Guitar - Intermediate SKU: MB.30667M With Guitar Transcriptions of Bac...(+)
Guitar - Intermediate
SKU: MB.30667M
With Guitar
Transcriptions of Bach's
Figured Bass
Accompaniment.
Composed by Matthias
Stegmann. Gospel/Sacred,
Squareback saddle stitch,
Christian. Gospel. Book
and online PDF. 238
pages. Mel Bay
Publications, Inc
#30667M. Published by Mel
Bay Publications, Inc
(MB.30667M).
ISBN
9781513463971. 8.75 x
11.75
inches.
Johann
Sebastian Bachâ??s
arrangements of the
â??69 Sacred Songsâ?
from the Musical
Hymnal by Georg
Christian Schemelli
(Leipzig, 1736) have long
been part of the German
language vocal concert
repertoire and a mainstay
in vocal pedagogy.
Originally, only these 69
of the 954 hymns in the
collection were published
with a single bass line
as the accompaniment.
Bachâ??s contribution
was to specify harmonies
to be played over those
same bass lines by adding
figured bass
numbers and symbols
beneath each
note.
A figured
bass line can easily be
turned into a relatively
simple guitar
accompaniment or a more
elaborate setting,
offering a range of
possibilities that make
working with this music
both interesting and
rewarding for the
guitarist. While other
period and modern
editions of the â??69
Sacred Songsâ? offer
accompaniments for
keyboard instruments,
this Mel Bay publication
features intermediate to
advanced transcriptions
exclusively for the
guitar.
Best
suited to college-level
players or advanced
aficionados, this special
Mel Bay Publications
edition includes the
vocal line with German
lyrics and the guitar
accompaniment transcribed
from Bachâ??s figured
bass lines. Written in
guitar-friendly keys, 29
of the transcriptions
employ a capo to achieve
the original key designed
for high voices. Without
the capo, these same
arrangements would be
suitable to be sung by
lower voices. The
remaining 40 hymns are in
their original
guitar-friendly keys and
so do not require a
capo.
This volume
contains accompaniment
settings of all 69 of the
sacred songs and arias
for which Bach wrote
figured bass annotation.
For performance variety
and convenience, this
book includes â??Scores
in their Original
Keys,â? and
stand-alone â??Guitar
Accompaniment,â? and
â??Bass Parts.
Lyrics/Chords Guitar SKU: HL.242081 By The Beatles. The Little Black Song...(+)
Lyrics/Chords Guitar
SKU: HL.242081
By
The Beatles. The Little
Black Songbook. Pop. 384
pages. Hal Leonard
#HL00242081. Published by
Hal Leonard (HL.242081).
ISBN 9781785588617.
UPC: 888680704407.
4.75x7.75x0.956
inches.
A
pocket-sized collection
of 195 Beatles hits
presented in chord
songbook format. Includes
complete lyrics, chord
names & a handy chord
box reference sheet.
Including classic hits
such as: All You Need Is
Love • Can't Buy Me
Love • Day Tripper
• Do You Want to
Know a Secret •
Eleanor Rigby •
From Me to You •
Get Back • Help!
• Hey Jude •
I Want to Hold Your Hand
• Let It Be •
Magical Mystery Tour
• Ob-La-Di Ob-La-Da
• Please Please Me
• Ticket to Ride
• Twist and Shout
• and more.
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With lea...(+)
Performed by Pat Metheny.
For guitar (no
tablature). Format: fake
book. With leadsheet
notation and chord names.
Jazz and jazz fusion. 448
pages. 9x12 inches.
Published by Hal Leonard.
By Mel Bay. For Guitar (All). Method. Modern Guitar Method. All Styles. Level: B...(+)
By Mel Bay. For Guitar
(All). Method. Modern
Guitar Method. All
Styles. Level:
Beginning-Intermediate.
Book/CD Set. Size
8.75x11.75. 88 pages.
Published by Mel Bay
Publications, Inc.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M).
ISBN
9781737795353. 8.75X11.75
inches.
This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book.
Book with Online Audio & Video Guitar SKU: HL.346730 The Best Step-by-...(+)
Book with Online Audio &
Video Guitar
SKU:
HL.346730
The Best
Step-by-Step Guide to
Start Playing. Do It
Yourself. Method.
Softcover Media Online.
136 pages. Published by
Hal Leonard (HL.346730).
ISBN 9781540094797.
UPC: 840126925111.
9.0x12.0x0.329
inches.
Do-It-Yours
elf Guitar is a fun way
to get started playing on
your own. Using over 90
well-known pop and rock
tunes, you will be given
step-by-step instructions
on what you need to know
to get started and
sounding like a pro in no
time. Includes over 150
audio tracks for
demonstration and
play-along, plus video
instruction that covers
all concepts within!
Covers: Guitar
fundamentals; reading
guitar tablature;
fret-hand and pick-hand
techniques; chords &
chord progressions;
scales; techniques for
acoustic and electric
guitar; lead guitar;
fingerstyle guitar;
playing styles of famous
guitarists; demonstraton
and play-along audio
tracks; video instruction
and demonstration; and
more! The price of this
book includes access to
audio and video online,
for download or
streaming, using the
unique code found inside.
Includes PLAYBACK+, a
multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or
right–available
exclusively from Hal
Leonard.
Written by Mel Bay. Instructional book for guitar. With instructional text, illu...(+)
Written by Mel Bay.
Instructional book for
guitar. With
instructional text,
illustrations, standard
guitar notation and chord
names. 48 pages.
Published by Mel Bay
Publications, Inc.
Hawaiian,
Saddle-stitched. Slack
Key. Book and online
audio. 96 pages. Mel Bay
Publications, Inc
#30666M. Published by Mel
Bay Publications, Inc
(MB.30666M).
ISBN
9781513462851. 8.75x11.75
inches.
The Hawaiian word
for slack key guitar,
kī
hÅâ??alu, means
to â??loosen the
keyâ? or retune some
of the strings to create
a harmonious sound with
an open or alternate
tuning. Slack key is a
fingerpicking style
characterized by strong
alternating bass lines
played with the thumb.
While slack key can be
played on any guitar,
most players prefer a
nylon- or steel-stringed
acoustic
instrument.
This
book presents 25
intermediate to advanced
traditional and original
tunes in the Hawaiian
slack key style. Melodies
are often harmonized in
sixths or thirds played
with or without double
stops. Techniques like
syncopated bass lines,
hammer-ons, pull-offs,
slides, and harmonics are
tastefully employed to
evoke the images of ocean
breezes, swaying palms,
hula dancers and white
sandy beaches.
The author writes,
â??Unless you grew up
playing slack key,
itâ??s hard to get from
the material presented in
most books and DVDs to a
fluid,
play-it-your-own-way
style.â? This book
seeks to reveal the
insights the author has
gleaned from studying and
jamming with some of the
giants of the slack key
style, and help you
develop a style all your
own.
Includes
access to online audio
tracks of all 25 relaxing
but challenging Hawaiian
slack key
tunes.
Composed by Hubert Kappel. Guitar: Classical and Lute, Music Styles & Re...(+)
Composed by Hubert
Kappel.
Guitar: Classical and
Lute,
Music Styles &
Regions,
Classical, Technique,
Theory
and Reference. Book. 248
pages. Published by Mel
Bay
Publications, Inc
Guitar SKU: BT.MUSAM996996 Arranged by Russ Shipton. The Complete Guitar ...(+)
Guitar
SKU:
BT.MUSAM996996
Arranged by Russ Shipton.
The Complete Guitar
Player. Pop & Rock. Book
with CD. Wise
Publications
#MUSAM996996. Published
by Wise Publications
(BT.MUSAM996996).
ISBN
9781849380140.
English.
Th
e Complete Guitar
Player series
has taught hundreds of
thousands how to play and
the accompanying
songbooks have featured
hits by Paul Simon, Elvis
Presley, The Beatles,
John Denver and many
othertopartists.
N
ow these songbooks are
available in super value
omnibus editions like
this one. The songs are
still graded by ease of
playing and everything is
there... standard
notation, Guitar chord
boxes, full lyrics
andevenstrumming
patterns!
Over 180
great songs! Perfect for
all players and
singers!
The bonus
CD contains backing
tracks to 16 of the songs
in the book.
By Mel Bay and William Bay. For Guitar (All). Methods. Modern Guitar Method. All...(+)
By Mel Bay and William
Bay. For Guitar (All).
Methods. Modern Guitar
Method. All Styles.
Level: Beginning. Book/CD
Set. 88 pages. Published
by Mel Bay Publications,
Inc.
By Mel Bay and William Bay. For Guitar (All). Methods. Modern Guitar Method. All...(+)
By Mel Bay and William
Bay. For Guitar (All).
Methods. Modern Guitar
Method. All Styles.
Level: Beginning. Book/CD
Set. Size 8.75x11.75. 48
pages. Published by Mel
Bay Publications, Inc.
Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffae...(+)
Composed by Paolo
Ugoletti
Andrea Vezzoli. Edited by
Piero Bonaguri and
Raffaello
Ravasio. Saddle
stitching.
Piero Bonaguri
Collection.
Classical. Ut Orpheus #CH
254.
Published by Ut Orpheus
Composed by Johann Sebastian Bach (1685-1750), edited by Christopher Parkening. ...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Christopher Parkening.
Format: guitar solo book.
With standard guitar
notation and introductory
text. Baroque. 24 pages.
9x12 inches.
Saddle-stitched. Country.
Book. Mel Bay
Publications, Inc #31088.
Published by Mel Bay
Publications, Inc
(MB.31088).
ISBN
9781513473413. 8.75X11.75
inches.
Whether you
already play old-time
music, or you are just
getting started, this is
the book for you.áDan
LevensonÃ?s Master
Collection of Old-Time
Tunesápresents more
than 300 tunes in
standard notation with
suggested chords for you
to explore and enjoy. All
but a few are traditional
or older tunes and are
easily searched online to
discover their pedigree
as well as several
recorded versions of
them.Some might call this
a complete repertoire in
a book in the following
sense: It is a large
though not encyclopedic
collection of old-time
fiddle tunes played in
todayÃ?s
sessions.Learning the
tunes in this book will
give you a solid old-time
repertoire that would
allow you to join in jams
in the many communities
playing old-time music
today.
Composed by John Kiefer.
Saddle-stitched, Baroque,
Tunebook, Solos. Style.
Book. 32 pages. Mel Bay
Publications, Inc #30546.
Published by Mel Bay
Publications, Inc
(MB.30546).
ISBN
9780786696123. 8.75 x
11.75 inches.
This
volume is the first in a
new series of guitar
transcriptions by John
Kiefer. Beginning Baroque
for Guitar features
simplified arrangements
of Baroque music. The
pieces are primarily
monodic and can be
performed with a pick or
fingers. The music has
been notated without
fingerings or tablature
to promote musical
literacy and encourage
all fingering
possibilities. In
addition to the pieces
formatted with
melody/chord symbols,
five duets and four
canons are included. This
book can supplement basic
guitar methods, guitar
classes and guitar
ensemble courses.
Having
been invited several
times onto the jury of
the prestigious
Certamen Tarrega
in Benicasim, I thought I
would involve a few
composers in a gift to
the father of the modern
guitar. So I asked the
composers to write a
Prelude of the kind that
Tarrega wrote and which
count among his most
significant
compositions. These
Preludes for Tarrega, all
written between August
and November 2015, are
very different from each
other. The common
feature, however, between
these and the Preludes by
Tarrega is their brevity,
an average level of
performance difficulty
and guaranteed easy
listening, even when
written in a non-tonal
language (like the
meditative and melancholy
piece by Emilio Calandin
and the one by Marco
Smaili, with its
Impressionistic feel
reminding one of
Tarrega's most famous
pupil, Miguel
Llobet). In some
Preludes (the ones by
Paolo Ugoletti, Roberto
Tagliamacco, Claudia
Montero) the reference to
Lagrima, one of
Tarrega's most famous
Preludes, is evident in
form, title and some
citations. Ugoletti and
Tagliamacco work well and
expressively on harmony
and counterpoint, while
the Argentinian Claudia
Montero links Tarrega to
a heartbreaking Buenos
Aires... In Alessandro
Spazzoli there is rather
more a connection with
Tarrega's sense of melody
and deep simplicity,
while Marco Reghezza
remembers ironically what
was brewing in European
music when Tarrega was
alive: in fact, his
Como Preludio goes
across the 24 keys - and
even a reference to
Wagner's Tristan
raises its head... I
am delighted for this
volume to come out at the
time of the fiftieth
edition of the Certamen
Tarrega. (Piero
Bonaguri).