Guitar - Intermediate

SKU: MB.31088

Saddle-stitched. Country. Book. Mel Bay Publications, Inc #31088. Published by Mel Bay Publications, Inc (MB.31088).

ISBN 9781513473413. 8.75X11.75 inches.

Whether you already play old-time music, or you are just getting started, this is the book for you.áDan Levenson�s Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in today�s sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.

Guitar (all) - Intermediate

SKU: MB.97884

Polyrhythm in Harmony. Composed by Bret Willmott. Theory and Reference - Other, Theory and Reference, Technique, Theory, Reference and Rhythm, Technique, Theory and Reference, Perfect binding. Jazz. Book. 240 pages. Mel Bay Publications, Inc #97884. Published by Mel Bay Publications, Inc (MB.97884).

ISBN 9780786652808. UPC: 796279075428. 8.75 x 11.75 inches. By Bret Willmott.

Many polyrhythms and polymeters simultaneous combinations of more than one rhythmic pattern exist in todays music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.

Common Rhythms and Progressions. By Mark John Sternal. For Guitar. Instructional DVD. Published by MJS.

The Most Commonly Used Fingerings, Selected for Easy Reference. Composed by Morton Manus. Guitar Method or Supplement. Alfred's Basic Guitar Library. Instructional and Method. Reference book. With chord names, guitar chord diagrams and fingerings. 80 pages. Alfred Music #00-28388. Published by Alfred Music

Composed by Andrew D. Gordon. Saddle stitch. Rock/Guitar Instruction. Book and Downloadable audio. Duration 75 minutes. Published by ADG Productions

Guitar Solo

SKU: IS.G6765EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6765EM. Published by Metropolis Music Publishers (IS.G6765EM).

ISBN 9790365067657.

This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar

SKU: GI.G-7062G

Composed by Chris De Silva. This edition: Guitar edition. Common Psalm for Ordinary Time, Lent 4 A, Lent 4 C, Ordinary Time 19 B, Ordinary Time 20 B, Ordinary Time 21 B. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #7062G. Published by GIA Publications (GI.G-7062G).

English. Text Source: Based on Psalm 34:2–3, 4–5, 6–7. Text by Chris de Silva. Scripture: Psalm 34:2D3, 4D5, 6D7.

Guitar Edition. Edited by Steve Gorenburg. Rock House. Chords, Instruction. Softcover Audio Online. With guitar tablature. 160 pages. Hal Leonard #FR00987. Published by Hal Leonard

Guitar (rock and blues) - Beginning-Intermediate

SKU: MB.30648M

Composed by Adam Douglass. Saddle-stitched, Technique, Theory and Reference, Pop. Style. Book and online video. 32 pages. Mel Bay Publications, Inc #30648M. Published by Mel Bay Publications, Inc (MB.30648M).

ISBN 9780786699490. 8.75 x 11.75 inches.

Is the beginning stage of learning the guitar proving to be a frustrating experience? Do you lack songs which you can play from start to finish? Do the ones that you can play all the way through not sound much like their original versions? I have been teaching these pieces to my beginner students for quite some time now, and the success rate has been remarkable. Most methods start by having the student slowly move back and forth between basic chords using only down strokes, playing chords one note at a time to make sure all the notes ring clear. This book offers something much differentâ??playing music! The pieces are designed to target trouble areas often experienced by beginners of the instrument: arching the fingers enough in order to let all the notes of a chord ring clearly. Rather than just droning on through a series of chords, musical patterns are created so that as you learn proper technique youâ??re also playing something musical. The results have been better than expected. Focusing on figures that demand proper technique and some of the most common strumming patterns found in popular music, many of my students are able to execute beginner and intermediate level songs within a few weeks of picking up the instrument rather than a few months. Additionally, the dreaded F chord, or root 6 major barre chord, often rings clearly with all 6 notes being heard upon the first attempt. This book will help you achieve your guitar related goals quickly, more efficiently, and most importantly, more enjoyably. Includes access to online video.

Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique, Theory and Reference, Solos. Achieving Guitar Artistry. Book. 76 pages. Published by Mel Bay Publications, Inc

(You Can Play the Guitar Now! Electric Guitar Vol. 1). By Rogelio Maya. For Guitar (All). method. All Styles. Level: Beginning. DVD. Size 5.38x7.50. 60 pages. Published by Mayas Music.

Music Sales America. Instruction. Softcover with CD. 64 pages. Music Sales #BMC12221. Published by Music Sales

Guitar

SKU: GI.G-9024G

Composed by Jeffrey Honore. This edition: Guitar edition. Common Psalm for the Last Weeks in Ordinary Time, Advetn 1 A, Christ the King C. Sacred. Guitar part. With guitar chord names. 8 pages. GIA Publications #9024G. Published by GIA Publications (GI.G-9024G).

UPC: 785147902478. English. Text Source: Psalm 122, The Revised Grail Psalms Scripture: Psalm 122.

Guitar Essentials composed by Phil Black. For guitar. This edition: Paperback. Reference. Educational. Color poster. Text Language: English. 1 pages. Published by Santorella Publications

Guitar Solo

SKU: IS.G6761EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM).

ISBN 9790365067619.

This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret.

Guitar Solo

SKU: IS.G6766EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6766EM. Published by Metropolis Music Publishers (IS.G6766EM).

ISBN 9790365067664.

This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar Solo

SKU: IS.G6763EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM).

ISBN 9790365067633.

This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar Solo

SKU: IS.G6760EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6760EM. Published by Metropolis Music Publishers (IS.G6760EM).

ISBN 9790365067602.

This sonata (WeissSW No. 50, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXVII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXVII is a large and mature piece, composed in Weissâ??s late period, around 1730. The Sonata has six movements: Introduzzione (an opening movement in Italian style with elements of an Allemande and Prelude), Courante, Bourrée, Sarabande, Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

By Sid Jacobs. Musicians Institute Press Video Series. VHS Video. Size 4.2x7.5 inches. Published by Musicians Institute.

Guitar

SKU: GI.G-7246G

Composed by Tony Alonso S.J. This edition: Guitar edition. Common Psalm for Ordinary Time, OT 12 C, OT 22 A, OT 32 A, All Souls. Sacred. Guitar part. With guitar chord names. 6 pages. GIA Publications #7246G. Published by GIA Publications (GI.G-7246G).

English, Spanish. Text Source: Psalm 63, English, The Grail, Spanish Leccionario Edición Hispanoamericana

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(312 Chords for Open D and Open G Guitar). Music Sales America. Softcover. 48 pages. Published by Music Sales