Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All sty...(+)
by William Bay and Mike
Christiansen. For all
guitars. Mastering
Guitar. All styles,
assorted music styles.
Level:
Beginning-Intermediate.
Book/CD Set. Method. Size
8.75x11.75. 184 pages.
Published by Mel Bay
Pub., Inc.
Chamber Music Guitar SKU: PR.114423450 Composed by Máximo Pujol. Full ...(+)
Chamber Music Guitar
SKU: PR.114423450
Composed by Máximo
Pujol. Full score. 8
pages. Duration 9
minutes. Theodore Presser
Company #114-42345.
Published by Theodore
Presser Company
(PR.114423450).
By Mel Bay and William Bay. For Guitar (All). method. Non-Series. All Styles. L...(+)
By Mel Bay and William
Bay. For Guitar (All).
method. Non-Series. All
Styles. Level: Beginning.
Book CD DVD. Size
8.75x11.75. 88 pages.
Published by Mel Bay
Publications, Inc.
Guitar SKU: M7.VOGG-347 Composed by Sash J. Sheet music with CD. 120 page...(+)
Guitar
SKU:
M7.VOGG-347
Composed
by Sash J. Sheet music
with CD. 120 pages.
Voggenreiter #VOGG 347.
Published by Voggenreiter
(M7.VOGG-347).
ISBN
9783802403477.
German.
Für alle
Gitarristen, die
ausgetretene Solo-Pfade
verlassen und neue
kreative Möglichkeiten
entdecken wollen: neue
Methoden zur Entwicklung
eines eigenständigen
Solostils für
Anfänger und Profis.
Dieses Buch ermöglicht
jedem Gitarristen die
konsequente Entwicklung
einer eigenen 'Stimme'.
Dabei spielen
theoretische Grundlagen
wie die Kenntnis der
wichtigsten Skalen und
Modi eine ebenso große
Rolle wie kreative Ideen
für die musikalische
Praxis. Mit Tipps zu
Motivbildung,
Stimmführung,
Phrasierung,
Spezial-Effekten,
Akkordstrukturen und
Arpeggien, traditionellen
und exotischen Skalen
kann sich jeder Gitarrist
individuell
weiterentwickeln. Mit
einem eigenen Abschnitt
über das oft
vernachlässigte Thema
'Musikbusiness' und
zahlreichen
Praxis-Tipps.
Guitar SKU: AP.1-ADV14846 Composed by Fernando Brandão. Guitar Method ...(+)
Guitar
SKU:
AP.1-ADV14846
Composed by Fernando
Brandão. Guitar Method
or Supplement;
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music: Brazilian and
Afro-Cuban Jazz
Conception. Jazz; Latin.
Book and CD. Advance
Music #01-ADV14846.
Published by Advance
Music (AP.1-ADV14846).
ISBN 9783892212263.
UPC: 805095148466.
English.
Brazilian
and Afro-Cuban Jazz
Conception is the new
exciting series of
play-along books by
award-winning Brazilian
flutist and composer
Fernando Brandão and
features fifteen original
tunes in various
Brazilian and Afro-Cuban
styles. This edition
clearly aims at being
more than a simple
play-along collection.
For each of the tunes a
thorough analysis and
additional exercises are
given. An extensive
introduction into the
various styles and
rhythms of Brazilian and
Afro-Cuban music makes
these books even more
valuable. The rhythm
section and soloists are
among the most
prestigious musicians in
contemporary Brazilian
music.
Guitar/Bass/Drum. J-POP.
Sheet music. Yamaha Music
Media #GTL01097129.
Published by Yamaha Music
Media (YM.GTL01097129).
ISBN
9784636971293.
25
Famous melodies for
guitar solo. Players are
able to listen the model
performance on the
smartphone through the QR
cords attached to each
page. 25Shou Ji Ta Du
Zou Ming Qu . Yan Zou Zhe
Ke Yi Tong Guo Sao Miao
Er Wei Ma Shi Yong Zhi
Neng Shou Ji Shi Ting Shi
Fan Yan Zou .
1.
Liszt: Liebestraum; 2.
Debussy: La fille aux
cheveux de lin; 3.
Dvorak: Largo from A New
Wrold Symphony; 4.
Satie/Ju te veux; 5.
Chopin: Prelude Op.28/7;
6. Haydn: Theme from 2nd
movement of Kaiser
Quartet; 7. Verdi:
Triumphal March from
Opera Aida; 8. Ravel:
Bolero; 9. Massenet:
Meditation from Opera
Thais; 10. Borodin:
Polovtsian Dances from
Opera Prince Igor; 11.
Moussorgsky: Promnade
from Pictures at an
Exhibition; 12. Smetana:
Melody from Moldau; 13.
Schubert: Melody from
Trout Quintet; 14. Bach,
J. S.: Prelude from Suite
for Cello No.1; 15.
Liszt: La campanella; 16.
Paganini: Caprice No.24;
17. Tarrega: Adelita; 18.
Tarrega: Etude No.1; 19.
El Noi de la Mare; 20.
Sanz: Canarios; 21.
Tarrega: La'cryma
Christi; 22. Sol: Waltz
from 6 pieces; 23.
Siciliano; 24.
Londonderry Air; 25.
Gershwin: Rapsody in
Blue.