Zohn, Andrew. Par ROSSINI G.. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Pour une utilisation dans les leçons ou pour vos performances premier concert - Concert Pieces 'Easy' pour guitare contient des pièces en solo facile et bien connu attentivement selcted selon les exigences techniques et musicales: Volume 1 Facile, Volume 2 intermédiaires. Outre les pièces de guitare originales de Aguado, Mertz, Diabelli, Carulli, Sor ou Carcassi il existe des dispositions facilement jouables de chefs-d'oeuvre classiques tels que Vivaldi 'Les Quatre Saisons', 'Musique feu d'artifice' de Haendel, Mozart 'La Flûte enchantée' ou de Verdi 'Choeur de l'hébreu esclaves '. Ces dispositifs sont conçus pour donner accès aux chefs-d'oeuvre du répertoire de concert et à favoriser l'exercice de la musique classique. Toutes les pièces sont inclus sur le CD d'accompagnement. / Guitare

Par NADAL DAVID. Transcribed, arranged and edited by concert guitarist David Nadal. This unique anthology samples the vast repertoire available for the beginning and intermediate guitarist. A number of these pieces have never appeared in a modern edition, while others have found their place among the world's best-loved compositions. Ranging from the earliest Italian lute tablatures to an arrangement of the American Favourite 'Dixie's Land' this edition will have something for everyone and must be the only one of its type in print. / Niveau : Facile / Recueil / Guitare

Cette collection ' oeuvres classiques ' pour les joueurs de guitare contient plusieurs pièces de différents compositeurs de la période classique sélectionnés par Yasuo Abe. Car pas de nombreuses oeuvres classiques pour guitare sont effectuées sur scène, Abe a choisi ces pièces, qui sont effectuées le plus souvent. À cela il a élu certaines des oeuvres plus populaires des compositeurs tels que Dionisio Aguado, Matteo Carcassi, Ferdinando Carulli, Anton Diabelli, Mauro Giuliani et Niccoló Paganini. / Guitare

Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)