Arranged for Plectrum-Style Guitar. Classical, Saddle- stitched. Flatpicking GU...(+)
Arranged for
Plectrum-Style
Guitar. Classical,
Saddle-
stitched. Flatpicking
GUitar.
Book. Mel Bay
Publications,
Inc #30978. Published by
Mel
Bay Publications, Inc
Guitar (classical) - Beginning SKU: MB.20133 Composed by Elias Barreiro. ...(+)
Guitar (classical) -
Beginning
SKU:
MB.20133
Composed by
Elias Barreiro. Style,
Classical and Lute,
Method, Perfect binding.
Classic. Book. 168 pages.
Mel Bay Publications, Inc
#20133. Published by Mel
Bay Publications, Inc
(MB.20133).
ISBN
9780786666805. UPC:
796279087247. 8.75 x
11.75 inches. By Elias
Barreiro.
The
result of decades of
experience in teaching
the classical guitar,
this method introduces
the student to
the earliest stages of
learning how to
play the classical
guitar, from learning
how to read music to
becoming
an accomplished
player. This
gradually progressing
approach covers
scales, including
scales in thirds, sixths
and octaves in all
major and minor
keys, arpeggios,
chords, slurs,
harmonics, and more.
The technical aspects in
this book are
supplemented with a vast
number of exercises
and solos, from easy
to more advanced,
including
repertoire music to
make the process of
learning to play the
guitar a most
enjoyable experience.
Written in
standard notation
only.
Composed by Johann Sebastian Bach (1685-1750), edited by Christopher Parkening. ...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Christopher Parkening.
Format: guitar solo book.
With standard guitar
notation and introductory
text. Baroque. 24 pages.
9x12 inches.
Guitar SKU: BT.CAZJSBCELL01 Composed by Johann Sebastian Bach. Arranged b...(+)
Guitar
SKU:
BT.CAZJSBCELL01
Composed by Johann
Sebastian Bach. Arranged
by Richard Wright. Exam
Material. Book Only.
Composed 2008. Cadenza
Music #CAZJSBCELL01.
Published by Cadenza
Music (BT.CAZJSBCELL01).
For more
than a century guitarists
have been irresistibly
drawn to Bach’s
remarkable cello suites.
Here, for the first time,
are the first four in the
easiest and most resonant
guitar keys. Suites
I–IV must
betransposed to work on
the guitar, whereas Suite
V is always played in A
minor, in Bach’s
own lute version, and the
equally demanding Suite
VI can only be played in
its original key of
D.
By adding as
little aspossible, these
arrangements preserve the
integrity of the
originals, in which
melody, bass and harmony
are woven effortlessly
into a single fabric.
They also, crucially,
offer the guitarist Bach
at a lower level of
difficultythanhis music
for lute or unaccompanied
violin.
Another
unique feature is the
inclusion of optional
‘improvised’
divisions –
suggestions for the
additional ornamentation
of passages to reflect
typical18th-century
performance
practice.
This
is an essential addition
to any guitarist's
library with selected
movements featured in the
2009 ABRSM guitar
syllabus (Grades
5-8).
&ldquo
;This publication
beatsthe others hands
down; no contest. I
can’t see me
needing any other edition
of these four suites.
They are that good. Buy
with
confidence.”Classical
Guitar
Guitar SKU: HL.286931 Classical Guitar. Composed by Johann Sebasti...(+)
Guitar
SKU:
HL.286931
Classical Guitar.
Composed by Johann
Sebastian Bach. Arranged
by Richard Wright. Music
Sales America. Classical.
Softcover. Cadenza Music
#M0708057994. Published
by Cadenza Music
(HL.286931).
0.244
inches.
For more
than a century guitarists
have been irresistibly
drawn to Bach's
remarkable cello suites.
Here, for the first time,
are thefirst four in the
easiest and most resonant
guitar keys. Suites I-IV
must be transposed to
work on the guitar,
whereas Suite V is always
played in A minor, in
Bach's own lute version,
and the equally demanding
Suite VI can only be
played in its original
key of D. By adding as
little as possible, these
arrangements preserve the
integrity of the
originals, in which
melody, bass and harmony
are woven effortlessly
into a single fabric.
They also, crucially,
offer the guitarist Bach
at a lower level of
difficulty than his music
for lute or unaccompanied
violin. Another unique
feature is the inclusion
of optional 'improvised'
divisions - suggestions
for the additional
ornamentation of passages
to reflect typical
18th-century performance
practice. This is an
essential addition to any
guitarist's library with
selected movements
featured in the 2009
ABRSM guitar syllabus
(Grades 5-8). This
publication beats the
others hands down; no
contest. I can't see me
needing any other edition
of these four suites.
They are that good. Buy
with confidence.
Classical Guitar.
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwit...(+)
(Everything You Need to
Know About Guitars, Amps,
and Effects). By Tobias
Hurwitz, Ethan Fiks, and
Vivian Clement. For
Guitar. Book; CD; Guitar
Reference; Reference
Textbooks. 96 pages.
Published by Alfred Music
Publishing
Guitar/Bass/Drum. J-POP.
Sheet music. Yamaha Music
Media #GTL01097129.
Published by Yamaha Music
Media (YM.GTL01097129).
ISBN
9784636971293.
25
Famous melodies for
guitar solo. Players are
able to listen the model
performance on the
smartphone through the QR
cords attached to each
page. 25Shou Ji Ta Du
Zou Ming Qu . Yan Zou Zhe
Ke Yi Tong Guo Sao Miao
Er Wei Ma Shi Yong Zhi
Neng Shou Ji Shi Ting Shi
Fan Yan Zou .
1.
Liszt: Liebestraum; 2.
Debussy: La fille aux
cheveux de lin; 3.
Dvorak: Largo from A New
Wrold Symphony; 4.
Satie/Ju te veux; 5.
Chopin: Prelude Op.28/7;
6. Haydn: Theme from 2nd
movement of Kaiser
Quartet; 7. Verdi:
Triumphal March from
Opera Aida; 8. Ravel:
Bolero; 9. Massenet:
Meditation from Opera
Thais; 10. Borodin:
Polovtsian Dances from
Opera Prince Igor; 11.
Moussorgsky: Promnade
from Pictures at an
Exhibition; 12. Smetana:
Melody from Moldau; 13.
Schubert: Melody from
Trout Quintet; 14. Bach,
J. S.: Prelude from Suite
for Cello No.1; 15.
Liszt: La campanella; 16.
Paganini: Caprice No.24;
17. Tarrega: Adelita; 18.
Tarrega: Etude No.1; 19.
El Noi de la Mare; 20.
Sanz: Canarios; 21.
Tarrega: La'cryma
Christi; 22. Sol: Waltz
from 6 pieces; 23.
Siciliano; 24.
Londonderry Air; 25.
Gershwin: Rapsody in
Blue.
Guitar - Intermediate SKU: CZ.9798879136494 Composed by Various. Arranged...(+)
Guitar - Intermediate
SKU:
CZ.9798879136494
Composed by Various.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9798879136494.
Published by Children's
Music Workshop
(CZ.9798879136494).
ISBN
9798879136494.
Disc
over Jazz Hymns â
where cherished hymns
meet the vibrant world of
jazz! Immerse yourself in
the timeless essence of
twenty beloved hymns, now
adorned with
sophisticated jazz
harmonies, designed to be
easily performed by music
enthusiasts of all
levels. This unique
collection features
classics like 'Amazing
Grace,' 'How Great Thou
Art,' and 'What a Friend
We Have in Jesus,' each
thoughtfully arranged to
blend tradition with the
allure of contemporary
jazz. Featuring beautiful
arrangements, online
audio mp3s and included
lyrics, this book is a
comprehensive resource
for both musicians and
congregations
alike. Ideal for
church services, personal
devotion, or musical
gatherings, these hymns
resonate with a newfound
energy while honoring
their sacred roots.
Elevate the ambiance of
your gatherings and
infuse them with the rich
melodies and fresh
harmonies found within
Jazz Hymns. Embrace
the beauty of tradition
reimagined and experience
the joy of playing these
timeless hymns, perfectly
suited for musicians
seeking a harmonious
blend of classic and
modern influences Jazz
Hymns is available is
editions for flute, oboe,
clarinet, saxophone,
trumpet, trombone,
violin, viola, cello,
guitar and solo
piano.