Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

Guitar

SKU: BT.VOLMB126

Metodo di pennata alternata. Composed by Donato Begotti and Roberto Fazari. Method. Book and DVD. 64 pages. Volonte e Co #VOLMB126. Published by Volonte e Co (BT.VOLMB126).

ISBN 9788863881240. Italian.

The Alternate Picking Improver è un vero e proprio corso di pennata alternata, divertente e organizzato in 8 lezioni di progressiva difficolt .Il suo scopo è quello di far migliorare in: Tecnica (velocit , tocco, precisione, dinamiche), Musicalit (timing, orecchio relativo, conoscenza di lick di generi musicali diversi), Impostazione (controllo degli arti e della postura), Metodo di studio(definizione di una strategia proficua e autonoma), Emotivit (sicurezza nell’esecuzione). Nelle lezioni dall’1 al 6 si svilupper la pennata alternata, lavorando su cinque importanti aree e su un assolo riepilogativo. Le aree sono: Accelerazione,Scatto, Resistenza, Pattern, Arpeggio. Nelle lezioni 7/8 due assoli riassuntivi, di maggiore difficolt , serviranno per mettere in pratica, ad un livello tecnico più alto, le abilit ottenute nelle 6 lezioni precedenti. Alla fine del libro c’è unAppendice, che contiene suggerimenti utili a mettere il proprio corpo in grado di suonare al meglio, e che è consigliabile consultare prima di iniziare. Il CD allegato contiene 66 registrazioni di altissima qualit : per ogni esercizio si trover l’esecuzione e la relativa base su cui potersi esercitare.

By Pat Kelley. For Guitar. Intermediate-Advanced. Book. 44 pages. Published by Mel Bay Publications, Inc

Guitar - intermediate

SKU: HL.49007502

Composed by Dieter Kreidler. Arranged by Dieter Kreidler. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 8 pages. Schott Music #ED 7754. Published by Schott Music (HL.49007502).

ISBN 9790001080705. UPC: 196288199328. 9.0x12.0x0.072 inches.

Leichte bis mittelschwere Arrangements fur den Gitarren-Amateur, aber auch gitarrengerechte und klangpraktisch erprobte Unterhaltungsliteratur fur den professionellen Gitarristen.

Guitar - easy

SKU: BT.BWH4493

Revised edition. Arranged by Peter Bursch. Pop & Rock. Book with CD. Composed 2021. 112 pages. Bosworth & Co. #BWH4493. Published by Bosworth & Co. (BT.BWH4493).

ISBN 9783920127163. German.

Jetzt wieder erhältlich: Beatles für Gitarre“ von Erfolgsautor Peter Bursch!

Das Beatles-Gitarrenbuch, mit dem wirklich jeder etwas anfangen kann: Beatles-Songs locker und leicht spielen und zwar von Anfang an. Alle Griff- und Spieltechniken erklärt Peter Bursch so einfach wie möglich und mit vielen zusätzlichen Hinweisen. Auf der beiliegenden CD sind alle in dem Buch behandelten Beatles-Songs mit allen Spieltechniken zu hören und laden direkt zum Mitspielen ein.

Die speziellen Gitarren-Riffs, Melodieläufe, Anschlag- und Zupftechniken der Beatles werden ausführlich erklärt, damit jeder die charakteristischen Spieltechniken lernen kann. Dazu gibt es jede Menge Infos und Stories über die Beatles, ihre Musik sowie die Entstehungsgeschichten der Songs.

Peter Bursch gilt als Deutschlands Gitarrenlehrer der Nation und hat im Laufe seine Karriere insgesamt neunzehn Lehrbücher für verschiedene Spielniveaus und Stile veröffentlicht. Sein erstes Gitarrenbuch wird seit seiner Erstveröffentlichung 1975 weiterhin als wichtigstes Lehrwerk für den Einstieg ins Gitarrenspiel betrachtet. Die Gitarrenbaufirma Martin stellte für Peter Bursch ein Sigma-Signaturemodell her. Er ist der erste Deutsche, dem diese Ehre zuteilwurde. https://www.pete r-bursch.de/

(Music Reading Activities that Make Learning Even Easier!) Written by Lindsey C. Harnsberger, Ron Manus. Instructional book for beginning guitar. With instructional text. 40 pages. Published by Alfred Publishing.

(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal Leonard

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

9th Grade and Higher Edition. By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Beginning. Book. Size 8.75x11.75. 136 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: GI.G-10427G

The King of Israel. Composed by James R. Murray & Rich Grillone. Arranged by Rich Grillone. This edition: Guitar edition. Tune name: MUELLER. Sacred. Guitar part. 4 pages. GIA Publications #10427G. Published by GIA Publications (GI.G-10427G).

UPC: 785147042778.

Guitar

SKU: BT.VOLMB219

Composed by Lou Manzi. Book with CD. Volonte e Co #VOLMB219. Published by Volonte e Co (BT.VOLMB219).

ISBN 9788863882131. French.

This is a method perfectly adapted for beginners and those looking to perfect their knowledge. Here Lou Manzi, author of the best seller 'Beginning Finger style Guitar', has designed a detailed and in-depth book mostlyaimed at acoustic guitarists.

With the help of this method, you will approach the basics of blues Guitar with ease and enjoyment. You will also equally find clearly developed concepts of theory, scales, left handtechniques, rhythmic patterns for the Guitar and lessons on improvisation in Blues. Whatever you want to study by yourself or in company, you will appreciate this easy to follow method with an emphasis on style.

Composed by de Belleville P.&. Robert King. Classical. Softcover. Alphonse Leduc #AL23598. Published by Alphonse Leduc

Guitar - Beginning-Intermediate

SKU: MB.22115M

Composed by Pat Kelley. Saddle-stitched, Style, Technique, Theory and Reference, Technique, Theory, Reference and Rhythm. USC School of Music. Rock, blues, jazz, method supplement. Book and online audio. 56 pages. Mel Bay Publications, Inc #22115M. Published by Mel Bay Publications, Inc (MB.22115M).

ISBN 9780786696840. 8.75 x 11.75 inches.

Arpeggios are chord notes played one at a time rather than strummed or plucked all together. They are an essential part of great improvising and melody writing because playing chord notes in the right places creates solid melody lines. Chord notes sound more resolved than notes that are chromatic out of the key . Practicing arpeggios will improve your ability to learn melodies, make reading music easier, and develop your tone and picking accuracy. The first part of this book focuses on the basic fingerings of the following six arpeggios: major 7th, major 7th #5 , dominant 7th, minor 7th, minor 7th b5 , and diminished 7th. This book along with its accompanying audio represents a comprehensive guide to all things arpeggio. It delves into traditional applications of arpeggios, as well as how they relate to slash chords, modal music and more. The student will learn about how arpeggios fall over standard chord progressions, as well as how to embellish arpeggios to make them more musical in performance situations. In standard notation and tab. Includes access to online audio.

Guitar - intermediate

SKU: M7.VOGG-238

Composed by Peter Bursch. Sheet music with CD. 124 pages. Voggenreiter #VOGG 238. Published by Voggenreiter (M7.VOGG-238).

ISBN 9783802402388. German.

Randvoll mit Profi-Tricks! Für alle, die noch tiefer in die Rockgitarre einsteigen möchten - hier ist die Fortsetzung des Bestsellers 'Rock Gitarre'! Rock Gitarre Spezial erklärt dir Sound und Spieltechnik deiner Lieblingsgitarristen und führt dich in drei lockeren Abschnitten zum schnellen Erfolg - wie immer einfach erklärt und ganz ohne Noten! Mit groovigem Rock 'n' Roll und schnellen Metal-Techniken verbesserst du im ersten Teil dein Timing und lernst rhythmische Tricks im Stil von AC/DC, Kiss und Metallica. Der 2. Teil ist speziell für die Fans von Rock-Virtuosen wie Steve Vai, Joe Satriani, Eddie van Halen, Gary Moore, Kirk Hammett oder Michael Schenker gedacht. Du steigst ein in faszinierende Spieltechniken wie Tapping, Sweep Picking oder spezielle Effekt mit dem Vibratohebel und näherst dich so in einfachen Schritten dem Sound deiner Idole! Im 3. Teil erarbeitest du dir schließlich ausgefeilte Fingerübungen und effektvolle Zupftechniken, wie sie die Scorpions, Yngwie Malmsteen, Bon Jovi oder Eric Clapton verwenden - so kommt auch die obligatorische Rock-Ballade nicht zu kurz!

Guitar

SKU: GI.G-8265G

Composed by Paul Melley. Arranged by Ed Bolduc. This edition: Guitar edition. Christ the King, Ordinary Time 5 A. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #8265G. Published by GIA Publications (GI.G-8265G).

English. Text by Paul Melley. Scripture: Matthew 5:13, 14, 1 Corinthians 15:25.

(Lead and Rhythm Techniques). By Gus G.. Rock House. DVD. Published by Hal Leonard

Composed by Frederic Vitiello (1960-). For guitar. Classical. Level 2. Score. 55 pages. Published by Editions Henry Lemoine

Guitar - Intermediate

SKU: MB.WBM58M

Traditional, Wire bound, Celtic. Folk. Book and online audio. 216 pages. Mel Bay Publications, Inc #WBM58M. Published by Mel Bay Publications, Inc (MB.WBM58M).

ISBN 9781736363058. 8.75x11.75 inches.

A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.

Classical. Textbook. Trinity College London #TCL019349. Published by Trinity College London

Classical. Textbook. Trinity College London #TCL019288. Published by Trinity College London

by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Level: Multiple Levels. Book. Method. Size 8.75x11.75. 320 pages. Published by Mel Bay Pub., Inc.

Guitar

SKU: GI.G-8262G

Composed by Paul Melley. Arranged by Chris De Silva. This edition: Guitar edition. Ordinary Time 13 C, Ordinary Time 15 C, Ordinary Time 30 A, Ordinary Time 31 B, Christ the King A. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #8262G. Published by GIA Publications (GI.G-8262G).

English. Text by Robert VerEecke. Scripture: Matthew 22:37D39, Matthew 25:31D46, Mark 12:29D31, Luke 10:27, 29, Galatians 5:14, James 2:8.

Performed by Various. Guitar. Size 9x12 inches. 168 pages. Published by Centerstream Publications.