Guitar - Grade 6, Grade 7, Grade 8

SKU: BT.RSK200074

(2018). Rockschool Classics. Exam Material. Book with Online Audio. Composed 2018. Rockschool #RSK200074. Published by Rockschool (BT.RSK200074).

ISBN 9781789360103. English.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Guitar Grade 6-8 contains eight of thebiggest rock tracks from the past five decades arranged for you to play in your exam for Grades 6-8. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your PeformanceCertificate.

Featuring:

• Iron Maiden - 2 Minutes To Midnight
• Metallica - Holier Than Thou
• Foo Fighters - Rope
• AC/DC - You Shook Me All Night Long
• King's X - We Were Born ToBeLoved
• Queens of the Stone Age - No One Knows

Plus:

• Band and artist fact files with recommended listening
• In-depth walkthroughs of every track
• Easy-access downloadableaudio
• Example tests and exercises
• Amp settings and tone advice for each track

For Guitar. Guitar DVD. SongXpress. Rock. MiniDVD. 1 pages. Published by Alfred Publishing.

120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 111 pages. Published by Hal Leonard.

Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical, Renaissance. Softcover Audio Online. 120 pages. Music Sales #AM968066. Published by Music Sales

Arranged by Jerry Silverman. For Guitar. This edition: Easy Guitar. Guitar Mixed Folio. Level: Easy. Book. 96 pages. Published by Alfred Publishing.

Leduc. Classical. Softcover. 2 pages. Alphonse Leduc #AL25033. Published by Alphonse Leduc

For Guitar. This edition: Easy Guitar. Guitar Mixed Folio. Rock. Book. 240 pages. Published by Alfred Publishing.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

By Anthony Holborne (1550-1602). Arranged by John W. Duarte. For guitar. Standard notation. Published by Berben

By Holborne; Cutting; Dowland. Arranged by Ernesto Quezada. For guitar solo. 3. Solo part. 56 pages. Published by Les Productions d'OZ

By Anthony Holborne (1550-1602). Edited by R. Brojer. For Guitar. Moderately Easy. Published by Thomi-Berg .

Christmas, Saddle-stitched. Gospel/Sacred. Book and online audio. 92 pages. Mel Bay Publications, Inc #WBM53M. Published by Mel Bay Publications, Inc

By Phil Hilborne. For Guitar. Book and Audio CD. 112 pages. Published by Music Sales.

Guitar

SKU: LM.GD1413

Composed by Anthony Holborne. Classical. Score. Edition Delrieu #GD1413. Published by Edition Delrieu (LM.GD1413).

ISBN 9790231708837.

Ausgewahlte Werke in Ihrer Originalnotation mit ubertragungen fur Laute (oder ein Tasteninstrumente) und Gitarre. Composed by Anthony Holborne (1550-1602). Edited by Monkemeyer. Sheet music. Published by Friedrich Hofmeister Musikverlag

(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal Leonard

Guitar solo - Intermediate

SKU: DZ.DZ-1722

Composed by Anthony Holborne. Arranged by Marc Bataïni and Oscar Cacérès. Score. Les Productions d'OZ #DZ 1722. Published by Les Productions d'OZ (DZ.DZ-1722).

ISBN 9782896556212.

Ausgewahlte Werke in Ihrer Originalnotation mit ubertragungen fur Laute (oder ein Tasteninstrumente) und Gitarre. Composed by Anthony Holborne (1550-1602). Edited by Monkemeyer. Sheet music. Published by Friedrich Hofmeister Musikverlag

(Essential Tools for Jazz Improvisation) Written by Dan Greenblatt. Instructional book and examples/accompaniment CD for guitar. With instructional text and musical examples. 88 pages. Published by Sher Music Company.

Guitar

SKU: PR.ZM24840

Memories of Borneo. Composed by Siegfried Behrend. With Standard notation. Zimmermann #ZM24840. Published by Zimmermann (PR.ZM24840).

Composed by Frank Wallace. For Guitar. Standard notation. Tuscany Publications #494-02452. Published by Tuscany Publications

Guitar - intermediate

SKU: HL.49015993

Composed by RODGERS. Edited by John William Duarte. Arranged by Philipp Rodgers. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. 8 pages. Schott Music #GA 217. Published by Schott Music (HL.49015993).

ISBN 9790220116469.

Composed by Anthony Holborne (1550-1602). Arranged by Oscar Caceres / Marc Bataini. For guitar solo. Level 3. 28 pages. Published by Les Productions d'OZ

By Ryan Claiborne. Guitar One. Size 4.5x12 inches. 32 pages. Published by Cherry Lane Music.

Guitar

SKU: GI.G-3966

Composed by Gary Daigle, Rory Cooney, and Theresa Donohoo. Sacred. Collection. With guitar chord names. GIA Publications #3966. Published by GIA Publications (GI.G-3966).

Text by various.

Hear these once and the tunes and lyrics will remain with you for a long time. One Is has become an instant success that unites the living, the unborn, the dead. Covenant Hymn is perfect for weddings and anniversaries. Now bespeaks our need for peace and justice. Four new psalm settings bring ancient words to life. Three inspired liturgical musicians combined their talents once again to create this hit. Rory Cooney wrote all the music and lyrics except for the music of Covenant Hymn which was written by Gary Daigle who also produced the recording. The incredible vocal talent of Theresa Donohoo contributes to wonderfully pleasant listening. CONTENTS: I AM FOR YOU (G-3967) • ONE IS (G-3968) • PSALM 1:ROOTS IN THE EARTH (G-3969) • IF/SI (G-3970) • PSALM 85:YOUR MERCY LIKE RAIN (G-3971) • BE THOU MY VISION (G-3973) • NOW (G-3974) • PSALM 51:CREATE ME AGAIN (G-3975) • ALL THINGS NEW (G-3976) • COVENANT HYMN (WHEREVER YOU GO) (G-3977) • MISSION SONG (G-3978) • SPIRITS SEEKING LIGHT AND BEAUTY (G-3979) .

By John Duarte. For Guitar. Classical. Sheet Music. 12 pages. Published by Novello and Co Ltd.