Par MARSH STEVE. The aim of this book is to gather in one place a compendium of techniques specific to the classical guitar. Each technique has a written explanation, preliminary exercises and two original compositions, providing the opportunity to use the techniques in a musical context.” Steve Marsh Mel Bay Publications was founded on Mel's simple pretext of 'finding a need, and filling it.” Mel Bay author, Steve Marsh, continues in that tradition with the publication of The Anthology of Classical Guitar Techniques, a highly original concept that fills a distinct need in the guitar study repertoire. Graded from lower intermediate to higher intermediate in difficulty, thisanthology avoids fundamental skills known to most beginners and goes straight to intermediate-level techniques such as: arpeggio, barré, campanella, glissando, harmonics, pizzicato, rapid scales, rasgueado, tambour, tremolo, vibrato, and more. Each of the 32 techniques is illuminated with preliminary studies and two original compositions, all written in standard notation only. If you're ready to take the next step with the classical guitar, this book will improve your technique and musicianship in general, increase your ability to listen to yourself critically, and so lead to more productive practice sessions. / Niveau : 3 / Classique / Date parution : 2018-05-04/ Etude / Guitare Classique

Par DEBUSSY CLAUDE / SANTOS YAGO. Written in standard notation and tablature, nearly all the pieces in The Music of Debussy for Solo Guitar were transcribed from piano scores. The book?s repertoire represents different periods in the composer?s life and compositional style, from the legendary ?Clair de Lune? to the ?Arabesque No. 1? and some of his most famous preludes, including ?La fille aux cheveux de lin?.Achille-Claude Debussy (1862 ? 1918) developed a highly original system of harmony and musical structure that expressed the ideals of the impressionist and symbolist painters and writers of his time. Oddly enough, Debussy rejected both the term ?Impressionism? and the theoretical approach to music, declaring, ?There is no theory. You merely have to listen. Pleasure is the law.?Author, Yago Santos writes:For me, Debussy represents the most exciting period in the history of music. He accomplished something that happens very rarely, and not in every lifetime; he brought a new kind of beauty into the world. I find it incredible that he never composed a piece for the guitar; that is why I decided to arrange this collection of some of his most famous pieces / Date parution : 2023-08-12/ Recueil / Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

In this one-hour instructional DVD James Alan Shelton and George Shuffler demonstrate and teach the guitar techniques that helped change the role of the guitar in bluegrass music. The music of the Stanley Brothers and Ralph Stanley and the Clinch Mountain Boys has featured lead guitar work since Bill Napier and George Shuffler brought the guitar to the forefront of the Stanley's music in the late 1950s. This video begins with James Alan Shelton, the current lead guitar player for Ralph Stanley and the Clinch Mountain Boys, picking a tune with the legendary George Shuffler. James then interviews George regarding the development of his 'crosspicking? guitar technique. George demonstrates the technique and provides a guitar solo to one of the tunes he helped to make a bluegrass standard, 'Will You Miss Me.? George and James then pick 'Katy Dear? together and demonstrate their crosspicking talents. The instructional portion of the video begins with James Alan Shelton demonstrating the crosspicking roll and providing several exercises which will serve to train your right hand to gain skill with the crosspicking technique. James then teaches a 'turnaround? to 'Rank Stranger? which utilizes the crosspicking technique to 'fill in the gaps? between vocal lines. He then shows how to take the simple melody line of a song, 'Uncloudy Day,? and incorporate the crosspicking technique between the melody notes. Next, James teaches a crosspicking break to 'Bury Me Beneath the Weeping Willow? and follows that tune by demonstrating how to transform a Carter style guitar solo into a crosspicking solo using the song 'Wildwood Flower? as an example. The next section of the video features James teaching two of his original flatpicking tunes 'Road to Coeburn? and 'Tom's Creek.? This is followed by a fingerstyle performance of Ralph Stanley's favorite guitar number, 'Cannonball Blues.? James concludes the instructional portion of the video by talking about his selection of guitar strings, picks, and capos and provides 'tricks of the trade? to help you keep your flatpick in good shape. George and James both talk about their signature model Huss and Dalton guitars and the video concludes with George and James picking 'Banks of the Ohio? together. All of the songs that are taught in the video are transcribed in the accompanying transcription book. / Guitare (Flatpick) Et Plectre

Par GALBRAITH BARRY. Play along with Barry! Contains fifteen 2-part inventions that demonstrates the rich, melodic genius of Bach in his most economical form. Contains position markings, where applicable, to smooth out difficult passages. The recording has Barry playing both parts with total stereo separation so you can fill in the missing part. Or, listen to both tracks in their entirety. / Rép International / Recueil / Guitare

Hal Leonard Pop Melody Supplements are the unique books that supplement any guitar method books 1, 2 or 3. The play-along CD features guitar on the left channel and the full rhythm section on the right. Each book is filled with great pop songs that students are eager to play!Cross-referenced with Hal Leonard Guitar Method Book 1 pages for easy student and teacher use. Includes 15 songs of the season: Away in a Manger - Caroling, Caroling - The Chipmunk Song - Do You Hear What I Hear - Good King Wenceslas - Grandma Got Run over by a Reindeer - Here Comes Santa Claus (Right Down Santa Claus Lane) - A Holly Jolly Christmas - Jingle Bells - Jolly Old St. Nicholas - Let It Snow! Let It Snow! Let It Snow! - O Come, O Come Immanuel - Santa Claus Is Comin' to Town - Silver Bells - You're All I Want for Christmas. / Guitare

Have you struggled through tedious lessons and boring instruction books in your desire to learn to play the Guitar? If you wish there was a fun and engaging way to motivate you in your Guitar playing quest, then All About Guitar is it.Whether it's learning to read music, playing in a Rock band, finding the right instrument, or all of the above, this enjoyable guide will help you to finally start playing your favourite songs in many different styles. Plus, learn interesting titbits on Guitar gear, care and maintenance, and other fun stuff about the Guitar.This fun-filled, easy-to-use guide includes:An introduction to Guitars.Step-by-step music reading instruction.Background on various styles of music, including dozens of favourite songs.Performing tips.25 songs, including Come as You Are, Iron Man, Pride and Joy, Sultans of Swing, Sweet Child O' Mine and many more. / Guitare

A.P., Sara et Maybelle Carter, appelés collectivement de la famille de Carter, ont été une force motrice dans l'histoire de la musique Country enregistrement depuis 1927. Dans cette leçon unique, Mike Seeger, avec Jeanette Carter, montre comment même près-débutants peuvent intégrer ces sons caractéristiques à leur propre jeu. Il démontre avec soin les techniques de prélèvement et célèbre ' Thumb-plomb ' employées dans des chansons comme fleur Wildwood. Découvrez les différences caractéristiques entre les styles hawaïen, Country Blues et Flatpick, que vous pouvez incorporer ensuite de développer vos propres sons. Le film inclut également Jeanette Carter, fille de A.P. et Sara, effectuant sur l'autoharpe et la guitare, tout en offrant des vives réminiscences de sa famille et de leur carrière incroyable et inspirant. / Guitare / Dvd

Buster B. Jones est un maitre en ce qui concerne les styles de guitare de Chet Atkins, Merle Travis, et Jerry Reed. Il a exploré leurs musiques respectives, styles et techniques, et a developpé son approche unique. Buster est reconnu comme étant un joueur rapide et dynamique, mais ces compositions originales mettent à jour une face plus douce de sa personnalité musicale. Dans ce DVD, il présente 6 instrumentisations originales. Elles sont dédiés et influencées par ses amis et sa famille - -- Thom Bresh, Marcel Dadi, Paul Yandell et sa petite fille Marissa. Ces instrumentisations vous charmeront mais seront également un vrai challenge technique. Titres inclus: Charming, Basically Bresh, Farewell My Friend, Marissa Dawn, Paul's Place et A Walk In The Park. / Guitare / niveau : Intermédiaire / Dvd

Cette leçon par un gigure légendaire dans le monde du pays et de la musique old-time est parfaite pour le sélecteur d'intermédiaire qui veut explorer une grande variété de techniques de flatpicking. L'enseignement de Norman Blake est clair et concis, et son choix de chansons et instrus viennent d'au coeur de son répertoire. Vous apprendrez Whiskey Before Breakfast, Gray Coat soldats, plus jolie petite fille dans le comté, le naufrage du vieux 97, Ginseng Sullivan et Bonaparte traversant le Rhin. L'accent de Norman est sur flatpicking fondamentaux tels que : alternance de traits Flatpick rouleaux Cross-picking Single-chaîne/rythmique-corde combinaisons diapositives, pull-offs, les positions de corde de hammer-ons Melody jouant a rejoint par sa femme et son partenaire musical Nancy Blake à la seconde guitare, Norman Blake discute technique de back-up, ainsi que des conseils précieuses sur l'utilisation de la capo, obtenir le plus de chaînes ouvertes, des techniques spéciales de profil et beaucoup de plus. / Guitare / niveau : Débutant / Dvd

Great musical ideas need a solid foundation of strong chops to back them up. Fill the gaps in your technique with this unique approach to jazz guitar. Build your finger strength, and flexibility with exercises and examples written especially for jazz players. This book covers the finger independence needed for smooth, rapid changes between complex jazz chords in the context of important progressions, such as ii-V-I. Develop your chops while practicing exercises in the style of the music you enjoy. The Serious Guitarist: Jazz Chops provides the tools you need to become a better guitar player, but more importantly, it will help you become a better musician. The included companion MP3 CD features demonstrations of the examples in the book. / Guitare

A Comprehensive Instruction Course with 99 Lessons. Par VON DORAN MATTHEW. This comprehensive book and video instruction course includes 99 lessons to show you how to play guitar! 14 hours of professional video instruction helps you focus on one concept at a time so you'll be making music after only a few lessons. The course is excellent for complete beginners, as well as experienced players who want to fill in the missing skills they need to take their playing to the next level! Bonus lessons and etudes with demonstration videos and play-along audio tracks are included, as well as video lessons that address goal setting, effective minset, time management and more. Every musical example is written out in tab notation, with fretboard and chord diagrams. / Méthode / Méthode / Guitare

Ultimate Rock Drumming by Jim McCall is the ultimate guide for learning the beats and fills used in today's music. There are over 16, 000 possible rhythmic possibilities that will be explored when studying this book. Ultimate Rock Drumming addresses all the different elements of rock 'n' roll including R& B, shuffles, 12/8 blues, pop, country, Latin and rock. Students will become quite the experts and develop a high level of skill after completing Ultimate Rock Drumming./ Recueil / Guitare

This new method makes learning strumming patterns a much easier and fulfilling experience. Featuring easy-to-read lead sheets that include melody line, words, fingerings and strumming patterns, each song also includes an additional one-page version of each song, consisting of words and chord changes. In additional, the included CD is jam packed with features to help you along the way to playing the songs, including short Mpeg film clips demonstrating the songs in detail and professional backing tracks in MP3 format in 3 versions: Full version (Guitar, Bass, Drums, Vocals) Play-along version (Bass, Drums, Vocals) Learning version (Guitar, click) With text in German and English. / Guitare Et Voix