24 Traditional Pieces. Composed by Various. Edited by Hugh Burns. This edition: Saddle stitching. Sheet music with CD. Guitar. Die Sammlung von Bearbeitungen traditioneller und zeitgenossischer Weisen, darunter Jigs, Reels, Airs und vieles mehr. Die meisten dieser Stucke sind fur Sologitarre bearbeitet; einige davon werden auch mit Begleitung angeboten. Celtic, Folk, Irish. Edition with CD. 52 pages. Schott Music #ED 13571. Published by Schott Music

By Various. Arranged by Robert Tarchara. For guitar. This edition: Paperback. Collection. Classical. Book. Text Language: English. 48 pages. Published by Santorella Publications

Guitar

SKU: BT.MUSAM996996

Arranged by Russ Shipton. The Complete Guitar Player. Pop & Rock. Book with CD. Wise Publications #MUSAM996996. Published by Wise Publications (BT.MUSAM996996).

ISBN 9781849380140. English.

Th e Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many othertopartists.

N ow these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics andevenstrumming patterns!

Over 180 great songs! Perfect for all players and singers!

The bonus CD contains backing tracks to 16 of the songs in the book.

Book 1 Guitar

SKU: HL.122489

Hal Leonard Guitar Repertoire. Composed by Various. Arranged by John Hill. Guitar Solo. Classical, Folk. Softcover. With guitar tablature. Published by Hal Leonard (HL.122489).

ISBN 9781480355927. UPC: 884088953010. 9.0x12.0x0.138 inches. Compiled and Arranged by John Hill.

Journey Through the Classics is a classical guitar repertoire folio designed to lead students seamlessly from the earliest classics to the intermediate masterworks. The 32 graded pieces are presented in a progressive order and feature a variety of traditional folk songs and classical favorites essential to any guitar student's educational foundation. The pieces are written in standard notation and tab, and include right and left hand fingerings. The authentic repertoire is ideal for auditions and recitals and is a perfect companion to any classical guitar method.

Guitar - intermediate

SKU: HL.14009334

Arranged by John W. Duarte. Music Sales America. Folk Music. Book [Softcover]. Music Sales #NOV954129. Published by Music Sales (HL.14009334).

A set of three traditional English folk songs arranged by John Duarte for the classical guitar.

Easy Gospel Songs for Little Guitar Pickers with CD arranged by Larry McCabe. For guitar. This edition: Paperback. Collection. Little Picker series. Sacred. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Roy Clark Christmas Songbook for Guitar composed by Roy Clark. For guitar. This edition: Paperback. Collection. Christmas. Book. Text Language: English. 128 pages. Published by Santorella Publications

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Guitar - intermediate

SKU: BT.LCM9790570122172

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122172. Published by London College Music (BT.LCM9790570122172).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - advanced

SKU: BT.LCM9790570122219

Exam Material. Book with Online Audio. 20 pages. London College Music #LCM9790570122219. Published by London College Music (BT.LCM9790570122219).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - easy

SKU: BT.LCM9790570122158

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122158. Published by London College Music (BT.LCM9790570122158).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - easy

SKU: BT.LCM9790570122165

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122165. Published by London College Music (BT.LCM9790570122165).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - advanced

SKU: BT.LCM9790570122226

Exam Material. Book with Online Audio. 20 pages. London College Music #LCM9790570122226. Published by London College Music (BT.LCM9790570122226).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - intermediate

SKU: BT.LCM9790570122196

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122196. Published by London College Music (BT.LCM9790570122196).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - intermediate

SKU: BT.LCM9790570122189

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122189. Published by London College Music (BT.LCM9790570122189).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - advanced

SKU: BT.LCM9790570122202

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122202. Published by London College Music (BT.LCM9790570122202).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Piano, Vocal and Guitar - Grade 2

SKU: HL.14021851

Music Sales America. Folk British Isles. Book [Softcover]. 56 pages. Music Sales #OMB77. Published by Music Sales (HL.14021851).

ISBN 9780946005543. 5.75x8.25x0.242 inches. English.

Continuing on from the first volume, More Songs And Ballads Of Ireland is another fabulous volume of traditional music from the Emerald Isle! It encompasses every style and type of Irish song to form a well rounded and versatile selection to enliven any sing-song, hooley or traditional session. This second collection of forty songs contains the complete words, music and guitar chords for each piece. Featured songs include: A Bunch of Thyme, The Wild Rover, Raglan Road and the ever popular Sally Gardens.

Guitar Solo. By Various. Arranged by Theodore Norman. Guitar Collection. Size 9x12 inches. 40 pages. Published by G. Schirmer, Inc.

Guitar

SKU: GI.G-017094

The Wedding Collection. Composed by Various. Lent 5 Year B, OT 33 Year B, easter 3 Year A. Sacred. Collection and CD. With guitar chord names. GIA Publications #017094. Published by GIA Publications (GI.G-017094).

English, Spanish, english or Spanish Bilingual.

WLP†™s wedding collection offers music of all styles—contemporar y songs, traditional pieces, or a combination of the two! Choose from 27 different songs found on this CD and in the accompanying songbook for vocals, guitar, and piano. Many of the pieces can also be found in the C instrument book for flute and violin. Includes songs from many popular musicians and composers such as Ed Bolduc, John Angotti, Danielle Rose, Michael John Poirier, Paul Tate, bilingual pieces from Pedro Rubalcava, and Peter Kolar, and more.  Elige entre 27 piezas diferentes que se encuentran en este libro de música (voz, guitarra y piano) y en el CD complementario. La colección incluye canciones en inglés y canciones bilingües de compositores conocidos como Pedro Rubalcava, Ed Bolduc, Danielle Rose, Peter Kolar y muchos otros. Muchas de las canciones también tienen partes para instrumentos en do, como flauta o violín, contenidas en una edición separada. .

Guitar

SKU: GI.G-9251G

Revised Order of Mass 2010. Composed by Liam Lawton. Arranged by Paul Tate. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 16 pages. GIA Publications #9251G. Published by GIA Publications (GI.G-9251G).

UPC: 785147925170. English, Greek, Latin. Text Source: Revised Order of Mass 2010, Lectionary for Mass

The Mass of St. Patrick, was commissioned for the celebration of the 800th anniversary of the founding of Ballintubber Abbey, famously known as the abbey that “refused to die.” As with so many of Liam Lawton’s compositions, his gift for melody grows out of the rich, lyric music tradition of his native Ireland.  Unmistakably Celtic in style, the the mass features simple harmonic textures which are enhanced by a C Instrument part woven throughout. The mass is set primarily in D major, making it accessible for Irish traditional instruments. The Mass of St. Patrick is a pleasing setting that your congregation will enjoy singing.

Composed by Mark Cruz. Squareback saddle stitch. Classical. Book. 136 pages. Mel Bay Publications, Inc #30841. Published by Mel Bay Publications, Inc

Guitar - Grade 2

SKU: FL.FX071735

Composed by Traditional. Edited by Didier Coll. The Must-Haves for Guitar. Classical, Educational. Guitar Part. FLEX Editions #FX071735. Published by FLEX Editions (FL.FX071735).

A must-have for solo Guitar. A popular English melody attributed to Henry VIII, Greensleves is one of the first real compositions a student of classical guitar should play.

This series proposes the very best of classical pieces for guitar, revised by great teachers and concertists, at reduced price.

1-2-3 Jazz, Frank Vignola presents an intuitive approach for learning how to play jazz guitar without a trace of theory, no tedious exercises and no long drawn out hyperbole about modes, altered chords and similar rocket science. DVD. Published by eMedia Music (EI.TF06141).

Piano, Vocal and Guitar - Grade 2

SKU: HL.14030869

By David Hammond. Edited by David Hammond. Music Sales America. Folk British Isles. Book [Softcover]. 136 pages. Music Sales #OMB10. Published by Music Sales (HL.14030869).

ISBN 9780853427766. English.

Contains 32 songs which typify the style of traditional Irish music from Belfast. Arranged into suitable sections which each deal with a particular genre or occasion, from Children's verse to Hornpipes and Soldier's Songs, the pieces are evocative of this rich and vibrant culture.

Guitar

SKU: GI.G-10539G

Arranged by Tony Alonso S.J. This edition: Guitar edition. Tune Name: Aleluya Popular. Sacred. Guitar part. With guitar chord names. 12 pages. GIA Publications #10539G. Published by GIA Publications (GI.G-10539G).

English, Latin, Spanish. Text Source: The Roman Missal / Misal Romano, traditional Spanish text / Letra tradicional, Eng. tr. / Tr. al ing. Tony Alonso; Translation: Tony Alonso.

Guitar

SKU: GI.G-10080G

Litany of the Holy Name of Jesus. Composed by Tony Alonso S.J. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 8 pages. GIA Publications #10080G. Published by GIA Publications (GI.G-10080G).

English, Latin, Spanish. Text Source: Tradicional / Traditional, adapt. Tony Alonso.

Guitar

SKU: HL.50600715

For Guitar. Composed by Fabian Payr. Guitar. Classical. Softcover. Composed 2016. Ricordi #SY2919. Published by Ricordi (HL.50600715).

EG inches. English.

Good technique doesnt appear overnight. Technical exercises are necessary but have a reputation for being boring and frustrating - perhaps this is down to perspective and attitude. Fabian Payr has developed an approach in Finger Fitness to train dexterityamong other thingsin a way that is anything but tedious. The focus of this collection of exercises are efficiency, accuracy and variety. With minimum time devoted to practice, a maximum benefit can be achieved, and monotony is avoided altogether through the built-in variations. The author, Fabian Payr, has adapted his successful Finger Fitness concept into a book of technical exercises for children or beginners. This attractive, fully illustrated book uses guitar tablature throughout, so its also ideally suited for those guitar students who havent yet mastered traditional music notation.