Guitar, E-guitar - very easy SKU: M7.MF-3901 Die grö�ten Hits - f...(+)
Guitar, E-guitar - very
easy
SKU:
M7.MF-3901
Die
grö�ten Hits -
für Gitarre
spielerisch leicht
gesetzt. Arranged by
Jan Jakut. This edition:
Saddle-wire stitching.
Sheet music with CD.
Music Factory. Die neue
Serie von Schott Music,
mit der
Gitarren-Anfänger
bereits im ersten Jahr
die aktuellen Hits
spielen können -
alleine oder zusammen mit
anderen Gitarristen.
Performance book, mp3. 76
pages. Music Factory #MF
3901. Published by Music
Factory (M7.MF-3901).
ISBN
9783795789213.
Easy
Charts for Guitar is the
new series from Schott,
allowing beginner
guitarists to play the
latest hits in their
first year of study -
either alone or together
with other guitarists.
Each song is presented in
simple notation for the
characteristic rhythm
guitar part as well as in
an easy TAB version of
the original riffs, along
with the vocal part for
any up-and-coming
virtuosos. The
accompanying CD contains
live recordings of the
full versions as well as
play-along versions for
the rehearsal room or
stage.
By Jan Michael Joncas. For Chorus and Keyboard accompaniment. Music Collection. ...(+)
By Jan Michael Joncas.
For Chorus and Keyboard
accompaniment. Music
Collection. Includes
guitar chord names.
Sacred. Level:
easy/medium. 64 pages.
Published by GIA
Publications.
Composed by Allan Alexander. Saddle stitch. World Music/Guitar Instruction. Book...(+)
Composed by Allan
Alexander. Saddle stitch.
World Music/Guitar
Instruction. Book and
Downloadable audio.
Duration 70 minutes.
Published by ADG
Productions
Guitar - easy SKU: BT.BWH7016 Revised edition. Arranged by Peter B...(+)
Guitar - easy
SKU:
BT.BWH7016
Revised
edition. Arranged by
Peter Bursch. Pop & Rock.
Book with CD. Composed
2021. 112 pages. Bosworth
& Co. #BWH7016. Published
by Bosworth & Co.
(BT.BWH7016).
ISBN
9783920127187.
German.
Jetzt
wieder erhältlich:
Beatles für
Gitarre“ von
Erfolgsautor Peter
Bursch!
Die
Fortsetzung des
Beatles-Gitarrenbuches
(Band 1 - BOE4493). Alle
Griff- und Spieltechniken
erklärt Peter Bursch
so einfach wie möglich
und mit vielen
zusätzlichen
Hinweisen. Auf der
beiliegenden CD sind alle
in dem Buch behandelten
Beatles-Songs mit allen
Spieltechniken zu
hören und laden direkt
zum Mitspielen ein.
Die speziellen
Gitarren-Riffs,
Melodieläufe,
Anschlag- und
Zupftechniken der Beatles
werden ausführlich
erklärt, damit jeder
die charakteristischen
Spieltechniken lernen
kann. Dazu gibt es jede
Menge Infos und Stories
über die Beatles, ihre
Musik sowie die
Entstehungsgeschichten
der Songs.
Peter
Bursch gilt als
Deutschlands
Gitarrenlehrer der Nation
und hat im Laufe seine
Karriere insgesamt
neunzehn Lehrbücher
für verschiedene
Spielniveaus und Stile
veröffentlicht. Sein
erstes Gitarrenbuch wird
seit seiner
Erstveröffentlichung
1975 weiterhin als
wichtigstes Lehrwerk
für den Einstieg ins
Gitarrenspiel betrachtet.
Die Gitarrenbaufirma
Martin stellte für
Peter Bursch ein
Sigma-Signaturemodell
her. Er ist der erste
Deutsche, dem diese Ehre
zuteilwurde. https://www.pete
r-bursch.de/
12-String Guitar SKU: HL.287559 By Various. Guitar Collection. Pop, Stand...(+)
12-String Guitar
SKU:
HL.287559
By Various.
Guitar Collection. Pop,
Standards. Softcover.
With guitar tablature.
120 pages. Published by
Hal Leonard (HL.287559).
ISBN 9781540043313.
UPC: 888680904715.
9.0x12.0x0.299
inches.
This
one-of-a-kind collection
presents accessible,
must-know songs from the
Beatles and Bob Dylan to
Dave Matthews Band and
Tom Petty for those who
have been learning
12-string guitar and are
eager to put their new
skills to work. You'll
find a combination of
tab, chords and lyrics
for 50 great songs,
including: California
Dreamin' • Carry On
• Closer to the
Heart • Do You
Believe in Magic •
Free Fallin' • Give
a Little Bit • A
Hard Day's Night •
Hotel California •
Leaving on a Jet Plane
• Life by the Drop
• Like the Way I Do
• Melissa •
Mr. Tambourine Man
• More Than a
Feeling • The One I
Love • Over the
Hills and Far Away
• Solsbury Hill
• Space Oddity
• Still the Same
• Turn! Turn! Turn!
(To Everything There Is a
Season) • The
Waiting • Wish You
Were Here • You
Wear It Well • and
more!
About First
50
You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune.
Guitar SKU: HL.146362 Book Only. Guitar Tab Method. Instruction. S...(+)
Guitar
SKU:
HL.146362
Book
Only. Guitar Tab
Method. Instruction.
Softcover. Published by
Hal Leonard (HL.146362).
ISBN 9781495023354.
UPC: 888680070212.
9.0x12.0x0.11
inches.
“The
ultimate learning tool to
go from zero to guitar
hero in no time!â€
–Guitar World
magazine Designed for
electric or acoustic
guitar. Get started
quickly and easily
– with songs you
want to play! This method
introduces notes with
riffs like “Crazy
Train†and
“Smoke on the
Water,†power
chords with classics by
AC/DC and the Who,
chord-strumming with
songs from Neil Young and
Nirvana, and much more.
The method's unique,
well-paced, and logical
teaching sequence will
get students playing more
easily than ever before,
and music from popular
artists like the Beatles,
Jimi Hendrix, and Led
Zeppelin will keep them
playing and having fun.
Book 1 includes: parts of
the guitar,
easy-to-follow guitar
tablature, notes &
riffs starting on the low
E string, tempo &
time signatures,
understanding notes and
rests, palm muting,
vibrato, power chords,
open chords, strumming,
slides and slurs,
hammer-ons and pull-offs,
many music styles, nearly
100 riffs and songs, and
more!
Guitar - Intermediate SKU: MB.31008M Perfect binding. Blues. Book and onl...(+)
Guitar - Intermediate
SKU: MB.31008M
Perfect binding. Blues.
Book and online audio.
160 pages. Mel Bay
Publications, Inc
#31008M. Published by Mel
Bay Publications, Inc
(MB.31008M).
ISBN
9781513467016. 8.75x11.75
inches.
Blind Lemon
Jefferson was a trail
blazer, both as a singer
and guitarist, but also
as a commercial
phenomenon, for he was
the first blues musician
to establish the
tremendous appeal that
blues, as played and sung
by rural African American
folk, had for the
record-buying public. It
is no exaggeration to say
that the sales of
Lemon’s records
paved the way for a host
of other solo rural blues
musicians to record in
his wake and made the
record companies more
willing to give other
musicians a chance, in
the hopes of achieving
similar
success.Â
Lemon
’s record sales
weren’t what made
him a great musician,
though - that could only
be attributed to his
startlingly virtuosic
guitar - playing and
soulful singing,
developed over years of
busking, building on his
natural gifts with a
great deal of practice
and work. In the Guitar
of Blind Lemon Jefferson
author John Miller
presents transcriptions,
in standard notation and
tablature, of 22 of
Lemon’s greatest
performances, with an
additional essay
examining Lemon’s
senses of time and
phrasing and his picking
techniques. Also included
is a download link to all
the original
recordings.Â
To
present a picture of
Lemon the man, noted
blues researchers Alan
Governar and Kip Lornell
have contributed an essay
focusing on
Lemon’s early
life, the origins of his
music, and his time spent
in a musical partnership
with Lead Belly. Links
are provided to
downloadable performances
of the songs in the book
from which the
transcriptions were made,
so that you can have
Lemon’s sound in
your head as you learn to
play his
songs.
Blind Lemon
Jefferson was remarkable,
even in a style that
abounded in great
musicians, and some
measure of his influence
can be seen in the fact
that musicians recorded
in the 1960s, more than
thirty years after his
death, were still
covering his songs and
stealing guitar licks
from him. The Guitar of
Blind Lemon Jefferson
gives you the resources
needed to learn what was
so special about
Lemon’s music, and
to experience his musical
excellence from inside
the music
itself.
Titles
include: One Dime Blues,
Got The Blues, Dry
Southern Blues, Big Night
Blues, Rabbit Foot Blues,
Shuckin' Sugar Blues,
Where Shall I Be, Wartime
Blues, Black Horse Blues,
Prison Cell Blues, Piney
Woods Money Mama, See
That My Grave Is Kept
Clean, He Arose From The
Dead, Beggin' Back, Broke
And Hungry, Bad Luck
Blues, Matchbox Blues,
Lemon's Worried Blues,
That Crawlin' Baby Blues,
Easy Rider Blues,
Stocking Feet Blues and
Right of Way
Blues
Level 2/3
• 160 pages •
Direct download link to
audio
files.Â
(Play the Melodies of 20 Pop and Rock Songs) Guitar/vocal songbook for guitar. W...(+)
(Play the Melodies of 20
Pop and Rock Songs)
Guitar/vocal songbook for
guitar. With standard
guitar notation, chord
names, lyrics and
introductory text.
Series: Hal Leonard
Guitar Method. 39 pages.
Published by Hal Leonard.
Guitar SKU: FG.55011-324-4 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-324-4
Composed by Kai Nieminen.
Fennica Gehrman
#55011-324-4. Published
by Fennica Gehrman
(FG.55011-324-4).
ISBN
9790550113244.
Quad
ri Morandi (2014) ties
together two essential
themes of Kai Niminen's
(b. 1953) compositional
style: guitar and a
subject inspired by
Italy. The strong
presence of the guitar in
his works is natural
since he is in an
actively performing
guitarist himself, and
guitar works indeed play
a significant role in his
oeuvre. Moreover, he has
written plenty of
orchestral music; for
instance two symphonies,
numerous concertos, and
chamber music. In the
field of Finnish music he
is a composer who can be
characterized as free
from any specific school
or style. In his musical
language, free tonal in
essence, one can detect
traces of Impressionism,
Neoromanticism and even
Expressionism at times,
but he is also willing to
employ more recent
20th-century stylistic
devices. Nieminen has
mentioned that he finds
himself very similar to
Japanese Toru Takemitsu
both musically and in
thought.
Mediterannean culture and
Italy especially have
been close to Nieminen's
heart ever since he first
visited the country and
appeared in the jury of
the international
Fernando Sor guitar
competition in 1981. He
has composed a great
number of works which
refer to Italian
landscapes or artists.
The work Quadri Morandi
(Morandi's pictures) is
written in four
movements. It has at its
centre the painter
Giorgio Morandi
(1890-1964), who is known
as a master of still
lifes and landscapes
painted in a plain manner
and is subdued colours.
Their atmosphere
typically reflects a calm
spirit. This is the third
guitar work that nieminen
has written for Kleemola.
It is easy to
find a counterpart for
the encaptivating realm
of Morandi's art in
Nieminen's clear and pure
expression. The titles
and expression markings
also include several
references to Morandi.
For example, in the
opening movement Prelude
the words la Natura morta
(still life) appear as an
additional note on the
chord sequence following
the freely flowing
opening section. At the
end of the movement one
can hear rhythmic motif
coloured with flageolets
that repeats the
syllables of the
painter's name: Gior-gio
Moran-di. A similar motif
can be heard at the end
of the second movement
Quasi cadenza. The
tranquilly breathing
third movement Paesaggio
(landscape) creates an
illusion of landscape by
imitating the echo of
monastery bells (come
campane del monastero)
and at the same time
refers to il monaco (the
monk), the name by which
Morandi was often called.
The final movement
Ritratto (Portrait) is
the most extensive of all
the movements and can be
seen, with its recurring
motifs, as a reflection
of the stable yet subtly
varying elements of
Morandi's art. The work
ends with the rhythmic
motif that once more
echoes Morandi's name,
like signature.
Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With lea...(+)
Performed by Pat Metheny.
For guitar (no
tablature). Format: fake
book. With leadsheet
notation and chord names.
Jazz and jazz fusion. 448
pages. 9x12 inches.
Published by Hal Leonard.
Guitar; Methods and Music for Children SKU: UT.CH-157 Composed by Giorgio...(+)
Guitar; Methods and Music
for Children
SKU:
UT.CH-157
Composed by
Giorgio Signorile. Saddle
stitching. Classical.
Score and Parts. 40
pages. Ut Orpheus #CH
157. Published by Ut
Orpheus (UT.CH-157).
ISBN 9790215320369. 9
x 12
inches.
Vals
d'la Masca; Il racconto
della Montagna; Sequenze
sotterranee
Th
e Alpinia Suite
was commissioned and
composed for the festival
<>
and is dedicated to my
friend and colleague Elio
Galvagno. It was
performed for the first
time on August 30, 2011,
in the Church of San
Giovanni in Saluzzo, by
an ensemble of
professional and student
guitarists from all over
Europe. This piece was
written to commemorate
the first ascent of mount
Monviso, by William
Mathews, Frederick
Jacomb, Jean Baptiste
Croz and Michel Croz,
exactly 150 years before,
on August 30,
1861. The first
movement is a small
Waltz. I imagined a
Masca (a sort of
alpine pixie, a teasing
sprite), dancing all
around the house and
playing tricks, mostly
harmless and funny. The
Masca is a
legendary and very
important character in
the folklore of my
valleys, and all
rationally inexplicable
events of everyday life
are ascribed to her -
such as objects that
cannot be found anymore,
holes in flour sacks,
salt in sugar
bowls... The next two
movements are a homage to
the Mountains. The Tale
is a sort of journal, a
bright and peaceful
chronicle of a hike
uphill, in which the
beauty of the place is
highlighted by an easy
harmony and a sweet
melody. After this,
Underground
sequences evokes that
same world in a darker
and nocturnal way; the
faster pace and the
choice of repeated and
varying patterns are
meant to show the
transformation of the
former environment into
something more complex
and tormented. Here
mountains are a metaphor
of human life, warts and
all: their sundrenched
slopes and their green
pasture grasslands, but
also their icy and
dangerous northern sides,
which demand calm,
training and
caution. (G.
Signorile).
Guitar SKU: FG.55011-071-7 Hommage to Paul Klee. Composed by Kai N...(+)
Guitar
SKU:
FG.55011-071-7
Hommage to Paul
Klee. Composed by Kai
Nieminen. Fennica Gehrman
#55011-071-7. Published
by Fennica Gehrman
(FG.55011-071-7).
ISBN
9790550110717.
Comp
leted in Karstula,
Finland during late July
2010, this carefully
structured, but also
free-ranging work is
drawn from ideas for a
much earlier work in four
movements, Fantasy dating
from the 1980s. Kai
Nieminen has been for a
long time an admirer of
the work of artist Paul
Klee (1879-1940), and the
solo presented in its
final form here is
influenced by the
painting Dances caused by
Fear or as it is often
refered to Dancing from
Fear painted towards the
end of Klee's life in
Bern, 1938. Having
left Germany for
Switzerland in December
1933, Klee's later works
were often full of signs
and lines, very often
represented in black,
depicting human figures
or various objects
against a variety of
coloured backgrounds, in
the case of this painting
of a brownish hue. This
development in his
painting style and
technique is felt by some
to be an effect perhaps
of his long-term illness,
systemic sclerosis, but
in the case of Dances
caused by Fear there is
suggested an atmosphere
of panic and terror, an
attempt to escape from
horrors to come (World
War II), represented in
the violent movement of
the arms and legs of the
figures, and the dark,
indeed brooding nature of
the colours. In Kai
Nieminen's guitar work
Images of Fear, there is
only a very brief passage
of calm at the very
beginning, after which
come three main connected
sections in which a wide
range of musically
unsettling ideas emerge
one by one, making use of
the tritone, minor
seconds, glissandos,
tamboura, campanella,
etc. The third and final
section incorporates the
grouping of 5
sixteenth-notes, to give
an uneasy feeling to the
music, with a short
haunting and pleading
five-note phrase
(Cantando) heard
immediately following
this passage, before the
work ends with further
glissandos, and distant
and diminishing
harmonics. As with
Kai Nieminen's other
guitar works, the use of
'orchestral colour' is
vital to the performance,
and passages suggestive
of for example brass,
strings, woodwind, etc.,
should be taken into
account and played with
suitably considered
contrast of tone.