is nowhere more pronounced than in the exuberant Grave e Fandango (Introduction And Fandango). The piece was originally written as a piece for String Quartet, and then subsequently arranged for Guitar and String Quartet. This edition features a reduction of the String Quartet part for Harpsichord./ Répertoire / Guitare et Clavecin

Par BREWSTER DAVID. This breakthrough guide for guitarists will unlock some of the mystery behind playing over chords and progressions. Working through this material and these concepts will help any guitarist learn how to play the right notes, at the right time - all the time. Each chapter centers on a different chord type and progression and includes various soloing concepts, phrasing options, and melodic approaches to playing over chords in both major and minor keys. This includes playing over basic major and minor chords and eventually moves into 7th chords and their extensions. After the basic premise is introduced and various targeting concepts are explored, there's a section covering how to apply intervals melodically, in addition to sharing the Pentatonic Highway targeted soloing approach, which will help you navigate the fretboard using the famous Pentatonic-based shifting concept. This method encourages the use of looping and loop pedals, which will make practicing this material much easier on your own. Additionally, you can have other guitarists or musicians perform the static chords and progressions behind you as you practice these concepts and ideas. If you're searching for a method that will help you understand the options that are available when soloing and playing over individual chords and progressions - Target Tones is the key to helping you unlock these commonly misunderstood areas of melodic soloing and improvisation. Includes access to musical audio examples online./ Etude / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Handel Suite Hwv 448, Marcello Concerto In D Minor. Par RODRIGUES PEDRO. These transcriptions provide new repertory for the intermediate/advanced player. Includes the well-known Marcello's 'Oboe Concerto” after the Bach harpsichord version BWV974 and the 'Suite HWV 448” by Handel. They both retain the maximum of musical information from the original manuscripts and are a most interesting challenge for players who desire to include Baroque masterpieces in their concerts. Free audio downloads are available for use with this title. / Niveau : Intermédiaire / Baroque - Solos / Recueil / Guitare Classique