| 24 Preludios para guitarra Guitare [Partition + Accès audio] - Intermédiaire Music Distribution Services
Guitar - intermediate to advanced SKU: M7.GHE-702-96 Composed by Manuel P...(+)
Guitar - intermediate to
advanced SKU:
M7.GHE-702-96
Composed by Manuel Ponce.
Edited by Stefano
Grondona. This edition:
Saddle-wire stitching.
Sheet music with Online
material. Critical
Edition. MDS (Music
Distribution Services)
#GHE 702-96. Published by
MDS (Music Distribution
Services)
(M7.GHE-702-96). ISBN
9783890447056.
English. HIS IS THE
FIRST CRITICAL EDITION OF
THESE WORKS AND IT OFFERS
WE HOPE A STANDARD
READING WHICH EXAMINES,
WITH SOLUTIONS, MANY
UNEXPLAINED DIFFERENCES
BETWEEN THE COMPOSER'S
MANUSCRIPTS, OUR EDITED
MUSIC TEXT, AND PREVIOUS
EDITIONS. 70 years after
Ponce's death in 1948, we
celebrate his life with a
new critical-performing
edition of his 24
Preludios newly prepared
from the original
manuscripts by Stefano
Grondona. We proudly
present a totally new
edition with audio files
of the 24 Preludios para
guitarra. This is the
first critical edition of
the 24 Preludios para
guitarra. The audio files
of all 24 Preludios are
played by Stefano
Grondona and for download
with a code printed in
the book. This edition is
really two editions in
one. Not only is it a
performing edition
meticulously fingered by
Stefano Grondona, but as
well it is also an Urtext
edition of the original
manuscripts. Our
pragmatic critical
apparatus permits the
player simply and clearly
to see also what was in
the original manuscripts,
and what was not. With
this publication it is
now possible to clarify
some long-standing issues
relevant to our aim of
presenting an accurate
final music text; it is
now possible to see where
previous publications of
this repertoire have
varied with the
manuscripts and how we
have treated these
situations in our
edition, and how these
were treated differently
in previous editions. A
comprehensive critical
commentary is included
together with copious
historical and
informative notes about
the selection of the
works and how and why our
edition took its present
form and content. At last
we believe to have an
edition which takes the
form which the composer
intended and new source
material is also
included, such as the
Ramaugé ms for
Prelude no. 6. $26.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Élégie Guitare Guitare classique [Conducteur] - Intermédiaire Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522). ISBN
9782897963026. Fran
cis Bebey est né ÃÂ
Douala en juillet 1929,
dans une grande famille
où son père,
pasteur, luttait pour
nourrir ses enfants. Mais
Francis a eu
l'opportunité d'aller
àl'école. Admirant
son frère aîné,
Marcel Eyidi Bebey, il
s'est éduqué, s'est
distingué, et a
finalement reçu une
bourse pour passer son
baccalauréat en
France. Nous
approchions de la fin des
années 1950 lorsqu'il
est arrivé àLa
Rochelle. Plus que
jamais, dans cette France
où les Africains
étaient regardés
avec curiosité,
condescendance ou
dédain, Francis
s'appuyait sur ses
ressources
intellectuelles.
Travailleur assidu, il a
obtenu son
baccalauréat, puis
s'est installé ÃÂ
Paris où il a
commencé des études
d'anglais àla
Sorbonne. Un jour, il a
su ce qui l'attirait
vraiment : il voulait
faire de la radio.
Francis a appris son
métier en France et
aux
�tats-Unis. Après
avoir travaillé
quelques années comme
reporter, il a été
embauché en 1961 en
tant que fonctionnaire
international au
Département de
l'information de
l'UNESCO. Parallèle
ment, Francis a toujours
été attiré par
la création musicale.
Son activité diurne
très sérieuse ne
l'empêchait pas de
fréquenter les clubs
de jazz le soir. Ã?
Paris, le jazz, la
musique àla mode ÃÂ
cette époque, mais
aussi la rumba et la
salsa l'attiraient. Il
collectionnait les
disques et assistait ÃÂ
de nombreux concerts.
Avec son complice Manu
Dibango, Francis montait
sur scène et jouait de
la musique. Francis
aimait la musique
classique depuis son
enfance. Il avait grandi
en écoutant les
cantates et les oratorios
de Bach ou Handel que son
père chantait au
temple. Il s'est
passionné pour la
guitare, impressionné
par les maîtres
espagnols et
sud-américains, et a
décidé d'apprendre
àjouer de
l'instrument
lui-même. Il a
commencé àcomposer
des pièces pour
guitare, mêlant les
diverses influences qui
le traversaient avec la
musique traditionnelle
africaine qu'il portait
en lui depuis son
enfance. Son approche a
captivé le directeur
du Centre culturel
américain (alors
situé dans le quartier
de Saint-Germain ÃÂ
Paris), qui lui a offert
l'opportunité de se
produire devant un
public. Francis y a
donné son premier
récital de guitare
(1963) devant un public
hypnotisé. Son premier
album solo est sorti peu
de temps
après. Progressivem
ent, Francis est devenu
reconnu comme musicien et
compositeur. Plusieurs
albums de l'ambassadeur
africain de la guitare,
comme le décrivait la
presse, sont sortis. Il a
également écrit des
livres, au point que sa
carrière artistique
est devenue difficile
àconcilier avec sa
carrière de
fonctionnaire. En 1974,
même s'il était
devenu le directeur
général chargé
de la musique ÃÂ
l'UNESCO, il a fait le
saut audacieux et a
démissionné de
cette prestigieuse
institution pour se
consacrer aux trois
activités qui
l'intéressaient : la
musique, la
littérature et le
journalisme. Il a
exploré le patrimoine
musical traditionnel du
continent africain,
notamment àtravers le
piano àpouce sanza et
la musique polyphonique
des pygmées d'Afrique
centrale, ou en chantant
dans sa langue maternelle
et en composant des
chansons humoristiques en
français ! Le
succès a suivi.
Francis Bebey a parcouru
le monde : de la France
au Brésil, du Cameroun
àla Suède, de
l'Allemagne aux
Caraïbes, ou du Maroc
au Japon... la liste des
pays où il a été
invité àse
produire, àdonner des
conférences ou ÃÂ
rencontrer des lecteurs
est très longue. En
plus de la reconnaissance
publique, il
bénéficiait de la
reconnaissance de ses
collègues musiciens,
tels que le guitariste
John Williams ou le
Vénézuélien
Antonio Lauro, qui l'ont
invité àfaire
partie du jury d'un
concours de guitare
classique ÃÂ
Caracas. Sa vie
était le voyage d'un
pionnier africain, un
homme enraciné dans
son patrimoine culturel
et portant un message de
partage et d'espoir pour
le monde. Son
originalité continue
de résonner dans le
monde entier depuis son
décès àla fin
du mois de mai
2001.
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Le chemin de croix / Labyrinthe Guitare Guitare classique [Conducteur] Productions OZ
Guitar solo SKU: DZ.DZ-4280 Composed by Francis Kleynjans. Score. Les Pro...(+)
Guitar solo SKU:
DZ.DZ-4280 Composed
by Francis Kleynjans.
Score. Les Productions
d'OZ #DZ 4280. Published
by Les Productions d'OZ
(DZ.DZ-4280). ISBN
9782898521973. CâÂ
€Â™est un beau voyage aux
travers des tonalités
que je vous propose avec
ces deux
pièces.
La
première Le chemin de
croix expriment les 14
tableaux de la Passion du
Christ par
l’intermédiaire
d’un simple
arpège et de 14
tonalités
différentes. Les 12
tonalités mineures qui
débutent
l’œuvre de
façon parfaitement
naturelle (ré, la, mi,
si, fa#, do#, sol#,
ré#, sib, fa, do, sol)
sont suivi par deux
tonalités majeures
(ré et la) qui
viennent conclurent
l’œuvre comme une
triomphante
délivrance.
La
deuxième pièce
Labyrinthe reprend le
même principe, mais de
façon différente.
Avec un autre arpège
et des tonalités
majeures et mineures qui
s’enchainent en
s’alternant
d’une façon
naturelle par le biais
d’une légère
mutation, nous égarant
dans les méandres des
tonalités, pour enfin
nous retrouver dans le
ton original, nous
délivrant ainsi de ce
grand labyrinthe (do,
lam, ré, sim, mi,
do#m, fa#, ré#m, lab,
fam et
do).
J’espÃÂ
¨re que les
découvreurs de ces
pièces auront le
même plaisir que
j’ai eu àles
composer pour
eux.
Francis
Kleynjans
It’
s a beautiful journey
through the tones that I
offer you with these two
pieces.
The first
The Stations of the Cross
express the 14 scenes of
the Passion of Christ
through a simple arpeggio
and 14 different tones.
The 12 minor keys which
begin the work in a
perfectly natural way (D,
A, E, B, F#, C#, G#, D#,
Bb, F, C, G) are followed
by two major keys (D and
the) who come conclude
the work as a triumphant
deliverance.
The
second piece Labyrinthe
uses the same principle,
but in a different way.
With another arpeggio and
major and minor tones
which follow one another
alternating in a natural
way through a slight
mutation, leading us
astray in the meanders of
the tones, to finally
find ourselves in the
original tone, we thus
delivering from this
great labyrinth (do, lam,
re, sim, mi, do#m, fa#,
re#m, ab, fam and
do).
I hope that
the discoverers of these
pieces will have the same
pleasure that I had in
composing them for
them.
Francis
Kleynjans. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Nashville Number System Fake Book Guitare [Fake Book] Hal Leonard
By Various. Edited by Trevor de Clercq. Fake Book. Softcover. 224 pages. P...(+)
By Various. Edited by
Trevor
de Clercq. Fake Book.
Softcover. 224 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Un jour de mars Guitare Guitare classique [Conducteur] - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4277 Composed by Michel Dalle Ave. ...(+)
Guitar solo -
Intermediate SKU:
DZ.DZ-4277 Composed
by Michel Dalle Ave.
Score. Les Productions
d'OZ #DZ 4277. Published
by Les Productions d'OZ
(DZ.DZ-4277). ISBN
9782898521942. DÃÂ
©couvrez Un Jour de Mars,
une ballade musicale
envoûtante pour
guitare seule qui capture
l'espoir et la douceur de
l'arrivée du
printemps. Laissez-vous
transporter par cette
mélodie évocatrice
qui sâ??interpréte
comme un
prélude�
Di
scover Un Jour de Mars, a
haunting musical ballad
for solo guitar that
captures the hope and
sweetness of the arrival
of spring. Let yourself
be transported by this
evocative melody which is
interpreted like a
prelude... $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jewish Songs for Classical Guitar Guitare Guitare classique Transcontinental Music
Arranged by Fred Fastow. Transcontinental Music Folios. Size 8.5x11 inches. 27 p...(+)
Arranged by Fred Fastow.
Transcontinental Music
Folios. Size 8.5x11
inches. 27 pages.
Published by
Transcontinental Music
Publications.
$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Complete Guitar Player Songbook Omnibus Edition Guitare [Fake Book] Music Sales
Compiled by Russ Shipton. Fake book for voice and guitar. With vocal melody, lyr...(+)
Compiled by Russ Shipton.
Fake book for voice and
guitar. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. 167 pages.
Published by Music Sales.
(1)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Complete Guitar Player Songbook Omnibus 1 Guitare [Partition + CD] Amsco Wise Publications
Guitar SKU: BT.MUSAM996996 Arranged by Russ Shipton. The Complete Guitar ...(+)
Guitar SKU:
BT.MUSAM996996
Arranged by Russ Shipton.
The Complete Guitar
Player. Pop & Rock. Book
with CD. Wise
Publications
#MUSAM996996. Published
by Wise Publications
(BT.MUSAM996996). ISBN
9781849380140.
English. Th
e Complete Guitar
Player series
has taught hundreds of
thousands how to play and
the accompanying
songbooks have featured
hits by Paul Simon, Elvis
Presley, The Beatles,
John Denver and many
othertopartists.
N
ow these songbooks are
available in super value
omnibus editions like
this one. The songs are
still graded by ease of
playing and everything is
there... standard
notation, Guitar chord
boxes, full lyrics
andevenstrumming
patterns!
Over 180
great songs! Perfect for
all players and
singers!
The bonus
CD contains backing
tracks to 16 of the songs
in the book. $32.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Complete Method for Modern Guitar Guitare [Partition] Mel Bay
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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