By Rico Stover. For classical guitar and lute. Saddle-stitched. Multiple Levels. Book/CD Set. 40 pages. Published by Mel Bay Publications, Inc

Guitar

SKU: GI.G-10091G

Composed by Charles A. Tindley. Arranged by Tony Alonso S.J. This edition: Guitar edition. Tune Name: By And By. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #10091G. Published by GIA Publications (GI.G-10091G).

UPC: 785147009177. English, Spanish. Text Source: Anónimo / Anonymous, estrofas tr. al ing. / English verses tr. Mary Louise Bringle, estribillo tr. al ing. / English refrain tr. Tony Alonso; Translation: Mary Louise Bringle.

By Anonimo, Fernando Sor. For Guitarra. Published by Editorial de Musica Boileau (Spanish import).

(Guitar)

SKU: HL.14061613

Composed by Hank Marvin. Guitar. General Merchandise. Duration 240 seconds. Music Sales #AM963325. Published by Music Sales (HL.14061613).

ISBN 9780711980921.

Guitar

SKU: BT.MUSMS0307

Composed by Emilio Lafuente. Tuition. Book with CD. Composed 2018. Play Music Spain #MUSMS0307. Published by Play Music Spain (BT.MUSMS0307).

Spanish.

Todo guitarrista necesita en un momento dado de su progresión, dominar un m nimo de nociones teóricas. Para poder leer, comprender y seguir una partitura. Para conocer el mástil de la guitarra y las notas que lo componen. Para aprender a tocar los acordes, las escalas, los modos y los arpegios. Para dominar todas las nociones de orden r tmico. Para componer. Para improvisar. En resumidas cuentas... para ser músico. Entonces si usted no conoce este tema nuestro método le abrirá nuevos horizontes, y si está reñido con él, le permitirá reconciliarse con las palabras teor a y solfeo. No se imagine por tanto que nuestro libro esté lleno de reglas complicadas y pesadas. Al contrario.Este libro quiere ser ameno y permite aplicar directamente en la guitarra los diferentes puntos teóricos presentados a través de ejemplos puramente musicales. Teor a musical aplicada... En nueve cap tulos presentamos todas las nociones que uno debe conocer: la notación musical, el conocimiento del mástil, la armadura y la tonalidad, el ritmo, los intervalos, las escalas, los modos, los acordes y por último la armonización. Un amplio programa para que una vez acabado el estudio de este libro, pueda usted decir con orgullo: ¿La teor a musical? ¡Nada más fácil! El CD incluido en el método es una ayuda suplementaria de gran importancia puesto que permite escuchar todos los ejemplos musicales tales como uno debe tocarlos, comprenderlos y asimilarlos.

By Anonimo. For 2 Guitarras. Published by Editorial de Musica Boileau (Spanish import).

By Miguel Llobet. For Guitar. Classical. Sheet Music. Published by Union Musical Ediciones.

Guitar

SKU: BT.MUSMS0340

Composed by Emilio Lafuente. Tuition. Book with CD. Composed 2017. Play Music Spain #MUSMS0340. Published by Play Music Spain (BT.MUSMS0340).

Spanish.

Las escalas pentatónicas - existen una mayor y otra menor - son una herramienta ideal para los que quieren abordar la improvisación en la guitarra con buen tino. Nos parece imprescindible darle un m nimo de teor a(construcción, posturas, v nculo con la armon a...) pero nuestro método descansa sobre todo en la práctica, con numerosos ejemplos musicales acompañados todos por un playback espec fico que permite una aplicación práctica de loque uno va a estudiar. Ud abordará la improvisación de manera muy progresiva, con un solo acorde, luego con dos, con tres, y por último, con cuatro.

Con una sola escala pentatónica o con varias. Luego en unasecuenciacompleta o en una cadencia espec fica. Por último uno podrá descubrir la técnica de las sustituciones que le permite sustituir una pentatónica por otra, as sonará más profesional y le añadirá sal a sus improvisaciones.El CD MP3 incluido en el método presenta todos los ejemplos con sus playbacks, o sea ¡más de 4 horas de música en total! La guitarra toca la improvisación propuesta al estudio y luego el playback sigue sonando unos minutos paradejarle a Ud el protagonismo... los ejemplos serán una base para lanzarse.

Guitar

SKU: UT.CH-321

Composed by Chiara Benati. Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 321. Published by Ut Orpheus (UT.CH-321).

ISBN 9790215326293. 9 x 12 inches.

Dediche< /i> is a series of short miniature pieces for solo guitar written in 1991 by Chiara Benati, an authoritative exponent of what can be called the School of Bologna, and who has devoted many pages of her catalogue to the guitar (Chiara won a first prize in 1986 at the Competition for Guitar Composition organized by the historic magazine Il Fronimo).
From the point of view of the guitar idiom, it is striking how the compositional research of Chiara Benati (who does not play the guitar) has penetrated deeply into the nature of the instrument. In my job of adding the fingering to the pieces, I started from the precise indications concerning the strings already provided by the Composer, who meticulously imagined the instrumental result created by the play of resonances and the consequent precise distribution of the parts on different strings (let us think of the tremolos superimposed on different strings in the second Dedica and the counterpoint in three parts each written on its own musical stave), with a skilful use of glissandos and other instrumental effects.
From the musical point of view, a similar meticulousness in writing is evident, shown, for example, by indicating the temporal separation between the figures by means of their spatial distance indicated in the score.
The result is an instrumentally and musically rigorous writing which also helps the performer by appealing to his ability to empathize, following the indications written in the score and in the key, with the expressive atmosphere of the work, and through that specific aspect of controlled performance flexibility and sound sensitivity necessary to render it properly.
These delicate miniatures, suffused with mystery and melancholy, and so masterfully written for the guitar, are in my opinion an important addition to the contemporary repertoire of the instrument.
(Piero Bonaguri).

Guitar Solo

SKU: AY.G3084PM

Composed by Bryan Holmes. Plucked - Guitar. Sheet music. Duration 5'. Periferia Publishing #G3084PM. Published by Periferia Publishing (AY.G3084PM).

ISBN 9790543572898.

Comp osed specially for the First Darwin Vargas W Composition Contest, where it won the first prize unanimously, this piece explores fixed positions by the left hand and resonances and dissonances produced by the released strings, reflecting several influences from the guitar works of composers like Violeta Parra, Leo Brower or Heitor Villa-Lobos.

Guitar

SKU: HL.14001931

Music Sales America. Classical. Book [Softcover]. Music Sales #UMG22258. Published by Music Sales (HL.14001931).

Guitar - Grade 2

SKU: BT.MUSMI0340

Composed by Enzo Abatucci. Tuition. Book with CD. Composed 2017. Play Music Italy #MUSMI0340. Published by Play Music Italy (BT.MUSMI0340).

Italian.

Le scale pentatoniche, che siano maggiori o minori, costituiscono il “mezzo” ideale per tutti i chitarristi che desiderano avvicinarsi all’improvvisazione .

Con questo metodo, imparerete quindi adutilizzare questo tipo di scala per improvvisare con la chitarra. Dopo un minimo di teoria (costruzione, posizioni, relazione con l’armonia…), vi troverete tantissimi esempi musicali, accompagnati da una base musicalespecifica per poter applicare subito gli insegnamenti.

Affronterete quindi l’improvvisazione in modo graduale, prima su un solo accordo, poi due, tre ed infine quattro accordi. Con una sola pentatonica o dipiù.Poi su un giro completo od una cadenza specifica. Scoprirete infine la tecnica delle sostituzioni, la quale permette di rimpiazzare una pentatonica con un’altra, per 'condire' le vostre improvvisazioni.

Il CD MP3allegato al metodo presenta tutti gli esempi con le basi musicali corrispondenti, ossia più di 4 ore di musica in tutto! Su ogni traccia, la chitarra suona l’improvvisazione proposta poi lascia la base musicale andareavanti per qualche minuto per permettervi di suonare.

Tali esempi vi servono quindi da trampolino per improv-visare poi più liberamente.