Guitar

SKU: GI.G-9616G

From the Heart of Pope Francis. Composed by Jeanne Cotter and Tony Alonso S.J. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 56 pages. GIA Publications #9616G. Published by GIA Publications (GI.G-9616G).

UPC: 785147961673.

By his words and actions, Pope Francis compels the global Church to a radically renewed personal encounter with Jesus Christ. Encounter: From the Heart of Pope Francis is a performance piece that animates this call in song, story, and prayer, inviting all Christians to risk stepping toward Jesus in both the blessing and the bruising of daily life. Encounter takes us to the front lines of God’s field hospital, calling us to a revolution of tenderness in a world desperate for healing, wholeness and hope. This guitar edition for Encounter includes melody lines, lyrics, and chord symbols. When used in connection with the other available editions listed below, any parish or community will be able to bring this performance piece to life. However, the songs of Encounter are also useful for liturgical celebrations and other occasions throughout the year.

Guitar

SKU: GI.G-10535G

Composed by Tony Alonso S.J. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 6 pages. GIA Publications #10535G. Published by GIA Publications (GI.G-10535G).

English, Spanish. Text Source: English ref.: John 6:68c, Lectionary for Mass, English vss.: Psalm 19, The Abbey Psalms and Canticles, Spanish ref.: Juan 6:68c, Spanish vss.: Salmo 19(18), Leccionario Edición Hispanoamericana

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Guitar

SKU: GI.G-7772G

O Sacrament Most Holy - Communion Rite. Composed by Ian Callanan. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #7772G. Published by GIA Publications (GI.G-7772G).

English. Text Source: 1. Lamb of God, 2. original words by Callanan, Raccolta, and John 6:30–48. Text by Ian Callanan.

Guitar

SKU: GI.G-9899G

Composed by Pablo Sosa. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 6 pages. GIA Publications #9899G. Published by GIA Publications (GI.G-9899G).

UPC: 785147989974. English, Spanish. Text Source: Spanish Words by Pablo Sosa, English tr. Andrew Donaldson; Translation: Andrew Donaldson. Text by Pablo Sosa.

Guitar

SKU: UT.CH-360

Composed by John W. Duarte. Edited by Brian Roberts. Saddle stitching. Classical. Ut Orpheus #CH 360. Published by Ut Orpheus (UT.CH-360).

ISBN 9790215327252. 9 x 12 inches.

I am very grateful to Andrea Schiavina and Ut Orpheus Edizioni for their interest in my father's unpublished works. I hope that these new pieces will pique the interest of guitarists the world over and contribute to an overview of the work of one of the guitar's most prolific composers.
My thanks go to Brian Roberts, of Wayne State University, who has offered to oversee the technical and musical aspects concerned with presenting this music and to all the individual editors who have generously given of their time. Any mistakes in the transmission of their ideas are entirely mine.

(Christopher Duarte).

Guitar

SKU: GI.G-7681G

Composed by Chris De Silva. This edition: Guitar edition. Ordinary Time, Lent 3 B, Easter Vigil, OT 3 C, OT 15 C, OT 26 B. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #7681G. Published by GIA Publications (GI.G-7681G).

UPC: 785147768173. English. Text Source: Based on Psalm 19, John 6:68c. Text by Chris de Silva. Scripture: Psalm 19, John 6:68c.

Guitar

SKU: HL.49010874

Guitar Solo. Composed by Felix Bartholdy Mendelssohn. Edited by Anton Stingl. Arranged by Anton Stingl. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. Playing score. 21 pages. Schott Music #GA461. Published by Schott Music (HL.49010874).

ISBN 9790001097109. UPC: 842819112723. 9.0x12.0x0.104 inches.

Guitar

SKU: FG.55011-324-4

Composed by Kai Nieminen. Fennica Gehrman #55011-324-4. Published by Fennica Gehrman (FG.55011-324-4).

ISBN 9790550113244.

Quad ri Morandi (2014) ties together two essential themes of Kai Niminen's (b. 1953) compositional style: guitar and a subject inspired by Italy. The strong presence of the guitar in his works is natural since he is in an actively performing guitarist himself, and guitar works indeed play a significant role in his oeuvre. Moreover, he has written plenty of orchestral music; for instance two symphonies, numerous concertos, and chamber music. In the field of Finnish music he is a composer who can be characterized as free from any specific school or style. In his musical language, free tonal in essence, one can detect traces of Impressionism, Neoromanticism and even Expressionism at times, but he is also willing to employ more recent 20th-century stylistic devices. Nieminen has mentioned that he finds himself very similar to Japanese Toru Takemitsu both musically and in thought.

Mediterannean culture and Italy especially have been close to Nieminen's heart ever since he first visited the country and appeared in the jury of the international Fernando Sor guitar competition in 1981. He has composed a great number of works which refer to Italian landscapes or artists. The work Quadri Morandi (Morandi's pictures) is written in four movements. It has at its centre the painter Giorgio Morandi (1890-1964), who is known as a master of still lifes and landscapes painted in a plain manner and is subdued colours. Their atmosphere typically reflects a calm spirit. This is the third guitar work that nieminen has written for Kleemola.

It is easy to find a counterpart for the encaptivating realm of Morandi's art in Nieminen's clear and pure expression. The titles and expression markings also include several references to Morandi. For example, in the opening movement Prelude the words la Natura morta (still life) appear as an additional note on the chord sequence following the freely flowing opening section. At the end of the movement one can hear rhythmic motif coloured with flageolets that repeats the syllables of the painter's name: Gior-gio Moran-di. A similar motif can be heard at the end of the second movement Quasi cadenza. The tranquilly breathing third movement Paesaggio (landscape) creates an illusion of landscape by imitating the echo of monastery bells (come campane del monastero) and at the same time refers to il monaco (the monk), the name by which Morandi was often called. The final movement Ritratto (Portrait) is the most extensive of all the movements and can be seen, with its recurring motifs, as a reflection of the stable yet subtly varying elements of Morandi's art. The work ends with the rhythmic motif that once more echoes Morandi's name, like signature.

Composed by Nicolo Paganini (1782-1840). Edited by Frederic Zigante. Editions Durand. Softcover. 92 pages. Editions Max Eschig #DF16375. Published by Editions Max Eschig

Guitar solo

SKU: DZ.DZ-4272

Composed by Mark Anthony Cruz. Score. Les Productions d'OZ #DZ 4272. Published by Les Productions d'OZ (DZ.DZ-4272).

ISBN 9782898521898.

En septembre 2018, le guitariste Toby McWilliams a commandé à Cruz l’écriture d’une pièce solo en trois mouvements après avoir entendu ses Five Pieces in C dans l’émission de radio internationale Classical Guitar Alive. McWilliams a demandé que le premier mouvement soit en forme sonate-allegro, suivi de deux autres pièces reflétant les choix de tempo d’une sonatine en trois mouvements typique. Comme c’est le cas pour la plupart des œuvres de Cruz, cette Sonatine a été achevée en tant que musique pure, sans programme sous-jacent. Cependant, dans sa quête de trouver des titres autres que des indications de tempo, Cruz a extrait trois mots de la correspondance entre lui-même et McWilliams qui, ensemble, ajoutent une touche personnelle à la collection tout en suggérant une progression des événements d’une journée imaginaire.

Un point d’intérêt dans le premier mouvement, le thème A : Cruz commence sur l’accord IV et évite intentionnellement d’utiliser un accord I tout au long de la pièce. Bien que la section B commence dans la tonalité de dominante, elle se dirige rapidement vers un centre tonal de ré majeur.

Festival (3ème mouvement) utilise un thème d’ouverture bitonal : mi majeur dans la voix supérieure tandis que la ligne de basse utilise mi mineur.

In September of 2018, guitarist, Toby McWilliams commissioned Cruz to write a three-movement guitar solo after hearing his Five Pieces in C on the internationally syndicated radio show, Classical Guitar Alive. McWilliams requested the first movement to be in sonata-allegro form followed by two other pieces that reflect the tempo choices of a typical three-movement sonatina. As is the case with most of Cruz’s music, this Sonatina was completed as music written for music’s sake. However, in his quest to find titles other than tempo markings, Cruz plucked three words from the correspondence between himself and McWilliams that together, add a personal touch to the collection while suggesting a progression of an imaginary day’s events.

A point of interest in the first movement, A theme: Cruz begins on the IV chord and intentionally avoids using a proper I chord throughout. While the B section does begin in the dominant key, it moves quickly towards a D major tonal center.

Festival (3rd movement) uses a bitonal opening theme: E major in the top voice while the bass line uses E minor.

By Travis Perry. For Guitar. Chord Buddy. General Merchandise. 120 pages. Published by Hal Leonard

by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Level: Multiple Levels. Book. Method. Size 8.75x11.75. 320 pages. Published by Mel Bay Pub., Inc.

Lead Sheets for 200 Jazz Standards. Composed by Various. Guitar Book. Softcover. 382 pages. Published by Hal Leonard

Guitar

SKU: GI.G-10060G

Composed by Carlos Zapién. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #10060G. Published by GIA Publications (GI.G-10060G).

UPC: 785147006077. Text Source: English vv: Psalm 23, The Abbey Psalms and Canticles, English ref., Lectionary for Mass, Spanish words: Salmo 22, Leccionario Edición Hispanoamericana

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Guitar

SKU: GI.G-8020G

Composed by John L. Bell. This edition: Guitar edition. Tune Name: Romero. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #8020G. Published by GIA Publications (GI.G-8020G).

English. Text Source: Inspired by the words of Oscar Romero, 1917–1980. Text by John L. Bell.

Inspired by the words of Oscar Romero this evocative text is a call to action, to live lives that are directed toward providing peace and justice for all God's people. This is the Guitar Edition.

Guitar

SKU: GI.G-7219G

Composed by Greg Scheer. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 3 pages. GIA Publications #7219G. Published by GIA Publications (GI.G-7219G).

English. Text Source: Spoken words, Psalm 124, NRSV, alt., sung words, based on Psalm 124. Text by Greg Scheer. Scripture: Psalm 124.

By Eduardo Fabini, trans. By Atilio Rapat. For Guitar (Classical). Solos. Chanterelle. Classic. Book. 4 pages. Published by Chanterelle.
Level: Intermediate.

10 Contemporary Classical Guitar Solos. Saddle-stitched, World. Classical Guitar. Book and online audio. Mel Bay Publications, Inc #30979M. Published by Mel Bay Publications, Inc

Composed by Johann Kaspar Mertz (1806-1856). For Guitar. Book; Classical Guitar Folio; Masterworks. Alfred Classical Guitar Masterworks. Acoustic; Masterwork; Romantic. Intermediate. 88 pages. Published by Alfred Music

Piano, Vocal and Guitar - Grade 2

SKU: HL.14029939

Composed by Julie Stanley. Music Sales America. Musical Education. Book and CD. Composed 2013. 40 pages. Music Sales #GA11116. Published by Music Sales (HL.14029939).

ISBN 9780711979277. UPC: 884088436810. 9x12 inches. English.

A fun Nativity containing 10 new songs and an original script re-telling the timeless Biblical story by Julie Stanley and Mary Green. The (Pupil's Book - GA11117) contains the play and song words. This (Teacher's Book) contains the piano score with vocal line, chord symbols and production notes, with matching CD. Script available in student book. If you need to license a school/youth theatre performance of this product, please use the online application form.

Guitar

SKU: GI.G-10076G

We Lift Up Our Hearts. Composed by Tony Alonso S.J. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. GIA Publications #10076G. Published by GIA Publications (GI.G-10076G).

Text Source: Letra tradicional / Traditional words, Tr. al ing. por / Eng. tr. by Tony Alonso.

Guitar

SKU: GI.G-10835G

Composed by Shannon Cerneka. Arranged by Orin Johnson. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #10835G. Published by GIA Publications (GI.G-10835G).

Text Source: Words: Shannon Cerneka. Text by Shannon Cerneka.

Guitar

SKU: GI.G-7666G

Composed by Tom Franzak. This edition: Guitar edition. Ordinary Time 7 A, Ordinary Time 24 B, Ordinary Time 27 C, Christ the King A. Sacred. Guitar part. With guitar chord names. 6 pages. GIA Publications #7666G. Published by GIA Publications (GI.G-7666G).

English. Text Source: Based on James 2:14–17, Matthew 25:37–40 and the words of St. Augustine. Text by Tom Franzak. Scripture: James 2:14D17, Matthew 25:37D40.

Guitar

SKU: GI.G-8314G

Composed by Chris De Silva. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 5 pages. GIA Publications #8314G. Published by GIA Publications (GI.G-8314G).

English. Text Source: Ref.: based on words of St. Teresa of Avila. Text by Liam Lawton.

Guitar

SKU: GI.G-9980G

Composed by Lori True. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 2 pages. GIA Publications #9980G. Published by GIA Publications (GI.G-9980G).

UPC: 785147998075. Text Source: Inspired by the words of Pope Francis.

Guitar

SKU: GI.G-8833G

Song of Farewell. Composed by Fergal King. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #8833G. Published by GIA Publications (GI.G-8833G).

English. Text Source: Words adapt. from Scripture. Text by Feargal G. King.