Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy
SKU:
HL.49044752
Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752).
ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches.
Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH.
Guitar SKU: M7.VOGG-347 Composed by Sash J. Sheet music with CD. 120 page...(+)
Guitar
SKU:
M7.VOGG-347
Composed
by Sash J. Sheet music
with CD. 120 pages.
Voggenreiter #VOGG 347.
Published by Voggenreiter
(M7.VOGG-347).
ISBN
9783802403477.
German.
Für alle
Gitarristen, die
ausgetretene Solo-Pfade
verlassen und neue
kreative Möglichkeiten
entdecken wollen: neue
Methoden zur Entwicklung
eines eigenständigen
Solostils für
Anfänger und Profis.
Dieses Buch ermöglicht
jedem Gitarristen die
konsequente Entwicklung
einer eigenen 'Stimme'.
Dabei spielen
theoretische Grundlagen
wie die Kenntnis der
wichtigsten Skalen und
Modi eine ebenso große
Rolle wie kreative Ideen
für die musikalische
Praxis. Mit Tipps zu
Motivbildung,
Stimmführung,
Phrasierung,
Spezial-Effekten,
Akkordstrukturen und
Arpeggien, traditionellen
und exotischen Skalen
kann sich jeder Gitarrist
individuell
weiterentwickeln. Mit
einem eigenen Abschnitt
über das oft
vernachlässigte Thema
'Musikbusiness' und
zahlreichen
Praxis-Tipps.
44 Easy Guitar Pieces from 5 Centuries. Edited by Peter Ansorge and Bruno Szordi...(+)
44 Easy Guitar Pieces
from 5 Centuries. Edited
by Peter Ansorge and
Bruno Szordikowski. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Edition with CD. 32
pages. Schott Music #ED
20601. Published by
Schott Music
(32 Transcriptions for Guitar). Composed by Wolfgang Amadeus Mozart (1756-17...(+)
(32 Transcriptions for
Guitar). Composed by
Wolfgang
Amadeus Mozart
(1756-1791).
Arranged by Martin Hegel.
For
Guitar (Guitar). Guitar.
Softcover. Schott Music
#ED21856. Published by
Schott
Music
Guitar SKU: HL.50510211 Guitar Solo. By Daniel Benko. By Hans Neus...(+)
Guitar
SKU:
HL.50510211
Guitar
Solo. By Daniel
Benko. By Hans Neusidler.
Arranged by D. Benkö.
Renaissance. EMB. Book
[Softcover]. 12 pages.
Editio Musica Budapest
#Z8880. Published by
Editio Musica Budapest
(HL.50510211).
ISBN
9790080088807. UPC:
073999265699.
9.0x12.0x0.065 inches.
Hungarian, English,
German. Daniel
Benko.
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6761EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6761EM.
Published by Metropolis
Music Publishers
(IS.G6761EM).
Guitar Solo SKU: IS.G6760EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6760EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6760EM.
Published by Metropolis
Music Publishers
(IS.G6760EM).
Chamber Music Guitar SKU: PR.114423450 Composed by Máximo Pujol. Full ...(+)
Chamber Music Guitar
SKU: PR.114423450
Composed by Máximo
Pujol. Full score. 8
pages. Duration 9
minutes. Theodore Presser
Company #114-42345.
Published by Theodore
Presser Company
(PR.114423450).
By Mel Bay and William Bay. For Guitar (All). method. Non-Series. All Styles. L...(+)
By Mel Bay and William
Bay. For Guitar (All).
method. Non-Series. All
Styles. Level: Beginning.
Book CD DVD. Size
8.75x11.75. 88 pages.
Published by Mel Bay
Publications, Inc.
By Groeber, Hoge, Sanchez, Welch. For Guitar. The Performance Book provides addi...(+)
By Groeber, Hoge,
Sanchez, Welch. For
Guitar. The Performance
Book provides additional
songs written in a
variety of styles to
reinforce skills learned
in the Lesson Book.
Guitar. Level: Primer.
Book. Published by The
FJH Music Company Inc.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6764EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6764EM.
Published by Metropolis
Music Publishers
(IS.G6764EM).
Composed by Johann Kaspar Mertz (1806-1856). For Guitar. Book; Classical Guitar ...(+)
Composed by Johann Kaspar
Mertz (1806-1856). For
Guitar. Book; Classical
Guitar Folio;
Masterworks. Alfred
Classical Guitar
Masterworks. Acoustic;
Masterwork; Romantic.
Intermediate. 88 pages.
Published by Alfred Music
Guitar Solo SKU: IS.G6766EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6766EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6766EM.
Published by Metropolis
Music Publishers
(IS.G6766EM).
Medium voice and guitar SKU: HL.49005663 Folk- and Dance songs. Ed...(+)
Medium voice and guitar
SKU: HL.49005663
Folk- and Dance
songs. Edited by
Cesar Bresgen and Hubert
Zanoskar. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 28 pages.
Schott Music #ED 5415.
Published by Schott Music
(HL.49005663).
ISBN
9790001061001.
7.5x10.75x0.102 inches.
German.
Medium voice and guitar SKU: HL.49005662 Foks- and Dance songs. Ed...(+)
Medium voice and guitar
SKU: HL.49005662
Foks- and Dance
songs. Edited by
Cesar Bresgen and Hubert
Zanoskar. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 24 pages.
Schott Music #ED 5414.
Published by Schott Music
(HL.49005662).
ISBN
9790001060998.
7.5x10.75x0.086 inches.
German.
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6763EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6763EM.
Published by Metropolis
Music Publishers
(IS.G6763EM).
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6765EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6765EM.
Published by Metropolis
Music Publishers
(IS.G6765EM).
Guitar Solo SKU: IS.G6767EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6767EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6767EM.
Published by Metropolis
Music Publishers
(IS.G6767EM).
ISBN
9790365067671.
This
sonata (WeissSW No. 15,
London) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata X comes
from Weissâ??s middle
â??productiveâ??
period, thought to have
taken place between 1719
and 1725. The original
tablature manuscript is
in the British Library
(London Ms. Add. 30387).
The Sonata has six
movements: Allemande,
Courante, Paisane,
Sarabande, Menuet, and it
ends with a Gigue. There
is a another copy of this
Sonata in the Warszawa
Biblioteka Uniwersytecka
Poland (in its entirety),
and a copy in the
Sächsisches
Landesbibliothek in
Dresden (Suite XXVI),
which contains three
concordant movements:
Allemande, Courante, and
the Gigue. The Dresden
manuscript displays some
differences from the
London manuscript. This
Edition has taken those
differences into account
in certain details.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret.