Guitare Guitare classique Edward B. Marks Music Company
20 Studies for Guitar (Andres Segovia Edition). By Fernando Sor (1778-1839). Edi...(+)
20 Studies for Guitar
(Andres Segovia Edition).
By Fernando Sor
(1778-1839). Edited by
Andres Segovia. For
guitar. Transcribed.
Etudes, Studies and
Classical Period. Etude
book. Guitar notation,
introductory text and
fingerings. 32 pages.
Edward B. Marks Music
#M394. Published by
Edward B. Marks Music
Guitar - Late Intermediate SKU: AD.ADG174 Composed by Andrew D. Gordon. A...(+)
Guitar - Late
Intermediate
SKU:
AD.ADG174
Composed by
Andrew D. Gordon.
Arranged by Andrew D.
Gordon. 100 Ultimate
Soul, Funk and R&B
Grooves. Funk. Book &
digital audio. ADG
Productions #ADG174.
Published by ADG
Productions (AD.ADG174).
ISBN 9781934163686.
UPC: 663389117426. 9 x 12
inches.
Andrew D.
Gordon, world renowned
music educator, author of
over 60 music educational
products, has previously
written numerous books on
guitar styles such as:
“100 Ultimate Blues
Riffs for Guitar,
“100 Ultimate Jazz
Riffs for Guitar,
“The Blues Scale
for Guitar which have all
been well received by
students, teachers and
musicians all over the
world. As playing funk
styles is a passion of
Andrew’s, he has
written this
instructional book
“100 Ultimate Soul,
Funk and R&B Grooves for
Guitar based on the
influences of the great
Funk, Soul and R&B
artists such as: James
Brown, Herbie Hancock,
The Crusaders, Average
White Band, Marvin Gaye,
Miles Davis, Stevie
Wonder, Parliament,
Ramsey Lewis, Booker T
and The MG’s,
MFSB, Billy Preston etc.
Besides the
afore-mentioned styles
Andrew has also added a
few grooves that are
Afro-Caribbean such as:
Latin, Reggae and
Calypso. Each of the
100 grooves have been
recorded with the guitar
part playing along with a
rhythm section of guitar,
bass, drums, keyboards
and in many of the
grooves, percussion.
There is also a three
minute Play-A-Long track
for each of the 100
grooves minus the guitar
part so that you can
practice along with the
rhythm tracks adding up
to over 5 hours of
Play-A-Long tracks.
Guitar SKU: HL.50510239 Serie B (fur Gitarre bearbeitet). Composed...(+)
Guitar
SKU:
HL.50510239
Serie
B (fur Gitarre
bearbeitet). Composed
by Bá and lint
Bakfark. Edited by
Homolya Benko. Arranged
by Homolya Benkö.
Renaissance. EMB. Book
[Softcover]. 94 pages.
Editio Musica Budapest
#Z7793. Published by
Editio Musica Budapest
(HL.50510239).
ISBN
9790080077931. UPC:
073999506822.
9.0x12.0x0.25 inches.
Hungarian, English,
German. Istvan Homolya;
Daniel Benko.
Guitar SKU: HL.50510233 Serie B (fur Gitarre bearbeitet). Composed...(+)
Guitar
SKU:
HL.50510233
Serie
B (fur Gitarre
bearbeitet). Composed
by Bá and lint
Bakfark. Edited by
Homolya Benko. Arranged
by Homolya Benkö.
Renaissance. EMB. Book
[Softcover]. 91 pages.
Editio Musica Budapest
#Z7031. Published by
Editio Musica Budapest
(HL.50510233).
ISBN
9790080070314. UPC:
073999655650.
9.0x12.0x0.29 inches.
Hungarian, English,
German. Istvan Homolya;
Daniel Benko.
Lute SKU: HL.50510228 Guitar Solo. Composed by Bá and lint Bakfar...(+)
Lute
SKU:
HL.50510228
Guitar
Solo. Composed by Bá
and lint Bakfark.
Arranged by Homolya
Benkö. Renaissance. EMB.
Volume 3. Book Only. 60
pages. Editio Musica
Budapest #Z12033.
Published by Editio
Musica Budapest
(HL.50510228).
ISBN
9790080120330. UPC:
073999977288.
9.0x12.0x0.266 inches.
Balint Bakfark; Istvan
Homolya; Daniel
Benko.
Tuition. Book Only.
Composed 2003. 64 pages.
Music Sales #MUSAM975557.
Published by Music Sales
(BT.MUSAM975557).
ISBN
9780711996793.
English.
Be one of
the thousands of
beginners who have used
this method to play
guitar instantly. This
book includes full color
diagrams and photographs,
and a one-hour play-along
CD with professional
backup tracks to over 20
great songs.Songs
include: Amazing Grace
· A-Tisket, A-Tasket
· Aura Lee · C.C.
Rider · Danny Boy ·
Down in the Valley ·
Frankie and Johnny ·
Good Morning Blues ·
House of the Rising Sun
· Jingle Bells ·
Kum Ba Yah · La Bamba
· Michael Rowthe Boat
Ashore · Oh When the
Saints Go Marching In
· Oh Susanna · Rock
Island Line ·
Scarborough Fair ·
Silent Night · Sloop
John B · Tom Dooley
· Wimoweh.
Ada Guitare Guitare classique [Conducteur] - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4316 Composed by Mehmet Refik Kaya....(+)
Guitar solo -
Intermediate
SKU:
DZ.DZ-4316
Composed
by Mehmet Refik Kaya.
Arranged by Celil Refik
Kaya. Score. Les
Productions d'OZ #DZ
4316. Published by Les
Productions d'OZ
(DZ.DZ-4316).
ISBN
9782898522338.
Ada
(Island) is a captivating
composition that was
originally written in
2011 for the Turkish
lute. This piece draws
its inspiration from the
tranquil and picturesque
atmosphere of
Büyükada,
one of the charming
islands in the Sea of
Marmara.
Büyükada,
with its serene
landscapes, historical
architecture, and
tranquil shores, serves
as a perfect muse for the
evocative melodies and
intricate harmonies that
characterize Ada
(Island).
Ada
(Island) was later
arranged for classical
guitar. This adaptation
allows the composition to
reach a broader audience
while retaining its
original charm and depth.
The classical guitar
arrangement highlights
the versatility of the
piece, maintaining its
delicate nuances and
evocative melodies, while
offering a new
perspective through the
guitar's distinctive
tonal
qualities.
Whether
performed on the Turkish
lute or the classical
guitar, Ada (Island)
remains a poignant
tribute to the enchanting
beauty of
Büyükada,
capturing the island's
essence and transporting
listeners to its serene
shores.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique...(+)
Composed by William Bay.
Flatpicking, Lute,
Baroque,
Contemporary, Technique,
Theory and Reference,
Solos.
Achieving Guitar
Artistry.
Book. 76 pages. Published
by
Mel Bay Publications, Inc
by William Bay. For all guitars. Complete. All styles. Level: Multiple Levels. B...(+)
by William Bay. For all
guitars. Complete. All
styles. Level: Multiple
Levels. Book. Technique.
Size 8.75x11.75. 296
pages. Published by Mel
Bay Pub., Inc.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
(The Supreme Resource for Chords and How to Use Them). For Guitar. Book; CD;...(+)
(The Supreme Resource for
Chords and How to Use
Them).
For Guitar. Book; CD;
Guitar
Method or Supplement;
Method/Instruction. 424
pages.
Published by Alfred Music
Publishing
Guitar SKU: GI.G-7656G Contemporary Introits for the Easter Season...(+)
Guitar
SKU:
GI.G-7656G
Contemporary Introits
for the Easter
Season. Composed by
Ken Macek and Paul Tate.
This edition: Guitar
edition. Eastertide,
Easter Sunday, Easter 2
A, 2 B, 2 C, 3 A, 3 B, 3
C, 4 A, 4 B, 4 C, 5 A, 5
B, 5 C, 6 A, 6 B, 6 C,
Ascension, Easter 7 A, 7
B, 7 C, Pentecost.
Sacred. Guitar part. With
guitar chord names. 16
pages. GIA Publications
#7656G. Published by GIA
Publications
(GI.G-7656G).
English.
Text Source: From the
Gregorian Missal, Psalms
26:1, 7-9, 32:1, 5-6,
46:2, 65:1-3, 67:2,
97:1-2, 138:18, Wisdom
1:7, Isaiah 48:20, Acts
1:11, 1 Peter 2:2, adapt.
KM. Scripture: Psalm
26:1, 7D9, Psalm 2:1,
5D6, Psalm 46:2, Psalm
65:1D3, Psalm 67:2, Psalm
97:1D2, Psalm 138:18,
Wisdom 1:7, Isaiah 48:20,
Acts 1:11, 1 Peter
2:2.
** GIA no
longer publishes nor
sponsors the work of Paul
A. Tate. Pieces for which
Tate served as an
arranger remain on our
website as the original
work of the composer.
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
By Stanley Yates. For Guitar (Classical). solos. Stanley Yates Gtr. Classic. Lev...(+)
By Stanley Yates. For
Guitar (Classical).
solos. Stanley Yates Gtr.
Classic. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 88
pages. Published by Mel
Bay Publications, Inc.
Shanghai Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4304 Composed by Ken Murray. Score. Les...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4304
Composed by Ken Murray.
Score. Les Productions
d'OZ #DZ 4304. Published
by Les Productions d'OZ
(DZ.DZ-4304).
ISBN
9782898522215.
A
tribute to the
inspirational Brazilian
guitarist Yamandu Costa,
Shanghai is Australian
slang for a slingshot.
This is a term I remember
from my childhood in
north Queensland where a
shanghai made from sticks
and rubber was a prized
possession for a young
boy up to mischief. When
pulled back the rubber
stretches, and as it
snaps back into shape, a
stone or other form of
ammunition is projected
into the distance. This
action reminds me of the
dynamic and joyful
qualities of Yamandu
Costaâs
performances. Shanghai
aims to capture some of
the energy, playfulness
and musical expression
Yamandu brings to
everything he
plays.
Hip Pockets Guitare Guitare classique Carl Fischer
Chamber Music guitar SKU: CF.HPB9 Quick Chords. Composed by Adam K...(+)
Chamber Music guitar
SKU: CF.HPB9
Quick Chords.
Composed by Adam Kadmon.
SWS. A Guitar Grimoire
Publication. Book. With
Standard notation. Carl
Fischer Music #HPB9.
Published by Carl Fischer
Music (CF.HPB9).
ISBN
9780825841637. UPC:
798408041632. 4.25 X 11
inches.
An easy and
handy collection of
nearly 300 necessary
standard and unusual
guitar chords for
professionals and
beginners alike. Kadmon
covers major, minor,
suspended, diminished,
augmented, sixth,
seventh, ninth, eleventh,
thirteenth chords and
much more in this useful
compendium of chord
charts.