58
Easy Pieces for
Guitar. Arranged by
Martin Hegel. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Dieses
Heft enthalt alles, was
man fur den
Gitarrenunterricht
braucht: 58 leichte
originale Gitarrenstucke
von Aguado, Mertz,
Diabelli, Carulli, Sor
oder Carcassi, aber auch
leicht spielbare
Bearbeitungen der
klassischen Musik aus den
Bereichen Orchesterm.
Softcover with CD. 46
pages. Schott Music
#ED21305. Published by
Schott Music
(HL.49019327).
ISBN
9783795747558. UPC:
841886018204.
9.0x12.0x0.2
inches.
This volume
contains everything
needed for guitar
lessons: 58 easy original
guitar pieces by Aguado,
Mertz, Diabelli, Carulli,
Sor or Carcassi, but also
easy-to-play arrangements
of classical music from
the fields of orchestral
music, chamber music or
opera. Among them are
themes from Vivaldi's
Four Seasons, from
Handel's Music for the
Royal Fireworks, Mozart's
Magic Flute, Beethoven's
Symphony No. 9 or Verdi's
Chorus of the Hebrew
Slaves. It is this
volume's concern to make
classical masterpieces of
concert literature
accessible to children by
means of such rather easy
arrangements and make
them enjoy classical
music. All pieces are
recorded on the
accompanying CD to make
it easier for the pupils
to study and master the
works.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: HL.49005535 Werke aus dem 17. und 18. Jahrhundert. Edi...(+)
Guitar
SKU:
HL.49005535
Werke
aus dem 17. und 18.
Jahrhundert. Edited
by Barna Kovats and
Ferenc Brodszky. Sheet
music. Edition Schott.
Classical. 32 pages.
Schott Music #ED 5229.
Published by Schott Music
(HL.49005535).
Guitar - Beginning-Intermediate SKU: MB.97195M A Comprehensive Method ...(+)
Guitar -
Beginning-Intermediate
SKU: MB.97195M
A Comprehensive Method
for Today's
Guitarist!. Composed
by William Bay.
Flatpicking, Style,
Method, Contemporary,
Perfect binding.
Mastering the Guitar.
General/Note Reading and
Chording. Book and online
audio. 184 pages. Mel Bay
Publications, Inc
#97195M. Published by Mel
Bay Publications, Inc
(MB.97195M).
ISBN
9780786696734. UPC:
786696737. 8.75 x 11.75
inches.
Absolutely
the best, most
comprehensive new method
available for guitar.
Introducing the
innovative new Zone
Concept for learning
position playing. Over
150 solos and duets in
the keys of C, G, D, and
B minor. Musical styles:
bossa nova, Latin,
fiddle/tunes/
hornpipes/reels, Celtic
music, ragtime, baroque,
jazz, swing jazz ballads,
American folk ballads,
rock, early-American
hymnody, be-bop, blues,
samba, and tango.
Concepts presented: basic
improvisation, rhythmic
variation, velocity
studies, sight-reading,
passing tone studies ,
chord progression
studies, arpeggio
studies, dropped-D
tuning, blues, blues
turn-arounds,
licks/fills/ breaks, bass
runs, principles of
memorization, chord
studies, minor pentatonic
scale, principles of
successful practice,
priciples of successful
performance, movable
power chords, and rock
comping. New Composers
featured: J.S.
Bach,Carcassi, Moaazni,
Giuliani, Carulli,
Vivaldi, Handel, Sor,
Galilei, Tarrega,
Debussy, H.L. Clark, St.
Jacome, Corelli, Johann
Krieger, Wohlfahrt,
Jeremiah Clarke, plus
guitar duos on selections
from Handels Water Music,
Vivaldis Four Seasons,
and selected Bach
cantatas. Includes access
to extensive online
audio.
(Revised and Updated Edition) Compiled by Jerry Willard. Guitar solo book (spira...(+)
(Revised and Updated
Edition) Compiled by
Jerry Willard. Guitar
solo book (spiral bound)
for classical guitar
solo. With standard
guitar notation. 256
pages. Published by Music
Sales.
Guitar - Early intermediate SKU: GI.G-7618G Composed by George Frideric H...(+)
Guitar - Early
intermediate
SKU:
GI.G-7618G
Composed
by George Frideric
Handel. Arranged by Tony
Alonso S.J. This edition:
Guitar edition.
Christmastide, Christmas
Vigil, Christnas Night,
Christnmas Dawn,
Christmas Day. Tune Name:
Antioch. Sacred. Guitar
part. With guitar chord
names. 3 pages. GIA
Publications #7618G.
Published by GIA
Publications
(GI.G-7618G).
English.
Text source: Based on
Psalm 98. Text by Isaac
Watts. Scripture: Psalm
98.
Guitar SKU: GI.G-10436G Composed by George Frideric Handel. Arranged by T...(+)
Guitar
SKU:
GI.G-10436G
Composed
by George Frideric
Handel. Arranged by Tony
Alonso S.J. This edition:
Guitar edition. Tune
Name: Antioch. Sacred.
Guitar part. With guitar
chord names. 3 pages. GIA
Publications #10436G.
Published by GIA
Publications
(GI.G-10436G).
UPC:
785147043676. English.
Text Source: Isaac Watts,
1674-1748, alt. Text by
Isaac Watts.
Guitar SKU: BT.DHP-1023231-401 Gitarrenschule Band 3. Composed by ...(+)
Guitar
SKU:
BT.DHP-1023231-401
Gitarrenschule Band
3. Composed by
Traditional. Arranged by
Aaike Jordans.
Educational Tool. Book
Only. Composed 2002. 36
pages. De Haske
Publications #DHP
1023231-401. Published by
De Haske Publications
(BT.DHP-1023231-401).
ISBN 9789043117210.
German.
Ich
spiele Gitarre! ist
eine neuartige Schule
für
Anfänger auf der
Gitarre ab neun oder zehn
Jahren. Jeder Band
enthält viele
bekannte Lieder
verschiedener
Musikrichtungen, wie z.B.
Klassik, Pop, Blues oder
Folk. Neu ist, dass in
Ich spiele
Gitarre! neben dem
Spielen von Melodien auch
besonderer Wert auf das
Erlernen und Spielen von
Akkorden gelegt wird.
Schritt für
Schritt wird der
Gitarrenschüler in
die Geheimnisse des
Gitarrenspiels
eingeweiht. Jede Menge
ÃÅbungsstück
e, lustige Spiele,
Rätsel und
Gehörübunge
n sorgen für viel
Abwechslung. Selbst
Improvisieren und
Komponieren sind in den
fünf Bänden
dieser Schule ein Thema.
Schon nach wenigen Wochen
werden auchIhre
Schüler stolz
sagen können: Ich
spiele
Gitarre!ââ¬Å
Band 3 behandelt: Das
Kreuz und das
Auflösungszeichen;
Die Tonart G-Dur;
Versetzungs- und
Vorzeichen; Der e-Moll
Akkord; Wiederholung
C-Dur und a-Moll; G-Dur
oder e-Moll?; Die D-Dur,
h-Moll, F-Dur, d-Moll und
A-Dur Tonleitern; Der D-
und F-Akkord; Das Be;
Sechzehntelnoten sowie
über 40
ÃÅbungslieder.
Guitar SKU: HL.49014429 Composed by John William Duarte. Edited by John W...(+)
Guitar
SKU:
HL.49014429
Composed
by John William Duarte.
Edited by John William
Duarte. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 12 pages.
Schott Music #ED11081.
Published by Schott Music
(HL.49014429).