Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M).
ISBN
9781736363058. 8.75x11.75
inches.
A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio.
By Benjamin Britten (1913-1976). Edited by Julian Bream. For Guitar. Book; Class...(+)
By Benjamin Britten
(1913-1976). Edited by
Julian Bream. For Guitar.
Book; Classical Guitar
Solo; Masterworks. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
Saddle-stitched. Folk.
Book. Mel Bay
Publications, Inc #30945.
Published by Mel Bay
Publications, Inc
(MB.30945).
ISBN
9781513472744. 8.75X11.75
inches.
This
collection of 19th and
early 20th century airs
and ballads is a
celebration of American
music that is ideal for
guitar recitals and
encores. Written in
standard notation only,
the pieces are arranged
and fingered for ease of
sight-reading and
specifically designed to
exploit the musicality of
the classical guitar.The
book features
arrangements of the
antebellum song,
ôDarling Nelly
Grayö by Benjamin
Hanby, popular Civil
War-era songs by Stephen
Foster and other period
songwriters, plus parlor
music favorites like
Edward MacDowellÃ?s
ôTo a Wild Roseö,
Ethelbert NevinÃ?s
ôMighty Lak� a
Roseö, and ôAura
Leeö, a melody by
George R. Poulton that
would resurface nearly a
hundred years later as
ôLove Me
Tenderö.á.
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 min...(+)
Guitar solo
SKU:
GH.GE-11464
Composed
by Benjamin Staern.
Duration 15 minutes.
Gehrmans Musikforlag #GE
11464. Published by
Gehrmans Musikforlag
(GH.GE-11464).
ISBN
979-0-070-11464-6. A4
inches.
Work note
by the composer:
When I received the news
of this commission, I had
no idea what it would
lead to. Writing for
guitar solo is not the
same as composing for
orchestra where you have
forty voices where you
can easily mask an entire
section. Here you are
very naked to the
bone. The starting
point for this work was
from J.S. Bach's Chaconne
in D-minor that Johannes
had performed in concert,
originally written for
violin but there is a
version transcribed for
guitar and piano made by
Ferruccio Busoni. When I
went to Cortona (in
Tuscany, Italy) completed
the southern mentality of
this work. Arpalineais
actually a merged word in
Italian language.
Arpa means
harp, however in a
musical context it's more
or less resembled with
the word arpeggio,
which means broken
chords. Lineameans
line.
The
work is divided in three
parts. I. Arpeggio:
It starts with an opening
chaconne-like sequence
and is marked with a
certain depth in which
the chords starts to
separate from the organum
note in the bass and it
culminates into a section
called with rhythmical
focus. These sections
alternates, variates
which each other. The
middle section has a
playful and childish
atmosphere where the
guitarist knocks on the
body of the guitar
resembling a Spanish folk
instrument cajon. This is
leading to a section
which tends more to a
very aggressive
fusion-like riff that
loses control and reaches
its climax at the
end.
II. Linea:
The static rhytmical
pulse is now
disintegrated and it
forms more or less sort
of a free,
improvisational state in
a rubatolike tempo. The
character is described as
a very hot day with
temperatures rising above
37! C (or 100! F) where
you can hardly do
anything just sitting
dozed off and pespiring
because of the extreme
heat watching a huge fog
coming up in the evening
that spreads around the
Tuscan atmosphere.
III. Finale: It
starts off with fast
one-note ostinati then
more and more notes pop
up like a gradual rain
storm with thunder
strikes! And eventually
it leads to that is a
large flood through the
streets of an medieval
Southern town. The work
ends with a short circuit
slapped strings along
with extremely fast
tremolos that reaches
higher and louder as
possible!
Guitar SKU: HF.FH-1010 Das Lagenspiel auf der Gitarre. Composed by...(+)
Guitar
SKU:
HF.FH-1010
Das
Lagenspiel auf der
Gitarre. Composed by
Benjamin Doppscher. Sheet
music. Friedrich
Hofmeister Musikverlag
#FH 1010. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-1010).
ISBN 9790203410102. 9
x 12 inches.
1.
Tanz allein (Dance Alone)
/ 2 Git; 2. Sieben Turme
(Seven Towers) / 2 Git;
3. Nachtschwarmer (Night
Owl); 4. Vogelsein (To be
a Bird); 5. Simba
(Simba); 6. Fur Carla
(For Carla);
Morgenstimmung (Morning
Mood) / 2 Git; 8. In die
Ferne getraumt (Distant
Dreaming) / 2 Git; 9.
Schneeganstanz (Snow
Goose Dance); 10.
Schneeganstanzgesang
(Snow Goose Dance Song);
11. Das Geheimnis (The
secret); 12. Regenstille,
Nacht (Calm Rain, Night);
13. Parade der
Glucksritter - Oktavius
kehrt zuruck (Parade of
Lucky Knights - Octavius
is coming back); 14.
Letzten Sommer (Last
Summer); 15. Unter
Sternen (Under the Stars)
/ 2 Git; 16. Eine
Wanderung (A Walk) / 2
Git; 17. Kolibris Traum
(Hummingbird's Dream);
18. Weite (Wideness); 19.
Fruhjahrswind (Spring
Wind); 20. Hoffnungsvoll
(Hopeful); 21. Uber den
Dachern (Above the
Rooftops) / 2 Git; 22.
Warme Tage (Warm Days) /
2 Git; 23. Wilder Westen
(Wild West); 24. 1959
(1959); 25. Gesprach
(Conversation); 26.
Fantasie (A Fancy); 27.
Quintus traumt (Quintus
dreams); 28.
Leuchtturmprinzessin
(Light Tower's Princess)
/ 2 Git; 29. Schaukeln
(Swing) / 2 Git; 30.
Tanzen mocht' sie (She
likes to dance) / 2 Git;
31. Zur Nacht (At Night);
32. Anda, Lucian (Hurry
up, Lucian); 33.
Vertraumt (Dreamy); 34.
Geistermond (Ghost
Moon).
Guitar - advanced SKU: M7.KC-2005 Seis por derecho, Pasaje AragüeÃ...(+)
Guitar - advanced
SKU:
M7.KC-2005
Seis
por derecho, Pasaje
Aragüeño.
Composed by Antonio
Lauro. Arranged by Alirio
Diaz. This edition:
Saddle-wire stitching.
Sheet music. 32 pages.
MDS (Music Distribution
Services) #KC 2005.
Published by MDS (Music
Distribution Services)
(M7.KC-2005).
Guitar - advanced SKU: M7.KC-2008 La Gatica, Momoti, Merengue. Com...(+)
Guitar - advanced
SKU:
M7.KC-2008
La
Gatica, Momoti,
Merengue. Composed by
Antonio Lauro. Arranged
by Alirio Diaz. This
edition: Saddle-wire
stitching. Sheet music.
24 pages. MDS (Music
Distribution Services)
#KC 2008. Published by
MDS (Music Distribution
Services) (M7.KC-2008).
Having
been invited several
times onto the jury of
the prestigious
Certamen Tarrega
in Benicasim, I thought I
would involve a few
composers in a gift to
the father of the modern
guitar. So I asked the
composers to write a
Prelude of the kind that
Tarrega wrote and which
count among his most
significant
compositions. These
Preludes for Tarrega, all
written between August
and November 2015, are
very different from each
other. The common
feature, however, between
these and the Preludes by
Tarrega is their brevity,
an average level of
performance difficulty
and guaranteed easy
listening, even when
written in a non-tonal
language (like the
meditative and melancholy
piece by Emilio Calandin
and the one by Marco
Smaili, with its
Impressionistic feel
reminding one of
Tarrega's most famous
pupil, Miguel
Llobet). In some
Preludes (the ones by
Paolo Ugoletti, Roberto
Tagliamacco, Claudia
Montero) the reference to
Lagrima, one of
Tarrega's most famous
Preludes, is evident in
form, title and some
citations. Ugoletti and
Tagliamacco work well and
expressively on harmony
and counterpoint, while
the Argentinian Claudia
Montero links Tarrega to
a heartbreaking Buenos
Aires... In Alessandro
Spazzoli there is rather
more a connection with
Tarrega's sense of melody
and deep simplicity,
while Marco Reghezza
remembers ironically what
was brewing in European
music when Tarrega was
alive: in fact, his
Como Preludio goes
across the 24 keys - and
even a reference to
Wagner's Tristan
raises its head... I
am delighted for this
volume to come out at the
time of the fiftieth
edition of the Certamen
Tarrega. (Piero
Bonaguri).
Guitar SKU: HL.14047451 Composed by Reno Brandoni. CARISCH - MUSIC SALES....(+)
Guitar
SKU:
HL.14047451
Composed
by Reno Brandoni. CARISCH
- MUSIC SALES. Tuition.
General Merchandise.
Carisch Edition #ML3502.
Published by Carisch
Edition (HL.14047451).
ISBN 9788850725182.
English.
A big
advantage with open
tunings is that you'll be
able to play chords and
melodies more easily,
letting the strings ring
and getting richer sounds
that would be really hard
to get with a standard
tuning. This is true at
the beginning, but later
onthings will become more
challenging and rewarding
even for seasoned
professionals. Using
different tunings from
time to time you'll often
find new ideas when you
compose your music,
either studying new
positions or merely by
chance, because you'll be
forced to think outside
your usual frame of mind.
Some players employ a
particular open tuning as
their own standard
tuning, like Pierre
Bensusan with his DADGAD,
giving hismusic a
distinctive sound. This
book will try to bring
you into different sonic
landscapes, hopefully
leading you to quickly
learn new tunes and
having fun in the
process.
Guitar SKU: UT.CH-400 Arranged by Paolo Cherici. Paolo Cherici Collection...(+)
Guitar
SKU:
UT.CH-400
Arranged by
Paolo Cherici. Paolo
Cherici Collection.
Classical. Score. Ut
Orpheus #CH 400.
Published by Ut Orpheus
(UT.CH-400).
ISBN
9790215328563. 9 x 12
inches.
Musiche
di F. Spinacino, J.A.
Dalza, V. Capirola, F. da
Milano, J. Matelart, P.P.
Borrono da Milano, M.
dallâAquila, A. da
Mantova, J.M. da Crema,
D. Bianchini, P.
Fiorentino, F. Dentice,
G. Gorzanis, V. Galilei,
B.M., G.C. Barbetta,
Lorenzino, S. Garsi da
Parma, G.B. dalla
Gostena, S.
Molinaro
Voice and guitar SKU: HL.49005198 Volksweisen aus Spanien, Sudfrankrei...(+)
Voice and guitar
SKU:
HL.49005198
Volksweisen aus
Spanien, Sudfrankreich,
Litauen und
Dalmatien. Edited by
Alfred Zschiesche. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. 24 pages.
Schott Music #ED 4841.
Published by Schott Music
(HL.49005198).