Par EPS GEORGE VAN. The most in-depth, revolutionary of the harmonic framework of music as applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar. / Niveau : Intermédiaire à Avancé / All Styles - Theory and Harmony / Etude / Guitare

Anyone interested in learning to play rock guitar can pick up this book and get started right away. This well-paced, comprehensive method covers everything, from basic to advanced techniques. Beginning concepts include rock theory, left-hand technique, improvising with the pentatonic scales, power chords, rhythm guitar, and licks in the styles of such greats as Chuck Berry, Van Halen, Led Zeppelin, and more. For the intermediate player, this book can help with harmonization to triads, chord embellishment, composite scales, and improvising with the modes. The book concludes with advanced techniques including pentatonic extensions, the major and harmonic minor scales, arpeggios, and technique-expanding exercises on legato playing, speed picking, intervallic playing, tapping, sweep-picking, and bending. Whether you are starting to learn rock guitar or are an advanced player looking to give your playing more nuance, Rock Guitar Method Complete is all you will ever need. An MP3 CD demonstrating examples in the book is included. / Guitare

Great musical ideas need a solid foundation of strong chops to back them up. Fill the gaps in your technique with this unique approach to rock guitar. Build your finger strength, flexibility, and independence with exercises and examples written especially for rock players. This book explores all the important soloing techniques such as speed picking, sweeping, tapping, harmonics, scale sequencing, and more. Develop your chops while practicing exercises in the style of the music you enjoy. The Serious Guitarist: Rock Chops provides the tools you need to become a better guitar player, but more importantly, it will help you become a better musician. The included companion MP3 CD features demonstrations of the examples in the book. / Guitare

Par MIRIC TANJA. The ten-hymn selection (including among others Come, Thou Fount of Every Blessing and How Firm a Foundation) largely avoids chordal style harmonization, but rather employs the open strings of the instrument in a creative way to make the melody and accompaniment sound rich, vibrant and easier to play. Most arrangements are in standard tuning (with occasional dropped D tuning) and include extensive fingerings. / Niveau : Intermédiaire / Date parution : 2019-05-27/ Recueil / Guitare Classique

In this exciting new series Danny Gill explains the construction and theory behind the wonderfully exotic sounding harmonic minor scale. From fingerings to thechords it contains you'll learn exactly what this scale is, how it sounds and how to play it. / Guitare

Par CASTLE JOSEPH. Easy classical arrangements of well-known carols transposed to keys suitable for solo guitar. Original harmonizations are retained if possible, but chords are sometimes structured to sound full and complete on the guitar. / Niveau : Débutant / Christmas - Solos / Recueil / Guitare Classique

Une des personnalités plus importantes dans le monde de la guitare Jazz, Larry Coryell a joué contre les meilleurs et présente ici un aperçu de son approche distinctive et fluide. Des héros bebop Sonny Rollins et Charles Mingus à superstars de fusion Chick Corea et John McLaughlin, guitare de Coryell jouant a honoré les enregistrements des étoiles les plus chaudes du Jazz, faisant de lui un guitariste de réputation énorme et le respect. Dans ce DVD de trois volets série Coryell analyse son propre point de vue Jazz, fournissant une méthode empirique de l'improvisation solo et corde. Volume trois comprend : Sweep picking, dos picking, triplets de cueillette à hybride et d'application de ces techniques de rythme orientés sur le brésilien techniques Chords et travaillait en utilisant seulement les doigts Comping sur les étapes géant comment de Coltrane présenter en solo sur un pas de géant en utilisant harmonique ' raccourcis ' et unauthodox modifications Reharmonization de la mélodie et les changements ' gonflants ' idées Reharmonization appliquée à l'Hat Porkpie de Mingus Goodbye le caractère déterminant... / Guitare

Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas. This volume deals with the main flamenco modes extracted from the Arabic modal system, Maqam. First, the concept of tetrachordal modal construction is introduced. The ten main flamenco modes are explained, and the concept of advanced, horizontal left-hand fingerings for guitar is introduced. Since modern flamenco harmony is heavily influenced by jazz, the concept of harmonic substitutions is introduced. Different types of harmonic substitutions are analysed and four types of cadences are explained. The use of “add chords” in flamenco tonalities is presented and various examples of traditional flamenco forms are harmonized, with a detailed explanation of the harmonic substitutions being applied. Appendix I contains 55 licks in the main flamenco modes. These licks are harmonized and each come with complete guitar fingerings. Appendix II is a complete thesaurus of the flamenco modes in all of their vertical and horizontal guitar fingerings, and are written in every flamenco tonality.   / Methods & Tutors / Etude / Guitare

Méthode progressive, vol. 1 (franCais / english / español)64 p., Niveau 1Une nouveauté aux Productions d'Oz, forts actives dans le domaine de la pédagogie pour guitare. ConCue pour être utilisée avec un professeur, la Méthode progressive pour guitare de Claudio Camisassa se démarque des autres ouvrages pour guitaristes débutants. De très nombreux morceaux sur les cordes à vides (une quinzaine de pages) permettent à l'élève de se concentrer sur l'acquisition d'un bonne technique de main droite, seul le pincé étant abordé dans ce premier volume. La méthode qui s'appuie sur un répertoire original écrit par Claudio Camisassa, comporte de nombreux duos pour l'éléve et le professeur et, surtout pour l'éléve, un accompagnement optionnel en accord ou en arpèges des mélodies travaillées. Deux pages d'exercices journaliers simples mais réellement efficaces, accompagnées d'indications précises sur Ies techniques de jeu, complètent cette méthode au chemin pédagogique efficace et rigoureux.(FranCois Nicolas, Guitare Classique, 2e trimestre 2002)This well-presented volume takes students from the very beginning with four main objectives of Classical Guitar Magazine developing technique, sight-reading, basic chord accompaniments and duo playing, and assumes the student is working with a teacher. It is very methodical, beginning with photographs of hand positions etc, and gives explanations of both rest and free stroke from the start. The first musical examples are open string melodies with added chord symbols with plenty of varied exampIes, and blank staves are given for note-writing exercises and also for aural tests, both of which are useful ideas for reinforcing general musical understanding. Apart from chord symbols, the left hand is first introduced with natural harmonics at the twelfth fret in an effective two-part exercise Carillon, which requires right fingers and thumb. Combinations of open strings and right-hand arpeggios follow and the opening section is brought to a natural close with Valse des Harmoniques - nicely shaped and quite complex with its use of natural harmonics, but a bit over-long. Camisassa now introduces notes on each string, in turn, in first position, and more complex arpeggio patterns, illustrated by pieces utilising each new group of notes. 2-guitar arrangements of tunes including Frere Jacques and Au Clair de la lune and Alouette, gentille alouette work quite weIl with straightforward accompaniments. I liked Camisassa's Tango, and Recuerdo de mi infanta, a two-part milonga reminiscent of Cardoso. Favourites such as Greensleeves and Malaguena are also included, and there are many pieces by Camisassa included which aim to enforce musical ideas. I found the way this book progresses, and the technical and musical aspects it teaches, very good and very thorough. I found myself using it a lot as supplementary material to demonstrate technical points and for sight-reading. However, the majority of pieces written by Camisassa did not inspire me musically and would need to be supplemented with pieces of more characterful musical interest, particularly for young players, but this volume does have much to offer.(Linda Kelsall Barnett, Classical Guitar Magazine, June 2002) / Guitare

Une nouveauté aux Productions d'Oz, forts actives dans le domaine de la pédagogie pour guitare. Conçue pour être utilisée avec un professeur, la Méthode progressive pour guitare de Claudio Camisassa se démarque des autres ouvrages pour guitaristes débutants. De très nombreux morceaux sur les cordes à vides (une quinzaine de pages) permettent à l'élève de se concentrer sur l'acquisition d'un bonne technique de main droite, seul le pincé étant abordé dans ce premier volume. La méthode qui s'appuie sur un répertoire original écrit par Claudio Camisassa, comporte de nombreux duos pour l'éléve et le professeur et, surtout pour l'éléve, un accompagnement optionnel en accord ou en arpèges des mélodies travaillées. Deux pages d'exercices journaliers simples mais réellement efficaces, accompagnées d'indications précises sur Ies techniques de jeu, complètent cette méthode au chemin pédagogique efficace et rigoureux.» (François Nicolas, Guitare Classique, 2e trimestre 2002) 'This well-presented volume takes students from the very beginning with four main objectives of Classical Guitar Magazine developing technique, sight-reading, basic chord accompaniments and duo playing, and assumes the student is working with a teacher. It is very methodical, beginning with photographs of hand positions etc, and gives explanations of both rest and free stroke from the start. The first musical examples are open string melodies with added chord symbols with plenty of varied exampIes, and blank staves are given for note-writing exercises and also for aural tests, both of which are useful ideas for reinforcing general musical understanding. Apart from chord symbols, the left hand is first introduced with natural harmonics at the twelfth fret in an effective two-part exercise Carillon, which requires right fingers and thumb. Combinations of open strings and right-hand arpeggios follow and the opening section is brought to a natural close with Valse des Harmoniques - nicely shaped and quite complex with its use of natural harmonics, but a bit over-long. Camisassa now introduces notes on each string, in turn, in first position, and more complex arpeggio patterns, illustrated by pieces utilising each new group of notes. 2-guitar arrangements of tunes including Frere Jacques and Au Clair de la lune and Alouette, gentille alouette work quite weIl with straightforward accompaniments. I liked Camisassa's Tango, and Recuerdo de mi infanta, a two-part milonga reminiscent of Cardoso. Favourites such as Greensleeves and Malaguena are also included, and there are many pieces by Camisassa included which aim to enforce musical ideas. I found the way this book progresses, and the technical and musical aspects it teaches, very good and very thorough. I found myself using it a lot as supplementary material to demonstrate technical points and for sight-reading. However, the majority of pieces written by Camisassa did not inspire me musically and would need to be supplemented with pieces of more characterful musical interest, particularly for young players, but this volume does have much to offer.' (Linda Kelsall Barnett, Classical Guitar Magazine, June 2002)

Within Three-Part Harmony. Par HAAGE JOHANNES. This book focuses on the intersection of melody and harmony. While valuable for all instrumental and choral composers and arrangers, it specifically explores ways to move melodic voices independently within three-part harmony on the guitar. All you need to benefit from this book is the ability to read standard notation on the guitar. Working through this book will improve fretboard knowledge and help you write better melody-chord arrangements.For the first time in print, VOICE MOTION presents a condensed, comprehensive list of all the possible ways for three voices to move in 2nds or 3rds within the context of common 7-note or heptatonic scales. With graphic illustrations that instantly reveal the nature of the motion (see front cover), the versatility of this list is unparalleled in modern music publishing.VOICE MOTION contains not only the essential list of all possible moves, in close and open (drop-2) voicing, but also:Begins with a complete course on diatonic three-voice chords and continues with a structured presentation of the ways to move voices within them.Introduces a unique harmonic toolbox which can be used at any stage of a musician?s personal artistic development.Provides an overview of heptatonic harmony and melodic movement which can be used when writing for or playing three voices in any harmonic situation.Vastly expands the reader?s chord vocabulary while demonstrating a clear method for learning to move any harmonic voice independently, in any inversion.Definitively explores all relevant heptatonic scales, their modes and three-part chord structures as well as presenting many examples, exercises and etudes to demonstrate their practical application.Presents a fretboard diagram and C major diatonic and chromatic scale exercises in notation and tab to clarify note locations on the guitar.Offers a special section applying the book?s principles to keyboard instruments.Includes access to online audio of select exercises and etudes plus three of the author?s original compositions demonstrating the techniques shown in this 316-page book. / Date parution : 2022-09-20/ Etude / Guitare

Par INGRAM ADRIAN. A varied collection of masterpieces respectfully arranged for solo jazz guitar. From the readily playable to the fiendishly virtuosic, there are challenges for all ability levels including syncopation, jazz chords and 'Lenny Breau style' cascading harmonics. - Selection of universally acknowledged masterpieces - Modern yet historically respectful arrangements - Challenges all ability levels - Arrangements feature syncopation, jazz chords and 'Lenny Breau style' arpeggios in harmonics - Playable both finger style and/or pick and finger combinations - Essential material for both study and performance - Enjoyable and rewarding pieces to play / Niveau : Intermédiaire à Avancé / Jazz - Solos / Recueil / Guitare

In the Style of Joe Pass. Presents hundreds of improvised melodic lines played by Joe Pass. Each of the melodic lines are grouped in the harmonic situation in which they were originally played (i.e. all minor lines are presented together and all dominant seventh lines are presented together, etc). The companion play along audio recording has a 'live' rhythm section playing single chord vamps as well as vamps covering all twelve keys for each harmonic situation. An etude over the changes to Satin Doll shows how to apply the various lines and create improvised solos. Includes access to online audio. / Niveau : Intermédiaire / Jazz / Etude / Guitare Flatpicking et Fingerpicking

Par BARRIOS MANGORE AGUSTIN. In the music of Agustin Barrios Mangore we find truly inspired creativity combined with a total technical dominio of the guitar's harmonic capabilities. His knowledge of harmonic science enabled hi to compose in several styles: baroque, classic, romantic and descriptive. He composed preludes, studies, suites, waltzes, mazurkas, taratellas and romanzas, as well as many onomatopoetic works describing physical objects or historical/cultural themes. One can appreciate in Barrios Mangore a logical expansion of techniques defined by masters such as Sor and Tarrega, carried to an even higher level of expressiveness and technical expertise. The legacy of his genius is a priceless onefor all lovers of the guitar. Richard Stover/ Répertoire / Guitare