Guitar. Classical.
Softcover. Composed 2016.
Ricordi #HMGB19.
Published by Ricordi
(HL.50600705).
GTRSO
inches. Italian. Author:
Rick
Peckham.
Impara gli
accordi piu usati nel
jazz!
Questo
dizionario include oltre
cento tipi di accordi
jazz, dalle forme base di
settima con tutte le
tensioni sostitutive e le
alterazioni piu comuni,
fino agli accordi con i
toni guida e alle triadi
subasso. Il contenuto e
organizzato in modo da
evidenziare le relazioni
tra i vari tipi di
accordi e per aiutarti a
imparare i voicing in
maniera veloce, esaustiva
e facile da ricordare.
Potrai quindi migliorare
la tua tecnica di
accompagnamento equella
solistica, impadronendoti
della tastiera e
arricchendo il tuo
linguaggio armonico.
Per ciascun
accordo, nel Dizionario
troverai: * notazione
tradizionale, diagrammi e
tablature; * oltre
100forme mobili; *
varie versioni con
ilbarre e di forme di
settima con tensioni
sostitutive e
alterazioni; * triadi
su basso, rivolti e
accordi con i toni
guida; * esercizi
diatonici.
Piano, Vocal and Guitar - intermediate SKU: BT.SY-2974 Klavier-Gesang-...(+)
Piano, Vocal and Guitar -
intermediate
SKU:
BT.SY-2974
Klavier-Gesang-Gitarre
. Ricordi
Diamanten-Sammlung. Pop &
Rock. Book Only. Composed
2016. 104 pages. Ricordi
#SY 2974. Published by
Ricordi (BT.SY-2974).
PVG inches.
German.
Die
Diamanten-Sammlung
enthält die
schönsten Schätze
aus dem populären
Musikrepertoire aller
Zeiten; dabei widmet sich
jeder Band
einembestimmten
Thema.Sämtliche
Arrangements teils nur
für Klavier, teils
auch mit einer
Gesangsstimme sind mit
internationalen
Akkordsymbolen
versehen.Sie zeichnen den
Charakter dieser
musikalischen
Meisterwerke aus aller
Welt bis ins Detail nach.
So werden diese zu einem
unvergleichlichen
Erlebnis für die
Ausführenden wie auch
für das Publikum.
Guitar SKU: HL.50586916 Composed by K. Huber. Ricordi Germany. Educationa...(+)
Guitar
SKU:
HL.50586916
Composed
by K. Huber. Ricordi
Germany. Educational
Tool. Book with CD.
Composed 2011. Ricordi
Berlin #SY3131/08.
Published by Ricordi
Berlin (HL.50586916).
Guitar SKU: HL.50586915 Composed by K. Huber. Ricordi Germany. Educationa...(+)
Guitar
SKU:
HL.50586915
Composed
by K. Huber. Ricordi
Germany. Educational
Tool. Book with CD.
Composed 2011. Ricordi
Berlin #SY3131/01.
Published by Ricordi
Berlin (HL.50586915).
Taught by Larry Coryell. For Guitar (Flatpicking/Plectrum). Method. Grossman-Gtr...(+)
Taught by Larry Coryell.
For Guitar
(Flatpicking/Plectrum).
Method. Grossman-Gtr
Workshop. Jazz. Level:
Intermediate. DVD. Size
5.25x7.5. Duration 83
minutes. Published by
Grossman's Guitar
Workshop.
Taught by Larry Coryell. For Guitar (Flatpicking/Plectrum). Method. Grossman-Gtr...(+)
Taught by Larry Coryell.
For Guitar
(Flatpicking/Plectrum).
Method. Grossman-Gtr
Workshop. Jazz. Level:
Intermediate. DVD. Size
5.25x7.5. Duration 70
minutes. Published by
Grossman's Guitar
Workshop.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
In
2013, to celebrate the
second centenary of the
death of Arcangelo
Corelli, I played in an
official concert held in
his memory in Fusignano,
his hometown. Corelli did
not write for the guitar,
but a few of his
compositions were
transcribed by some
contemporary guitarist
and certainly his name
has always been
associated in the history
of music with the theme
of the very famous
<>
(although the origins of
this theme go back a long
way before Corelli). In
the guitar repertoire,
well-known cycles of
variations on this theme
exist. My long history of
friendship and working
together with important
Italian composers has
made it possible for me
to build a concert
program with some new
guitar compositions
dedicated to Corelli, to
which others have been
added. They are all
together in this
anthology, with the
exceptions of Corelliana
by Davide Anzaghi, Per
Arcangelo by Gilberto
Cappelli and Corelliana
Seconda by Paolo
Ugoletti, published
separately. The cover
picture, specially
created by Norma
Lutzemberger for this
publication, celebrates
this meeting between the
modern guitar and
Arcangelo
Corelli. (Piero
Bonaguri)
Guitar (fingerpicking) - Intermediate SKU: MB.30780M The Guitar Playin...(+)
Guitar (fingerpicking) -
Intermediate
SKU:
MB.30780M
The
Guitar Playing of Lonnie
Johnson, Bo Carter, Rev.
Gary Davis, Buddy Moss,
Josh White and Tommy
McClennan. Composed
by Stefan Grossman.
Squareback saddle stitch,
Solos, Blues, Technique,
Theory and Reference.
Grossman Audio. Style.
Book and online audio.
136 pages. Mel Bay
Publications, Inc
#30780M. Published by Mel
Bay Publications, Inc
(MB.30780M).
ISBN
9781513462714. 8.75 x
11.75 inches. Transcribed
by Stefan
Grossman.
This collection
presents six legendary
blues guitarists from the
1920s to early 1940s.
Each has his own unique
approach, style and
techniques for playing.
Some like Rev. Gary Davis
favored regular tuning
while Josh White was
equally at home playing
in Open D tuning as well
as standard tuning.
Lonnie Johnson is unique
in his playing techniques
as well as use of a D G D
G B E tuning. Buddy
Mossâ??s recordings
influenced generations of
Piedmont guitarists,
especially Blind Boy
Fuller. Bo Carter had one
of the most unusual tonal
approaches for playing
blues, ragtime and
novelty songs. And lastly
there is Tommy McClennan.
His recordings sound
â??rough and tumbleâ?
but once you explore the
intricacies of his
playing you will discover
a powerful blues
guitarist.
<
span style=font-family:
Arial;> REV. GARY DAVIS:
Cincinnati Flow â?¢
Piece without Words â?¢
Children of Zion â?¢
Twelve Gates to The
City
BO CARTER:
Letâ??s Get Drunk Again
â?¢ Nobodyâ??s
Business â?¢ Honey
â?¢ What You Want Your
Daddy to
Do
BUDDY MOSS: Oh
Lordy Mama â?¢
Sleepless Night â?¢
Someday Baby (Iâ??ll
Have
Mine)
JOSH WHITE Crying
Blues â?¢ Bad
Depression Blues â?¢
High Brown Cheater â?¢
My Soul Is Gonna Live
With God â?¢ Pure
Religion
Hallilu
LONNIE JOHNSON:
Away Down In the Alley
Blues â?¢ Stomping
â??Em Along Slow â?¢
Blue Ghost Blues There Is
No Justice â?¢ Helena
Blues â?¢ Sittinâ?? On
A Log â?¢ Corn Bread
Blues
TOMMY McCLENNAN:
Blues as I Can Be â?¢
Iâ??m Goinâ??, Donâ??t
You Know â?¢ Love With
a Feeling � New
Highway No.51 â?¢ Drop
Down
Mama
HOW TO USE THIS
BOOK: 1) Listen over and
over to the original
recordings available via
the download link for
this collection. 2) Get a
program that can control
digital audio files. Use
this with the
transcriptions and the
recordings. 3) Be
patient!! Practice,
practice and practice
some
more!!
Guitar SKU: HL.50605477 Edited by Frederic Zigante. Composed by Ju...(+)
Guitar
SKU:
HL.50605477
Edited
by Frederic Zigante.
Composed by Julio
Sagreras. Edited by
Fré, dé, and
ric Zigante. Guitar.
Classical. Softcover.
Ricordi #ER00307900.
Published by Ricordi
(HL.50605477).
ISBN
9781705190340. UPC:
196288126119.
Julio
Sagreras was born in
Buenos Aires in 1879 into
a family of Spanish
origins. Both of his
parents, Gaspar Sagreras
and Dolores Ramirez, were
guitarists. From a very
young age Julio showed
extraordinary musical
skills that made him an
admired and requested
guitarist in all the
musical salons of the
Argentine capital. This
edition differs from the
previous ones not only
for a new and more modern
musical graphics, for the
simplification of the
fingerings that Sagreras
pedantically repeated
even in the most obvious
situations, for the
correction of errors, the
development ofmore
detailed explanations and
the addition of some
necessary historical and
practical
clarifications.
