By Jean-Pierre Billet. For guitar. Method / Etudes. Grade 1. Score. 83 pages. Published by Editions Henry Lemoine

Guitar - intermediate

SKU: M7.DUX-867

Edited by Michael Langer. Sheet music with CD. Performance book. 110 pages. Edition Dux Verlag #DUX 867. Published by Edition Dux Verlag (M7.DUX-867).

ISBN 9783868493221.

46 Stücke von südamerikanischen Komponisten mit Gitarrenmusik verschiedenster Länder und Stile. Nach Schwierigkeitsgrad gereiht mit detaillierten Fingersätzen.

Guitar - Intermediate

SKU: OT.26114

Composed by Ariel Lazarus. A short suite for classical guitar based on themes from the Spanish and Portuguese tradition. Classical. Score. OR-TAV Music Publications #26114. Published by OR-TAV Music Publications (OT.26114).

ISBN 9789655051049. 8.27 x 11.69 inches.

Ariel Lazarus
Guitarra Liturgia
Two pieces based on music from the Spanish and Portuguese tradition.
Contents:
Jerusalem de Sefarad - Suite for Guitar
Contrapunto Sefardi
The composer writes:
For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim.
Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions.
Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program.
His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe.
Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM.

Guitar

SKU: UT.CH-330

Arranged by Paolo Cherici. Saddle stitching. Paolo Cherici Collection. Classical. Ut Orpheus #CH 330. Published by Ut Orpheus (UT.CH-330).

ISBN 9790215325722. 9 x 12 inches.

Padoana descordata/ Padoana ala francese/ Ti... (Tientalora) baleto/ Spagna seconda/ Non ti spiaqua lascoltar/ O mia ciecha e dura sorte/ Che farala per sua coda/ Qui tolis pechata mundi/ La vilanela/ De to biens plaene/ Gentil princep/ Et in terra pax/ Canto bello/ Sancta Trinitas/ Stavasi amor dormendo sotto a un fagio/ Recerchar I/ Recerchar IV/ Recerchar V/ Recerchar VI/ Recerchar VIII/ Recerchar X/ Recerchar XI/ Recerchar XII/ Recerchar XIII

Guitar

SKU: GI.G-018066

Composed by Peter M. Kolar. Sacred. With guitar chord names. GIA Publications #018066. Published by GIA Publications (GI.G-018066).

English, Spanish, Bilingual.

Conforms to the official English and Spanish liturgical texts for the United States. Inspirada en las armonías y el contrapunto de la música clásica estilo barroco, pero utilizando un lenguaje musical moderno apropiado para una liturgia multicultural, Misa Luna está construida de una forma imaginative y versátil. Sus melodías son fáciles de aprender para una comunidad angloparlante, hispanohablante o bilingüe, y su círculo de acordes es simple para los guitarristas. Al ser acompañada por órgano y trompeta tanto por guitarra y percusión esta música bella elevará la dignidad de las celebraciones.   Inspired by the harmonies and counterpoint of classical Baroque music, but using modern musical language appropriate for a multicultural liturgy, Misa Luna is imaginatively and versatilely built. Its melodies are easy to learn for an English-speaking, Spanish-speaking or bilingual community, and its chord circle is simple for guitarists. Whether accompanied by organ and trumpet or by guitar and percussion, this beautiful music will elevate the dignity of your celebrations.   Coro a dos voces, cantor, y asamblea | Two-part choir, Cantor, and Assembly.