Guitar SKU: M7.VOGG-343 Composed by Jeremy Sash. Sheet music with CD. 136...(+)
Guitar
SKU:
M7.VOGG-343
Composed
by Jeremy Sash. Sheet
music with CD. 136 pages.
Voggenreiter #VOGG 343.
Published by Voggenreiter
(M7.VOGG-343).
ISBN
9783802403439.
English.
The goal
of this book is to
promote rhythmically and
harmonically challenging
phrases and licks in
order to give you an
authentic inside view on
seven selected styles.
Live or in a recording
session: playing rhythm
is the guitarists main
duty. This makes it even
harder to understand why
most guitarists rhythm
work (frankly) sounds
rather unrehearsed and
colorless.Especially
since working with drum
machines and samplers has
become a vital part of
musical performance, a
good sense of rhythm and
some cool licks may just
be your 'key to
success'.
Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M).
ISBN
9781737795353. 8.75X11.75
inches.
This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book.
Guitar SKU: HL.49047072 18 Crossover Pieces Advanced Players For Solo ...(+)
Guitar
SKU:
HL.49047072
18
Crossover Pieces Advanced
Players For Solo
Guitar. Composed by
Thomas Fellow. Guitar.
Brazilian, Classical,
Jazz, Pop. Softcover. 76
pages. Schott Music
#ED23481. Published by
Schott Music
(HL.49047072).
UPC:
196288115038.
Thoma
s Fellow, author of the
successful standard work
Fellow Guitar Book and
guitarist who gives
concerts worldwide
(European GuitarQuartet,
Friend `n Fellow, Hands
on Strings), expands his
Guitar Music Collection
with this and the
following volume by an
extensive number of
compositions in his own
modern, stylistically
open tonal language. This
booklet with 18
DELIGHTFUL CROSSOVER
PIECES is aimed at
interested students,
concert guitarists as
well as ambitious
amateurs. The pieces are
demanding (level of
difficulty 4 - difficult)
and, thanks to the
additional notation in
TABS, are a perfect
addition to the
repertoire of modern
guitar literature, even
for players who are not
familiar with music.
FINGERFOOD XXL Vol. 1
includes shorter
compositions (STARTER)
and a whole series of
ballads (SWEET). All
pieces are concertante,
buteach in its own way.
And so fingerstyle
influences can be
recognized as well as
Brazilian sounds,
sometimes Fellow
approaches jazz,
sometimes pop music and
always conveys joy of
playing and listening
pleasure.
Guitar SKU: UT.CH-360 Composed by John W. Duarte. Edited by Brian Roberts...(+)
Guitar
SKU:
UT.CH-360
Composed by
John W. Duarte. Edited by
Brian Roberts. Saddle
stitching. Classical. Ut
Orpheus #CH 360.
Published by Ut Orpheus
(UT.CH-360).
ISBN
9790215327252. 9 x 12
inches.
I am very
grateful to Andrea
Schiavina and Ut Orpheus
Edizioni for their
interest in my father's
unpublished works. I hope
that these new pieces
will pique the interest
of guitarists the world
over and contribute to an
overview of the work of
one of the guitar's most
prolific composers. My
thanks go to Brian
Roberts, of Wayne State
University, who has
offered to oversee the
technical and musical
aspects concerned with
presenting this music and
to all the individual
editors who have
generously given of their
time. Any mistakes in the
transmission of their
ideas are entirely
mine.
Guitar SKU: UT.CH-395 Composed by Giorgio Signorile. Classical. Score. Ut...(+)
Guitar
SKU:
UT.CH-395
Composed by
Giorgio Signorile.
Classical. Score. Ut
Orpheus #CH 395.
Published by Ut Orpheus
(UT.CH-395).
ISBN
9790215328587. 9 x 12
inches.
Il
grande larice rosso;
Piccole vite; Requiem per
un bosco
Never
before have I felt the
urgency within myself to
communicate with my
instrument something
which goes beyond just
the notes, a desire to
embrace with music parts
of the world which I see
as being so neglected and
abandoned, as if man were
no longer able to see
beyond the narrow
confines of his home and
work spaces. The
environment which
surrounds us, free and
pure, seems to bow more
and more to the base
instincts of abuse which
man brings into play...
the destruction of
centuries-old forests and
glaciers, the
construction of harmful
and disturbing, useless
and polluting elements...
and I wonder what we can
do, what I, as a
musician, can do, at
least to show my
disapproval of these
situations. I have no
straight answer but I
know that writing the
music I love to play,
often born in natural and
wild environments can
help to dream of, or
imagine a present time
which is more on a human
scale, thanks to the
strong evocative power
which music possesses and
emanates. This is the
meaning of these
compositions, dedicated
to a tree, a 700-year-old
specimen of the Stura
Valley, Lu Merze Gros
(The Big Larch), to the
small beings which
inhabit it, in the bark,
among its foliage, in the
surrounding soil and to
my sense of frustration
at seeing a forest of fir
trees razed to the ground
to allow the construction
of a bobsleigh
run. This action of
mine has been useless and
nostalgic perhaps, but it
has given me intense
moments of emotion in the
writing and moves me
enormously during its
performance.
